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setiowati, endang
Program Pendidikan Vokasi Universitas Indonesia
Humanities

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Marjinalisasi Perempuan Pertama Melalui Lagu: Suatu Analisis Wacana Kritis Terhadap Lagu “Jadikan Aku Yang Kedua” Setiowati, Endang; Wahyuningtyas, Bhernadetta Pravita
Humaniora Vol 2, No 2 (2011): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v2i2.3149

Abstract

During 2006 until 2007 there were plenty of songs that are lyrical about adultery or polygamy, in line also with the emergence of the phenomenon of polygamy and infidelity by some famous people ranging from businessmen, preachers, politicians, to academics. One of the most popular songs is a song titled “Jadikan Aku yang Kedua”. Surprisingly, although the title shows that this song legalized polygamy, the majority of listeners who request the song to be played in radio stations are women. The research reveals about the marginalization of women that is implicitly contained in a song lyrics. The research method used is critical discourse analysis with analytical techniques using the model of Norman Fairclough. This study uses substantive theoreticalframework such as hegemony, ideology, patriarchy, and feminism and the discourse analysis theory from Michael Foucault. The results showed that the Song is a discourse to marginalize women who occupy the first position, while for the second women or femme fatale, this song is empowering them. Song writer has the power to shape the ideology of consumer (listener) toward his patriarchal ideology. He wants to use his power to encourage the women to dare to become a femme fatale.
Infotainment: Kebebasan atau Kebablasan Ditinjau dari Kajian Ekonomi Politik Media Setiowati, Endang
Humaniora Vol 1, No 1 (2010): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v1i1.2144

Abstract

Infotainment as delivered on television occurs to be one controversial TV shows, often accused as a program that practically a "Social Duping". But, in reality these genres frequently achieve rating peak, which in certain will raise TV commercial due to profitable matters for Television Company. Article explores “conspiracies” that occurs based on variable interest between producers, broadcasting industry, rating institutions, and advertisements both for continuity and multiple profit. The main idea of how infotainment dominates both news and entertainment program is caused by social actors' demands that implement in press liberating process in Indonesia whose embrace of neo-liberalism which claimed that “the greater the play of the market forces, the greater the freedom of the press; the greater the freedom of the press, the greater the freedom of the audience choice”. It seems impossible to stop infotainment programs since that alone will subdue both corresponding institution and individual in a certain point of view. Therefore, a regulation that copes with this matter due to continuity of these genres is needed in overcoming matters of “Social Duping”.
Co-Authors Bhernadetta Pravita Wahyuningtyas