cover
Contact Name
Rahma Ari Widihastuti
Contact Email
rahmajawa@mail.unnes.ac.id
Phone
+6285600820277
Journal Mail Official
rahmajawa@mail.unnes.ac.id
Editorial Address
Jurusan Bahasa dan Sastra Jawa, Gedung B8 Fakultas Bahasa dan Seni Universitas Negeri Semarang, Kampus Sekaran, Gunungpati, Semarang 50229
Location
Kota semarang,
Jawa tengah
INDONESIA
Articles 16 Documents
Search results for , issue "Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa" : 16 Documents clear
Pemakaian Bahasa Indonesia dalam Lirik Lagu Jawa Kontemporer: Studi Awal Kajian Morfologis Maryani, Zulisih
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.42029

Abstract

Along with the times present contemporary Javanese songs with new music genres, including campursari, dangdut koplo, and hip hop. Contemporary Javanese songs are free songs by combining diatonic and pentatonic tones, without having to fulfill basic rules. By maintaining the authenticity of Javanese lyrics, there is the use of Indonesian in contemporary Javanese song lyrics. This research will examine how the use of Indonesian in contemporary Javanese song lyrics from the morphological aspects, especially those in the form of basic words and affixed words. There are three stages of strategy in this study, namely the stage of data filtering, data analysis, and presentation of the results of data analysis. The selection of data through observation is done using the basic technique, which is tapping. The tapping technique is followed by the advanced technique, which is a competent, free listening technique. The note taking technique as an advanced technique is also carried out to record the results of data listening on the data card in the form of transcription. Data analysis was performed to find out how to use Indonesian in contemporary Javanese song lyrics based on morphological aspects, especially those in the form of basic words and affixed words. It can be described that in addition to maintaining Javanese language, contemporary Javanese song lyrics also use Indonesian to convey expression and achieve aesthetics in song. Morphologically, the form of words used in relation to the use of Indonesian in contemporary Javanese song lyrics is the basic word and affix word. Basic words in the form of words that have not undergone a morphological process. Affixes used in contemporary Javanese song lyrics are suffixes, suffixes, and confixes. The affixes used are ber-, di-, meN-, ter-, and peN-. Suffixes in the form of -an, -ku, -mu, -i, -nya, and -pun. Meanwhile, there are also confixes ke-/-an, peN-/-an, di-/-kan, and meN-/-i.
Pemakaian Bahasa Indonesia dalam Lirik Lagu Jawa Kontemporer: Studi Awal Kajian Morfologis Maryani, Zulisih
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.42029

Abstract

Along with the times present contemporary Javanese songs with new music genres, including campursari, dangdut koplo, and hip hop. Contemporary Javanese songs are free songs by combining diatonic and pentatonic tones, without having to fulfill basic rules. By maintaining the authenticity of Javanese lyrics, there is the use of Indonesian in contemporary Javanese song lyrics. This research will examine how the use of Indonesian in contemporary Javanese song lyrics from the morphological aspects, especially those in the form of basic words and affixed words. There are three stages of strategy in this study, namely the stage of data filtering, data analysis, and presentation of the results of data analysis. The selection of data through observation is done using the basic technique, which is tapping. The tapping technique is followed by the advanced technique, which is a competent, free listening technique. The note taking technique as an advanced technique is also carried out to record the results of data listening on the data card in the form of transcription. Data analysis was performed to find out how to use Indonesian in contemporary Javanese song lyrics based on morphological aspects, especially those in the form of basic words and affixed words. It can be described that in addition to maintaining Javanese language, contemporary Javanese song lyrics also use Indonesian to convey expression and achieve aesthetics in song. Morphologically, the form of words used in relation to the use of Indonesian in contemporary Javanese song lyrics is the basic word and affix word. Basic words in the form of words that have not undergone a morphological process. Affixes used in contemporary Javanese song lyrics are suffixes, suffixes, and confixes. The affixes used are ber-, di-, meN-, ter-, and peN-. Suffixes in the form of -an, -ku, -mu, -i, -nya, and -pun. Meanwhile, there are also confixes ke-/-an, peN-/-an, di-/-kan, and meN-/-i.
Bahasa dan Pandangan Hidup Masyarakat Jawa Terkait Aktivitas Pertanian Padi di Desa Tladan Kecamatan Kawedanan Kabupaten Magetan (Kajian Etnolinguistik) Anjarwati, Nanda
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.42135

Abstract

Ethnolinguistics is a study that connects linguistic concepts related to culture in local communities. The people in Tladan village, Kawedanan district, Magetan regency are still familiar with the terms rice farming activities from generation to generation, so the relationship between Javanese language and culture in the use of the term rice farming activities can be studied with an etnolinguistik approach.The purpose of this research is (1) to describe the form of language in Javanese culture related to rice farming activities in Tladan Village, Kawedanan district,Magetan regency (2) to describe the lexical, gramatical and cultural meanings summarized in Javanese languages and culture related to rice farming activities in Tladan Village, Kawedanan district,Magetan regency (3) describes the mindset, perspective on life, and the world of the peasant community in Tladan Village in Tladan village, Kawedanan district, Magetan regency. This type of research is basic research, the level of this research is descriptive qualitative.The data was collected using farming activity observation techniques, proficient methods, and literature study. The data research were analyzed by distribution method (distributional) and the equivalent method. This result of this study are (1) the form of language described by monomorphemic, polymorphemic, and phrases contained in the language in Javanes culture related to rice farming activities in Tladan Village, Kawedanan district,Magetan regency (2) the lexical,gramatical, and cultural meanings contained in the language of Javanese culture related to rice farming activities in Tladan Village, kawedanan district, Magetan regency (3)mindset, perspective of life, and the world of the peasant community in Tladan Village, Kawedanan district, Magetan regency. Keywords : ethnolinguistics, rice farming, Magetan, Tladan
Bahasa dan Pandangan Hidup Masyarakat Jawa Terkait Aktivitas Pertanian Padi di Desa Tladan Kecamatan Kawedanan Kabupaten Magetan (Kajian Etnolinguistik) Anjarwati, Nanda
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.42135

Abstract

Ethnolinguistics is a study that connects linguistic concepts related to culture in local communities. The people in Tladan village, Kawedanan district, Magetan regency are still familiar with the terms rice farming activities from generation to generation, so the relationship between Javanese language and culture in the use of the term rice farming activities can be studied with an etnolinguistik approach.The purpose of this research is (1) to describe the form of language in Javanese culture related to rice farming activities in Tladan Village, Kawedanan district,Magetan regency (2) to describe the lexical, gramatical and cultural meanings summarized in Javanese languages and culture related to rice farming activities in Tladan Village, Kawedanan district,Magetan regency (3) describes the mindset, perspective on life, and the world of the peasant community in Tladan Village in Tladan village, Kawedanan district, Magetan regency. This type of research is basic research, the level of this research is descriptive qualitative.The data was collected using farming activity observation techniques, proficient methods, and literature study. The data research were analyzed by distribution method (distributional) and the equivalent method. This result of this study are (1) the form of language described by monomorphemic, polymorphemic, and phrases contained in the language in Javanes culture related to rice farming activities in Tladan Village, Kawedanan district,Magetan regency (2) the lexical,gramatical, and cultural meanings contained in the language of Javanese culture related to rice farming activities in Tladan Village, kawedanan district, Magetan regency (3)mindset, perspective of life, and the world of the peasant community in Tladan Village, Kawedanan district, Magetan regency. Keywords : ethnolinguistics, rice farming, Magetan, Tladan
Gaya Bahasa dalam Singir (Syi'ir) Mutiara Isra' Mi'raj sebagai Puisi Jawa Tradisional Nurianti, Arum Novalia
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.42762

Abstract

Syi’ir is one of the literary works belonging to traditional Javanese poetry which requires a variety of language styles. Therefore, this research aims to examine (1) the form of language style that is in Syi’ir Mutiara Isra’ Mi’raj and (2) the function of language style that is in Syi’ir Mutiara Isra’ Mi’raj. The theory used is the Keraf language style theory with a stylistic approach from Nurgiyantoro. The data from this research in the form of the lyrics in Syi’ir Mutiara Isra’ Mi’raj . Data collection uses the documentation method in the form of personal documents from informants. The results of this study indicate that there are six dominant language styles and their functions in Syi’ir Mutiara Isra’ Mi’raj including; (1) antonomasia language style with labeling and characteristics function; (2) anaphora language style with emphasis function; (3) assonance language style with sound beauty function; (4) antithesis language style with the function of comparing two opposites; (5) anaculoton language style with the function of concentrating meaning in short language; and (6) enumeration language style with image generating function. Keywords: language style, Singir Mutiara Isra’ Mi’raj, javanese poetry
Gaya Bahasa dalam Singir (Syi'ir) Mutiara Isra' Mi'raj sebagai Puisi Jawa Tradisional Nurianti, Arum Novalia
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.42762

Abstract

Syi’ir is one of the literary works belonging to traditional Javanese poetry which requires a variety of language styles. Therefore, this research aims to examine (1) the form of language style that is in Syi’ir Mutiara Isra’ Mi’raj and (2) the function of language style that is in Syi’ir Mutiara Isra’ Mi’raj. The theory used is the Keraf language style theory with a stylistic approach from Nurgiyantoro. The data from this research in the form of the lyrics in Syi’ir Mutiara Isra’ Mi’raj . Data collection uses the documentation method in the form of personal documents from informants. The results of this study indicate that there are six dominant language styles and their functions in Syi’ir Mutiara Isra’ Mi’raj including; (1) antonomasia language style with labeling and characteristics function; (2) anaphora language style with emphasis function; (3) assonance language style with sound beauty function; (4) antithesis language style with the function of comparing two opposites; (5) anaculoton language style with the function of concentrating meaning in short language; and (6) enumeration language style with image generating function. Keywords: language style, Singir Mutiara Isra’ Mi’raj, javanese poetry
Apokaliptik Sastra dalam Tradisi Kebo-Keboan Desa Alas Malang, Banyuwangi Rizal, Maulfi Syaiful; Walida, Vina
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.43010

Abstract

A tradition that offers a magical element in its implementation always attracts the human senses. This magical element is one of the sacred factors in a tradition. One tradition that is thick with elements of sacredness is the tradition of boredom in the village of Alas Malang, Banyuwangi. Therefore, this research is written as an effort to maintain the existence of the kebo-keboan tradition so that it is in line with the development of the tourism world in Banyuwangi and to explain apocalyptic values ​​in a tradition called kebo-keboan. This apocalyptic value is a form of harmony between humans and nature in the implementation of the boredom tradition. This research is a qualitative descriptive study using ethnographic method approach. The data in this research is the speech or behavior of the people of Alas Malang Village related to apocalyptic elements. In collecting data, researchers used observation and interview techniques. Meanwhile, in analyzing the data, the researcher took several steps, namely data reduction, data presentation, and drawing conclusions. The results of the research show the stages in the implementation of the kebo-keboan tradition which are divided into three, namely the opening, the core in the form of the earth ider, and the closing. Literary apocalyptic in the cultural tradition is described in the figure of Mbah Buyut Karti who is considered a hero, the agricultural environment and pageblug as an apocalyptic environment, and whisik as a vision or prophecy.
Apokaliptik Sastra dalam Tradisi Kebo-Keboan Desa Alas Malang, Banyuwangi Rizal, Maulfi Syaiful; Walida, Vina
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.43010

Abstract

A tradition that offers a magical element in its implementation always attracts the human senses. This magical element is one of the sacred factors in a tradition. One tradition that is thick with elements of sacredness is the tradition of boredom in the village of Alas Malang, Banyuwangi. Therefore, this research is written as an effort to maintain the existence of the kebo-keboan tradition so that it is in line with the development of the tourism world in Banyuwangi and to explain apocalyptic values ​​in a tradition called kebo-keboan. This apocalyptic value is a form of harmony between humans and nature in the implementation of the boredom tradition. This research is a qualitative descriptive study using ethnographic method approach. The data in this research is the speech or behavior of the people of Alas Malang Village related to apocalyptic elements. In collecting data, researchers used observation and interview techniques. Meanwhile, in analyzing the data, the researcher took several steps, namely data reduction, data presentation, and drawing conclusions. The results of the research show the stages in the implementation of the kebo-keboan tradition which are divided into three, namely the opening, the core in the form of the earth ider, and the closing. Literary apocalyptic in the cultural tradition is described in the figure of Mbah Buyut Karti who is considered a hero, the agricultural environment and pageblug as an apocalyptic environment, and whisik as a vision or prophecy.
Tembang Macapat: Kritik Sosial Sedulur Sikep terhadap Ekspansi Industri Semen di Pegunungan Kendeng Iriyanto, Ery
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.43185

Abstract

Macapat song is an ancestral heritage that contains life guidance for the Javanese. Each lyric or cakepan of the Macapat song has a deep meaning. However, for Sedulur Sikep Sukolilo Pati, the macapat song was used as a social criticism of the plan to build a cement factory in the Kendeng Utara mountains. Cakepan macapat song is adapted to the social criticism that is to be conveyed through the song. This research uses literary criticism studies (expressive criticism) with a descriptive analysis approach. The research data is in the form of cakepan tembang macapat. Sources of research data, namely Sedulur Sikep figures and social media. Methods of data collection using observation, interviews, and documentation. Data analysis using data reduction techniques, data presentation, and data verification. The results showed that the social criticism used by Sedulur Sikep through the macapat song consisted of five Pangkur songs and one Dhandhanggula song. The social criticisms include, 1) farmers land planted with cement factories, 2) justice must be upheld, 3) casualties caused by miners, 4) the government torments farmers, 5) the earth begins to prosecute nature destroyers, 6) commemoration of earth day is useless. Keywords: macapat song, social criticism, Sedulur Sikep, cement industry, Kendeng mountains.
Tembang Macapat: Kritik Sosial Sedulur Sikep terhadap Ekspansi Industri Semen di Pegunungan Kendeng Iriyanto, Ery
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.43185

Abstract

Macapat song is an ancestral heritage that contains life guidance for the Javanese. Each lyric or cakepan of the Macapat song has a deep meaning. However, for Sedulur Sikep Sukolilo Pati, the macapat song was used as a social criticism of the plan to build a cement factory in the Kendeng Utara mountains. Cakepan macapat song is adapted to the social criticism that is to be conveyed through the song. This research uses literary criticism studies (expressive criticism) with a descriptive analysis approach. The research data is in the form of cakepan tembang macapat. Sources of research data, namely Sedulur Sikep figures and social media. Methods of data collection using observation, interviews, and documentation. Data analysis using data reduction techniques, data presentation, and data verification. The results showed that the social criticism used by Sedulur Sikep through the macapat song consisted of five Pangkur songs and one Dhandhanggula song. The social criticisms include, 1) farmers land planted with cement factories, 2) justice must be upheld, 3) casualties caused by miners, 4) the government torments farmers, 5) the earth begins to prosecute nature destroyers, 6) commemoration of earth day is useless. Keywords: macapat song, social criticism, Sedulur Sikep, cement industry, Kendeng mountains.

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