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All Journal Panggung Laga-Laga: Jurnal Seni Pertunjukan
Asep Saepul Haris, Asep Saepul
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media

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“BE YOURSELF” (The Creation of a Music Composition) Haris, Asep Saepul; Supanggah, Rahayu; Sukerta, Pande Made; Sunarto, Bambang
PANGGUNG Vol 27, No 4 (2017): Comparison and Development in Visual Arts, Performing Arts, and Education in C
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v27i4.287

Abstract

AbstractAn artistic workmanship is a creative work process of an artist in creating artworks. Artwork meant by the writer is "Be Yourself", which is related to the establishment of his self-characters that grown up in Sundanese culture. Life journey was a dynamic process and became the will of the Almighty. Gods destiny and life journey made the writer as “urangsumando” (people related by marriage) in Minangkabau. Cross-cultural was a life journey to be (yourself) and the destiny he should do – being in two different culture positions. Such differences did not automatically make the writer soluble in integration – he existed in two conceptions. In the realization, how the concepts are able to deliver other offers which have contribution to the development of artistic creation. The discussion in this article is the artistic forms as the exploration, working material, and forms of performance.Keywords: artistic, workmanship, music work 
PENCIPTAAN KOMPOSISI MUSIK KARAWITAN “NGANDUN” Reliansya, Yolanda; Haris, Asep Saepul; Firman, Firman
Laga-Laga : Jurnal Seni Pertunjukan Vol 4, No 1 (2018): Laga-Laga: Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v4i1.451

Abstract

“Ngandun” merupakan karya komposisi baru yang berangkat dari rasa musikal yang berbeda antara pola sweri dan tamatam pada kesenian Tabot Bengkulu yang dijumpai pada kegiatan prosesi malam menjara. Dalam penggarapan komposisi “Ngandun” terjadi eksplorasi terhadap musik tradisi, dengan melakukan pengolahan menjadi tekhnik-tekhnik musik konvensional dan penggabungan pengolahan sumber tradisi secara lebih leluasa terjadi pengolahan terhadap materi musikal sweri dan tamatam, baik melalui pengembangan bunyi, tempo terikat dengan sumber tradisi. 
Co-Authors Bambang Sunarto Firman Firman Pande Made Sukerta, Pande Made Rahayu Supanggah, Rahayu Reliansya, Yolanda