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All Journal Jurnal Dikdas BAHASA DAN SASTRA Kinesik BAHASANTODEA Al-Ulum Jurnal Gramatika Indonesian Language Education and Literature Semiotika JENTERA: Jurnal Kajian Sastra Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Journal of Pragmatics and Discourse Research Jurnal Gramatika: Jurnal Penelitian Pendidikan Bahasa dan Sastra Indonesia
Ulinsa, Ulinsa
Universitas Tadulako
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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GAYA BAHASA DALAM KUMPULAN PUISI PERAHU KERTAS KARYA SAPARDI DJOKO DAMONO (KAJIAN STILISTIKA) ARDIN, ANITA SAFITRI; LEMBAH, H. GAZALI; ULINSA, ULINSA
BAHASA DAN SASTRA Vol 5, No 4 (2020): Jurnal Bahasa dan Sastra
Publisher : BAHASA DAN SASTRA

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Abstract

ABSTRAK - Permasalahan dalam penelitian ini yaitu apa saja gaya bahasa yang digunakan dalam kumpulan puisi perahu kertas karya Sapardi Djoko Damono. Tujuan dalam penelitian ini untuk mendeskripsikan gaya bahasa dalam kumpulan puisi perahu keras karya Sapardi Djoko Damono. Penelitian ini menggunakan metode deskriptif. Analisis data dilakukan dengan menggunakan model analisis Miles Huberman, yaitu: reduksi data, penyajian data, dan penarikan kesimpulan. Berdasarkan analisis hasil penelitian dan pembahasan dapat disimpulkan bahwa dalam kumpulan puisi perahu kertas karya Sapardi Djoko Damono digunakan a) gaya bahasa retoris yang terdiri atas gaya bahasa Aliterasi, Asonansi, Asindeton, Polisindeton, Histeron Proteron, Pleonasme, Prolepsis atau Antisipasi, dan Hiperbol. Selanjutnya, b) gaya bahasa kiasan yang terdiri atas gaya bahasa Persamaan atau Simile, Metafora, Personifikasi, Metonimia, Antonomasia, dan Hipalase. Gaya bahasa yang paling dominan digunakan dalam kumpulan puisi perahu kertas karya Sapardi Djoko Damono adalah gaya bahasa Aliterasi.                             Kata kunci: gaya bahasa, puisi. 
DIKSI DAN GAYA BAHASA DALAM KHOTBAH PENDETA SEFNAT BABYS DI GPDI PERSAUDARAAN KECAMATAN LARIANG KABUPATEN MAMUJU UTARA Tungga, Jefri; Syamsuddin, Syamsuddin; Ulinsa, Ulinsa
BAHASANTODEA Vol 5, No 4 (2017)
Publisher : BAHASANTODEA

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Abstract

The main problems of this research were (1) what is the form of diction in the sermon of Priest Sefnat Babys at GPDI Persaudaraan of Lariang District, North Mamuju Regency?. (2) How is the form of language style in Priest Sefnat Babys sermon at GPDI Persaudaraan in Lariang District, North Mamuju Regency?. This research also has two objectives, namely (1) describing the form of diction usage in Priest Sefnat Babys sermon at GPDI Persaudaraan in Lariang District, North Mamuju Regency. (2) Describing the form of language style in Priest Sefnat Babys sermon at GPDI Persaudaraan in Lariang District, North Mamuju Regency. This research was qualitative and used descriptive method. The source of the data in this research was Priest Sefnat Babys sermon at both Sunday and youth worship held on Saturday. The data were collected through recording, see and note technique. The instrument in this research was a cellphone to record Priest sermon and stationery to take notes. The data analysis technique in this research follows three stages, namely (1) data reduction, (2) data presentation, and (3) conclusion. In this research found the use of diction and forms of language in Priest Sefnat Babys sermon. The use of the diction form in Priest Sefnat Babys sermon is divided into two, namely based on the form of meaning and based on lexical. Dictation based on the form of meaning is divided into two namely denotative and connotative, while diction based on lexical forms are found in two forms, namely synonyms and antonyms. The use of the language style in Priest Sefnat Babys sermon is divided into three, namely the style of comparison, connection, and repetition. Comparative language styles are parables and metaphors, linking language styles namely antonomia, and repetition language styles namely epizeukis.
ANALISIS KARAKTER TOKOH DALAM NOVEL TITIP RINDU UNTUK IBU KARYA EIDELWEIS ALMIRA Yudana, I Wayan; Suputra, I Gusti Ketut Alit; Ulinsa, Ulinsa
BAHASANTODEA Vol 5, No 2 (2017)
Publisher : BAHASANTODEA

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Abstract

This research is based on the desire to know how the character of a character in the novel Titip Rindu for Mother works Eidelweis Almira. This study aims to describe the character of the character in the novel Titip Rindu for the work of Eidelweis Almira with Sigmund's psychoanalytic theory. This research is a type of qualitative research, descriptive, using textual approach, and literature techniques. The analysis of interactive model data by Miles and Huberman was done by way of marking, classifying, and summarizing the results of analysis in harmony with Sigmund Freud's personality theory. The author displays the mother figure as the dominant object in the novel Titip Rindu Untuk Ibu without ruling out the important and interesting role of other characters. Mother in the novel Titip Rindu for Mother is very inspiring, especially the nature and character of how much the affection of a mother to patiently struggle and work hard to raise and raise the baby even though sometimes what is expected not in accordance with reality.
Islamic Religion Value on The Liric Text of Kaili Pop Song Regional Review of Literature in Islamic Education Yunidar Yunidar; Ulinsa Ulinsa
Al-Ulum Vol. 17 No. 2 (2017): Al-Ulum
Publisher : Institut Agama Islam Negeri (IAIN) Sultan Amai Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1021.131 KB) | DOI: 10.30603/au.v17i2.256

Abstract

Lyric of the Kaili Pop song is a literary work that reflects the cultural attitudes of the Kaili society as the owner. The lyrics of the song express feelings or ideas of authors based on the author's life experience. The lyrics of the Kaili's songs that are unique in the theoretical perspective representing the cultural values of Kaili that implicate literature, especially on religious values of Islamic education, (1) prayer (2) repentance, and (3) firmness/resignation. The data of this qualitative research is the text of the lyrics of Kaili pop song. The data source of this research is Kaili songs obtained through audiovisuals in the form of cassettes or CDs. Data were collected through documentation study. The text of the song’s lyric was transcribed into the data card sheets and coded according to the focus of the research. The data transcription is analyzed in accordance with the steps of analysis proposed by Ricoeur consisting of (1) semantic understanding stage, (2) reflective understanding stage, and (3) existential understanding stage.
NOMINA BAHASA KAILI DIALEK RAI Susanti, Ariska; Syamsuddin, Syamsuddin; Ulinsa, Ulinsa
BAHASANTODEA Vol 5, No 2 (2017)
Publisher : BAHASANTODEA

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Abstract

The research problems are: (1) how is the form of noun of Kaili language in Rai dialect?, (2) how is the function of noun of Kaili language in Rai dialect?, and (3) what is the meaning of noun of Kaili language in Rai dialect?. The research aims to: (1) describe the noun form of Kaili language in Rai dialect, (2) describe the noun function of Kaili language in Rai dialect, and (3) describe the meaning of noun of Kaili language in Rai dialect. This was a descriptive qualitative research. Data collection was listening and speaking with listening involving speaking, recording technique, and noting technique. Data analysis used match and distributional with subtitution technique. The research result reveals that (1) the form of the noun of Kaili language in Rai dialect includes the basic noun that is a noun consisting of a morpheme and a derived noun that is a derived noun with the form of the affix, reduplication, compounding, and clitization on the morphological study and noun of Kaili language in Rai dialect on the study of syntax can be known its position in construction of phrases, clauses, and sentences. (2) the Kaili language noun function in the Rai dialect includes the morphological noun function ie as a tool marker, locative adverb marker, and numerical marker. (3) the meaning of Kaili’s noun in Rai dialect in morphology and syntax is to have meaning as component of the meaning of people, animals, fruits, food, tools, place of people perfoming an activity or work, many or more than one, and meaningful to one.                
KOLABORASI SENI PADA UPACARA PENGOBATAN SUKU KAILI Hastuti, Sri; Lembah, Gazali; Ulinsa, Ulinsa
BAHASANTODEA Vol 5, No 2 (2017)
Publisher : BAHASANTODEA

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Abstract

This thesis is focused on art collaboration in medication ceremony of kailinese. The research problem was from an meaning contained in art collaboration in medication ceremony balia tampilangi Ulujadi at donggala kodi of padanjese village. The research aims to describe form and meaning of art collaboration in medication ceremony of kailinese. This research used descriptive qualitative method with hermeneutics approach. Data source of the research was from medication ceremony process of balia tampilangi Ulujadi of kailinese. Technique of data collection was direct observation, interview, documentation, and triangulation. Data analysis covered data collection, data reduction, data display and drawing conclusion. The results indicate that art collaboration in medication ceremony of balia tampilangi Ulujadi includes some forms of art, namely (1) drum and gong, (2) dance art covers movemenst of hand and foot, (3) theatre art covers popasaki, popanjaku of poraro, toratabolu, pokavu. (4) fine art consists of two dimensions and three dimensions. Two dimensions fine art cover bangunjaro and gulinto, siga, kayu mpovera and gantulili, lumbu, langi-langi, while three dimensions cover costume.
REPRESENTASI NILAI MORAL DALAM CERITA RAKYAT KAILI DI KABUPATEN DONGGALA Himawan, Romi; Lembah, Gazali; Ulinsa, Ulinsa
BAHASANTODEA Vol 5, No 4 (2017)
Publisher : BAHASANTODEA

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Abstract

The research problems were (1) What moral value is contained on Kailinese folklore in Donggala district? (2) What is the representation of moral value on Kailinese folklore in Donggala district? The objectives of this research are (1) to describe the moral value on Kailinese folklore in Donggala, and (2) to describe the representation of moral value on Kailinese folklore in Donggala district. The research type was qualitative research. Data were collected through direct observation, recording, interview, note and document analysis. Data analysis used the techniques of Miles and Huberman. The results of this research show that moral values that exist on Kailinese folklore in Donggala district namely individual, social, religious. The results of representation of moral values that are never give up, strong, happy, honest, obedient, curiosity, trusteeship, democratic, loving pet, affection, helping parents, alert, respecting parents, helping, helpful, friendly believe in the power of God and pray.
ANALISIS PENANDA KOHESI DALAM WACANA TAJUK RENCANA HARIAN UMUM MERCUSUAR Marfuah, Julia; Karim, Ali; Ulinsa, Ulinsa
BAHASANTODEA Vol 5, No 1 (2017)
Publisher : BAHASANTODEA

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Abstract

This research aims to describe the use of form anda function of cohesion device in Mercusuar Daily editorial discourse including device of grammatical and lexical cohesion. This research is a qualitative descriptive research. The data collection were done in two ways, namely, (1) refer technique and (2) record technique. Data analysis procedures used trough three stages: (1) data reduction, (2) presentation of data, and (3) conclusion / verivication. Based on the research result, there was the use of devices of grammatical and lexical cohesion in Mercusuar daily editorial discourse of may 2016 edition. Devices used in the grammatical cohesion of discourse include, (1) grammatical  forms of cohesion devices, including : (a) molding (reference), (b) ellipsis (deletion), (c) subtitution, and (d) a conjungtion. Lexical cohesion devices include (a) reps (repetition) that replicated that same right (intact), repeat with replacement, replicated the shape change, repeat with synonym, repeat with hyponym, and (b) collocation. 2) Cohesion devices function as follows : (a) the reference refer to a participant who had been mentioned first in discourse, (b) subtitution serves to replace the spesific language elements with other elements that are interchangeable, (c) ellipsis (deletion). There are some functions that use ellipsis, namely: (1) the effectiveness of the sentence, (2) language efficiency usage, (3) cohesion discourse, (4) to activate the mind of reader or listener  to language which didn’t explicitly disclosed, (5) practicality language, and (d) conjungtion. Conjungtions functions are, (1) the relationship of resistance, (2) stating causality, (3) the relationship extra, (4)the relationship comparison and (5) express a temporal  relationship. The used of lexical cohesion in the form of repetition. Repetition serves to defend the idea of topic being discussed.
KOLABORASI PENERAPAN MODEL PEMBELAJARAN ROUND TABLE DAN BROWN TERHADAP PENINGKATAN KEMAMPUAN MENULIS CERPEN SISWA KELAS IX IBNUSINA SMPN MODEL TERPADU MADANI PALU Ervina, Ervina; Suputra, I Gusti Ketut Alit; Ulinsa, Ulinsa
BAHASANTODEA Vol 5, No 3 (2017)
Publisher : BAHASANTODEA

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Abstract

The ability of writing short story of the eleventh-graders Ibnusina SMP Negeri Model Terpadu Madani Palu can be improved. Problem of this research are: 1) how is the implementation of collaborative steps of round table and brown learning model in improving writing short story ability the eleventh-graders Ibnusina SMP Negeri Model Terpadu Madani Palu? and 2) can the ability of writing short story improved after the collaboration of round table and brown learning model? This research intends to: 1) describe stages of the application of round table and brown learning model in improving writing short story ability the eleventh-graders Ibnusina SMP Negeri Model Terpadu Madani Palu, 2) describe the result of writing short story ability after the application of  round table and brown learning model. Data were collected through written test and non test (observation and documentation). Data were analyzed qualitatively and quantitatively. The result of this research revealed that: 1) the application of round table and brown learning model through several stages, first the researcher plays video of short story watched by students; second, researcher prepares observation sheet of the implementation of writing short story; third, researcher prepares camera for documentation of teachers’ and students’ activities in the learning process. Students’ ability in writing short story improves after conducted stages above. The percentage of improvement is increase in every meeting of Cycle I and Cycle II. Cycle I show 80.18 from 73.51 and improved to 83.88 in Cycle II. Round Table Learning Model and Brown 
CAMPUR KODE PADA ACARA” RUMAH UYA” DI TRANS 7 Ferawati, Ferawati; Ulinsa, Ulinsa
BAHASA DAN SASTRA Vol 3, No 2 (2018): Jurnal Bahasa dan Sastra
Publisher : BAHASA DAN SASTRA

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Abstract

Permasalahan dalam penelitian ini adalah (a) bagaimanakah wujud campur kode pada acara “Rumah Uya” di Trans 7 dan (b) apa saja jenis-jenis campur kode pada acara “Rumah Uya” di Trans 7. Penelitian ini bertujuan mendeskrispsikan wujud dan jenis-jenis campur kode pada acara “Rumah Uya” di Trans 7. Teknik pengumpulan data yang digunakan yaitu teknik simak dan teknik catat. Teknik analisis data terdiri atas (a) reduksi data, (b) penyajian data, (c) penarikan kesimpulan dan verifikasi. Hasil penelitian mendeskripsikan bahwa wujud campur kode pada acara “Rumah Uya” di Trans 7 meliputi: (a) wujud kata, contohnya: akang “kakak laki-laki”, (b) wujud frase, contohnya: neng gelis “nona cantik”,    (c) wujud klausa, contohnya: don’t make mami change “jangan buat mami berubah”, dan (d) wujud kalimat, contohnya: innallaha layanduru ilashalikum wailaa ajsamikum walakin yanduru ilaikulubikum  “sesungguhnya Allah tidak melihat bentuk rupamu dan hartamu, tetapi Allah melihat hatimu dan amalanmu”.  Adapun jenis-jenis campur kode pada acara “Rumah Uya” di Trans 7 meliputi:  (a) campur kode ke dalam, contohnya: penutur menyelipkan kata teteh “kakak perempuan” ketika sedang mengguanakan bahasa Indonesia. Kata tersebut berasal dari bahasa Sunda, sehingga terjadilah percampuran antara bahasa Indonesia dan bahasa Sunda. (b) campur kode ke luar, contohnya: penutur menyelipkan kata devorce “bercerai” ketika sedang menggunakan bahasa Indonesia. Kata tersebut berasal dari bahasa Inggris, sehingga terjadilah percampuran antara bahasa Indonesia dan bahasa Inggris. Dan (c) campur kode campuran, contohnya: penutur menyelipkan kata single “sendiri” dan mas “kakak laki-laki” ketika sedang menggunakan bahasa Indonesia. Kata single berasal dari bahasa Inggris, sedangkan kata mas berasal dari bahasa jawa. Dari penyisipan kata-kata tersebut terjadilah percampuran antara bahasa Indonesia, bahasa Jawa, dan bahasa Inggris. Bahasa tersebut telah menyerap unsur bahasa asli (bahasa Jawa) dan bahasa asing (bahasa Inggris). Pada hasil penelitian ini para penutur dominan menggunakan campur kode bahasa Inggris dan bahasa Sunda. Kata Kunci: campur kode, rumah uya, wujud, jenis-jenis
Co-Authors Abdul Gafur Marzuki Abdul Kamaruddin Ade Nurul Izatti G Yotolembah Agung Surya Laksana Ali Karim ARDIN, ANITA SAFITRI Dandi Golontalo Ervina Ervina Ferawati Ferawati Gazali Lembah Gazali Lembah Gusti Ketut Alit Suputra Himawan, Romi I Wayan Yudana Ida Nuraeni LEMBAH, H. GAZALI Lini Andriani M. Asri B Manda Eva Noviana Marfuah, Julia Muthia Aryuni Ninawati Syahrul Nursyamsi Nursyamsi PERTIWI, GITA Rinaldi Rinaldi Sahrudin Barasandji Samad, Muhammad Ahsan Sitti Harisah Sri Hastuti Susanti, Ariska Syamsuddin Syamsuddin Taqyuddin Bakri Tungga, Jefri Vincent Oringo Wahyudi Rahmat Yunidar Yunidar Yunidar Yunidar