Haluan Sastra Budaya
Haluan Satra Budaya (HSB) is a biannual scientific journal of humanities published by the Faculty of Cultural Sciences, Universitas Sebelas Maret, Indonesia. This journal issues research papers, conceptual frameworks, and case studies are drawn from a wide range of disciplines, Language and Linguistics, Art, Literature, as well as Culture (anthropology, history, and archeology).
Articles
91 Documents
<![CDATA[THE VIOLATION OF THE POLITENESS PRINCIPLE MAXIMS IN 300 MOVIE SUBTITLE ]]>
<![CDATA[Rahman Wildana]]>;
<![CDATA[Wisasongko Wisasongko]]>;
<![CDATA[Agung Tri Wahyuningsih]]>
<![CDATA[ Haluan Sastra Budaya Vol 3, No 2 (2019) ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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DOI: 10.20961/hsb.v3i2.32860
<![CDATA[This research focused on the violation of politeness maxims done by the characters in 300 movie. The violation has other meaning that mean different from the actual and expressed meaning. The objective of this research is to reveal the implied meaning that was uttered by the characters in 300 movie. Several theories are provided to help the researcher in revealing the related issue. The theories are pragmatics, politeness, politeness principle, and language and context. The type of this research is qualitative research because the data are in the form of sentences in a subtitle of 300 movie. The source of the data is taken from a website of icinema3satu.com and subscene.com. There are several steps to in processing the data in this research, first Classify all the utterances into each maxim using Leech’s politeness principle maxim approach (1983) to categorize the type of the principle maxim, and then Applying the language and context to find the reason and implied meaning of the violating maxims using Brown and Yule’s theory (1983). The researcher tries to analyze the data and find the types of maxims in 21 utterances uttered by 11 characters of 300 movie in using politeness principle theory]]>
<![CDATA[TRANSLATION ANALYSIS OF LITURGICAL SPECIALIZED VOCABULARY IN YESUS ANAK MANUSIA ]]>
<![CDATA[Reinaldo Suryo Negoro]]>
<![CDATA[ Haluan Sastra Budaya Vol 3, No 2 (2019) ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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DOI: 10.20961/hsb.v3i2.34690
<![CDATA[This article discusses the translation of liturgical specialized vocabulary (LSV) found in Yesus Anak Manusia novel. This article aims to identify the translation techniques used by the translator in translating LSV. The data were collected by using content analysis and focus group discussion. Afterward, the data were analyzed using Spradley’s analysis model. The result of this analysis shows that there are 13 techniques used by the translator in translating LSV in Jesus Son of Man novel as the source text of Yesus Anak Manusia novel. 11 translation techniques affect the translation to be an accurate translation, 3 translation techniques generate less accurate translation and 2 translation techniques generate inaccurate translation. 10 translation techniques generate acceptable translation, 6 translation techniques generate less acceptable translation, and a translation technique generates unacceptable translation.]]>
<![CDATA[MEBEL ANYAM DARI SERAT PELEPAH PISANG DI DESA TRANGSAN SUKOHARJO ]]>
<![CDATA[Iik Endang Siti Wahyuningsih]]>
<![CDATA[ Haluan Sastra Budaya Vol 4, No 1 (2020) ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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DOI: 10.20961/hsb.v4i1.42595
<![CDATA[One of several weaving furniture center villages is in the village of Trangsan, Gatak District, Sukoharjo Regency. The furniture handicraft business in the village of Trangsan is a business that has long been in the field since 1983 (1984 began to export) and is a hereditary effort from the previous generation. Previously, several studies have been conducted that reveal the existence of export furniture (especially rattan) from the village of Trangsan, but so far the research specifically focused on design studies of furniture using banana fiber fiber material classified as still small in number. While research on the use of banana midrib fiber is more in the process or the product is in the form of souvenir items (such as bags, sandals, tissue boxes, etc.) and not those applied to furniture. Therefore, it would be a consideration for research on furniture exports from this midrib banana fiber. This research is more likely to reveal the problem of the existence of furniture crafts that utilize banana midrib fiber and the potential that can be developed from existing crafts, both in the production process and design development. This research is more focused on the production process and design development, as one of the efforts to solve problems in the field of development through business work in the field of weaving furniture craft by using banana midrib fiber.]]>
<![CDATA[AMERICAN MYSTICISM AND FEMINISM IN CASSANDRA CLARE'S CLOCKWORK ANGEL: A POSTMODERNIST FICTION ]]>
<![CDATA[Asih Putri Wardhani]]>;
<![CDATA[Hat Pujiati]]>;
<![CDATA[Ikwan Setiawan]]>
<![CDATA[ Haluan Sastra Budaya Vol 4, No 1 (2020) ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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DOI: 10.20961/hsb.v4i1.39343
<![CDATA[Postmodern as a stage of civilization after traditional and modern tends to accommodate the two previous stages with its newness. This article studies the postmodern strategies depicted in Cassandra Clare’s The Infernal Defices: Clockwork Angel in Brian McHale’s perspective which emphasize his idea of postmodernist fiction based on ontological dominant while the modernist is epistemological dominant. How the ontological is constructed in the novel become the aims to reveal in this article. Through Hrusovski’s three dimensional semiotics concept that is developed by McHale, this article starts the analysis of ontological landscape from words, worlds and construction of the novel. The result is that heterocosmos are built in intertextualzones based on pre-Victorian, Victorian and post-Victorian poems which become the epigraph in every chapter of the novel using interpolation and superimposition strategies.Beyond the ontological landscape, this novel shows the spirit of American mysticism and feminism.]]>
<![CDATA[POLITENESS, GENDER AND POWER: THE STUDY OF MAKING AND RESPONDING TO REQUEST IN MOANA MOVIE SCRIPT ]]>
<![CDATA[Sabta Diana]]>;
<![CDATA[Serly Yusita]]>;
<![CDATA[Syamsul Anam]]>
<![CDATA[ Haluan Sastra Budaya Vol 4, No 1 (2020) ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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DOI: 10.20961/hsb.v4i1.32792
<![CDATA[The article investigates the relation of politeness, gender and power in making and responding to request between two person with different social status and rank in Moana movie. Trosborg’s taxonomy of request strategies (1995), Face Threatening Acts (FTAs), and politeness strategies by Brown and Levinson (1987), Fairclough theory of power (1989) are applied to explain the phenomenon of how the act of making and responding to requests influence the possible politeness strategies, the construction of gender by language choices and their power. The study indicates that Moana, a daughter of the chief village, succeeds in reaching her goal of her mission to request Maui to restore the ‘heart’ of Te Fiti and further restore and heal the nature. Moana’s success, despite Maui’s rank and status as a powerful male demigod, is the result of her communication of using request strategy, which also demonstrate her powerful position. The finding of this study reveals that both characters’ ways on making and responding request are related to and determine their gender and power.]]>
<![CDATA[TINDAK TUTUR MEMERINTAH PADA AYAT-AYAT ALQURAN PERIODE MAKKAH ]]>
<![CDATA[Hanifullah Syukri]]>;
<![CDATA[Miftah Nugroho]]>;
<![CDATA[Bakdal Ginanjar]]>
<![CDATA[ Haluan Sastra Budaya Vol 4, No 1 (2020) ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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DOI: 10.20961/hsb.v4i1.37934
<![CDATA[The holy book is an important thing as an object of research study, especially in the field of linguistics. This study aims to describe the directive speech acts governing the verses of the Qur'an during the Mecca period. This type of research used in this research is descriptive analytical qualitative, which describes in detail and in depth the directive directive speech acts contained in the verses of the Koran of the Mecca period. The object of this research is the embodiment of directive speech acts in the Qur'anic verses of the Makkah period. The data source of this research is Al-Qur'an Karim. This research data is in the form of lingual units contained in the verses of the Koran of the Mecca period in which there are directive directive speech acts. Data collection techniques are done by listening and note taking. Data analysis was carried out by linking the texts of the Qur'anic verses of the Makkah period to the surrounding contexts. The findings of this research are directive directive speech acts contained in the verses of the Koran of the Mecca period found as many as 1043. It shows that directive directive speech acts are directive speech acts that are dominant in the verses of the Qur'anic period of Mecca so that it can be said that directive speech acts rule is the most able to change the state of jahiliyyah society into a better and orderly society.]]>
<![CDATA[THE DISCLOSURE OF DARK HUMOR AND COMEDIC SOCIOPATHY THROUGH INCONGRUITIES MADE BY THE VILLAIN THE JOKER IN THE DARK KNIGHT MOVIE ]]>
<![CDATA[Max Nicholai Tesla]]>;
<![CDATA[Indah Wahyuningsih]]>;
<![CDATA[Sabta Diana]]>
<![CDATA[ Haluan Sastra Budaya Vol 4, No 1 (2020) ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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DOI: 10.20961/hsb.v4i1.32830
<![CDATA[This study examines dark jokes and how they are delivered through implications made by a character named The Joker under the scope of Pragmatics in Incongruity Theory by Morreall (1987), and Attardo (1994). This study is also supported by some other theories such as Gricean Maxim by Grice (1989) and Conversational Implicature by Levinson (1983). The study is a descriptive-qualitative research with case study as the strategy. The data are obtained using documentary method by watching the movie The Dark Knight and selecting utterances made by The Joker that contain dark jokes. The findings of the study show that The Joker has many ways of delivering his dark joke as a display of his sociopathic character. The incongruities and the maxims he flouts vary, although there is dominance in ignorance type of incongruity and the flouting of maxim of quality. The reasons why The Joker makes dark jokes are because he enjoys the misfortunes of others and he sees them as entertainment as a sociopath that he is; he wants to shift the threats pointed to him and uses the jokes as the way for him to threaten his enemies back; and because he want to maintain unpredictability of his evil deeds by telling jokes with a dark twist at the end, just before he commits acts of crime. He uses a lot of implicatures to confuse his opponents and to keep them from understanding the way The Joker thinks and acts.]]>
<![CDATA[TRANSFORMASI CANDI RIMBI DALAM MOTIF BATIK SEBAGAI EDUKASI BUDAYA LOKAL KABUPATEN JOMBANG ]]>
<![CDATA[Wiwit Dyahwati]]>;
<![CDATA[I Nyoman Lodra]]>;
<![CDATA[Haris Supranto]]>
<![CDATA[ Haluan Sastra Budaya Vol 4, No 1 (2020) ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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DOI: 10.20961/hsb.v4i1.40867
<![CDATA[This study discusses the transformation of the form of the Rimbi Temple into batik motifs as a medium of local cultural education and also discusses the identity that exists in batik motifs as a local cultural education in Jombang Regency. This research uses a qualitative a descriptive-analytical method. Primary data obtained from direct observation and study of documentation related to the Rimbi Temple. Next, the data were analyzed using a historical approach and shape transformation to dissect about shape transformation, symbol analysis, and the identity therein. The results showed that the figurative transformation of the natural forms of the Rimbi Temple was triggered by the ecological state of the natural spaces and the phenomenon of the people of Jombang Regency. The process of transforming the natural form of the Rimbi Temple into an associative batik motif was demonstrated by considering the harmonization of all elements of the existing composition both the Rimbi Temple and the people of Jombang Regency. The form of batik motifs provides an educative element of local culture from the symbolization of the elements that exist in batik motifs that have symbolic strength so that they can explain imaginatively about the culture of Jombang Regency. In addition, symbols in motifs as symbolic associations provide aesthetic experience for the wearer and the audience who are able to provide memories and interpretations of the Rimbi Temple and Jombang Regency.]]>
<![CDATA[HEATHCLIFF’S SELF ACTUALIZATION IN WUTHERING HEIGHTS BY EMILY BRONTE ]]>
<![CDATA[Ririn Fatmawati]]>
<![CDATA[ Haluan Sastra Budaya Vol 4, No 1 (2020) ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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DOI: 10.20961/hsb.v4i1.35334
<![CDATA[This study discusses Heathcliff’s Self-Actualization in Wuthering Heights written by Emily Bronte which is set in the Yorkshire moors of Northern England. The inductive method is used to briefly discuss the topic. It means that the analysis starts from the specific concept goes to general conclusion. The data used in this article are techincally collected by library research. This study applies Maslow’s Hierarchical Theory of motivation. There are five hierarchies of needs which have to be fulfilled before someone goes through to accomplish self actualization, those are physiological needs, safety needs, belongingness and love needs and the last needs are self-esteem needs. This study focuses on how Heathcliff fulfil his psychological need, how he get his safety need, how he get the belongingness and love need, how he reach his self-actualization. The study seeks to find Heathcliff’s success in Wuthering Heights in achieving his self-actualization. Heathcliff would achieve his self-actualization as he needs to become a total type of person to fulfill his goal whatever he has accomplished. He could unify Wuthering Heights and Thrushcross Grange, and turn Hareton into a slave.]]>
<![CDATA[MIGRASI PENDUDUK RESIDENSI KEDU TAHUN 1900-1911 ]]>
<![CDATA[Sudarno Sudarno]]>
<![CDATA[ Haluan Sastra Budaya Vol 4, No 2 (2020) ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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DOI: 10.20961/hsb.v4i2.30216
<![CDATA[In the source of population in 1900, in the Kedu Residency there was a tendency for some groups of population to migrate permanently and non- permanently to areas in other Java and outside Java. This is an unusual phenomenon occurring in rural communities in Java. Because in this society for generations there have been a number of customary ties that are believed by the majority of the Javanese population to have no motive for leaving their homeland even though they are poor and rich. The customary ties in the Kedu residency have faded when the population faces a social, economic situation that is less profitable in their daily lives.]]>
