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All Journal MUDRA Jurnal Seni Budaya Capture : Jurnal Seni Media Rekam LAYAR: Jurnal Ilmiah Seni Media Rekam
Dara Bunga Rembulan
Institut Seni Budaya Indonesia Bandung
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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 1 
GAYA PENYUTRADARAAN FILM TUGAS AKHIR MAHASISWA JURUSAN FILM DAN TELEVISI Rembulan, Dara Bunga
LAYAR: Jurnal Ilmiah Seni Media Rekam Vol 4, No 2 (2017): Struktur Visual
Publisher : Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (18.006 KB)

Abstract

Student creativity in film making as a final project is increasing, various forms of narrative and cinematographic techniques are applied in the films made. Film is the easiest medium to disseminate any form of information. At the academic level, especially the Institut Seni Budaya Indonesia Bandung, documentary film becomes the final task of the academic learning stage. Documentary films are packaged in an interesting and have a moral message conveyed to the public. The number of graduates of film and television programs up to now amounts to 106 people with varying work character one of them is visible from the creation they created. This topic is very important to be appointed to know the characteristics of the director of the visual results in the work of Final Documentary Film Works by students of the Film and Television majors of the Indonesia Cultural Art Institut of Bandung (Institut Seni Kebudayaan Indonesia Bandung).This research uses qualitative research method to analyze the object under study, data obtained from literature study, observation of work and interview. Technical data analysis is done based on auteur theory, where the film can reflect the personality and creativity of a director. The results of this study show the variation of the directing style that influences the characters created in the final documentary work. Finallly this research can be used as a learning development and the development of innovative work creation with a variety of directorial styles.
SRIKANDI IN THE DOCUMENTARY FILM: NUSANTARA DOCUMENTARY ASSOCIATION’S REKAM PANDEMI Dara Bunga Rembulan; Rufus Goang Swaradesy
Capture : Jurnal Seni Media Rekam Vol 13, No 2 (2022)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.4084

Abstract

Gender inequality persists in the documentary film genre. It is assumed that women in the documentary field face so many obstacles that it contributes to the shortage of female documentary filmmakers. This research aims to examine the potentials of female filmmakers in the TVRI's Pandemic Recording program. This study is qualitative descriptive research. The research subjects were female filmmakers who participated in the TVRI's Pandemic Recording program and selected a purposive sampling technique. The data collection techniques relied on structured interviews. The analysis was carried out through data reduction, data presentation, conclusion, and verification. The findings indicate that the selection of female filmmakers in TVRI's Pandemic Recording Omnibus program reflects the achievements and potentials of female filmmakers, including "multitasking," a more feminist perspective, feeling and instinct, and a connection to the subject at hand. 
KONSEP PENYUTRADARAAN TELEVISI KREATIF MELALUI PENDEKATAN UNSUR LOKAL NUSANTARA Dara Bunga Rembulan; Asmoro Nurhadi Panindias
Capture : Jurnal Seni Media Rekam Vol 7, No 1 (2015)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3358.414 KB) | DOI: 10.33153/capture.v7i1.1561

Abstract

Most of the Indonesian society form new interaction network with the western lifestyle, so indirectly it created the consumetive society in which everthing was consumed from foreign countries as the effects of the diffucion culture. That effects inflicted the Indonesian culture become eroded step by step. Therefore, creative director is needed for producing the television programme which can inform and distribute knowledge about diversity of Indonesian culture. In fulfilling these needs, the audio visual work was created with the emphasis on beauty shots of Indonesian culture, namely clip video exploration in temple surroundings, advertisement exploration of wayang and Indonesian cosmetic products. It is hoped that this television programme can educate the society on how to preserve the Indonesian culture and not easily influenced by foreign cultures.Keywords: creative, television, Nusantara, and directing
Kedudukan Ruang Bioskop Sebagai Media Apresiasi Film Dara Bunga Rembulan
Capture : Jurnal Seni Media Rekam Vol 3, No 1 (2011)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (308.294 KB) | DOI: 10.33153/capture.v3i1.653

Abstract

Movie is one of mediums for delivering messages communicatively and easily acceptablefor the society. The creativity of filmmaker has caused a rapid increase in the amount ofmovies, and further it indirectly lead to the increase in necessity of space for appreciationactivities. It can be concluded that movie theatre is one of the appreciation media thatis highly favored by the movie-favored-society. There are two types of movie theatres,mainstream and non-mainstream movie theatre. A mainstream movie theatre is the 21network movie theatre, while the non-mainstream movie theatre consists of filmfestivals, discussions, and workshops. A movie theatre is an alternative medium formovie appreciation. By the movie theatre which is able to attract audiences, it can befigured out how far the movie theatre is able to become appreciation medium for thesociety. As we know that there are lots of other appreciation mediums such as VCD,DVD and internet that are growing in the society, so the functional approach can helpto find the answers in the growth of a movie theatre as movie appreciation medium.
Eksistensi Sineas Perempuan dalam Ekosistem Perfilman di Bandung Rembulan, Dara Bunga; Swaradesy, Rufus Goang
Mudra Jurnal Seni Budaya Vol 39 No 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i2.2289

Abstract

The art of filmmaking is a creative process that involves collaboration from various parties and aspects. This also inspired women filmmakers to create their own works. Many women filmmakers have successfully addressed important issues through their films. The number of women filmmakers in Bandung is still relatively low. Based on data obtained from film communities in Bandung, women filmmakers account for only about one-third of the total number. However, women filmmakers have achieved various notable accomplishments on both national and international levels. This research was conducted to understand the presence of women filmmakers in Bandung within the scope of the national film. Data were obtained in collaboration with Bandung Film Commission (BFC). The informants were women filmmakers who are originally from Bandung and have made contributions to the national film industry. This paper represents a qualitative descriptive study. The research subjects were women filmmakers in Bandung, and the selection of informants was done using purposive sampling techniques. The results of the research indicate that the presence of women filmmakers does not happen instantly. There are internal and external factors that support the development of skills in filmmaking. The level of filmmaking activity in the region is crucial, making the presence of film communities in Bandung highly supportive of the emergence of women filmmakers on the national stage. The existence of women filmmakers is marked by their works, attitudes, and professions. To sustain the existence of women filmmakers, harmony between the realms of education, the professional world, and film associations is essential.
Co-Authors Asmoro Nurhadi Panindias Rufus Goang Swaradesy