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All Journal ATAVISME JURNAL ILMIAH KAJIAN SASTRA Wacana, Journal of the Humanities of Indonesia
Erlis Nur Mujiningsih, Erlis Nur
Pusat Bahasa
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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K.H. A. MUSTOFA BISRI: PENYAIR YANG MENYIKAPI KEOTORITERAN MASA ORDE BARU DAN KEBEBASAN MASA REFORMASI Mujiningsih, Erlis Nur
ATAVISME Vol 10, No 2 (2007): ATAVISME, EDISI DESEMBER 2007
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5530.968 KB) | DOI: 10.24257/atavisme.v10i2.237.11-25

Abstract

This article is purposed to describe the composition of Mustofa Bisri. By credo la ilaha ilallah, Mustafa Bisri creates the painting and literature area without pay attention to the comment of the critics about his work. His works are considered as a part of amar makrufnahi munkar that he wants to be built, with credo and that spirit, Mustofa Bisri presents more issues related with the correlation between man and his peer, in social level and a man with his god in individual level. His critics are not only for an administrator that related with the people but also to the community and an individual. Even though his critics to the administration are too sharp, Mustofa Bisri is always escaped from the capture and restraint. It is not only because of his figure as Kiai Nadiatul Ulama that supported by his students but also because of his competence in forming his critics to the language that is impressed jokes, by turning around the words like his poem mbeling. His poems reflex his view and attitude to the authorization in the New Orde era and the freedom in the reformation era.
The hidden power of struggling; When women at the crossroads between nature and culture Susamto, Dina Amalia; Mujiningsih, Erlis Nur; Purwaningsih, Purwaningsih; Susilastri, Dian
Wacana, Journal of the Humanities of Indonesia Vol. 24, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Women and nature have a bonding which reflect the connectedness between humans and non-humans. The exploitation of women affects nature and vice-versa. The novels Entrok, written by Okky Madasari, Tarian Bumi by Oka Rusmini, and Trilogi Ronggeng Dukuh Paruk by Ahmad Tohari narrate the experiences of women struggling to survive in cultures dominated by the patriarchal system. This article uses qualitative research methods to describe data about the women’s experiences of their encounters with exploitation in these three novels. All data were decoded using the ecofeminism theory. The results show that their nurturing character is a power in the spirituality of women, and it was used in patriarchal systems. The notion of feminization, which preserves both nurture and love, proved insufficient for this purpose as it objectifies women and weakens the struggle. To strengthen the advancement of women, it is important to develop the ethical relationship between humans and nature.
Co-Authors Purwaningsih - Susamto, Dina Amalia Susilastri, Dian