cover
Contact Name
Panji Suroso
Contact Email
panjisuroso@unimed.ac.id
Phone
+6289518044056
Journal Mail Official
gondang@unimed.ac.id
Editorial Address
Jl.Willem Iskandar Ps. V, Medan Estate.
Location
Kota medan,
Sumatera utara
INDONESIA
Gondang: Jurnal Seni dan Budaya
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v5i2
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Articles 9 Documents
Search results for , issue "Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020" : 9 Documents clear
Pengkajian Gaya Busana Tari Jaipongan Karya Sang Maestro Muhamad Caesar Jumantri; Trianti Nugraheni
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (378.854 KB) | DOI: 10.24114/gondang.v4i1.16324

Abstract

This study discusses the form of jaipongan dance costume which aims to obtain data from the form of jaipongan dance costume and the characteristics of each style of the jaipongan costume based on the themes. This study uses descriptive analysis method, where the researcher can describe and elaborate the findings with the existing literature. In this research, there are three categories of jaipongan costume work by Gugum Gumbira which are distinguished through the theme of the created dance. From the different themes, it can be concluded that the jaipongan dance work by Gugum Gumbira has its own characteristics from the choice of costume colours to the forms of the costume that are comfortable to wear. Also, the costume prioritizes the essence of the jaipongan dance movement.
Pengembangan Karakter Warga Binaan melalui Tari Rapa’i Geleng di Lembaga Pemasyarakatan Kota Jantho Aceh Besar Nadra Akbar Manalu; Fentisari Desti Sucipto; Tria Ocktarizka; Sartika Br Sembiring
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (377.054 KB) | DOI: 10.24114/gondang.v4i1.15437

Abstract

Dance performance plays an important role in daily life. It is not only showed on the stage but also becomes religious ceremony, therapy media, habitual fellowship, catharsis, and character development. Character development is formed by education to someone.  Character education will inherent a human that has a superior character not only from cognitive aspect but also a good character in this disruption era. Rapa’i Geleng is one of traditional dance from Aceh which can be used as a development character media in Kota Jantho’s correctional institution. The purpose of this research is to develop a character for inmates through Rapa’i Geleng Dance. The method used qualitative through phsycological, religion, and pedagogic approach. Based on the result, there are significant increment in behavior of inmates through arts (Rapa’i Geleng Dance). The increment of behavior is going on the same direction as method of approach that used in this study; Physicological, Religion, and Pedagogic.
Perkembangan Tari Turak di Kabupaten Musi Rawas dan Kabupaten Rejang Lebong Ira Miyarni Sustianingsih; Risa Marta Yati
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (398.505 KB) | DOI: 10.24114/gondang.v4i1.17137

Abstract

This study aims to describe and analyze the development of turak dance in Musi Rawas Regency, South Sumatra Province and Rejang Lebong Regency Bengkulu Province. The research method used is a qualitative method with a descriptive-analytical approach. The results of the study describe that turak dance is an authentic traditional dance originating from the Terawas area in Musi Rawas and Lembak districts in Rejang Lebong Regency. The name of this turak dance comes from turak which means bamboo. The bamboo weapon used as dance property during the independence war was filled with chillies with the aim of paralyzing the vision of Dutch soldiers who wanted to return to power. At present the development of turak dance in the two regencies is different, in which the creation of dance turak is mostly performed in the Musi Rawas area so that it gives birth to fan fan and scarf shawls. Meanwhile in Lembak, Rejang Lebong Regency, turak dance has not changed as in the Musi Rawas area.
Book Review Suyadi San. Semiotika Teater Bangsawan. Yogyakarta: Penerbit Ombak, 2018. ix + 148 halaman. ISBN: 602-258-496-5 Alan Darmawan
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (22.219 KB) | DOI: 10.24114/gondang.v4i1.18011

Abstract

Buku ini menyajikan hasil dari upaya akademik dan praktik dalam meneliti dan mementaskan Teater Bangsawan (h. 3). Sebagai peneliti sastra dan penggiat teater, Suyadi San menyatakan usaha ini menjadi “awal dimulainya mempertahankan“ dan meneruskan “warisan budaya abad ke sembilan belas“ tersebut (h. 131; 137). Semiotika Teater Bangsawan mendeskripsikan isi dan bentuk Teater Bangsawan, yang Suyadi San klaim sebagai icon Sumatra Utara, untuk mengenalkan warisan budaya ini kepada generasi muda. 
Kajian Organologi Alat Musik Saluang Pauh Buatan Zulmasdi di Kota Padang Try Wahyu Purnomo; Sri Mustika Aulia
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (868.158 KB) | DOI: 10.24114/gondang.v4i1.17768

Abstract

This paper discusses the materials, manufacturing methods and techniques used in making the Saluang Pauh instrument (Zulmasdi version). This study uses a qualitative approach that is descriptive, where the researcher can explain the process of making Saluang Pauh with the study of organology as a basis for analyzing the object. The results of the research refer to the technical theory of organology which includes measurement instruments, descriptions, depictions with scales or photographs, methods or techniques for making and analyzing the sound produced. The conclusion of this research can be seen that in making Saluang Pauh, Zulmasdi uses traditional techniques (in terms of cutting materials, making, measuring and drying instruments) combined with modern techniques (using digital media such as the tuning of the instrument tone) to produce innovative traditional instruments that in accordance with the development of the supporting community
Cingciripit: Permainan Anak-Anak Sunda dalam Pembelajaran Tari Ria Sabaria
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (370.444 KB) | DOI: 10.24114/gondang.v4i1.18039

Abstract

One type of traditional children’s games originating from West Java is the Cingciripit Kaulinan. It is a children’s game that has many benefits for cognitive and gross motor development. This study aims to make observations objectively that reveal various findings from several existing data and describe them systematically. Facts and characteristics of objects and subjects, in this case, the children’s game examined in the field, are analyzed and described appropriately into one form of description in a written report. The study was conducted at Padasuka State Elementary School in Bandung, West Java. This study was conducted in August-October 2019. It employed a theoretical and methodological approach. Understanding phenomenology seeks to open hermeneutic meanings starting from Lingua (language) to philosophical interpretations of the work. This study implemented a descriptive research method with a qualitative approach. The results of the study found that there are meanings and values of Cingciripit on the meaning of the song, the meaning of the motion, and the value in the game. The dance elements in Cingciripit include motion, space, and time.
Aransemen Vokal Sebagai Identitas O.K Congrock 17 di Semarang Fauziah Zahrotul; Abdul Rachman
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (507.764 KB) | DOI: 10.24114/gondang.v4i1.17951

Abstract

O. K Congrock 17 merupakan Orkes Kroncong kreatif di Semarang yang memberikan sajian yang berbeda dari grup musik keroncong lainnya. O. K Congrock 17 menginovasi musik keroncong salah satunya dengan membuat aransemen vokal pada setiap penampilannya. Penelitian ini bertujuan untuk mengetahui bagaimanakan aransemen vokal yang menjadi identitas O. K Congrock 17 sebagai sebuah orkes keroncong kreatif di kota Semarang. Penelitian ini menggunakan metode deskriptif kualitatif dengan pengumpulan data melalui observasi, wawancara, dokumentasi dan studi pustaka. Hasil penelitian menunjukan bahwa Congrock 17 adalah grup musik  keroncong yang memiliki identitas sebagai grup musik keroncong yang menampilkan format musik yang menarik karena disertai dengan aransemen vokal yang dinyanyikan dalam bentuk vokal grup. Aransemen vokalnya berupa (1) Pembagian suara menjadi tiga suara atau triad, (2) Teknik Cannon, dan (3) Penambahan lirik. Dari temuan tersebut dapat disimpulkan bahwa aransemen vokal menjadi identitas O. K Congrock 17 untuk mereduksi anggapan mengenai kesan musik keroncong yang tidak kekinian dan tidak cocok bagi kalangan remaja khususnya di Semarang.
Kegiatan Seni sebagai Aktivitas Corporate Social Responsibility PT Kereta Api Indonesia Yuliani Yuliani; Ferayanti Ginting
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (370.108 KB) | DOI: 10.24114/gondang.v4i1.14759

Abstract

The implementation of Corporate Social Responsibility activities done by state-owned companies is to enhance the positive image of a company.  It underlies the implementation of Corporate Social Responsibility activities conducted by PT KAI (Persero) in managing and developing the company's activities. Marching Band Locomotive is one of the activities managed by corporate social responsibility division, which consist of the employees of PT KAI and the society. The authors examine the Marching Band Locomotive activities from PT KAI as the research object because it is one of the marching band groups with lots of high achievement in arts however is still not too well known by public. The purpose of this research is to analyze the strategy done by PT KAI in managing Marching Band Locomotive activities. The conclusion of this research is that Marching Band Locomotive activity as a part of community relation program from PT KAI commits not only to build relationship with society, but also to give positive impact for the people who join Marching Band Locomotive from PT KAI. The implementation of Marching Band Locomotive activities by Corporate Social Responsibility division from PT KAI is also related to event promotion and it is communicated by Public Relations division through several media.
Nilai Filosofi Gerak Tari Guel pada Masyarakat Gayo di Kota Takengon Kabupaten Aceh Tengah Maghfhirah Murni Bintang Permata; Indra Setiawan; Rika Wirandi
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (634.749 KB) | DOI: 10.24114/gondang.v4i1.15415

Abstract

Guel dance was a traditional dance based on the history narrative of Gayo, District- inspired by the legend of the siblings Sengedaand BenerMerie who were looking for white elephants that to be presented to a princess. Therefore, some elements of the dance movements reflected the character of the elephant. Besides the aspect of form, every element of Guel dance movements also contained the philosophical values that contain moral messages and social values. Currently, Guel dance performances creations are increasingly present in the middle of the community, The forms of Guel dance creations sometimes leave the standard provisions as a standard form of the dance itself. This study aimed to describe the philosophical values of the Guel dance movement in Takengon, Aceh Tengah District, by using the theory approach of motion dance structure fromKaepleer. The method used in this study was descriptive interpretative approach, namely research directly related to the community (participatory observation)for data retrieval. This study concluded that the Guel dance was a traditional dance which has a standardize story structure and dance motion philosophy. It implied the moral teachings, religious teachings, Guel dance has a message about loyalty, responsibility, fraternity, and it is not only done by relatives or family nut must be done in relationship for others.

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