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Interiority
Published by Universitas Indonesia
ISSN : 26146584     EISSN : 26153386     DOI : 10.7454
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Social Sciences
The journal presents the discourses on interiority from multiple perspectives in various design-related disciplines: architecture, interior design, spatial design, and other relevant fields. The idea of interiority emphasises the internal aspects that make and condition the interior, which might be understood and manifested through the users’ inhabitation, through the materiality of objects and built environment as well as through specific methods and approaches of design practice. The journal addresses the idea of interiority as both experienced and practised, which might be examined through theoretical discussion, spatial design practice and empirical interior research.
Arjuna Subject : -
Articles 6 Documents
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Search results for , issue "Vol 1 No 1 (2018)" : 6 Documents clear
Tanahku Indonesia: Celebrating the Indigenous Interior Johanes, Mikhael; Wahid, Arif Rahman
Interiority Vol 1 No 1 (2018)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (245.412 KB) | DOI: 10.7454/in.v1i1.10

Abstract

Interiority and The Conditions of Interior Pimlott, Mark
Interiority Vol 1 No 1 (2018)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (301.976 KB) | DOI: 10.7454/in.v1i1.5

Abstract

Interiority pertains to the individual’s inner life, rich and set in opposition to the pressures of the world. This interiority has been allied with notions of the exclusive space or refuge of the interior. As a realm of privacy and subjectivity, of projections and receptions, the interior has come to be considered as a realm that, although profoundly affected by infiltrations of the world without, is ‘responsive’ to the individual at its centre. As such, it is a realm of illusions. However, there is another order of interior, a condition of interior, wherein spaces, settlements and territories are ideological realms of constructed narratives and imagery within which the individual subject is given illusory impressions of freedom. Interiority’s turn toward the imagination suggests that freedoms can be found despite these determinations. Public interiors have the obligation to realise this, and exemplars have offered places for gathering and interaction, promoted freedoms of movement, association and action, and advocated consciousness of the self and others.
Unreliable Guides: Introducing, Mapping and Performing Interiors Hollis, Edward
Interiority Vol 1 No 1 (2018)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (108.275 KB) | DOI: 10.7454/in.v1i1.6

Abstract

Whether as teachers listening to students, as designers ‘pitching’ designs to clients, or critics writing about historical spaces, we use speech and gesture to describe interiors. We assume that the interior does not speak on it’s own, but must be spoken for. How do designers, curators, and guides talk interiors into existence? How, more generally should we speak of the interior? This paper will explore this issue through reflection on three encounters between space, speech and gesture in the form of guided tours of historic interiors. It will frame these questions with four contexts: firstly, the evolution of the historical concept of the guide; secondly, the idea of the interior as portraiture; thirdly, the evolution, particularly in the twentieth century, of performance (particularly theatrical performance) and finally, the distinction between the interior as image, and the interior as inhabitation.
Urban Interiority and the Spatial Processes of Securitisation in Medellin Deluchi, Christina
Interiority Vol 1 No 1 (2018)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (101.084 KB) | DOI: 10.7454/in.v1i1.7

Abstract

Medellín, Colombia, a city best known for its violent history and subsequent radical transformation, hosts multiple political forces of varying degrees of legitimacy. In this context, architecture was mobilised as a physical weapon in the city’s urban regions. As an extension of this architectural condition, the city’s landscape has repeatedly been appropriated and repurposed to enforce state and criminal agency. Medellín’s cultural geography became increasingly unstable as both real and imagined threats lingered in the spaces of every day – apartment towers, gated communities, supermarkets, TV and radio, imbued with violent operational spatial logics. In detecting processes of regulation, protection, and surveillance, the political instrumentality and larger urban implications of interior space in Medellín are revealed through architectural objects and spatial devices of control. As techniques of securitisation, these processes provide evidence for the construction of Medellín’s interiority, an urban condition founded on political violence and withdrawal. The objects and devices of this interiority are often remarkably ordinary, yet they are the political tools that indoctrinate a military-style urbanism that interprets, registers, and shapes territorial conflict. The mobilisation of Medellín’s interiority in the pursuit of power and control has manufactured an urban imaginary governed by the constant threat of violence.
Quasi-Materials and the Making of Interior Atmospheres Sadar, John Stanislav
Interiority Vol 1 No 1 (2018)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (175.503 KB) | DOI: 10.7454/in.v1i1.8

Abstract

In The Architecture of the Well-Tempered Environment, Reyner Banham presents a parable in which, having come across an amount of wood, a nomadic tribe must decide how to use it to keep warm overnight: build a structure or build a fire (and burn the wood as fuel). The first of these uses the materials directly to create an amenable interior condition using the tangible materiality of geometric construction. The second, however, generates heat from combustion, thereby creating an intangible, graduated, thermal interiority, which one can draw deeper into, by moving closer to the fire, or recede from, by moving away. Interior architecture has largely been concerned with achieving shelter and creating an interior atmosphere through the dependability and predictability of physical materials. Less often has interior architecture considered the interiority achieved through the temporal contingency of atmospheric quasi-materials (taking a cue from Tonino Griffero’s quasithings), phenomena such as light, sound, temperature, and humidity. While these often strike one as outside of the realm of designers, their effects profoundly colour our experiences of our environments: the smells of street food, the heat of the metro air exhaust, the veil of fog rolling in. A selection of student projects probing quasi-materials in interior architecture reveals their nature and potential for making interior environments. More akin to building a fire than fitting out a shell, these projects question existing tenets of interior architecture, while they enable types of interiority that are fluid, graduated and temporal.
Tracing the Progression of Inhabitation through Interior Surface in Semarang Old Town Warakanyaka, AA Ayu Suci; Yatmo, Yandi Andri
Interiority Vol 1 No 1 (2018)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1185.917 KB) | DOI: 10.7454/in.v1i1.9

Abstract

The capacity of the interior to adapt and transform through time has made the interior space bears the consequences from its past occupancies. The trails of the past are imprinted within the layers of interior surfaces. This paper argues that by utilising the idea of Anthropocene, these surfaces could become the medium to trace the inhabitation processes that happen throughout the life of the building, whether it was in the past, in the present or to predict the future. In particular, this paper attempts to explore and speculate on the progression of inhabitations through the interior surfaces of the buildings in Semarang Old Town, Central Java, Indonesia. The investigations are presented through the stories of the facades, the paints and the tiles, to reveal how these interior layers narrate the idea of the deep time in which the past inhabitation is embedded. These layers of interior surfaces suggest the role of time and continuous transformation in affecting and producing the current interior spaces. An understanding of deep time, as reflected in the layers of interior surfaces, also suggests the agency of human inhabitation within the transformation of interior space and highlights the ability of interior space to manoeuvre in time.

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