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Journal : MATAPENA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya

ANIMISME DAN DINAMISME DALAM DRAMA ROH KARYA WISRAN HADI SERTA KORELASINYA DENGAN BUDAYA DI SUMATERA BARAT: SEBUAH BENTUK PERWUJUDAN UNSUR EKSTRISNIK DRAMA Nasifatul syarifah; Wika Soviana Devi
MATAPENA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 4 No. 1 (2021): Juni 2021
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia Universitas Islam Majapahit (UNIM) Mojokerto Indonesia

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Abstract

Literary work is of course influenced by the background and thoughts of the writer. This is commonly referred to as the extrinsic element. One of the literary works that has a strong extrinsic element is a drama script entitled Roh by Wisran Hadi. This work raises a tradition that contains animism and dynamism which is reflected in the tradition of summoning ancestral spirits. This drama turns out to have a correlation with the existing traditions in West Sumatra, the area from which Wisran Hadi originated, namely the Togak Balian tradition. This existing correlation becomes a tangible form of embodiment of extrinsic value in drama. Keywords: drama, animism, dynamism, Togak Balian, West Sumatra, extrinsic
Struktur Naskah Drama Matahari Setengah Mati Karya Agus Rego Subagyo Siti Mutmainah Latifah; Wika Soviana Devi
MATAPENA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 4 No. 1 (2021): Juni 2021
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia Universitas Islam Majapahit (UNIM) Mojokerto Indonesia

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Abstract

This study aims to describe the character elements, roles, characters, events, motifs, plots, conflicts, settings, language cultivation, themes, and mandates contained in the drama script of Matahari Half Mati. This type of research uses qualitative research with descriptive methods. The results showed that this drama script has seven symbolic figures. These characters have their own roles and characters. This drama script with the theme of family life without a leader does not have a purposeful goal. Many problems arise in the family. The messages that can be taken from this drama script are: a) the importance of education in order to become an intelligent person and have broad insight. b) don't be a leader who doesn't care about the fate of the little people. c) do not be a man who can not restrain his lust. This drama script does not have a clear conflict. The author does not explain clearly where the conflict begins, the conflict peaks, and the resolution. The finishing part of this drama is incomplete and seems to hang. Keywords: character, drama, family, conflict, message
Disorientasi Kekuatan Wanita pada Cerpen Lesung Pipit Karya Eka Kurniawan: Kritik Feminisme Nasifatul Syarifah; Wika Soviana Devi
MATAPENA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 5 No. 1 (2022): Juni 2022
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia Universitas Islam Majapahit (UNIM) Mojokerto Indonesia

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Abstract

In society, women often get a share in the domestic field, such as kitchen work, taking care of children, and so on. The position of placing women indicates that women have power under men. In addition, women are also often the target of objectification and subordination by men. As a medium of expression and expression, literature is often a place to criticize all phenomena that occur in society. One of the literary works that shows another strength of a woman is a short story entitled Lesung Pipit by Eka Kurniawan. In this short story, there is a disorientation of power in a woman named Lesung Pipit. In this story, Lesung Pipit is positioned as a woman who obeys the patriarchal culture reflected by her father. However, at the end of the short story it is told that Lesung Pipit took an action to defend his rights as a woman. This story is interesting to study using a feminist critique approach. This is because the short story raises the issue of women and their sexual power. Keywords: disorientasi, kekuatan, wanita, Lesung Pipit.