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LAYAR: Jurnal Ilmiah Seni Media Rekam
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24077992     EISSN : -     DOI : -
Core Subject : Education, Art,
Arts Languange, Linguistic, Communication & Media
LayaR merupakan jurnal ilmiah seni media rekam: film, televisi, fotografi, animasi.Terbit dua kali setahun pada bulan Juni dan Desember. Edisi ini berisi sepuluh tulisan yang diangkat dari hasil kajian dan penelitian di bidang media (Film, Televisi, Fotografi dan Animasi).
Arjuna Subject : -
Articles 6 Documents
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Search results for , issue "Vol 8, No 1 (2021): Konstruksi dan Rekonstruksi Potret Kehidupan dalam Beragam Karya Film dan Media" : 6 Documents clear
KONSTRUKSI REALITAS KONFLIK ISRAEL-PALESTINA DI MEDIA ONLINE REPUBLIKA.CO.ID DAN KOMPAS.COM Mariani Amri
LAYAR: Jurnal Ilmiah Seni Media Rekam Vol 8, No 1 (2021): Konstruksi dan Rekonstruksi Potret Kehidupan dalam Beragam Karya Film dan Media
Publisher : Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/layar.v8i1.1921

Abstract

One of the biggest conflicts that has become the center of attention of the world including Indonesia is the conflict between Israel and Palestine. The conflict between Israel and Palestine is the focus of mass media coverage throughout the world including online media in Indonesia, namely Kompas.com and Republika.co.id. Online media has the ability to construct and to frame reality. But in framing reality each media has a different perspective. This study aims to find out how online media framing of Republika.co.id and Kompas.com against the Palestinian and Israeli conflicts. This study uses a qualitative research method with framing analysis by Robert Entman that focuses on problem identification, causal interpretation, moral evaluation, and treatment recommendation. The findings show that Kompas.com and Republika co.id tend to give moral pretexts by highlighting Palestine and Israel in resolving conflicts through diplomatic relations through international conferences and based on international law. In addition, there is the role of the United Nations and world leaders who take action and respond.
FEMINISME DALAM FILM MARLINA SI PEMBUNUH DALAM EMPAT BABAK Irma Febryani
LAYAR: Jurnal Ilmiah Seni Media Rekam Vol 8, No 1 (2021): Konstruksi dan Rekonstruksi Potret Kehidupan dalam Beragam Karya Film dan Media
Publisher : Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/layar.v8i1.1922

Abstract

The Film tittled Marlina The Murderer In Four Act present a high powered female character named Marlina. The Robber start to loading up her catle and plan to rape her. Marlina defended her self by killing the robbers. Feminist impression deeply felt on Marlina. She does not obey on the command of the man and take the fight. Marlina made a long journey by herself for a justice, although the struggle is futile. With the some of references, the author analyzes all action of feminism conducted by marlina chacacter, also analyzes the action that contain the elements of patriarchy which men do to the women. With this research, will be delivered the things are done by marlina to fight for his right with all the courage. There is a message to be delivered by the film creator through the character of marlina, that is for women to be braveand not shackled by patriarchal culture.
ANALISIS NARATIF PENGARUH PERSPEKTIF SUTRADARA PEREMPUAN DALAM PERFILMAN INDONESIA Evelyn Talenta N. Tobing
LAYAR: Jurnal Ilmiah Seni Media Rekam Vol 8, No 1 (2021): Konstruksi dan Rekonstruksi Potret Kehidupan dalam Beragam Karya Film dan Media
Publisher : Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/layar.v8i1.1923

Abstract

Film as a part of mass media certainly has a function in giving messages to the audience. Until now, the films circulating certainly contain the ideas and ideas of the creators. Ideas and ideas in filmmaking originated from the scriptwriter who produced the script. The role of the director is no less important in the next process, namely interpreting the script and producing it into a film. Among all the director's personal attributes that have an influence in making film works, gender is one of the backgrounds for different perspectives in expressing these ideas and ideas. In this case, gender can be interpreted as a social role attached to a particular gender. In this case, Indonesian cinema needs a new and different perspective by placing the perspective of women as what women want. This perspective will usually be brought by the director. How can directors create women's aesthetics, be it women's issues, politics, culture and other issues in films so that women directors can make film works as a medium to communicate and open up the widest possible perspective of women framed from women themselves in various ways to the audience.
KAJIAN FORM AND STYLE TEORI BORDWELL PADA KARYA FILM PENDEK BERTEMA BUDAYA MINANG Choiru Pradhono
LAYAR: Jurnal Ilmiah Seni Media Rekam Vol 8, No 1 (2021): Konstruksi dan Rekonstruksi Potret Kehidupan dalam Beragam Karya Film dan Media
Publisher : Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/layar.v8i1.1924

Abstract

Films are audio-visual media that are very effective in conveying information to the wider community in a distinctive way of telling. According to David Bordwell, film telling uses two main elements, namely form and style. Through a qualitative method with data collection techniques, observation, literature study and textual analysis of films with a Minangkabau cultural background which has its own way of conveying messages and information. In terms of phenomena, films are very effective as a medium for cultural diplomacy both to domestic and foreign audiences. So that the film is actually formed from the vision of the story and the ideas behind it and in its own way becomes a medium of communication.
REPRESENTASI VISUAL HEDONISME PADA FILM PARASITE Adinda Maharani
LAYAR: Jurnal Ilmiah Seni Media Rekam Vol 8, No 1 (2021): Konstruksi dan Rekonstruksi Potret Kehidupan dalam Beragam Karya Film dan Media
Publisher : Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/layar.v8i1.1919

Abstract

Film works can be created from various points of view and methods of production techniques so that they become an interesting unified storyline. Parasite is a film that depicts a new perspective with a fascinating story and plot twist in the context of a film with the issue of social inequality in the modern era. The interesting thing in the film Parasite is the depiction of hedonism by characters from poor families, where people think that poor people cannot become hedonists because of their limited abilities. This study uses a qualitative approach and descriptive method, which describes the social relations of the meaning of hedonism in lower-middle families, in the form of forms, activities, characteristics, changes, relationships, similarities, and differences. The results of the research show that the Parasite film illustrates that poor families can practice hedonism in their lives, so this film becomes a source of representation of the country's progress by presenting a luxurious life. If it is associated with the concept of Roland Barthes, Stone becomes a mythical image in the form of a visual representation of how Korean people believe stones can bring good luck.
HUBUNGAN MANUSIA DAN TEKNOLOGI DALAM TINJAUAN FILSAFAT TEKNOLOGI DON IHDE (Studi Film Say Hello To Yellow Karya BW Purba Negara) Rufus Goang Swaradesy
LAYAR: Jurnal Ilmiah Seni Media Rekam Vol 8, No 1 (2021): Konstruksi dan Rekonstruksi Potret Kehidupan dalam Beragam Karya Film dan Media
Publisher : Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/layar.v8i1.1920

Abstract

The short film titled Say hello to Yellow by B. W. Purba Negara is one of the films that raises the relationship of technology in human life. there is a connection between the human,world, and technology. The perceiving of human to the world is evident in the scenes in the movie Say hello to Yellow. This paper is a descriptive qualitative. The main data source is a short film titled Say hello to Yellow by B. W. Purba Negara. The analysis knife used is Don Ihde's technological philosophy theory about human relationship with technology. The results of this study showed that in the film Say Hello to Yellow there are characters (risma friends) who are able to maintain their existence as human beings and there are characters (Risma) whose existence as a human being is affected by the existence of technology.

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