Siti Aliyuna Pratisti, Siti Aliyuna
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Aesthetic and World Politics by Roland Bleiker. Basingtoke, Hampshire: Palgrave Macmillan, 2009. Hardcover: 271 pp. Pratisti, Siti Aliyuna; Rachman, Junita Budi
Intermestic: Journal of International Studies Vol 2 No 1 (2017)
Publisher : Departemen Hubungan Internasional, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (289.265 KB) | DOI: 10.24198/intermestic.v2n1.8


Aesthetic approach to politics is not really something considered as a novelty. Immanuel Kant has described the aesthetic relationship with rationality way back in the 17th century, as well as Friedrich Nietzsche and Jaques Rancier as a more contemporary counterpart. In the field of international relations, the study of aesthetics has been raised by a number of reviewers – from James Der Derian, Costas Constantinou, David Campbell, to Anthony Burke – who began to lay aesthetics as a foothold in approaching various phenomena. Roland Bleiker is one of the most consistent among them. In an essay entitled "The Aesthetic Turn in International Political Theory", Bleiker opened the discourse to establish aesthetics as one of the paradigms in international political theory. His essay is published in 2001, contrasts with the majority of international political theories that always try to "catch the world as it is". Bleiker assumes that there is always a distance between representation and what it represents. Through aesthetics, he criticizes approaches that fill this theoretical gap with mimetic ideas. He emphasizes that aesthetic studies do not try to mimic the reality, but it is trying to recognize the various emotions and sensibilities in the formation of a certain representation. The great role of "emotion" in politics is further explained by Bleiker through an essay entitled “Fear No More: Emotions and World Politics”, published seven years after.
Negotiating Soundscape: Practice and Regulation of Adzan in Indonesia Pratisti, Siti Aliyuna
Journal of Indonesian Social Sciences and Humanities Vol 10, No 2 (2020): General Issue: Indonesian Social Sciences and Humanities
Publisher : Deputy of Social Sciences and Humanities, the Indonesia Institute of Sciences (LIPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14203/jissh.v10i2.180


This article explores the historical context of practice and regulation of Adzan in Indonesia. As historical underpinnings, this article will follow a structural timeline of post-independence Indonesia to the current development of the state’s regulations of Adzan. To understand the social context of Adzan, Schafer’s conception of Soundmark and Hirschkind’s ethical soundscapes will be employed as theoretical framework to analyze how Indonesian (government and civil society) negotiates social tension caused by the use of loudspeaker in Indonesian mosques. Government regulations will be used as primary sources, while newspaper, journal and websites, provide additional information on the practice and regulations of Adzan in Indonesia. This article, however, will limit its study to the historical and social aspect of Adzan. Discussion on the theological aspect will not be covered by this article.