cover
Contact Name
Rahma Ari Widihastuti
Contact Email
rahmajawa@mail.unnes.ac.id
Phone
+6285600820277
Journal Mail Official
rahmajawa@mail.unnes.ac.id
Editorial Address
Jurusan Bahasa dan Sastra Jawa, Gedung B8 Fakultas Bahasa dan Seni Universitas Negeri Semarang, Kampus Sekaran, Gunungpati, Semarang 50229
Location
Kota semarang,
Jawa tengah
INDONESIA
Articles 12 Documents
Search results for , issue "Vol 4 No 1 (2016): Sutasoma" : 12 Documents clear
GEGURITAN MBELING OF ROHMAT DJOKO PRAKOSA IN KUMPULAN GURITAN NGELUK DUWUNG NGGELUNG GUNUNG PRADANASARI, URI
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.15358

Abstract

Geguritan mbeling is one kind of geguritan that is rarely encountered in Javanese literature. Rohmat Djoko Prakosa through a work entitled  Kumpulan Guritan Ngeluk Duwung Nggelung Gunung presents a new thing in geguritan. This is a renewal of elements within geguritan creator in the form of theme, the use of language, and facial expression. The theme of sex is a theme that dominates the geguritan Rohmat Djoko Prakosa. Rohmat Djoko Prakosa also delivers with the use of language that includes sounds, word combinations, shortening of words, proprietary writing, and language combinations. Rohmat Djoko Prakosa also uses facial expression that  represents the contents of geguritan mbeling. The shape of faceis mostly using the symbol of fertility. They are female genitals, male genitals, and triangles. Keywords; geguritan mbeling, renewal, structure
Geguritan Mbeling of Rohmat Djoko Prakosa in Kumpulan Guritan Ngeluk Duwung Nggelung Gunung PRADANASARI, URI
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.15358

Abstract

Geguritan mbeling is one kind of geguritan that is rarely encountered in Javanese literature. Rohmat Djoko Prakosa through a work entitled Kumpulan Guritan Ngeluk Duwung Nggelung Gunung presents a new thing in geguritan. This is a renewal of elements within geguritan creator in the form of theme, the use of language, and facial expression. The theme of sex is a theme that dominates the geguritan Rohmat Djoko Prakosa. Rohmat Djoko Prakosa also delivers with the use of language that includes sounds, word combinations, shortening of words, proprietary writing, and language combinations. Rohmat Djoko Prakosa also uses facial expression that represents the contents of geguritan mbeling. The shape of faceis mostly using the symbol of fertility. They are female genitals, male genitals, and triangles. Keywords; geguritan mbeling, renewal, structure
INVENTARISASI CERITA RAKYAT DI KABUPATEN SRAGEN Dewi, Fista Nuhlia Kumala
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.28999

Abstract

Tujuan penelitian ini adalah mendeskripsikan proses inventarisasi cerita rakyat di Kabupaten Sragen dan membuat hasil inventarisasi cerita rakyat di Kabupaten Sragen dalam kumpulan cerita rakyat. Teori yang digunakan dalam penelitian ini adalah teori inventarisasi Danandjaja. Penelitian ini menggunakan pendekatan inventarisasi dan metode yang digunakan adalah metode deskriptif kualitatif. Penelitian ini menghasilkan dua simpulan (1) proses inventarisasi cerita rakyat di Kabupaten Sragen dimulai dari survei pendahuluan yang dilakukan di Dinas Pariwisata dan Kebudayaan, Perpustakaan Daerah Kabupaten Sragen, dilanjutkan dengan observasi dan wawancara yang dilakukan langsung dengan narasumber, data-data cerita rakyat kemudian diketik dalam bentuk tulisan wacana bahasa Jawa yang dilengkapi terjemahan, lalu disusun menjadi buku kumpulan cerita rakyat; (2) hasil inventarisasi cerita rakyat Kabupaten Sragen berupa kumpulan cerita rakyat Kabupaten Sragen berbahasa Jawa yang mencakup Dumadine Desa Watu Gong, Pangeran Honggowongso, Kaliyoso Jogopaten, Gunung Tugel, Sendhang Watu Gong,  Jati Poleng, Gunung Banyak, Kyai Mada, Dumadine Pasar Tambak,  Tumenggung Alap ? alap lan Pangeran Mangkubumi, Ki Gede Arum, Wadhuk Brambang, Dumadine Mejid Mujahiddin, Kyai Grasak, dan Kyai Nengku.   The purpose of this study is to describe the process of inventorying folklore in Sragen and make inventory of folklore in Sragen in folklore groups. The theory used in this research is Danandjaja inventory theory. This study uses the approach of the inventory and the methods used are a qualitative method. This research resulted in two conclusions: (1) the process of inventorying folklore in Sragen starts from a preliminary survey carried out in the Department of Tourism and Culture, the Regional Library of Sragen, followed by observation and interviews conducted directly with sources, data folklore then typed In the form of written Javanese discourse with translation, then compiled into a folklore book; (2) inventory folklore Sragen a group folklore Sragen Java language that includes the creation of village stone Gong, Prince Honggowongso, .Rainfall Jogopaten, Mount Crop, spring stone Gong, Teak Poleng, Mount Many, YAI, through the causeway, Minister - tailed and PangeranMangkubumi, Ki Gede Arum, U.S. Onion, made Mejid Mujahedeen, Grasak Passengers, Passengers and Tengku.© 2015 Universitas Negeri Semarang
Inventarisasi Cerita Rakyat di Kabupaten Sragen Dewi, Fista Nuhlia Kumala
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.28999

Abstract

Tujuan penelitian ini adalah mendeskripsikan proses inventarisasi cerita rakyat di Kabupaten Sragen dan membuat hasil inventarisasi cerita rakyat di Kabupaten Sragen dalam kumpulan cerita rakyat. Teori yang digunakan dalam penelitian ini adalah teori inventarisasi Danandjaja. Penelitian ini menggunakan pendekatan inventarisasi dan metode yang digunakan adalah metode deskriptif kualitatif. Penelitian ini menghasilkan dua simpulan (1) proses inventarisasi cerita rakyat di Kabupaten Sragen dimulai dari survei pendahuluan yang dilakukan di Dinas Pariwisata dan Kebudayaan, Perpustakaan Daerah Kabupaten Sragen, dilanjutkan dengan observasi dan wawancara yang dilakukan langsung dengan narasumber, data-data cerita rakyat kemudian diketik dalam bentuk tulisan wacana bahasa Jawa yang dilengkapi terjemahan, lalu disusun menjadi buku kumpulan cerita rakyat; (2) hasil inventarisasi cerita rakyat Kabupaten Sragen berupa kumpulan cerita rakyat Kabupaten Sragen berbahasa Jawa yang mencakup Dumadine Desa Watu Gong, Pangeran Honggowongso, Kaliyoso Jogopaten, Gunung Tugel, Sendhang Watu Gong, Jati Poleng, Gunung Banyak, Kyai Mada, Dumadine Pasar Tambak, Tumenggung Alap – alap lan Pangeran Mangkubumi, Ki Gede Arum, Wadhuk Brambang, Dumadine Mejid Mujahiddin, Kyai Grasak, dan Kyai Nengku. The purpose of this study is to describe the process of inventorying folklore in Sragen and make inventory of folklore in Sragen in folklore groups. The theory used in this research is Danandjaja inventory theory. This study uses the approach of the inventory and the methods used are a qualitative method. This research resulted in two conclusions: (1) the process of inventorying folklore in Sragen starts from a preliminary survey carried out in the Department of Tourism and Culture, the Regional Library of Sragen, followed by observation and interviews conducted directly with sources, data folklore then typed In the form of written Javanese discourse with translation, then compiled into a folklore book; (2) inventory folklore Sragen a group folklore Sragen Java language that includes the creation of village stone Gong, Prince Honggowongso, .Rainfall Jogopaten, Mount Crop, spring stone Gong, Teak Poleng, Mount Many, YAI, through the causeway, Minister - tailed and PangeranMangkubumi, Ki Gede Arum, U.S. Onion, made Mejid Mujahedeen, Grasak Passengers, Passengers and Tengku.© 2015 Universitas Negeri Semarang
PELESTARIAN CERITA RAKYAT DI KABUPATEN JEPARA Noviani, Ellisa
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.29000

Abstract

Penelitian Peletarian Cerita Rakyat di Kabupaten Jepara mendokumentasikan cerita-cerita rakyat yang ada di Kabupaten Jepara dalam bentuk buku kumpulan cerita rakyat di Kabupaten Jepara. Tahapan pelestarian cerita rakyat di Kabupaten Jepara melalui tiga tahap, yakni tahap prapenelitian ditempat, tahap penelitian di tempat, dan tahap pembuatan cerita rakyat untuk pengarsipan. Hasil penelitian ini berhasil mengumpulkan sembilan belas cerita rakyat yang ada di Kabupaten Jepara.  Research on Folklore Studies in Jepara Regency documenting the folklore in Jepara Regency in the form of books of folklore in Jepara. Stages of preservation of folklore in Jepara regency through three stages, namely prelenelitian stage, research stages in place, and stages of folklore making for archiving. The results of this study have collected nineteen folklore in Jepara.
Pelestarian Cerita Rakyat di Kabupaten Jepara Noviani, Ellisa
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.29000

Abstract

Penelitian Peletarian Cerita Rakyat di Kabupaten Jepara mendokumentasikan cerita-cerita rakyat yang ada di Kabupaten Jepara dalam bentuk buku kumpulan cerita rakyat di Kabupaten Jepara. Tahapan pelestarian cerita rakyat di Kabupaten Jepara melalui tiga tahap, yakni tahap prapenelitian ditempat, tahap penelitian di tempat, dan tahap pembuatan cerita rakyat untuk pengarsipan. Hasil penelitian ini berhasil mengumpulkan sembilan belas cerita rakyat yang ada di Kabupaten Jepara. Research on Folklore Studies in Jepara Regency documenting the folklore in Jepara Regency in the form of books of folklore in Jepara. Stages of preservation of folklore in Jepara regency through three stages, namely prelenelitian stage, research stages in place, and stages of folklore making for archiving. The results of this study have collected nineteen folklore in Jepara.
BENTUK DAN MAKNA WANGSALAN Prasetya, Teguh
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.29001

Abstract

Wangsalan dapat dibagi menjadi dua, yaitu (1) berdasarkan bentuk satuan lingual dan (2) berdasarkan ruang persepsi bagian cangkrimannya. Bentukwangsalan berdasarkan satuan lingual, yaitu berupa frasa dan kalimat. Bentuk wangsalan berupa frasa meliputi wangsalan berstrukturkata+kata, kata+frasa, frasa+kata, frasa+frasa, kata+klausa, dan frasa+klausa. Bentuk wangsalan berupa kalimat meliputi kalimat dasar dan kalimat turunan. Berdasarkan ruang persepsi manusia yang dirumuskan oleh Haley, wangsalanyang diketemukan mencakup tujuh kategori ruang persepsi, yaitu kategori BEING (keadaan), kategori ENERGY (energi), kategori TERRESTRIAL (bumi), kategori OBJECT (benda), kategori LIVING (kehidupan), kategori ANIMATE (bernyawa), dan kategori HUMAN (manusia). Makna yang terkandung dalam wangsalan antara lain berupa nasihat, informasi, sindiran, dan permohonan. Makna tersebut sekaligus sebagai fungsi komunikatif antara penyampai dengan pendengarnya.   The money can be divided into two, namely (1) based on the lingual unit and (2) based on the perception space of the crescent. Formation based on lingual unit, which is in the form of phrases and sentences. Forms of formulas include phrasebook + word structure, word + phrase, phrase + word, phrase + phrase, word + clause, and phrase + clause. Forms of form of sentence include basic sentences and derivative sentences. Based on Haley's human perception room, the findings include seven category of perception space, BEING (state), category ENERGY (energy), TERRESTRIAL (earth) category, OBJECT category (object), LIVING category (life), ANIMATE (Animate), and human category (human). The meaning contained in the deed is in the form of advice, information, innuendo, and application. The meaning as well as the communicative function between the presenter and the audience.© 2015 Universitas Negeri Semarang
Bentuk dan Makna Wangsalan Prasetya, Teguh
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.29001

Abstract

Wangsalan dapat dibagi menjadi dua, yaitu (1) berdasarkan bentuk satuan lingual dan (2) berdasarkan ruang persepsi bagian cangkrimannya. Bentukwangsalan berdasarkan satuan lingual, yaitu berupa frasa dan kalimat. Bentuk wangsalan berupa frasa meliputi wangsalan berstrukturkata+kata, kata+frasa, frasa+kata, frasa+frasa, kata+klausa, dan frasa+klausa. Bentuk wangsalan berupa kalimat meliputi kalimat dasar dan kalimat turunan. Berdasarkan ruang persepsi manusia yang dirumuskan oleh Haley, wangsalanyang diketemukan mencakup tujuh kategori ruang persepsi, yaitu kategori BEING (keadaan), kategori ENERGY (energi), kategori TERRESTRIAL (bumi), kategori OBJECT (benda), kategori LIVING (kehidupan), kategori ANIMATE (bernyawa), dan kategori HUMAN (manusia). Makna yang terkandung dalam wangsalan antara lain berupa nasihat, informasi, sindiran, dan permohonan. Makna tersebut sekaligus sebagai fungsi komunikatif antara penyampai dengan pendengarnya. The money can be divided into two, namely (1) based on the lingual unit and (2) based on the perception space of the crescent. Formation based on lingual unit, which is in the form of phrases and sentences. Forms of formulas include phrasebook + word structure, word + phrase, phrase + word, phrase + phrase, word + clause, and phrase + clause. Forms of form of sentence include basic sentences and derivative sentences. Based on Haley's human perception room, the findings include seven category of perception space, BEING (state), category ENERGY (energy), TERRESTRIAL (earth) category, OBJECT category (object), LIVING category (life), ANIMATE (Animate), and human category (human). The meaning contained in the deed is in the form of advice, information, innuendo, and application. The meaning as well as the communicative function between the presenter and the audience.© 2015 Universitas Negeri Semarang
POTRET ARDINI PANGASTUTI DALAM NOVEL ALUN SAMUDRA RASA Riyanti, Intan Puji
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.29002

Abstract

Masalah yang terdapat dalam penelitian ini yaitu bagaimana dinamika kepribadian tokoh utama di dalam novel Alun Samudra Rasa (ASR) karya Ardini Pangastuti dan bagaimana ekspresi Ardini Pangastuti dalam novel ASR sebagai bentuk ketidaksadaran pengarang. Tujuan penelitian ini yaitu menganalisis dinamika kepribadian tokoh utama novel ASR karya Ardini Pangastuti dan mendiskripsikan ekspresi Ardini Pangastuti dalam novel ASR sebagai bentuk ketidaksadaran pengarang. Penelitian ini menggunakan pendekatan ekpresif dan kajian psikoanalisis Sigmund Freud sebagai landasan teori. Teknik pengumpulan data yang digunakan adalah hermeneutik dan interview. Hasil penelitian ini adalah dinamika kepribadian Intan Purnami yang berupa naluri kematian dan kehidupan, kecemasan, mencakup kecemasan moral, kecemasan neurotik, dan kecemasan realistik, distribusi dan penggunaan energi psikis, dan mekanisme pertahanan ego di dalam novel ASR dan ekspresi Ardini Pangastuti dalam novel ASR yang berupa id, ego, dan superegonya yang tercermin melalui id, ego, dan superego tokoh, superegonya yang tercermin melalui penggambaran beberapa karakter tokoh di dalam novel, dan dinamika kepribadiannya melalui dinamika kepribadian tokoh Intan.   The problem in this study is how the dynamics of main character's personality in Alun Samudra Rasa (ASR) novel by Ardini Pangastuti and how Ardini Pangastuti's expressions in ASR novel as an unconscious of author. The purpose of this study is described the dynamics of main character's personality of ASR novel by Ardini Pangastuti and describe Ardini Pangastuti's expressions in the novel ASR as an unconscious of the author. This study uses the approach of expressiveness and psychoanalysis Sigmund Freud as the foundation of the theory. Data analysis techniques using hermeneutic and interview. The results of this study are the dynamics of Intan Purnami's personality which is the instinct of death and life, anxiety, including moral anxiety, neurotic anxiety, and real anxiety, distribution and use of psychic energy, and ego resistant mechanisms in ASR novel and Ardini Pangastuti's expressions in the ASR novel which is her id, ego, and superego, are reflected through the id, ego, and superego characters, her superego through the depiction of some characters in the novel, and dynamics of her personality are reflected through the dynamics of Intan's character personality.
Potret Ardini Pangastuti dalam Novel Alun Samudra Rasa Riyanti, Intan Puji
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.29002

Abstract

Masalah yang terdapat dalam penelitian ini yaitu bagaimana dinamika kepribadian tokoh utama di dalam novel Alun Samudra Rasa (ASR) karya Ardini Pangastuti dan bagaimana ekspresi Ardini Pangastuti dalam novel ASR sebagai bentuk ketidaksadaran pengarang. Tujuan penelitian ini yaitu menganalisis dinamika kepribadian tokoh utama novel ASR karya Ardini Pangastuti dan mendiskripsikan ekspresi Ardini Pangastuti dalam novel ASR sebagai bentuk ketidaksadaran pengarang. Penelitian ini menggunakan pendekatan ekpresif dan kajian psikoanalisis Sigmund Freud sebagai landasan teori. Teknik pengumpulan data yang digunakan adalah hermeneutik dan interview. Hasil penelitian ini adalah dinamika kepribadian Intan Purnami yang berupa naluri kematian dan kehidupan, kecemasan, mencakup kecemasan moral, kecemasan neurotik, dan kecemasan realistik, distribusi dan penggunaan energi psikis, dan mekanisme pertahanan ego di dalam novel ASR dan ekspresi Ardini Pangastuti dalam novel ASR yang berupa id, ego, dan superegonya yang tercermin melalui id, ego, dan superego tokoh, superegonya yang tercermin melalui penggambaran beberapa karakter tokoh di dalam novel, dan dinamika kepribadiannya melalui dinamika kepribadian tokoh Intan. The problem in this study is how the dynamics of main character's personality in Alun Samudra Rasa (ASR) novel by Ardini Pangastuti and how Ardini Pangastuti's expressions in ASR novel as an unconscious of author. The purpose of this study is described the dynamics of main character's personality of ASR novel by Ardini Pangastuti and describe Ardini Pangastuti's expressions in the novel ASR as an unconscious of the author. This study uses the approach of expressiveness and psychoanalysis Sigmund Freud as the foundation of the theory. Data analysis techniques using hermeneutic and interview. The results of this study are the dynamics of Intan Purnami's personality which is the instinct of death and life, anxiety, including moral anxiety, neurotic anxiety, and real anxiety, distribution and use of psychic energy, and ego resistant mechanisms in ASR novel and Ardini Pangastuti's expressions in the ASR novel which is her id, ego, and superego, are reflected through the id, ego, and superego characters, her superego through the depiction of some characters in the novel, and dynamics of her personality are reflected through the dynamics of Intan's character personality.

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