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Wacana: Journal of the Humanities of Indonesia

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Published by Universitas Indonesia

ISSN : 14112272 EISSN : 24076899 DOI : 10.17510

Core Subject : Humanities, Social,

Humanities Social Sciences

Wacana, Journal of the Humanities of Indonesia is a scholarly journal accredited by Decree of the Directorate General of Research Reinforcement and Development, Ministry of Research, Technology, and Higher Education of the Republic of Indonesia No. 60/E/KPT/2016, 13 November 2016. This journal of the Faculty of Humanities, Universitas Indonesia, is a medium for scholarly discussion, description, and surveys concerning literature, linguistics, archaeology, history, philosophy, library and information studies, religion, art, and interdisciplinary studies. The journal is published twice a year.

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Articles 548 Documents

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Data for lexicography The central role of the corpus Lauder, Allan F.
Wacana Vol 12, No 2 (2010): Lexicon and Semantics
Publisher : Faculty of Humanities, University of Indonesia

This paper looks at the nature of data for lexicography and in particular on the central role that electronic corpora can play in providing it. Data has traditionally come from existing dictionaries, citations, and from the lexicographer’s own knowledge of words, through introspection. Each of these is examined and evaluated. Then the electronic corpus is considered. Different kinds of corpora are described and key design criteria are explained, in particular the size of corpus needed for lexicography as well as the issue of representativeness and sampling. The advantages and disadvantages of corpora are weighed and compared against the other types of data. While each of these has benefits, it is argued that corpora are a requirement, not an option, as data for dictionary making.

Wòlak-waliké jaman; Exploring contemporary Walikan in public space Yannuar, Nurenzia
Wacana Vol 19, No 1 (2018): Language and culture in Java and its environs
Publisher : Faculty of Humanities, University of Indonesia

This article describes the current use of Walikan, a youth language in Malang, Indonesia. Unlike previously decribed youth registers in Indonesia, Walikan has been around since as early as the 1940s and has continuously reinvented itself ever since. As will be shown, the speakers of Walikan have certain strategies to keep the practice alive. In addition to the use of Walikan in oral face-to-face communication, they also use Walikan in songs, local TV news, local newspaper columns, as well as in public signs. The analysis focuses on how a youth language that started out as an oral practice was being maintained through written and audio-visual media offline and online. The results inform us how a community work together in shaping their identity through linguistic means.

Lirasniara, the sung language of Southwest Maluku (East-Indonesia) Engelenhoven, Aone van
Wacana Vol 12, No 1 (2010): Oral tradition in Malay world
Publisher : Faculty of Humanities, University of Indonesia

This paper discusses a highly endangered sung style in Maluku Barat Daya along the lines of Sasse’s (1992) theory of language death and focusses on structural consequences, the speech behaviour, and the external setting of this oral tradition. It is concluded that if it really has existed and not only in local folklore, Lirasniara must have been a jargon that was replaced by Malay. Only because it already occurred in sung texts during the latter’s introduction prevented its total disappearance from the region thus far. The fear remains that in the process of the modernization of Indonesia, it may undoubtedly disappear after all in the near future.

Bangsawan prampoewan Enlightened Peranakan Chinese women from early twentieth century Java Kwartanada, Didi
Wacana Vol 18, No 2 (2017): Chinese Indonesians in historical perspective II
Publisher : Faculty of Humanities, University of Indonesia

The end of the nineteenth century witnessed paradox among the Chinese in colonial Java. On one hand, they were prospering economically, but were nonetheless held in contempt by the Dutch, encountered legal discrimination and faced challenges if they wanted to educate their children in European schools. Their marginal position motivated them do their utmost to become “civilized subjects”, on a par with Europeans, but they were also inspired to reinvent their Chinese identity. This contribution will highlight role played by “enlightened” Chinese, the kaoem moeda bangsa Tjina. Central to this movement were the Chinese girls known to the public as bangsawan prampoewan (the noblewomen), who wrote letters the newspaper and creating a gendered public sphere. They also performed western classical music in public. Considering the inspirational impact of bangsawan prampoewan’s enlightening achievements on non-Chinese women, it is appropriate to include them into the narrative of the history of the nation’s women’s movements.

Wacana kolonial dalam film Moeder Dao, de schildpadgelijkende Soegiarto, Jugiarie
Wacana Vol 10, No 2 (2008): Sastra dan Sejarah Seputar Era VOC
Publisher : Faculty of Humanities, University of Indonesia

Documentary maker Vincent Monnikendam compiled the film Mother Dao, theturtlelike (1995) from more than 200 titles of archived films of the Dutch-Indies,shot between 1912 to ca. 1933. This film is neither a remake nor an editedversion, but a kind of collage from those hundreds of archival films, all weresilent. Monnikendam re-arranged the images and provided them with a newsound frame, consisting of songs, chantings and poems, in Indonesian, OldJavanese, and Sundanese. This new composition is not just creative but alsoquite provocative. With this arrangement the cineast wanted to show that therewas something not quite right with colonialism. Through the new compositionof images and the sound framing we can observe the power relation betweenthe colonizer and the colonized. There are contrasts between the colonial andthe colonized, literally as well as metaphorically. These contrasts raised somequestions about the colonial discourse.

Cultural Identity and Female Representation in Indonesian Women's Magazines Paramaditha, Intan
Wacana Vol 5, No 1 (2003): Perempuan dan Media
Publisher : Faculty of Humanities, University of Indonesia

Dewasa ini banyak media massa cetak diterbitkan oleh dan untuk perempuan. Majalah yang demikian lazim disebut majalah wanita. Sebagian besar mahalah wanita diterbitkan oleh orang INdonesia (majalah wanita Indonesia); sebagian yang lain merupakan majalah asing yang diterbitkan di Indonesia (edisi Indonesia). Dalam tulisan ini dimuat perbandingan isi kedua kelompok majalah wanita tersebut, yang dikaitkan dengan isu tentang perempuan. Dari perbandingan, tampak bahwa isu modernitas, yang terutama diusung majalah wanita asing edisi Indonesia, mempengaruhi tampilan isi majalah wanita Indonesia.

Papan Nama Usaha di Prancis Studi Kebahasaan dan Semiotika Husen, Ida Sundari
Wacana Vol 1, No 1 (1999)
Publisher : Faculty of Humanities, University of Indonesia

Telling and selling Literary fiction in early Malay language newspapers in colonial Indonesia Nie?, Joachim
Wacana Vol 17, No 3 (2016): Stories and storytelling in Indonesia II
Publisher : Faculty of Humanities, University of Indonesia

When newspapers in the colloquial Malay language appeared in the Dutch East Indies in the middle of the nineteenth century, they did more than just publish news reports and advertisements. They also created a new platform for the telling and distribution of literary fiction. In effect, literary texts soon played an important role in the vernacular print media. The first part of this article analyses the attraction of newspaper literature from the perspective of both the reader and the editor in general and gives a survey of the various forms of literary genres which can be found in newspapers in the late nineteenth and early twentieth century. In the second part, one particular serialized novel will be discussed in detail to demonstrate how the mode of publication also influenced the way stories were told.

Pintu terlarang A disconcerting spatial interpretation of urban dystopia Kristianto, Bayu
Wacana Vol 14, No 1 (2012): Film, media, and culture
Publisher : Faculty of Humanities, University of Indonesia

The main character of the film Pintu terlarang (The forbidden door), Gambir, attains success in the art world by making statues of pregnant women. Part of his creative process is to insert dead foetuses into the wombs of the statues. His troubled soul meets a written request for help by a child he encounters in various places. The journey to find the child leads him to a secret door, revealing a terrifying reality of a dehumanized world. The city, commonly characterized by a sense of vastness, is set in opposition to small, enclosed spaces where individuals converse with their utmost self. The questions explored are: What is the role of space in engendering urban dystopia? In what ways does the selection of different space settings help create a dehumanized world? I argue that urban dystopia is created when the inhabitants of a city return to enclosed spaces in an effort to find an existence. When individuals prefer enclosed spaces and fail to reconstruct existing meanings, tendencies toward dystopia will come forward and city life will degenerate.

Joost J. Coté (editor and translator), Realizing the dream of R.A. Kartini; Her sisters’ letters from colonial Java. Athens: Ohio University Press, Leiden: KITLV Press, 2008, xii + 397 pp. [Southeast Asian Series 114.] ISBN 0-89680-253-1, 978-0-89680-253- Hidayat, Rahayu Surtiati
Wacana Vol 11, No 2 (2009): Fonetik dan Ilmu Bahasa lain
Publisher : Faculty of Humanities, University of Indonesia

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Editorial Address Faculty of Humanities, University of Indonesia Gd 2 , Lt 2 , Depok 16424, Indonesia

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Contact Name
-

Contact Email
-

Phone
-

Journal Mail Official
wacana@ui.ac.id

Editorial Address
Faculty of Humanities, University of Indonesia Gd 2 , Lt 2 , Depok 16424, Indonesia

Location
Kota depok,

Jawa barat

INDONESIA