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Wacana: Journal of the Humanities of Indonesia

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Published by Universitas Indonesia

ISSN : 14112272 EISSN : 24076899 DOI : 10.17510

Core Subject : Humanities, Social,

Humanities Social Sciences

Wacana, Journal of the Humanities of Indonesia is a scholarly journal accredited by Decree of the Directorate General of Research Reinforcement and Development, Ministry of Research, Technology, and Higher Education of the Republic of Indonesia No. 60/E/KPT/2016, 13 November 2016. This journal of the Faculty of Humanities, Universitas Indonesia, is a medium for scholarly discussion, description, and surveys concerning literature, linguistics, archaeology, history, philosophy, library and information studies, religion, art, and interdisciplinary studies. The journal is published twice a year.

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Articles 16 Documents

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Search results for , issue " Vol 12, No 1 (2010): Oral tradition in Malay world" : 16 Documents clear

Lirasniara, the sung language of Southwest Maluku (East-Indonesia) Engelenhoven, Aone van
Wacana Vol 12, No 1 (2010): Oral tradition in Malay world
Publisher : Faculty of Humanities, University of Indonesia

This paper discusses a highly endangered sung style in Maluku Barat Daya along the lines of Sasse’s (1992) theory of language death and focusses on structural consequences, the speech behaviour, and the external setting of this oral tradition. It is concluded that if it really has existed and not only in local folklore, Lirasniara must have been a jargon that was replaced by Malay. Only because it already occurred in sung texts during the latter’s introduction prevented its total disappearance from the region thus far. The fear remains that in the process of the modernization of Indonesia, it may undoubtedly disappear after all in the near future.

Oral tradition in the study of ulayat land disputes in West Sumatra Dewi, Susi Fitria
Wacana Vol 12, No 1 (2010): Oral tradition in Malay world
Publisher : Faculty of Humanities, University of Indonesia

Land is a society’s potent symbol of wealth, social power, and culture. A long time ago, when extensive jungles and forests still abounded, there were probably no serious conflicts over land ownership. Groups were free to roam about and to open up land to extend their farming area in accordance to their needs. Groups in society marked the land they had cultivated to proclaim their ownership. These marks could be very simple and could simply be a tree, a big stone, or a piece of iron hammered into the soil, or they used the physical condition of the land itself such as rivers, lakes, hills etcetera as borders to distinguish their land from that of others. Minangkabau traditional society never recorded these borders in writing on paper, leaves, or stones or any other means as many peoples in other parts of the world do. Rather, they deemed it sufficient to use natural symbols to demarcate the important agreements they had made between them orally.

Mu’jizah, Iluminasi dalam surat-surat Melayu abad ke-18 dan ke-19. Jakarta: Kepustakaan Populer Gramedia, École française d’Extrême-Orient, Pusat Bahasa–Departemen Pendidikan Nasional, and KITLV-Jakarta, 2009, 204 pp.[Seri Buku Pustaka hikmah Disertasi 2] Kramadibrata, Dewaki
Wacana Vol 12, No 1 (2010): Oral tradition in Malay world
Publisher : Faculty of Humanities, University of Indonesia

The effect of oral performances in audiences’ minds and behaviour Santosa, Santosa
Wacana Vol 12, No 1 (2010): Oral tradition in Malay world
Publisher : Faculty of Humanities, University of Indonesia

As a means of communicating thoughts, gamelan performances affect the way audiences construct their worldview. More than that, listeners in villages believe that performances can affect people’s behaviour. Performances may be deeply influential in the creation of fundamental social values such as in-group integrity, feelings of unity and peace in the community. All this demonstrates that in villages, arts are not autonomous entities; people value the arts as an integral domain with other social activities.

Preface Journal of the Humanities of Indonesia, Wacana
Wacana Vol 12, No 1 (2010): Oral tradition in Malay world
Publisher : Faculty of Humanities, University of Indonesia

The performance of Panggung Bangsawan in Riau Lingga A reconstruction of a theatrical process Arybowo, Sutamat
Wacana Vol 12, No 1 (2010): Oral tradition in Malay world
Publisher : Faculty of Humanities, University of Indonesia

Panggung Bangsawan is a popular folk theatre in Riau Lingga. The ups and downs in its performance are atributed to changes in social, political, and cultural conditions. This article is a reconstruction of a near extinct Panggung Bangsawan group in the Teluk village in the islands of Riau Lingga. First, I have attempted to describe the staging process; second, to endeavour to understand the phenomenon of change which occurs when a folk tale is transformed from written work into a performance; and third, to expose the transformation of a script (text) divided into scenes into a performance. This is an attempt to explain the relation between the audience’s response to a text when it is staged. This article is expected to give a more profound understanding on how the society supporting Panggung Bangsawan remember their past and their ideal views while comprehending how the shift in life values emerges in a staged folk tale.

Sapirin bin Usman, Hikayat Nakhoda Asik; Muhammad Bakir, Hikayat Merpati Emas dan Merpati Perak. Edited by Henri Chambert-Loir. Jakarta: Masup Jakarta, École française d’Extrême Orient, Perpustakaan Nasional Republik Indonesia, 2009, 334 pp. Achadiati, Achadiati
Wacana Vol 12, No 1 (2010): Oral tradition in Malay world
Publisher : Faculty of Humanities, University of Indonesia

That mighty pantun river and its tributaries Ming, Ding Choo
Wacana Vol 12, No 1 (2010): Oral tradition in Malay world
Publisher : Faculty of Humanities, University of Indonesia

Known as <i>pantun</i> to the Malays in Brunei, Malaysia, Pattani, Riau, Singapore, and Southern Phillipines, it is called peparikan to the Javanese, sesindiran to the Sundanese and many other different names in different ethnic groups in the different parts of the Indo-Malay world, which is made up of Brunei, Indonesia, Malaysia, Singapore, Pattani in southern Thailand, and Mindanao in the southern Philippines. In almost every settlement that sprang up along the major rivers and tributaries in the Indo-Malay world, the pantun blend well with their natural and cultural surroundings. In this article, the geographical extent of the pantun family in the Indo-Malay world is likened to a mighty river that has a complex network of tributaries all over the Indo-Malay world. Within the Indo-Malay world, it is the movement of the peoples help the spread of pantun from one area to the other and makes it an art form of immensely rich and intricate as can be seen from the examples given.

Victoria M. Clara van Groenendael, Jaranan; The horse dance and trance in East Java. Translated by Maria J.L. van Yperen. Leiden: KITLV Press, 2008, xiv + 293 pp., illustrations + audio CD recordings of jaranan performances. [Verhandelingen 252.] Rahyono, F.X.
Wacana Vol 12, No 1 (2010): Oral tradition in Malay world
Publisher : Faculty of Humanities, University of Indonesia

The myth about the origin of the Karo House Ginting, Juara R.
Wacana Vol 12, No 1 (2010): Oral tradition in Malay world
Publisher : Faculty of Humanities, University of Indonesia

The Karo people in North Sumatra (Indonesia) consider areas in the Karo regency and those in other regencies as part of Taneh Karo (the Karolands), despite the fact that these areas comprise different administrative territories. This paper focuses on how the idea of Taneh Karo is articulated in a special Karo myth. Scholarly research has discovered that the notion of Taneh Karo originated in pre-colonial times, but an analysis of a local myth which established the concept of Taneh Karo remains an interesting anthropological study. This study is significant as it endeavours to comprehend the traditional ways of life of the Karo people, and it is a crucial attempt to map out the inter-group relations in the Karo area, where the Acehnese, the Batak, and the Malay people take part. It is interesting to note that the myth of Karo has positioned the Karo community and land in a distinctive site within the network of inter-related groups. This is precisely the position which would determine the formation of the Karolands.

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All Issue Vol 22, No 3 (2021): Reading Javanese literature Vol 22, No 2 (2021): Languages of Nusantara II Vol 22, No 1 (2021): Languages of Nusantara I Vol 21, No 3 (2020): The art of giving meaning in translation Vol 21, No 2 (2020): Panji stories II Vol 21, No 1 (2020): Panji stories I Vol 20, No 3 (2019): Society and history in Central and Southern Maluku Vol 20, No 2 (2019): Indonesian heritage and library collections II Vol 20, No 1 (2019): Indonesian heritage and library collections I Vol 19, No 2 (2018): Malayic language studies Vol 19, No 1 (2018): Language and culture in Java and its environs Vol 18, No 3 (2017): Indigenous communities Vol 18, No 2 (2017): Chinese Indonesians in historical perspective II Vol 18, No 1 (2017): Chinese Indonesians in historical perspective I Vol 17, No 3 (2016): Stories and storytelling in Indonesia II Vol 17, No 2 (2016): Stories and storytelling in Indonesia I Vol 17, No 1 (2016): Maritime culture Vol 16, No 2 (2015): From languages to cultures in Indonesia II Vol 16, No 1 (2015): From languages to cultures in Indonesia I Vol 15, No 2 (2014): Cultural discourses on religion Vol 15, No 1 (2014): Children and youth culture Vol 14, No 1 (2012): Film, media, and culture Vol 14, No 2 (2012): Documentation of Nusantara cultures Vol 14, No 1 (2012): Film, media, and culture Vol 13, No 1 (2011): Charting borders Vol 13, No 2 (2011): Multiculturalism Vol 13, No 1 (2011): Charting borders Vol 12, No 1 (2010): Oral tradition in Malay world Vol 12, No 2 (2010): Lexicon and Semantics Vol 12, No 1 (2010): Oral tradition in Malay world Vol 11, No 1 (2009): Lingkungan Sosial Urban Vol 11, No 2 (2009): Fonetik dan Ilmu Bahasa lain Vol 11, No 1 (2009): Lingkungan Sosial Urban Vol 10, No 2 (2008): Sastra dan Sejarah Seputar Era VOC Vol 10, No 1 (2008): Maskulinitas dan Ilmu Budaya Vol 9, No 1 (2007): Teori dan Metodologi Ilmu Budaya Vol 9, No 2 (2007): Ideologi dan Pemikiran Bangsa Vol 9, No 1 (2007): Teori dan Metodologi Ilmu Budaya Vol 8, No 2 (2006): Multikultural Internasional Vol 8, No 1 (2006): Keanekaragaman Budaya Regional Vol 7, No 2 (2005): Naskah, Tradisi Lisan, dan Sejarah Vol 7, No 1 (2005): Nasionalisme dan Penafsiran Vol 6, No 2 (2004): Culture studies dan Multikulturalisme Vol 6, No 1 (2004): Jejak Masa Lampau Indonesia Vol 5, No 2 (2003): Dinamika Budaya dan Pergerakan Bangsa-Bangsa di Dunia Vol 5, No 1 (2003): Perempuan dan Media Vol 4, No 2 (2002): Produksi Budaya dan Budaya Produksi Vol 4, No 1 (2002): Media, Budaya dan Ideologi Vol 2, No 1 (2000): Kebudayaan dan Perubahan Vol 2, No 1 (2000): Kebudayaan dan Perubahan Vol 1, No 2 (1999): Politik Bahasa Kolonial di Asia, Negara dan Minoritas Tionghoa di Indonesia Vol 1, No 1 (1999) More Issue

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Journal Mail Official
wacana@ui.ac.id

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Faculty of Humanities, University of Indonesia Gd 2 , Lt 2 , Depok 16424, Indonesia

Location
Kota depok,

Jawa barat

INDONESIA