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All Journal IBDA` : Jurnal Kajian Islam dan Budaya Panggung
Lina Meilinawati, Lina
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Religion Arts Humanities Education

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Estetika Tari Minang dalam Kesenian Randai Analisis Tekstual-Kontekstual Rustiyanti, Sri; Djajasudarma, Fatimah; Caturwati, Endang; Meilinawati, Lina
PANGGUNG Vol 23, No 1 (2013): Strategi dan Transformasi Tradisi Kreatif: Pembacaan, Pemaknaan, dan Pembelaja
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v23i1.86

Abstract

ABSTRACT This paper reveals textual and contextual Randai, among other things, an analysis of Gerak Ga­ lombang Randai, an analysis of the character of Anak Randai, and at the end of the study series, to reveal the values contained in Randai as a cultural reality, which in principle is an inseparable part of the existence of Minangkabau community as the cultural support. The variety of motion used in Gerak Galombang Randai is not only a decoration of the motion beauty (tangible), but it also can be translated, as well as a symbol or emblem that has educational meanings (intangible), and can be an example of the daily life of the indigenous Minangkabau society. Keywords: Minang Dance aesthetic, Randai, textual­contextual analysis  ABSTRAK Tulisan ini mengungkap teksual dan kontekstual Randai, di antaranya, analisis terhadap gerak galombang Randai, analisis karakter tokoh anak Randai, dan sebagai akhir dari rang- kaian penelitian ini, mengungkapkan nilai-nilai yang terdapat pada Randai sebagai realitas budaya, yang pada prinsipnya merupakan bagian yang tak dapat dipisahkan dari eksistensi masyarakat Minangkabau sebagai penyangga kebudayaan. Ragam gerak yang digunakan dalam gerak galombang Randai itu kiranya tidak hanya sekedar hiasan keindahan gerak be- laka (tangibel), namun ia dapat diterjemahkan, sekaligus merupakan simbol atau lambang yang bermakna  mendidik (intangibel), dan dapat   menjadi teladan dalam kehidupan se- hari-hari dalam masyarakat adat di Minangkabau. Kata Kunci: estetika Tari Minang, Randai, analisis tekstual-kontekstual  
JILBAB: BUDAYA POP DAN IDENTITAS MUSLIM DI INDONESIA Meilinawati, Lina
IBDA` : Jurnal Kajian Islam dan Budaya Vol 14 No 1 (2016): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (265.617 KB) | DOI: 10.24090/ibda.v14i1.623

Abstract

The purpose of this study is to examine jilbab as a pop culture and Indonesian moslem identity. The use of jilbab (a headscarf or a head covering) for moslem women has gained its popularity since the last twenty year. This phenomenon is interesting to be investigated particularly from diverse jilbab or veiling practices in many different ways. Indonesian moslem women, for instance, used styles of jilbab and fashion which are different from those worn by moslem women in other countries. Hence, this shows characteristics of Indonesian moslem women in wearing or using jilbab which becomes an identity. Many scholars see identity as a product of social construction, and a fluid concept. This is due to the emergence of various identities resulted from different contexts. For the theoretical framework, this study uses Barthes semiotic analysis to interpret and decode the signs attached to jilbab and Indonesian moslem fashion as a part of pop culture and a new identity. The result of the study indicates that jilbab as a headscarf changes from time to time in terms of its use and styles. Jilbab styles worn by Indonesian moslem women adopted both local and global styles. This demonstrates the hybrid identity of Indonesian moslem women in wearing or using jilbab.
Co-Authors Endang Caturwati Fatimah Djajasudarma Sri Rustiyanti