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Interiority
Published by Universitas Indonesia
ISSN : 26146584     EISSN : 26153386     DOI : 10.7454
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Social Sciences
The journal presents the discourses on interiority from multiple perspectives in various design-related disciplines: architecture, interior design, spatial design, and other relevant fields. The idea of interiority emphasises the internal aspects that make and condition the interior, which might be understood and manifested through the users’ inhabitation, through the materiality of objects and built environment as well as through specific methods and approaches of design practice. The journal addresses the idea of interiority as both experienced and practised, which might be examined through theoretical discussion, spatial design practice and empirical interior research.
Arjuna Subject : -
Articles 143 Documents
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Placing Elsewhere: Approaches for Physical and Digital Flânerie Dann, Ying-Lan; Lambrou, Liz
Interiority Vol 3 No 2 (2020)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v3i2.99

Abstract

This paper will discuss approaches and tools for physical and digital flânerie that emerged within an RMIT second- and third-year Interior Design Studio, during the COVID-19 pandemic. In the third week of classes in March 2020, social distancing measures in Australia led us to transpose urban site-based student projects online. Though unforeseen, this was taken as an opportunity for the interior design studio to explicate modes of physical and digital flânerie, via meandering and looking. We discuss teaching and learning experiences within the digital classroom, which we discovered was a dynamic chat-scape of hyperlinks, fragments, displacements and delays. We discuss how we translated aspects of the philosopher Walter Benjamin’s flaneur with reference to The Arcades Project. The paper is structured as a stroll through key discoveries and works and aims to explicate emerging frameworks for digital flânerie within the teaching and learning of interior design.
Interior Design Teaching Methodology During the Global COVID-19 Pandemic Ahmad, Lina; Sosa, Marco; Musfy, Karim
Interiority Vol 3 No 2 (2020)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v3i2.100

Abstract

In March 2020, the World Health Organization officially announced the COVID-19 outbreak as a global Pandemic (WHO, 2020). During this time, the United Arab Emirates (UAE) introduced national preventative measures to slow the spread of the deadly virus by announcing the closure of schools and higher education institutions, and the commitment of online learning. Teaching faculty at the College of Arts and Creative Enterprises (CACE) at Zayed University were suddenly facing the challenge of teaching design through a distance learning approach. As educators of interior design, the authors were part of the team tasked to find ways to teach design without physical contact with the students nor access to campus facilities traditionally used to run the program and its associated courses. This paper charts the pedagogy approach that the authors adopted as a response to the national lockdown. As design faculty, the authors felt that, despite the restrictions imposed on society because of COVID-19 pandemic, it was still possible to explore other alternatives for a particular course, the senior capstone project. The main intention was to successfully fulfil the course learning outcomes and provide students with a suitable pedagogy continuity to the learning process commenced prior to the lockdown.
Investigating the Domestic Layers Adaptation During Pandemic Karimah, Afifah; Paramita, Kristanti Dewi
Interiority Vol 3 No 2 (2020)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v3i2.101

Abstract

This paper expands the theoretical understanding of building layers proposed by Brand (1995) by investigating changes in the domestic environment during the COVID-19 pandemic. Brand’s layer framework breaks a built environment into “shearing layers” to examine its adaptation processes. This paper argues that ways of managing the risk of virus transmission in the built environment redefine the understanding of these layers. This paper takes the perspective of interiority to address these layers as instruments with the spatial qualities required of a resilient domestic environment. The study unpacks the theory of Brand’s layer framework, proposing the principles by which layers adapt to protect the domestic environment during the COVID-19 pandemic. It then offers readings on the occurrence of change in the domestic environment in which such adaptation principles are performed. Such occurrences consist of intensifying layer changes to assist intense uses, merge between layers to assist movements, the construction of new layer forms, and reconfiguration of multiple layers for a prolonged change. Apart from redefining the very understanding of layers, this paper addresses how spatial change is not driven only by physical deterioration, but also by the performative creation of scenarios to protect the domestic environment during the pandemic.
Prioritising Storage Practices: A New Approach to Housing Design Thinking Marco, Elena; Williams, Katie; Oliveira, Sonja
Interiority Vol 4 No 2 (2021)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v4i2.104

Abstract

Inhabitants of UK housing have more possessions than ever, whilst space for living in standardised houses is at a premium. The acquisition of material possessions, and how it affects both space and inhabitants’ wellbeing, has not previously been considered in architectural practice or housing policy research fields. This paper addresses this gap, by exploring how practising architects design for the storage of material possessions in housing. For the first time, it places storage practices at the centre of housing design thinking, by engaging practising architects in a design intervention to explore original design solutions that support inhabitants’ lives and lifestyles, and therefore their wellbeing. The study uses a new storage-focused conceptual design framework to seek design knowledge, to better understand how storage practices could be considered when designing. The findings have implications for design practice research, providing an account of how architects consider storage in housing design, drawing on novel design intervention methods.
Shifting Interiority: Changing Encounters With Our Environment Atmodiwirjo, Paramita; Yatmo, Yandi Andri
Interiority Vol 3 No 2 (2020)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v3i2.106

Abstract

During COVID-19 pandemic, the whole world has witnessed and experienced dramatic changes in all aspects of life. As we adapt our everyday lives to restrictions and limitations to fight the pandemic, it also has become a trigger for us to rethink and re-position knowledge on spatial design disciplines. This Interiority issue compiles contributions that respond to a special call for papers that address these questions: How does the pandemic, including its impacts from lockdowns and physical distancing, affect how we think about interior and architecture? What lessons can we learn from this situation that we can use in future interior and architectural spaces and practices? How does the idea of interiority shift in this challenging situation?
Z33 Hasselt: Hortus Conclusus as a Model for an Urban Interior Plevoets, Bie; Patel, Shailja
Interiority Vol 4 No 1 (2021)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v4i1.108

Abstract

This contribution reviews the recent renovation of Z33—House for Contemporary Art, Design and Architecture in Hasselt, Belgium—in the light of its unique implementation of different levels of interiority. The institute is housed in the former beguinage, a site with a rich and layered history and one of the few green public spaces in the city centre. The intervention by architect Francesca Torzo builds further on and strengthens the existing qualities of the site through a creative process of copying and improving. By doing so, she changed the overall appearance of the beguinage, strengthening its quality as an enclosed public space—an intimate yet collective hortus conclusus.
One Typology for a Big Word: Office of Diversity Lopez-Pineiro, Sergio
Interiority Vol 4 No 1 (2021)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v4i1.111

Abstract

Architecture’s original project was the invention of interiority, an enclosed area delimited from its context and made available for a narrowly defined public, function, and meaning. This original project was expanded during the Enlightenment with the concept of type as a method for producing architecture and establishing social institutions for molding subjectivities. This quest for interiority has reached its completion with world capitalism and its associated complexes, which, as Michael Hardt and Antonio Negri have argued, are an interior without any possible or imaginable outside. In response to this condition, this essay argues that the original project of architecture—the conception and design of interiority—needs to be replaced by a new one: the conception and design of openings. To demonstrate this, I have assembled Typologies for Big Words, a series of projects that redefines the concept of type through a selection of building and landscape types proposed as openings within this global interior. Using Byung Chul-Han’s portrayal of contemporary society as an achievement society occupied by achievement-subjects, I present one of these projects as an example, Office of Diversity, as an opening for the production of non-paradigmatic subjectivities.
New Territories: Reimagined Interiorities Marlor, Lucy
Interiority Vol 4 No 2 (2021)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v4i2.113

Abstract

At a time where boundaries within society, culture, and technology are continually challenged and redefined, even the commonly understood binary oppositions within areas such as gender, age, and digitality (Negroponte, 1995) are becoming less visible, measurable, and socially accepted. In this new realm where even physical reality is encroached upon by the digital, are the tangible and perceived distinctions between interior and architecture also becoming extinct? The emergence of more flexible and transitional space appears to not only blur the boundaries of inside and outside, interior and architecture, but also the previous distinctions of function. Space is no longer solely intimated by visual cues, materiality, or the physicality of walls and interior objects. Instead, we see increased ‘function neutrality’ within buildings, with rising opportunity for user interpretation and take-over. This renewed focus on the user can enrich our built environment as we embrace new equality of the interior and relish its new freedom and voice.
The Interior World of Books, Browsing, and Collecting Inside the City Snyder, Alison B
Interiority Vol 4 No 1 (2021)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v4i1.114

Abstract

A most desirable and collectable material object is the ubiquitous book. A bound composite of printed pages with words and images, it contains a microcosm of myriad narrative viewpoints, experiences, and imaginations. Metaphorically, a book compactly conceals a kind of interior space that protects the provocative lives of people, their character, ideas, and explorations, thus communicating different scales of interiority. Book collectors, called bibliophiles, revere and covet books as their object of desire. The bibliophile as seeker-collector-seller partakes of simple and complex transactions that essentially protect the lives of the books. This essay concentrates on two main book browsing locations within the urban context of Istanbul, Turkey, and the everyday interior spaces of the sahaf, the secondhand bookseller, who continues a tradition of selling new, pre-owned or secondhand ordinary or rare books. Its text moves between historic information and first-person narrative based on fieldwork to express and expand views of interiority theory, through reality and metaphor. The many scales of individual and collective impulses found inside the city streets and their inserted passage structures are exemplified by the significant simultaneity of the desire for the hand-held object and its hand-to-hand exchange.
Architectural Filth and the Heroic Passivism of Farhadi's Salesman Vahdat, Vahid
Interiority Vol 4 No 1 (2021)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v4i1.115

Abstract

Architecture in Asghar Farhadi’s The Salesman (2016) is not a mere passive backdrop to an otherwise unaffected narrative; it is an autonomous agent that takes part in the events that unfold, complicates the narrative, and even occasionally defies the ideological position of the film. By analysing interior spaces, architectural elements, urban infrastructure, and maintenance practices, I suggest that 1) the fluid visual boundaries of Farhadi’s spatial settings are instrumental in blurring the borders of truth and morality—themes that are central to his film; 2) the ontological study of architecture, from the moment of excavation to its ultimate fracture/failure serves as a pathological medium to study the troubled masculinity of contemporary Iranian society; 3) spatial infrastructure, as the materialised memory of the film’s determinism, prophetically hints at the inevitable tragedy that awaits. The architectural analysis of The Salesman empowers the audience with additional tools to reflect upon questions of masculinity and determinism. Architecture-as-a-reflection personifies the social filth that cannot be decontaminated through vain beautification strategies. Architecture-as-a-stage reflects the temporality of space and its incidental existence vis-à-vis the dominating presence of infrastructural facilities. Architecture-as-a-confinement embodies the oppressive nature of a society in which restriction, surveillance, and control are imposed upon its residents.

Page 5 of 15 | Total Record : 143

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