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INDONESIA
Jurnal Rupa
Published by Universitas Telkom
ISSN : 25031627     EISSN : 25031066     DOI : -
Core Subject : Art,
Arts
JURNAL RUPA is a peer-reviewed academic journal to provide a platform for an interdisciplinary forum in the area of visual arts. This journal welcomes submissions from artists, makers, designers, researchers, historians, and other writers in the field of visual arts. This journal is published two times a year by Telkom University.
Arjuna Subject : -
Articles 106 Documents
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Pergeseran Fungsi dan Makna Simbolis Kain Sasirangan Yunita Fitra Andriana
JURNAL RUPA Vol 3 No 2 (2018): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v3i2.1473

Abstract

Sasirangan cloth is a result of the cultural work of the Banjar people in South Kalimantan, it has its own beauty, characteristics and uniqueness, both in terms of manufacturing techniques, colors, motifs and symbolical meanings. The symbolical meaning that contained in Sasirangan is closely related to its traditional motifs and the natural dyes which it has been used for many years. However, along with the current development, Sasirangan now has changed from using natural dyes to using synthetic dyes, so that the symbolical meaning needs to be reexamined. This study of shifting symbolical meanings of Sasirangan cloth uses qualitative methods with literature studies and analysis. The results of this study can be a reference source for studies related to Sasirangan cloth in particular, and traditional Indonesian fabrics in general.
Pengolahan Motif Batik Perpaduan Unsur Tradisi Jawa dan Jepang Morinta Rosandini; Imam Syafrudin
JURNAL RUPA Vol 2 No 2 (2017): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v2i2.1217

Abstract

PPI Ishikawa as one of the Indonesian student community in Japan invited Batik practitioners to design Batik motif, that not only has elements of traditional culture but also represents the character of that community. The purposes were to rise a pride of that community and to introduce Batik as Indonesian culture to local residents as well. Therefore, to fulfill those purposes, it is needed a research in designing Batik motifs that combine traditional Javanese ornaments as the original character of Batik and Japanese elements as a culture that developed around the community. The purpose of this research was to create ornaments pattern composition applied to Batik technique. The research method used was by conducting qualitative methods, including a literature study for data collection, an exploratory study of the elements of Javanese and Japanese culture, and an experiment on Batik Tulis technique. The result of this research was Batik cloth sheet with ‘Truntum’ motif as a character of Javanese Batik, combined with the statute of cherry blossom, pagoda, and heron motifs as a character of Japan.
Kamasan: Goldsmith Tradisional Sunda Busratul Mukmin Sjahroeddin; Agus Sachari; Meirina Triharini; Muhammad Ihsan DRSAS
JURNAL RUPA Vol 3 No 2 (2018): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v3i2.1498

Abstract

Every culture has its own craft product made by a specialized craftsman. Even so, wider community nowadays in Indonesia do not give attention to traditional craftsman as they should. Many of traditional craftsman has been alienized even perish from their community. One of the traditional craftsmen who has been existing and known in Sundanese people society are kamasan. Kamasan is the name of Sundanese traditional goldsmith who will make jewelry or embed precious metal to other product. Today presence of kamasan almost like a myth, even on Sundanese community. Rapid growth and higher quantity demand of jewely from Sundanese people that cannot be fulfilled by kamasan make them outcast from the mainstream precious metal and jewelry business scene. Beside that, the economic inflation that struck globaly caused many of kamasan changed their profession. In effort to find kamasan that still exist around Bandung, an ethnographical approach was performed in one of the kamasan village at southern Bandung. From those communities finally found only one kamasan who still practicing goldsmith until today. That kamasan persistently practicing goldsmith as known as in Sundanese traditional culture. Traditional craftsmen absence from its community affected the loss of various cultural knowledge. That condition will make a community alienated to their own cultural roots and awareness.
Menelusuri Jejak Rupa Wayang Klasik Bali I Dewa Alit Dwija Putra
JURNAL RUPA Vol 3 No 2 (2018): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v3i2.1821

Abstract

The form of classical Balinese puppets through its long history, starting from primitive times, ancient Balinese, Balinese Hinduism, and colonialism until now. As a work of art of ancestral heritage with its various forms and developments, many Balinese people do not know the history of the puppet origins that became 'pakem' in its traditional art. To find out the traces of the classical puppets of Bali have similarities form with the depiction of puppets figures that exist in the temples of Central Java and East Java. The art crossed to Bali through the conquest of Bali during the Majapahit colonialism. This research uses historical method through heuristic stages, criticism, interpretation, and historiography, to be able to describe historically the origin of classical Balinese puppets as well as analysis matrix comparison to see the similarities and differences of Balinese puppets visual that exist in the temple the studies reliefs in the two areas. This research gives an idea that wayang art in Bali comes from Java which its early formation has been started since the time of Singosari kingdom and as a form of traditional artwork which is close to society which requirement of moral and spiritual value.
Potensi Penerapan Konsep Zero Waste Pada Busana Tradisioanal Studi Kasus: Kimono Faradillah Nursari; Dian Fitrah Hervianti
JURNAL RUPA Vol 2 No 1 (2017): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v2i1.754

Abstract

Zero waste is a concept commonly used in the manufacturing industry in order to reduce the pre-consumer waste that occur during production phase. This concept was later adopted in the fashion industry to minimize left-overs or scraps when cutting patterns pieces on fabric. Unknown to most, this concept was actually used by our ancestors to create traditional clothes in the simplest form. Geometric shape is one of the simplest form of clothing adopted in many cultures for their traditional clothes. This shape can be seen in most Asian cultures, one of them is Japan. Kimono, Japanese traditional clothes, is one example of adapting the geometric shape for clothing purposes. Constructed from a basic rectangle shape made of fabric that is woven traditionally, it has many potential to evolve in terms of construction and production method, furthermore, having the possibility of being more sustainable by applying the zero waste concept.
Pewarisan Kesenian Wayang Golek di Jawa Barat Soni Sadono; Catur Nugroho; Kharisma Nasionalita
JURNAL RUPA Vol 3 No 2 (2018): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v3i2.1822

Abstract

As the improvement of increasingly sophisticated technology and the variety of modern communication media, such as television, radio, magazines, and the internet, the communities experienced a change of communication and entertainment media. So diverse regional arts and culture in Indonesia provides opportunities for various parties to be able to pass on to the younger generation and use it as a medium of communication. One of the local cultural arts passed down from generation to generation is Golek Puppets (Wayang Golek). Wayang Golek indeed been utilized by leaders and government in conveying information, knowledge and teachings to the community. Dissemination of information that is still centred on the urban areas, led to information gap between the people who live in urban areas with the people who live in the countryside. Meanwhile, the condition of people in West Java is still largely residing in rural areas. This is one of the reasons why this medium of Golek Puppet folk art is still used in guarding cultural and values heritage, also as dissemination of information media. This research is related to guarding of cultural heritage and development communication strategy. The theory used in this paper is Heriter La Culture Theory which describes the concept of cultural inheritance. While the method used is the method of phenomenology, where research focused on phenomena or events that are unique and special. In this research, the use of wayang golek folk art as a communication medium is something unique because while technology is more modern, some parties in West Java still maintain the traditional communication media that is, the art of wayang golek show. In the development of wayang golek in West Java, almost all stakeholders involved using the conservation, reinterpretation, and revitalization system.
Uniform ; The Power of Masculine Identity Hendhy Nansha; Setiawan Sabana
JURNAL RUPA Vol 4 No 2 (2019): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v4i2.2310

Abstract

Identity is a very important aspect of human life. The definition of the self is a characteristic which distinguishes each person. In a certain situation, an identity could mean anxiety, fear, or ego. This happens when someone is in a rather defensive position. Jean Baudrillard, one of post-modernist has denounced the existence of a definite identity that latched into a subject since he believes that everything has deconstructed. Physiologically, identity can not be separated from the body. Representation is crucial for people to interpret the body as a battlefield, discourses of what emerged there, and various things that affect in creative practice. Uniform is also closely linked to identity and the body. Uniform can be central for the construction of identity. We can identify whether the person is a member of the police, armed forces, and so on by simply take a look at the uniform that he uses. In a masculinity viewpoint, sometimes a person who wears uniform feel himself the most powerful (arrogant) and become cruel for people around him. This paper aims to expose my anxiety toward patriarchal culture that is built up from a uniform which I transformed as a basis for my artwork creation.
Cover Jurnal Rupa Volume 4 no 1 rupa manager
JURNAL RUPA Vol 4 No 1 (2019): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v4i1.2753

Abstract

Sampul Depan Jurnal Rupa Volume 4 Nomer 2 rupa manager
JURNAL RUPA Vol 4 No 2 (2019): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v4i2.2782

Abstract

Pemanfaatan Limbah Biji Alpukat (Persea americana Mill) untuk Produk Modest Couture Adhindha Firdausa Ratnasari; Kahfiati Kahdar; Imam Santosa
JURNAL RUPA Vol 4 No 1 (2019): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v4i1.2172

Abstract

Indonesia is one of the countries that has a major contribution to the total production of avocados (Persea americana Mill) in the world with a total production of 334,047 tons (5.64%) in 2017. So far, only the flesh of avocados are used for consumption, this causes waste from avocado seeds to accumulate with low utilization. In fact, avocado seed extract contains tannin which can be used as natural dyes for textile. This research aims to utilize avocado seed extract for coloring and creating motifs on silk fabric, as well to apply them in creating modest couture products. Modest couture is one of modest fashion markets which is couture. The consumers spend around US$ 270 billion in 2017 and it is estimated to reach US$361 billion in 2023, so it is expected that the use of avocado seed waste can be used regularly on a broad market, especially in Indonesia. In this study, the emphasis is on the different colors and motifs that can be produced through natural dyes from avocado seed extract, then proceed with designing the modest couture product according to the couture fashion criteria and the observation results of the existing couture products.

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