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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi Jurnal Orasi
Muhammad Dicka Ma'arief Alyatalatthaf
Institut Teknologi dan Bisnis Kalbis
Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science

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ONLINE ABUSE DAN NARASI HYPERMASCULINITY DALAM KASUS PERUBAHAN IDENTITAS GENDER APRILIO PERKASA MANGANANG Muhammad Dicka Ma'arief Alyatalatthaf
ORASI: Jurnal Dakwah dan Komunikasi Vol 13, No 2 (2022): Desember 2022
Publisher : IAIN Syekh Nurjati Cirebon

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24235/orasi.v13i2.10962

Abstract

Penelitian ini bertujuan untuk mengetahui bentuk-bentuk online abuse dan narasi hypermasculinity yang terjadi dalam kasus perubahan identitas gender Aprilio Perkasa Manganang, mantan atlet voli putri Indonesia. Perilaku online abuse ditemukan dalam kolom komentar unggahan akun Instagram @kumparan dan @manganang92. Narasi hypermasculinity juga ditemukan di teks video unggahan @kumparan dan beberapa komentar di kedua akun tersebut. Konsep Online Abuse Wheel oleh Women’s Media Center Speech Project digunakan untuk melihat bentuk-bentuk online abuse. Adapun narasi hypermasculinity dilihat berdasarkan stereotip maskulinitas tradisional melalui peran gender (gender role) dan peran jenis kelamin (sex role). Metode yang digunakan dalam penelitian ini adalah Analisis Wacana Kritis model Teun A. van Dijk. Hasil dari penelitian ini adalah perilaku online abuse secara keseluruhan tergolong dalam kategori gender-based bullying, sedangkan narasi hypermasculinity pada komentar dan teks video unggahan @kumparan dapat mempolarisasi adanya wacana ‘laki-laki tulen’ dan ‘laki-laki feminin’.
Implementation of EDFAT Technique in the Creation of Photo Story about Galeri Foto Jurnalistik Antara Muhammad Dicka Ma'arief Alyatalatthaf; Dyah Kusumawati
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 19, No 2 (2023): Rekam: Jurnal Fotografi, Televisi, Animasi
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v19i2.9106

Abstract

Photo story is a genre in photography which aims to capture various life events with a chronological plot that has a narrative aspect. It is enable us to tell a story in several photo that represent reality holistically. A photography technique known as EDFAT is also used to aid in the creation of works. The goal of this research is to use the EDFAT technique to create photo story works at Galeri Foto Jurnalistik Antara. The results of this study, "Galeri Foto Jurnalistik Antara" photo story is able to accommodate photos that are holistic visually and narratively due to the implementation of EDFAT: a) Entire, producing photos of locations, situations, events, activities, and objects that represent GFJA and Graha Bhakti Museum; b) Detail, produce photos of specific parts of the GFJA, the important elements in it are described in close-up and isolated through DOF; c) Frame, produces photos that highlight objects by utilizing the foreground and being able to frame discourse through visuals; d) Angle, produce photos with an unusual perspective so that the audience can enjoy objects from a unique perspective; e) Time, produce photos that philosophically want to describe the activities of visitors at GFJA.
Co-Authors Dyah Kusumawati