cover
Contact Name
Rini Maulina
Contact Email
-
Phone
+6289670059709
Journal Mail Official
artic@email.unikom.ac.id
Editorial Address
Pascasarjana Magister Desain Universitas Komputer Indonesia UNIKOM Building 6th Floor Jl Dipati Ukur 112-116 Lebak Gede Coblong Kota Bandung Jawa Barat
Location
Kota bandung,
Jawa barat
INDONESIA
ARTic
ISSN : -     EISSN : 27152618     DOI : https://doi.org/10.34010/artic
Core Subject : Art,
The aim of ARTic journal is the dissemination of knowledge related to design. It covers particular issues on education, practice, and research of design (Interior, Industrial Product, and Visual Communication) . Letters and commentaries of our published articles are welcome.
Articles 26 Documents
KUALITAS VISUAL DAN REPRESENTASI FOTO MAKANAN KULINER BANDUNG DI INSTAGRAM Irma Rochmawati
ARTic Vol 1 No 1 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.1.2373.1-12

Abstract

Food photography is now becoming popular in the form of online photo sharing through social media Instagram. The phenomenon of photography using the camera on mobile device and spread to social media Instagram produce different visual quality and representations, especially to the object of food. In this research also discussed the development of food photography from the birth of photographic technology (non-photo technique), the technological change from mechanical to digital photography, until the born of Instagram photographic technology in food photography and share it widely to social media. This study aims to find out the causes and the factors that affected of the differences in the visual quality and representation of food photography that spread in Instagram. By using descriptive qualitative method through observation of food photography spread on Instagram, analyzes each food photograph that were examined from visual elements, should be able to represent the reality of the food object or not. Results from the study indicate that there are differences in visual quality and representation of the food photography spread in social media Instagram in case study of Bandung Culinary. The visual quality of photography determined by the quality of camera and capability of the photographer (maker) in photographic techniques. The Visualization of food photography can not fully represent the reality, because it involves not only the sense of sight (visual) but also involve other sense, such as auditory. Through a good understanding, expecting the designers and photographers of food can be more precise in making design decisions including the selection of the visual elements because they already know the impact of generated representation.
VISUALISASI BUDAYA SUNDA DALAM KOMIK MAD HURI DAN SI BOGEL PADA MAJALAH MANGLÉ Setia Surya Kusumah
ARTic Vol 1 No 1 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.1.2375.21-32

Abstract

The comic strip of “Mad Huri” and “Si Bogel” are comics found inside Mangle magazine. Those comics tell about Sundanese story and its cultural backgrounds. The research study those comic strips which aims to find out the uniqueness of their visualizations, image and story-telling style using visual language as the structure of visual communication. The methodology used was Primadi Tabrani visual language analysis. The methodology explained how an object can explain its message through the image contents (Isi Wimba), the image way (Cara Wimba), and its grammar so it can tell the story. From the research it was concluded that “Mad Huri” and “Si Bogel” comic strips had unique Sundanese characteristics supported by the image contents (Isi Wimba) in accordance with the stereotypes of Sundanese society on the characteristics of their figures based on their outfits and Sundanese attributes, face posture and body shapes, and levels on society. The background of the image caught the Sundanese natural environment such as the uniqueness of architectural. Moreover, the comic strips showed a leuit and a lisung which meant that Sundanese people were still preserve their culture as their system of technology. The image way with the natural point of views communicated the social levels of the upper and the lower social classes (menak and somah) and Sundanese etiquette. Stylized depiction caught the reality of Sundanese culture in real situation. The inner grammar showed the uniqueness of gesture in Sundanese people such as emok, sila tutug, honorary behaviors that show the relationships on how a personal attribute can affect gestures. The outer grammar on the frequency of appearance showed that those comics were affected by traditional story telling.
PENGARUH WARNA BAGI PENIKMAT FOTOGRAFI LANSKAP Tony Kurniawan
ARTic Vol 1 No 1 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.1.2376.13-20

Abstract

Landscape photography started with black and white photos. There is a tradition of landscape photography that began more than 150 years ago. At the time, the photographer using film that is very slow and very less sensitivity. So the landscape becomes a perfect subject for a photograph. The reason is because the landscape is not moving during the long exposure. At that time also for landscape photography became a way to discover and explore the world. Landscape photography strange turn at the beginning of the 1900s when photographers think they should be like a painter and create an image that does not look too real. Up until now photography landscape continues to evolve. This raises the serious effect of the emergence of different representations of landscape photography. Based on these problems researchers conducted the study by dissecting photos - landscape both color and black and white of the few photographers in Indonesia with using visual analysis (composition, light, color, etc.). Based on visual analysis of some landscape color and black and white photos found several factors that influence the weather and light and dark colors, the experience and knowledge of the photographer affects the photo. Representation of a landscape photo color is affected by color. Chartreuse colors - brass provides warmth while -biruan bluish color gives the impression of cold. Landscape photography in black and white are displayed with more talk about sharpness, detail and atmosphere that feels somewhere. black and white landscape photography represents nature becomes visible not too real. Photo black and white landscape provide opportunities for photo connoisseurs imagination. Photography landscape aesthetics and beauty because the photographer as creator photograph to enter the spirit of adventure, self-expression and even culture in the work.
FRAMING DAN REPRESENTASI SIMBOL ABSTRAK (STUDI KASUS SAMPUL NOVEL SUPERNOVA) Ria Fathya Luqman
ARTic Vol 1 No 1 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.1.2378.33-40

Abstract

At year 2012-2014, Bentang Pustaka Publisher, republished 5 Supernova novels by Dee Lestari which the cover was designed by Fahmi Ilmansyah with displays visual abstract symbol on the novels cover. This research discusses 5 Supernova cover published by Bentang Pustaka publisher. The novels is Supernova series 1 Kesatria, Putri, dan Bintang Jatuh, series 2 Akar, series 3 Petir, series 4 Partikel, and series 5 Gelombang. The methodology of study uses qualitative method that approach framing analysis that is a discussion of selection an aspect of an issue or reality to make it look more attractive. The result shows that the designer has been done framing 5 cover of Supernova novel Bentang Pustaka publisher with visualization of abstract symbol on the cover that is Supernova series 1, 3, and 5 cover selecting climax of the story, while series 2 and 4 cover selecting conflict of the story. As well as meaning of the abstract symbols and reality on the novel that has been selected, except on the series 5 cover. From this research, it can be concluded that designer have framed section are important in the novels and external factor of the novels content, as a long age of novels, segmentation, and effort to build a visual identity of it also effect to designer is framing on showing visual abstract symbol on the cover of Supernova novels.
PERAN ANAK-ANAK DALAM IKLAN TELEVISI Linda Mega Silviana
ARTic Vol 1 No 1 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.1.2381.41-49

Abstract

Television advertisements played by children get violations related to advertising rules called EPI (Etika Pariwara Indonesia), including Tri Indie + ads, Wall’s Selection ads, and Forvita margarine advertisements. The message contained in the advertisements studied emphasizes more on the description of the nature, character, and way of view of children about the life around their environment in carrying the message content of each advertised product. The depiction of the perspective of advertising is packaged in an advertising approach and style that contains elements of criticism and comedy reinforced from the Wimba Content that depicts the stereotypes of children based on the attributes used, depictions of the environment that are close and in accordance with the character of the child, and the narrative in the ad.
BAHASA RUPA TRADISI DALAM LUKISAN KACA KONTEMPORER KARYA HARYADI SUADI TAHUN 1989-2011 Indah Rosniawati
ARTic Vol 1 No 2 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.2.2522.51-57

Abstract

Every artists studies art from society tradition. That is every creation are tradition assets a society, at he begining constitue creation of creative on new creation at period. The strength of visual artist thinks with visual language. Visual language can use for expressing many kinds of visual tradition art. Focus to research that is in tended to creation painting glass Haryadi, because the elements visual as produce inelined. Disposed to become very free but constant for remind the elements of visual language tradition Haryadi to become artist contemporer since following research visual language with Primadi Tabrani. So that to become Haryadi Contemporer in his tradition. The background Haryadi in glass painting is one of living to creation art glass painting to the elements tradition painting glass Haryadi in that periode at 1989-2011 to take the element tradition pupet, batik, culture Cirebon, Cina, Jawa, Islam, Hindu and from the elements visual language Haryadi only getting shapes his visual only is comoted in art creation. Haryadi didn't take throughly the tradition of elements, except visual language tradition.
STUDI KOMPARATIF PADA KOSTUM TARI MERAK KARYA RADEN TJETJE SOMANTRI DAN KARYA IRAWATI DURBAN ARDJO MELALUI PENDEKATAN ESTETIKA Miraci Kartiyani
ARTic Vol 1 No 2 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.2.2523.59-66

Abstract

West Java is one of the provinces that has a religious community with a wealth of cultural heritage and traditional noble values. As one example of the culture of West Java is dance, there are various kinds of dances in West Java. One dance that is widely known by the public is the Peacock Dance. The Peacock Dance is a dance originating from West Java and was created by Raden Tjetje Somantri in 1955. However, in contrast to the Peacock Dance that is often found today is the work of Irawati Durban which was remade costumes and choreography in 1965. Therefore researchers chose "Study Comparative on Peacock Dance Costumes Rd. Tjetje Somantri and Irawati Durban Ardjo's Work Through Aesthetic Upholding”. This research uses descriptive qualitative research methodology using aesthetic theory. The classicist technique used is literature study, observation, interview and documentation. In the visual form of the peacock dance several differences and similarities were found in the Tjetje Peacock Dance costume and the Irawati Peacock Dance costume. Likewise with the choreography that has the same aspects, different, and added, so that the two peacock dances are compared. Research focuses on aesthetic elements in the visual form of peacock dance costumes and choreography.
KAJIAN BENTUK DAN SIMBOL KUJANG SUNDA Hendri Saifulhayat
ARTic Vol 1 No 2 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.2.2524.67-72

Abstract

Kujang is known and considered as a weapon tradition that represents Sundanese society culture. Looking back, that a knife is the development of a sharp-sided discovery made up of rocky chunks of kalcedon that make humans rank first in the food chain on the face of the earth. The knife transforms into a long sword, thrown into a spear, jagged into a saw, squeezed with axis into scissors and many other more specific functions into a variety of tools because of the growing demands of life needs. Kujang comes from Kudi Hyang. Kudi is functionally a farming tool that is prepared to honor and worship Hyang, the supreme ruler of the universe. The concept of Kujang is far from the utility function of a tool or a weapon. Kujang is a symbolic artifact that functions intrinsically, and not a weapon, because planning from the beginning can be distinguished by making weapons. Then Kujang in form follows function proven not to fulfill utility requirement. Kujang which is identified with the term "nyumput buni dinu caang" or hidden in a visible / bright place, can be fully revealed through a scalpel of Sundanese cultural teaching that is Panca Niti or five stages of understanding. This teaches us to understand something more deeply, from the meaning, meaning, nature, divinity and understanding in a comprehensive way. Kujang is loaded with full of spectacle, guidance, teaching or education to the state, and the potential will be revealed more positive things behind its appearance.
KAJIAN BENTUK, FUNGSI DAN MAKNA RAGAM HIAS RUMAH BOLON SIMALUNGUN BERDASARKAN TATANAN SOSIAL BUDAYA MASYARAKAT SIMALUNGUN Roseilda Regita
ARTic Vol 1 No 2 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.2.2525.73-82

Abstract

This research, entitled "Study of Form, Function and Meaning of Decorations in Rumah Bolon Simalungun “Traditional House” based on the culture society". This research, entitled "Study of Form, Function and Meaning of Decorations in Rumah Bolon Simalungun “Traditional House” based on the culture society". In general this research is aimed to know the values of traditional buildings by using conceptions and cultural values of Simalungun specifically. Such as, to reveal the meaning inside of "Rumah Bolon Simalungun", describe everysingle part of the house. Including of, roof, wall, floor, and identify decorative pattern on the building. This research uses qualitative descriptive technique. Data was collected by documentation, observation, and interviews. Data analysis was conducted on the types of the building in terms from the principle of form, fuction, and meaning of ornamentation on the building Rumah Bolon Simalungun in Pematang Purba. This study was conducted to explore the traditional culture for Simalungun contained in traditional buildings that have been forgotten. Not all of the parts of traditional houses which can be understood as a description of the customary meaning of behavioral traits Simalungun society. In this building preservation efforts have repercussions far backwards that will come, that is for everyone, whether Simalungun people, the older generation or the younger generation as a successor or the heir of their culture that will understand and know well about the result of their native culture.
MAKNA SIMBOLIK DAN WUJUD ESTETIK NAGA DALAM KEBUDAYAAN JAWA Ceptian Suryana
ARTic Vol 1 No 2 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.2.2526.83-91

Abstract

This study examines the symbolic meaning and the aesthetic form of the dragon contained in the visual form of the stretch of the Dwi Naga Rasa Tunggal and Dwi Naga Rasa Wani. The method used in this research is descriptive qualitative. The symbolic meaning is examined through the basic patterns of Javanese society that influence Javanese society in constructing artifacts. After that, the aesthetic form is analyzed through indicators of color, shape, size and proportion. Based on the analysis, the shapes of the dragons on the three parts have the same meaning to each other, namely the representation of the Javanese way of thinking, as a 'rice field' society. From the basic pattern seen in the ornamental ornament as well as the shape and position of the dragon on the ladder, the Javanese community's relationship with his Lord can be found, in the form of hopes for fertility in agriculture, safety, and blessing in life. When viewed from its overall shape, the shape of the dragon in these three parts also has similarities in the shape of the headdress, head shape and body shape.

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