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Interiority
Published by Universitas Indonesia
ISSN : 26146584     EISSN : 26153386     DOI : 10.7454
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Social Sciences
The journal presents the discourses on interiority from multiple perspectives in various design-related disciplines: architecture, interior design, spatial design, and other relevant fields. The idea of interiority emphasises the internal aspects that make and condition the interior, which might be understood and manifested through the users’ inhabitation, through the materiality of objects and built environment as well as through specific methods and approaches of design practice. The journal addresses the idea of interiority as both experienced and practised, which might be examined through theoretical discussion, spatial design practice and empirical interior research.
Arjuna Subject : -
Articles 143 Documents
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Towards Responsive Interiors: Practicing Neuroscience-Informed Design Approaches in Interior Design Education Storgaard, Eva; Michels, Marjan; Somers, Inge
Interiority Vol 5 No 1 (2022)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v5i1.183

Abstract

Growing insights from neuroscience—here, understood as an umbrella term for a number of empirical disciplines that study the relation brain, nervous system, genes, and behaviour—and its inquiries into how human behaviour and well-being is affected by interiors can enrich and inform the design of interiors and its properties innovatively. Interior design education can play a key role in linking the insights stemming from research and turn the question of human, experiential responsiveness into an elementary perspective of the design process. In this paper, we explain a pedagogical method developed for one of our graduate studios that addresses this issue and create a framework for a neuroscience-informed focus. Additionally, we illustrate the outcomes of student work created in this studio through two projects, each having a unique focus relating to interiors and the question of human behaviour and well-being, i.e., visual complexity and affordances. With the establishment of this master studio, we aim to provide students with an awareness and insights into how the many fields of study within neuroscience can facilitate, support, confirm, or adjust design knowledge.
Colour, Light, and Materiality: Biophilic Interior Design Presence in Research and Practice McGee, Beth; Park, Nam-Kyu
Interiority Vol 5 No 1 (2022)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v5i1.189

Abstract

The biophilic design hypothesis uses nature-based environmental design for optimising people’s health and well-being. Stephen Kellert in 2008 developed a list of biophilic attributes that was further refined in the Biophilic Interior Design Matrix (BID-M) to specifically support the interior application of biophilic design for health and well-being. The present study further investigates biophilic interior design using the BID-M language and the key interior design components colour, light, and materiality. The first part of the study reviewed four decades of literature related to biophilia and colour, light, and materiality to investigate a total of 19 publications. The second part of the study explored the perceptions of 23 design practitioners' and the use of biophilia related to colour, light, and materiality in their practice. For the first time, evidence was identified about colour, light, and materiality being linked to biophilic design and the attributes in the BID-M. The study results showed colour preferences were the most frequently identified theme, and practitioners used a variety of biophilic attributes in their practice. The top attributes shared by both the literature review and practitioners were the abstraction of nature, composition, natural light, and natural materials. This finding shows that there is a focus on biophilic attributes in both research and practice, however, there are still many attributes that have not been linked to research and are not being used in practice. Further inquiry is needed to better understand how biophilic design can be more diversely integrated for optimal nature-like interior environments.
Interiority of Agraharam: Traditional Houses in Temple Towns of India Singal, Manan
Interiority Vol 5 No 1 (2022)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v5i1.190

Abstract

The article aims to provide a multisensory reading within the multiple scales of spaces in the traditional settlement of agraharam. This multisensory reading generates layers of interiority that exist across temples, streets, and houses. Agraharam is the traditional house of the Brahmin (priest) community found in temple towns of South India. This house responds to religious beliefs, tradition, and local climatic conditions and displays a balance of sensory experiences which enrich the overall living experience. In this article, interiority is referred to as the characteristic of being ‘inward,’ where memories and practices of a specific community are associated with the spaces. It explores one's experiences of the various scales (the town, the street, and the house) of spaces through copious physical and sensory experiences, using Pallasmaa’s description of the phenomenological approach to identify the multisensory experience of the human body in space.
Interiority From the Body, Mind, and Culture Atmodiwirjo, Paramita; Yatmo, Yandi Andri
Interiority Vol 5 No 1 (2022)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v5i1.209

Abstract

Within the interior occupation, the human body and interior are always interacting. Body-interior relation is a key idea in understanding the human body's presence, experience, and performance in interior space. The body and the interior can define, command, and affect each other. The transactional perspective in environmental psychology emphasises the reciprocity between body and environment. Awareness of these reciprocal relationships becomes a key in understanding the interior as a stage for the human body and its dynamic processes. This issue of Interiority presents a collection of studies that situate the human body as an inherent part of the interior environment from various perspectives: neuroscience, psychology, culture, religion, gender, and tradition. These articles present various ways in which the interior becomes a manifestation of the dynamic human body-space relations. They demonstrate attempts to examine interiority through various cases and contexts defined by individual experiences, dynamic social roles and relationships, and cultural traditions.
Interiority and The Conditions of Interior Mark Pimlott
Interiority Vol. 1 No. 1 (2018)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v1i1.5

Abstract

Interiority pertains to the individual’s inner life, rich and set in opposition to the pressures of the world. This interiority has been allied with notions of the exclusive space or refuge of the interior. As a realm of privacy and subjectivity, of projections and receptions, the interior has come to be considered as a realm that, although profoundly affected by infiltrations of the world without, is ‘responsive’ to the individual at its centre. As such, it is a realm of illusions. However, there is another order of interior, a condition of interior, wherein spaces, settlements and territories are ideological realms of constructed narratives and imagery within which the individual subject is given illusory impressions of freedom. Interiority’s turn toward the imagination suggests that freedoms can be found despite these determinations. Public interiors have the obligation to realise this, and exemplars have offered places for gathering and interaction, promoted freedoms of movement, association and action, and advocated consciousness of the self and others.
Unreliable Guides: Introducing, Mapping and Performing Interiors Edward Hollis
Interiority Vol. 1 No. 1 (2018)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v1i1.6

Abstract

Whether as teachers listening to students, as designers ‘pitching’ designs to clients, or critics writing about historical spaces, we use speech and gesture to describe interiors. We assume that the interior does not speak on it’s own, but must be spoken for. How do designers, curators, and guides talk interiors into existence? How, more generally should we speak of the interior? This paper will explore this issue through reflection on three encounters between space, speech and gesture in the form of guided tours of historic interiors. It will frame these questions with four contexts: firstly, the evolution of the historical concept of the guide; secondly, the idea of the interior as portraiture; thirdly, the evolution, particularly in the twentieth century, of performance (particularly theatrical performance) and finally, the distinction between the interior as image, and the interior as inhabitation.
Urban Interiority and the Spatial Processes of Securitisation in Medellin: A Speculation on the Architectures of Reassurance Christina Deluchi
Interiority Vol. 1 No. 1 (2018)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v1i1.7

Abstract

Medellín, Colombia, a city best known for its violent history and subsequent radical transformation, hosts multiple political forces of varying degrees of legitimacy. In this context, architecture was mobilised as a physical weapon in the city’s urban regions. As an extension of this architectural condition, the city’s landscape has repeatedly been appropriated and repurposed to enforce state and criminal agency. Medellín’s cultural geography became increasingly unstable as both real and imagined threats lingered in the spaces of every day – apartment towers, gated communities, supermarkets, TV and radio, imbued with violent operational spatial logics. In detecting processes of regulation, protection, and surveillance, the political instrumentality and larger urban implications of interior space in Medellín are revealed through architectural objects and spatial devices of control. As techniques of securitisation, these processes provide evidence for the construction of Medellín’s interiority, an urban condition founded on political violence and withdrawal. The objects and devices of this interiority are often remarkably ordinary, yet they are the political tools that indoctrinate a military-style urbanism that interprets, registers, and shapes territorial conflict. The mobilisation of Medellín’s interiority in the pursuit of power and control has manufactured an urban imaginary governed by the constant threat of violence.
Quasi-Materials and the Making of Interior Atmospheres John Stanislav Sadar
Interiority Vol. 1 No. 1 (2018)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v1i1.8

Abstract

In The Architecture of the Well-Tempered Environment, Reyner Banham presents a parable in which, having come across an amount of wood, a nomadic tribe must decide how to use it to keep warm overnight: build a structure or build a fire (and burn the wood as fuel). The first of these uses the materials directly to create an amenable interior condition using the tangible materiality of geometric construction. The second, however, generates heat from combustion, thereby creating an intangible, graduated, thermal interiority, which one can draw deeper into, by moving closer to the fire, or recede from, by moving away. Interior architecture has largely been concerned with achieving shelter and creating an interior atmosphere through the dependability and predictability of physical materials. Less often has interior architecture considered the interiority achieved through the temporal contingency of atmospheric quasi-materials (taking a cue from Tonino Griffero’s quasithings), phenomena such as light, sound, temperature, and humidity. While these often strike one as outside of the realm of designers, their effects profoundly colour our experiences of our environments: the smells of street food, the heat of the metro air exhaust, the veil of fog rolling in. A selection of student projects probing quasi-materials in interior architecture reveals their nature and potential for making interior environments. More akin to building a fire than fitting out a shell, these projects question existing tenets of interior architecture, while they enable types of interiority that are fluid, graduated and temporal.
Tracing the Progression of Inhabitation through Interior Surface in Semarang Old Town AA Ayu Suci Warakanyaka; Yandi Andri Yatmo
Interiority Vol. 1 No. 1 (2018)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v1i1.9

Abstract

The capacity of the interior to adapt and transform through time has made the interior space bears the consequences from its past occupancies. The trails of the past are imprinted within the layers of interior surfaces. This paper argues that by utilising the idea of Anthropocene, these surfaces could become the medium to trace the inhabitation processes that happen throughout the life of the building, whether it was in the past, in the present or to predict the future. In particular, this paper attempts to explore and speculate on the progression of inhabitations through the interior surfaces of the buildings in Semarang Old Town, Central Java, Indonesia. The investigations are presented through the stories of the facades, the paints and the tiles, to reveal how these interior layers narrate the idea of the deep time in which the past inhabitation is embedded. These layers of interior surfaces suggest the role of time and continuous transformation in affecting and producing the current interior spaces. An understanding of deep time, as reflected in the layers of interior surfaces, also suggests the agency of human inhabitation within the transformation of interior space and highlights the ability of interior space to manoeuvre in time.
Tanahku Indonesia: Celebrating the Indigenous Interior Mikhael Johanes; Arif Rahman Wahid
Interiority Vol. 1 No. 1 (2018)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v1i1.10

Abstract

Page 7 of 15 | Total Record : 143

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