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INDONESIA
Capture : Jurnal Seni Media Rekam
Published by Institut Seni Indonesia Surakarta
ISSN : 2086308X     EISSN : 2338428X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Arjuna Subject : -
Articles 191 Documents
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Strategi Manajemen Media Penyiaran Music Television (MTV) Networks United Kingdom & Ireland Fitri Murfianti; Ari Puguh Sulistya
Capture : Jurnal Seni Media Rekam Vol 5, No 2 (2014)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5587.921 KB) | DOI: 10.33153/capture.v5i2.681

Abstract

Music Television (MTV) Networks UK & Ireland is one of the television stations that have credibility and existence in the history of international broadcast world. Its existence and credibility that exists since 1997 until today is one of the evidence of its good works and management system. Formulation on this research focuses on how the broadcasting management strategies of MTV Networks UK & Ireland is explored by 3 aspects: marketing, program, and technic. The purpose of this research is to describe the broadcasting management systems and strategies based on those three aspects. This research uses qualitative methods and theoretical basis that appropriate for the purpose of the research. The data written on this research are based on interviews, observation, and documents review. The result of this research proved that MTV Networks UK & Ireland has a great discipline management strategy seen from the aspects: program, marketing and technique. Each aspect is bound to each other, without one of them the success of broadcast management strategy on MTV Networks UK & Ireland is hard to reach . Keywords: strategy, broadcast, MTV Networks UK & Ireland, Music Television
STRUKTUR DRAMATIK DAN ESTETIK FILM ANIMASI THE LITTLE KRISHNA Cahya Surya Harsakya
Capture : Jurnal Seni Media Rekam Vol 7, No 2 (2016)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (674.641 KB) | DOI: 10.33153/capture.v7i2.1695

Abstract

The focus of this research is dramatic structure and animation film aesthetic,The LittleKrishna. The study of this animation uses estetic interpretation analysis, while the type ofresearch is descriptive qualitative with fourth processes in collecting the data, namely datacollection, reduction, data analysis, and conclusion.The result shows that applying dramaticstructure (exposition, inciting-action, conflication, crisis, climax, resolution, and conclusion) inthe The Little Krishna describes the story well,whereas colour and genre as a point of interest inthis film.In addition,unity appears in the first segment telling not only about Krishna who lives inVrindavan village but also in the rural area itself. On the other hand, complexity seems in thirdsegment with multiple conflicts where Krisna was against both King Kamsa and God Indra.Besides, intensity appears in the last segment tells about Krishna who was serious in Vrindavanvillage to prevent the Kaliya snake attacks.Keywods : Animation,The Little Krishna,dramatic structure,dan aesthetic
FILM YASMINE : STRATEGI FILM BRUNEI MENEMBUS PASAR INDONESIA Dhimas Aryo Vipha Ananda
Capture : Jurnal Seni Media Rekam Vol 9, No 1 (2017)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1049.395 KB) | DOI: 10.33153/capture.v9i1.2053

Abstract

Yasmine was an experimental project of Brunei International movie. The movie premiere on 21 August 2014 release to 5 screens (as there are only 5 cinemas) in Brunei and 80 screens in Indonesia, so it was described as the renaissance of Brunei cinemas after 46 years of long sleep. Taking Silat martial arts as background theme for the story. Yasmine movie actually not entirely a trial attempt. There was faith in it, that this movie will be a success because it chose a very typical story. As it was done in Cinderella story that being adopted to Pretty Woman film (1990). Yasmine movie team must be fully aware that the choice of blending romance and martial arts together is always invites many audiences. Deliberately penetrate the Indonesian market was not without strategy, the goals was to brought back film industry as one of creative industry in Brunei along with brings Brunei image go international through Indonesia. Keywords: Yasmine Movie, Strategy, Brunei, Indonesia
BEDAH RUMAH: KOMODIFIKASI KEMISKINAN DAN BUDAYA KONSUMSI Anhar Widodo
Capture : Jurnal Seni Media Rekam Vol 1, No 2 (2010)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2561.606 KB) | DOI: 10.33153/capture.v1i2.481

Abstract

This paper will review the co relation between poverty who becomes the object, the media that is doing commodification, and consumption as the goal of the commodification of the object by the media. Television program Bedah Rumah is very helpful in realizing the government’s program a simple home for the poor. This is not explain that government programs are not fully successful, proven there are still those who can not afford to get their basic rights, particularly employment and decent living.Keyword: Television program, poor, consumption
MITOS KULTURAL DALAM OBJEK DESAIN: Analisis Terhadap Karakter Antropomorfis Anggar Erdhina Adi
Capture : Jurnal Seni Media Rekam Vol 3, No 1 (2011)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (285.807 KB) | DOI: 10.33153/capture.v3i1.631

Abstract

Culture is always evolving and changing to follow the society development. The result alwaysleaves footstep in the form of value or artifacts. The character design in the past was amanifestation of the people culture as expression value in the form of artifacts, one of theforms is anthropomorphic characters. Meanwhile, in the modern era the realization comes inmany forms; for instance movies, comics, and novels with a variety of designs. This embodimentcannot be separated from the cultural values as a constituent. The object is understood asa truth because it becomes a cultural myth. This paper attempts to interpret the phenomenonof design objects in the form of character anthropomorphic as a design object.
LITERASI MEDIA, UPAYA CERDAS DALAM MENGKONSUMSI TAYANGAN TELEVISI Citra Ratna Amelia
Capture : Jurnal Seni Media Rekam Vol 7, No 1 (2015)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4208.224 KB) | DOI: 10.33153/capture.v7i1.1559

Abstract

The development of the mass media or broadcasting of terrestrial television in Indonesia is very rapid. Increasing number of terrestrial television stations in Indonesia makes the competition among television stations increasingly stringent. The terrestrial television requires a relatively high amount of revenue for operational costs. Advertising is one source of revenue. The advertisers will pair its ads in the program of interest by the public. Therefore, the television station competely to create programs that liked by the public. This is done so that the televison station can fight the competition. To determine whether the programs are interesting for public or not , the TV station uses the services of AGB Nielsen to measure whoever are viewing terrestrial television. The results of AGB Nielsen survey are rated and shared. The result of rating and share of the programs are liked by the public interest or not become a benchmark. The higher the rating and share program means the higher the interest of the public to watch the program. That became a problem and interesting to be discussed, in which in reality many programs are reprimanded by the KPI (Indonesian Broadcasting Commission) even in fact they have a high ratings. Whereas the program that gets a reprimand from the KPI is a program that can be said to be problematic and it cannot be imagined what happen if the problematic program maintained by the television station is on the pretext of a high rating. Facing this kind of television, viewers required to be more selective and critical of television, because media owner of television defends its economic interests. Therefore, the audience should have the skills of media literacy. Ability to digest what ispresented by the mass media, then the television is very important.Keywords:Media literacy, rating, share, AGB Nielsen
MEDIATISASI AGAMA DALAM FENOMENA DIMAS KANJENGTAAT PRIBADI SERTA KERJA LOGIKA MEDIA DALAM MEMBENTUK PENGETAHUAN PUBLIK SEBAGAI BAGIAN DARI AGEN SOSIAL DAN PERUBAHAN KULTURAL Risky Chairani Putri
Capture : Jurnal Seni Media Rekam Vol 8, No 1 (2016)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (807.272 KB) | DOI: 10.33153/capture.v8i1.1905

Abstract

The phenomenon,Dimas KanjengTaat Pribadi, is unique issues that have shocked in the Indonesian public because of his unbelievable activities (duplicate the amount of money).This metode of the research is textual;focus onTaat Pribadi news,doubling the money with the religion modus. Mediatisation theory explains about howTaat Pribadi work from the mediatisation, what things appear from the religion ,ediatisation , and how the logic of media work in this case (form knowledge) to the public.The findings of this study are mediatisation religion led to new understanding of the public that led to the substitution of the role of religion and peeps quast-religious.The logic of the media make the knowledge from public that the reporting on this case a shift is no longer focused on the case of deception,but tend to focus on the dramatization of the media or in other words experiencing commoditization of media content,as well as the logicof the media creating a privateTaat Pribadi as a new celebrity.Keywords: Mediatization, religion, logic media, commodification, and dramatization media
STUDI TENTANG KOMPETENSI PRODUKSI DAN PROMOSI PEMBUAT FILM INDEPENDEN DI SURAKARTA Anung Rahman
Capture : Jurnal Seni Media Rekam Vol 1, No 1 (2009)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1583.717 KB) | DOI: 10.33153/capture.v1i1.449

Abstract

This research is aimed to observe and to analyze carefully the production compe-tence and promotion ability of the indie filmmaker in Surakarta. The research is carried out at indie film community in Surakarta, that consist of academic and general background. The method of the research is qualitative des-criptive. The sampling technique is carried out purposively. The data collection is taken place by interview, observation, and documentary analyzing. The results of the research concludes that the production competence and promo-tion ability of the indie filmmaker from general background is strong. But their tracks of promotion mostly on job for right now. In other side, the production competence and promotion ability of the indie filmmaker from academic back-ground is still weak. Because of those weakness, the potential spectators appreciation are still low than other town. And the other effect, people in Surakarta mostly don’t know about the growing indie phenomenon.Keyword : the indie filmmaker’s, the production competence and promotion abi-lity, spectators appreciation.
ANALISIS PENERIMAAN KHALAYAK DESA PONGGOL KECAMATAN GRABAG KABUPATEN MAGELANG TERHADAP PROGRAM ACARA GENDU-GENDU ROSO DI TELEVISI KOMUNITAS GRABAG TV Reni Diyah Yulita
Capture : Jurnal Seni Media Rekam Vol 2, No 1 (2010)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4183.7 KB) | DOI: 10.33153/capture.v2i1.547

Abstract

Grabag TV merupakan salah satu televisi komunitas yang telah beroperasi di Indonesia. Berdiri pada tahun 2004 di Kecamatan Grabag, Kabupaten Magelang, Jawa Tengah. Televisi ini bersifat non komersial. Salah satu program acara yang ditayangkan adalah Gendu-Gendu Roso. Acara ini merupakan dialog interaktif yang bertujuan sebagai ruang untuk menampung aspirasi masy arakat Grabag. Masalah ini kemudian difokuskan pada bagaimana penerimaan masyarakat terhadap program acara Gendu-Gendu Roso sebagai media penyalur aspirasi masyarakat yang sesuai dengan tujuan dan idealisme lembaga penyiaran Indonesia. Tujuan dari penelitian ini agar pembaca mampu memahami bagaimana penerimaan khalayak terhadap program acara yang ditayangkan di televisi komunitas dan faktor-faktor apa yang mempengaruhi penerimaan khalayak tersebut. Skripsi ini menggunakan metode kualitatif. Pendekatan yang digunakan adalah reception analysis/ analisis penerimaan. Pendekatan ini digunakan dengan tujuan untuk mengetahui bagaimana khalayak menerima isi pesan yang disampaikan oleh media dilihat dari berbagai faktor kontekstual yang ikut mempengaruhi. Penerimaan khalayak akan diperoleh berdasarkan proses panjang yang kemudian menjadi pengalaman berharga dalam diri khalayak dan membentuk pola pikir dan cara pandang yang berbeda-beda. Hasil penelitian ini menunjukkan bahwa penerimaan masyarakat terhadap acara Gendu-Gendu Roso dalam mempertahankan kebebasan berbicara masuk dalam kategori resepsi dominant dimana masyarakat sepakat bahwa acara tersebut mampu menjadi wadah penyalur aspirasi, begitu pula penerimaan khalayak terhadap penggunaan setting acara juga masuk dalam resepsi dominant. Sementara itu penerimaan khalayak terhadap informasi masuk dalam resepsi dominant dan negotiated. Pembahasan terakhir tentang penggunaan bahasa daerah dalam acara tersebut diperoleh hasil bahwa penerimaan khalayak masuk dalam resepsi dominant, negotiated dan oppositional. Bagi masyarakat yang masuk dalam kategori oppositional berarti bahwa penggunaan bahasa daerah tersebut tidak dapat diterima dengan baik. Penerimaan masyarakat terhadap program acara yang ditayangkan di televisi komunitas tidak lah sama. Hal tersebut dipengaruhi oleh berbagai faktor dalam kehidupan sehari-hari seperti latar belakang sosial, pekerjaan, umur, jenis kelamin dan lingkungan tempat tinggal khalayak.Kata kunci: reception analysis, khalayak aktif, televisi komunitas, positioning khalayak.
Close Up Pada Film Dokumenter Insight Of Batik Cito Yasuki Rahmad; Pranomo Widhiarmoko
Capture : Jurnal Seni Media Rekam Vol 6, No 2 (2015)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (7346.677 KB) | DOI: 10.33153/capture.v6i2.737

Abstract

The Insight of Batik film departs from concerns about batik. Batik is the result of Indonesian culture that is recognized as World Heritage by UNESCO. However, most of the general public admiration of batik is currently only limited by sheer visual beauty, but behind a piece of batik cloth, there are many values that can be used as a lesson. Documentary is part of an effort to provide additional information, knowledge and understanding of batik to the cultural life and society. Starting from this objective, the documentary film raised three themes of batik, which is about the history, teachings, and intensity human in batik. The third theme is packed into a documentary film with a visual concept that emphasizes on Close Up technique. This technique gives the proximity to the audience through its ability to present the details of the object. Close Up also able to build a dramatization that can convey the intrinsic elements of batik. Through the documentary film with a Close-Up visual concept is expected to provide a deep understanding of batik.Keywords: Documentary, film, batik, and close up 

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