Garuda - Garba Rujukan Digital

OBJECTIFIKASI DIRI TUBUH DAN EGO DIRI DALAM FOTO KONSEPTUAL Purwastya Pratmajaya Adi; S Andre Triadiputra
Acintya Vol 10, No 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Objectification is a way to block things that are not supposed to be objects, which often in practice is not generally realized by those who become objects or make them become objects. The human body that appears in photographic imagery in modern life, becomes an appropriate example of how the collective unconsciousness of objectification practices is carried out and produced continuously. This unconsciousness will have an impact on human inability to control and master, and in other perspectives it will also build negative representations of the body and itself. In this work the collective unconscious is accommodated by the ego which then becomes personal awareness, where personal awareness will be conceptualized in the picture frame. This artistic research is interested in conducting an in-depth investigation of the behaviors of unconsciousness of objectification, especially those relating to the human body and self, then explored and used as ideas and foundations for the creation of photographic works. The choice of approach to realize this idea, will use conceptual photography which emphasizes the expression or context of the personal interpretation of the photo artist on a phenomenon as the basis of ideas and main ideas in the creation of his photographic artwork.Keywords: Self Objectification, Body and Ego, Conceptual Photos

PERSPEKTIF ANTROPOLOGI DALAM SENI DAN ESTETIKA G.L Lono Asmoro Simatupang
Acintya Vol 2, No 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

This article examine an aesthetic and arts as an anthropological facts related to human being culturally perfected. Originally this article has been presented as a research paper for seminar of aesthetic and arts productivities belonged to marginal ethnic in the Indonesia Institut of Arts in Surakarta, Central Java. Based on a arts productivities and aesthetic production factually this article will strives a relativities of arts product and aesthetic product through the anthropological consepts of culture. There were strong relation according to intercontextual of the termonology of arts itself, the forms and aesthetic products. Here we wont to determined what kind of the definition eventhough therminology had separated from the anthropological perspectives.Â Keyword arts, aesthetic, anthropological perspective

TARI JARAN GOYANG: SIMBOL PEMIKAT ASMARA Mamik Suharti
Acintya Vol 6, No 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

The genre of dance called Jaran Goyang is one of the tradition dance genres in Banyuwangi. Thisdance is composed by Suparman in 1960. Furthermore, Banyuwangi and more work of dances arecomposed by him. Jaran Goyang dance is a tradition dance with romantic theme. This movementrefers to tradition dance previously; it includes its music and ricikan. The name of this dance comesfrom love magical formula called Jaran Goyang (shaky horse). The choreography of dance is basedon the denied love by a female dancer. However, the female dancer is falling in love unexpectedly dueto love magical formula called Jaran Goyang. Jaran Goyang dance is divided into some Susana in itsperformance. It illustrates a love story between a male and a female which is full of problems inside.Keywords: Dance, Jaran Goyang, Symbol, Entice, Romantic love.

IMPLEMENTASI IMPERATIF KATEGORIS DALAM SISTEM PENDIDIKAN Setya Widyawati
Acintya Vol 8, No 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

This study entitled The Implementation Categorical Imperatives in The Education System aims toÂ determine the ethical thinking of Immanuel Kant, his inference, as well as its implementation in learning. This is a literature study using axiological approach in the branch of ethics. The material objectÂ is the implementation of ethical thinking into learning while the formal object is axiological philosophy. Immanuel Kant was a German philosopher (1724-1804) who suggested that the first argument ofÂ morality is to have true oral values. Deeds needed to be done in terms of liability. The second proposition is an act done out of obligation that does not have the moral objectives to be achieved throughÂ but in the doctrine in which it is determined. Therefore, the moral value does not depend on theÂ realization of the object but only works on the principle of volition by which the act is done withoutÂ regard to the objects of basic skills. The governmentâ€™s policy in shaping characters is done graduallyÂ starting in 2004 with Kurikulum Berbasis Kompetensi (KBK; Competency-based Curriculum). At 2011,Â the government issued Kurikulum Pendidikan Karakter (Character Education Curriculum).The mostÂ actual policy for higher education was issued in 2013 entitled Standar Nasional Pendidikan TinggiÂ (SNPT; National Standard of Higher Education) referring to Kerangka Kualifikasi Nasional Indonesia (KKNI; National Frameworkâ€™s Qualification of Indonesia). Learning is one of the objects in theÂ education system. Art education system is a unique educational system because it accentuates theÂ value of ethnic cultural heritage as part of the national identity. Relevance between Immanuel Kantâ€™sÂ categorical imperative with the world of education lies in the role of the categorical imperative thatinspires people to realize the importance of good will unconditionally. Internal awareness of inherentÂ is a soft skill so as to contribute in the education world. In turn, education will produce quality outputÂ that is sought after by the world of work.Keywords: ethics, curriculum, learning, educational system, the categorical imperative.

REINTERPRETASI PENDAPA PADA DESAIN INTERIOR â€œTHIRD SPACEâ€ SEBAGAI FASILITAS KOMUNITAS MENUJU SOLO KOTA KREATIF Dhian Lestari Hastuti; Cahyono Budi Santosa
Acintya Vol 9, No 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Surakarta is one of initiators of Indonesia Creative Cities Network (ICCN), which takes importantrole in the establishment of Creative Cities in Indonesia. It required synergy among penta helix academicians, businessmen/ladies, government, people, and medias to produce creative ecosystem. WhileSurakarta community is the center of the implementation and program implementation and creativeeconomic development program within the pattern of interaction, connection and collaboration offive (5) elements mentioned above. In order to create the pattern, it requires informal and formalspace to facilitate creative activity for community members. In urban community this space namedThird Space which is a new space typology after a home and work place. In Javanese community thefunction of this space provided by pendapa. Pendapa has been long time to function as a place forsocial interaction between the host and its neighborhood. This article is a result of artistic researchwhich shows reinterpretation of immaterial value of pendapa into architecture and Third Space interior design. Design method based on user need and three various research methodologies, namelyscenario based survey, co-creation session and focused interview. Philosophy, socio-culture, function and ergonomic approaches are used as a base to redesign pendapa. It achieves â€˜â€™meeting treeâ€™â€™ orkayon, a two (2) floors building with Indisch style, Scandinavian interior design. The process andThird Space design produce synergy embodiment between academician and community to supportSolo, A Creative City program.Keywords: Creative City, penta helix synergy, community, reinterpretation of pendapa, kayon, Scandinavian design.

ASPEK ASPEK BUDAYA DALAM NOVEL AYAT-AYAT CINTA KARYA HABIBURRAHMAN El SHIRAZY Ana Rosmiyati
Acintya Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

The novel entitled Ayat-ayat Cinta is a very good novel with complete contents. It is not only a literature and love novel but also a novel ofpolitics, culture, religion,flkih (laws), ethics, language,Â and dakwah. TheÂ interesting problem which can be raised is the complex culture in Ayat-Ayat Cinta. This research uses qualitative descriptive method and librarial study. The sources used in this research include documents containing data about things or variables covering notes, transcript, books, newspapers, etc. Social background of the novel is described by an Indonesian student who is studying in Cairn, Egypt, with theÂ various normsÂ and traditions. There are two social backgrounds in the novel including local social cultural background covering east and west culture and social cultural background of each characters that is east culture.Â Keywords: religious novel, cultural aspects, text

MODEL PENGARSIPAN MUSEUM SENIRUPA Syamsiar Syamsiar
Acintya Vol 2, No 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

This research tried to expose a model which is affiliated to the maintainance of fine art collections through the archives pattern. Archival models was the one of severals possibilities which is useful for the collections in any object. According to the main focus, this research identified some samples in the fine art collections related to the museum management and its urgency in their public interest. For this reason some comparative archival models will be referred from Bentara Budaya Yogyakarta and other established archival model. The database models was also referred to the comparative archival models. This article will expose empirical data from archival models to bring up the best choice of museum management. Keywords: archives, models, museum of fine art.

MANAJEMEN FESTIVAL DI KOTA SOLO STUDI KASUS PADA SOLO KARNAVAL, SOLO INTERNATINAL PERFORMING ARTS, SOLO BATIK CARNIVAL, DAN SOLO MENARI Fawarti Gendra Nata Utami
Acintya Vol 8, No 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

This research aims to develop learning in the field of performing arts management, considering inÂ particular the art of research on the management of the festival is still very minimal done. While theÂ activities of management and arts management are the main things that must be considered and doneas early as possible beyond the artistic issues a mat or platform. Management is not only aboutÂ management cramped funds to prepare and present a performance but more complex than that. Performing arts festival is an artistic event that needs special handling, careful planning and extensivework area and involves a lot of team work. Many important how a festival it is important to be held orÂ carried. Many big questions that must be answered; about whether the festival was real? to whom theÂ festival is reserved, what his Goal of the festival was held, what the target of the festival is held? Whatcarried the theme? discourse, there are many more issues. Zoning of rising fund or fund-raising,Â supporting the government, community involvement and community, artistic strong board, and not lessÂ important is the issue of management audience. Management of the audience is important becausethe festival is always synonymous with audiences on a large scale and even thousands on this issue isÂ often not handled properly and tend to be unthinkable. And Solo is important because in addition toÂ being a city of culture, city and town dance festival. Besides getting a concrete picture of the variousfestivals held in the city of Solo of course with the advantages and disadvantages of each, we alsoÂ had the opportunity to discusses the discourse and the problems that occur in organizing a festivalÂ event. To the researchers will look and unravel some of the major festivals held in the city of Solothem; Carnival Solo, Solo Batik Carnival, Solo International Performing Arts, and solo dancing.Â Besides getting a concrete picture of the various festivals in the city of Solo, which of course with theÂ advantages and disadvantages of each, we also had the opportunity to discusses the discourse andÂ the problems that occur in the organization of a festival.Keywords: Management, Festival, Solo.

MEBEL KAYU BERUKIR SEBAGAI SALAH SATU PERWUJUDAN PELESTARIAN KARYA BERNUANSA LOKAL K., Kusmadi
Acintya Vol 7, No 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

The carved wood furniture is a three dimension visual art work that generally uses wood material toÂ be shaped in such a way that become a tools to support human activities. Although the furniture artÂ work has developed for a long time, in Central Java, it only developed rapidly in the certain area asÂ Jepara, SerenanSukoharjo, and recently, in Kalijambe, Sragen. For the reason, it becomes a chanceÂ for the writer to pay close attention to the works of the businessmen and artists in developing themselves to fulfill the consumerâ€™sdemand. Surakarta is one of the Javanese cultural cities as well as theÂ market area of the various product of carved wood furniture in Southern Central Java. From theÂ shape of design produced, it can be seen that the quality is increasing in various aspects including theÂ forms, making, ornamentation, finishing, etc. The carved wood furniture represents a support ofinterior and exterior elements and also as evaporationof the local culture identity.This research isÂ designed to be a research that stresses on library study supported by observation on the last development of carved wood furniture forms sold in Surakarta.The result shows that the dynamic of the localcarved wood furniture is inspired by the dynamic of the wood furniture development generally. TheÂ result also becomes a material for journal writing. The result is also hoped to be an understandingÂ base of carved wood furniture product as one effort to evaporate the local culture identity.Keywords: wood furniture, carved, local nuance.

TELEVISI LOKAL SEBAGAI MEDIUM PENCITRAAN LOKALIAS DAERAH Ranang Agung Sugihartono
Acintya Vol 1, No 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Local television as a imaginary media in a localities exist as a phenomena in order to expressed reality. This article will examine a what kind of contribution need a specific perspective regarding to local identity entirely. According to the main contribution of local television, this article attempt to local materials appearance as well as social educative impacts gained from their program itself. At least the local materials supposed to be news program competence, program productionâ€™s competence, local imaginary competence, and Actualization of local competence. Through this article what I would like to strives can not be separated from relationship among existence of media television and imaginary of local product. Based on a mainstream of indigenous localityand imaginary approaches, so that local television has a specific contribution upon social educativeâ€™s roles in their own phenomena.Keyword : media television, locality, imaginary approach, social educative.

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email
acintya@isi-ska.ac.id

Phone
-

Journal Mail Official
acintya@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email acintya@isi-ska.ac.id

Phone -

Journal Mail Official acintya@isi-ska.ac.id

Editorial Address -

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email
acintya@isi-ska.ac.id

Phone
-

Journal Mail Official
acintya@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA