Hermawan, Ferry Fauzi
Universitas Pendidikan Indonesia

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BAHASA, TUBUH, DAN PARADIGMA PATRIARKI DALAM HUMOR KONTEMPORER INDONESIA Hermawan, Ferry Fauzi; Waskita, Dana; Sulistyaningtyas, Tri
Jurnal Pendidikan Bahasa dan Sastra Vol 17, No 1 (2017): APRIL 2017
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/bs_jpbsp.v17i1.6955

Abstract

This study aims to analyze the construction of women in Indonesia humors that appear through the application of whatsapp conversation. This analysis is based on the opinion of Crawford (2003) and Sen (2012) about gender relations, linguistics, and humors. The focus of the study is the use of indeksial meaning and polysemy in constructing a humorous story in women. After the analysis, it was found that humors developing in the application media of whatsapp conversation tended to perpetuate sexist patriarchal values such as portraying women as a highly compliant and passive. In terms of the structure, most of the humors used several techniques of misalignment to cause the value of humor in the reader's mind. Most of the female figures appeared to be in the private or domestic space. In addition, the data show that most of the humors used figurative polysemy, especially in describing sexual activities. In this case, the women were always associated with inanimate objects, such as in describing sexual activities or woman genitals. The indeksial meanings of the language used were always based on the paradigm and the interests of men that are in line with patriarchal values. This eventually led to symbolic violence on women.Keywords: humors, polysemy, symbolic violence, women
TRANSGRESI SEKSUAL DALAM NOVEL PARA PENEBUS DOSA KARYA MOTINGGO BUSYE (Sexual Transgression in Motinggo Busye’s “Para Penebus Dosa”) Hermawan, Ferry Fauzi
METASASTRA: Jurnal Penelitian Sastra Vol 7, No 1 (2014)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2014.v7i1.35-46

Abstract

Artikel ini bertujuan untuk menggambarkan transgresi seksual yang terdapat dalam novel Para Penebus Dosa karya Motinggo Busye. Metode yang digunakan dalam artikel ini adalah metode deskriptif analitis. Data dari novel dideskripsikan untuk memperoleh gambaran transgresi seksual. Dalam novel tersebut pelanggaran terhadap kebiasaan seksual, norma, dan kelas digambarkan melalui peristiwa seksual yang dialami oleh para tokoh, terutama tokoh perempuan. Hasil analisis menunjukkan bahwa tokoh perempuan digambarkan banyak melakukan tindak transgresi dibandingkan dengan tokoh laki-laki. Analisis juga menunjukkan bahwa narator dalam novel memiliki sikap bias gender dan mendukung nilai-nilai patriarki dengan lebih banyak memberikan hukuman terhadap tokoh perempuan yang melakukan tindak transgresi seksual dibandingkan kepada tokoh laki-laki.Abstract:The paper aims at describing sexual transgression in Motinggo Busye’s “Para Penebus Dosa”.  The research applies descriptive method. The sexual transgressions elaborated in the novel are presented through the deviance of sexual affairs, social norms, and class experienced by the characters, especially female character. The result of the research shows that  female characters described in the story committed a lot of sexual transgressions compared to male characters. The study also reveals that the narrator in the novel  has a gender bias act. Moreover, he supports values of patriarchy by giving more punishment to the female committing sexual transgression act than to the male.
KOSMOPOLITANISME, NEGOSIASI, DAN RESISTENSI: IDENTITAS PEREMPUAN MUSLIM DALAM IKLAN KOSMETIK MUSLIM DI INDONESIA Hermawan, Ferry Fauzi
PALASTREN Jurnal Studi Gender Vol 10, No 2 (2017): PALASTREN
Publisher : STAIN Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21043/palastren.v10i2.2734

Abstract

Tulisan ini bermaksud menganalisis identitas perempuan muslim kontemporer Indonesia melalui iklan kosmetik muslim Wardah. Iklan kosmetik tidak hanya berfungsi sebagai bagian dari bisnis semata tetapi juga menjadi arena kontestasi, negosiasi, dan resistensi konstruksi identitas perempuan muslim Indonesia. Hasil analisis menunjukkan identitas perempuan muslim yang dibangun adalah tidak hanya sosok perempuan urban yang berpendidikan, taat pada ajaran agama, dan sopan tetapi juga dituntut untuk bersikap kosmopolit dengan bergabung pada pergerakan kebudayaan global, berinteraksi dengan orang asing, bahkan hidup di wilayah lain yang dalam hal ini wilayah barat. Selain itu, iklan Wardah juga menjadi sarana negosiasi dan resistensi ajaran Islam dan stigma media yang cenderung memberatkan perempuan. Iklan Wardah berusaha memberikan interpretasi ajaran Islam yang lebih ramah terhadap perempuan. Perempuan muslim Indonesia kontemporer dicitrakan sebagai sosok yang aktif di ruang publik tetapi tetap berjiwa sosial, tidak bergantung pada laki-laki, dan memiliki agensi diri untuk menentukan masa depan kehidupannya. Dari analisis yang dilakukan juga menunjukkan posisi perempuan berhijab dalam iklan Wardah memiliki posisi yang penting karena ia menjelma menjadi sosok otoritatif dalam menentukan keunggulan produk yang ditawarkan dalam iklan.This paper aims to analyze the identity of Muslim women in contemporary Indonesia through Wardah Muslim cosmetics advertising. Cosmetics’ advertising is not only function as a mere part of the business but also becomes an arena for contests, negotiations, and resistance to the construction of the identity of Indonesia’s Muslim women. The result shows that the identity of Muslim women are not only mirrored as a figure of an educated urban woman who is obedient to religion teachings and is also polite, but they are also forced to be cosmopolite by joining cultural movements globally, interacting with strangers, and even living in the other part of the world in this case in the West. Moreover, Wardah advertising is also become the media of negotiation and resistance to Islamic teachings and media stigma which tend to incriminate women. Wardah advertising attempts to provide interpretations of Islamic teachings that are more hospitable to women. Muslim women in contemporary Indonesia imaged as an active figure in public spaces but they still have a social spirit and not depend on men, and furthermore they have their own right to determine their future life. The analysis also shows that the position of a woman wearing “hijab” (a veil) in Wardah advertising has an important position because she has transformed into an authoritative figure to determine the excellence of products offered in the advertisement.