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Journal : ANDHARUPA

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FENOMENA PERTANIAN DI DESA CELUK BURUAN BALI DALAM MEDIA DOKUMENTER I Nyoman Anom Fajaraditya Setiawan; I Nyoman Widhi Adnyana; Putu Wirayudi Aditama
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol 7, No 01 (2021): February 2021
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v7i01.3517

Abstract

AbstrakPertanian sebagai salah satu sektor penting dalam pemenuhan kebutuhan pangan sebenarnya telah memiliki berbagai piranti hukum yang mendukung. Pesatnya pembangunan dan gencarnya pengadaan infrastruktur ternyata bertambah pesat pula alih fungsi lahan-lahan produktif milik petani. Fenomena ini diikuti pula dengan hasil panen dan industri kecil sebagai pendukung perputaran ekonomi kerakyatan yang perlahan mulai menurun. Perancangan dokumenter tentang eksistensi pertanian dan industri pertanian di Celuk Buruan dilakukan untuk membangkitkan kembali semangat agraris pada sektor ini. Pendekatan riset yang dilakukan dengan pengumpulan data secara kualitatif dari informan, perlahan diungkap fenomena pada realitasnya. Didukung proses perancangan dalam merealisasikan dokumenter, riset ini diharapkan dapat memberikan luaran yang semestinya menjadi bahan renungan khalayak. Tidak hanya termotivasi oleh tindakan penyelamatan sektor pertanian, namun mengingatkan kembali bahwa pertanian adalah salah satu garda terdepan dalam pemenuhan kebutuhan manusia terutama pada kondisi sulit saat ini. Media dokumenter ini dapat menjadi suatu edukasi untuk khalayak agar tidak memandang sektor pertanian dengan sebelah mata. Sehingga pada akhirnya perlu diambil tindakan dalam berbagai studi untuk mengkaji beragam hal terkait pertanian untuk strategi tindakan selanjutnya.  Kata Kunci: Bali, Celuk Buruan, dokumenter, pertanian AbstractAgriculture as one of the significant sectors within food commodity has had various supporting legal tools. The rapid development and incessant provision of infrastructure have also rapidly increased the conversion of productive land owned by farmers. This phenomenon followed by yields and the small industry as a supporter of the people's economy that slowly starts to decrease. The documentary design about the agriculture existence and the agricultural industrial sector in Celuk Buruan was carried to revive the spirit of agrarian in this sector. The research approach was performed by collecting data qualitatively from the informants. Slowly the phenomenon is revealed in its reality. Supported by the design process in realizing the documentary, this research is expected to be able to provide an outcome that should be the subject of public reflection. Not only motivated by the act of saving the agricultural sector but reminded that agriculture is one of the frontlines in fulfillment of human needs, especially under current difficult conditions. This documentary media can be an education for society in order not to demean the agricultural sector. Therefore, eventually, it is necessary to take action in various studies to examine multiple matters related to agriculture for further action strategies. Keywords: agriculture, Bali, Celuk Buruan, documentary
FILM DOKUMENTER EKSISTENSI TARIAN DAN KESENIAN SAKRAL WAYANG WONG DESA ADAT SIDAN I Nyoman Anom Fajaraditya Setiawan; I Nyoman Widhi Adnyana; Komang Redy Winatha; I Nyoman Yoga Trisemarawima
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol 5, No 02 (2019): August 2019
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v5i2.2561

Abstract

AbstrakSeni pertunjukan wayang wong adalah salah satu kesenian di Bali dan masih ditarikan di daerah desa tradisional Sidan, Kecamatan Petang, Kabupaten Badung, Bali. Kesenian wayang wong ini menjadi menarik, karena merupakan salah satu kesenian yang dianggap sakral oleh masyarakat setempat. Tetapi di Desa Sidan, wayang wong hanya ditarikan saat upacara keagamaan khusus. Pada prosesi sebelum pertunjukan ditarikan oleh masyarakat setempat, dilakukan ritual khusus pada para penari. Pengamatan lapangan tidak ditemukan adanya dokumentasi dalam bentuk apapun yang mengacu pada rangkaian acara tersebut, termasuk foto ataupun rekaman video. Berdasarkan wawancara dengan kelompok penari, regenerasi dilakukan dari generasi ke generasi secara langsung. Tidak adanya dokumen fisik atau digital, memotivasi tindak lanjut untuk mengeksplorasi fenomena kesenian ini. Metode kualitatif melalui pengumpulan data observasi tempat rangkaian prosesi kesenian wayang wong dan wawancara dilakukan pada anggota penari serta pimpinan desa adat yang mengetahui eksistensi kesenian ini. Kemudian dikomparasikan dengan proses perancangan video, sehingga didapatkan rangkaian cerita dalam bentuk film dokumenter. Finalisasi film dokumenter kemudian didelegasikan secara langsung pada masyarakat setempat, sehingga dapat digunakan sebagai acuan kajian lebih lanjut oleh para akademisi ataupun praktisi seni. Hal ini bertujuan untuk melestarikan kesenian wayang wong sakral yang telah langka di Bali. Kata Kunci: film, dokumenter, tari, wayang wong, Bali AbstractWayang wong performance art is one of the arts in Bali and is still danced in the traditional village area of Sidan, Petang District, Badung Regency, Bali. Wayang wong art is interesting because it is one of the arts that are considered sacred by the local community. But in Sidan Village, wayang wong is only danced during special religious ceremonies. In the procession, before the performance was danced by the local community, a special ritual was performed for the dancers. Field observations were not found in any form of documentation that refers to the series of events, including photographs or video recordings. Based on interviews with dancer groups, regeneration is carried out from generation to generation directly. The absence of physical or digital documents motivates follow-up to explore this artistic phenomenon. The qualitative method was through observation data collection where a series of wayang wong art processions and interviews were conducted with dancers and traditional village leaders who knew the existence of this art. Then it is compared with the video design process so that a series of stories is obtained in the form of a documentary film. The finalization of the documentary was then delegated directly to the local community so that it could be used as a reference for further studies by academics or arts practitioners. It aims to preserve the art of the sacred wayang wong which has been rare in Bali. Keywords: film, documentary, dance, wayang wong, Bali
Co-Authors I Nengah Wirakesuma I Nyoman Anom Fajaraditya Setiawan, I Nyoman Anom I Nyoman Larry Julianto I Nyoman Yoga Trisemarawima I Putu Susila Handika I Wayan Sukra Warpala I Wayan Swandi Kadek Ayu Ariningsih Made Suci Ariantini Naswan Suharsono Putra, Putu Satria Udyana Putu Praba Santika Putu Wirayudi Aditama Satwika, I Kadek Susila Wayan Gede Suka Parwita Winatha, Komang Redy