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ricky Irawan
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Program Studi Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar. Jalan Nusa Indah, Denpasar 80235
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INDONESIA
Journal of Music Science, Technology, and Industry (JOMSTI)
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 26228211     DOI : https://doi.org/10.31091
Core Subject : Education, Art, Social,
Arts Social Sciences Other
Journal of Music Science, Technology, and Industry is a scientific media disseminating science, technology, aesthetic, and industry of music in relation to its uses in the society. JOMSTI is published with a focus on philosophy, aesthetic, concept, and theory of music; music analysis and genre; music education and learning; specific and/or common, traditional and/or modern, local and/or global music history and entity; music application, practice, show or performance, and technology; production, distribution, and consumption in music industrialization; anthropology, sociology, and psychology of music.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 117 Documents
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Komposisi Tabuh Kreasi Sekar Taji I Kadek Deo Sandiawan; Hendra Santosa; Ni Putu Hartini
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: The creation of a musical piece of musical art creation "Sekar Taji" is to realize the imagination or thoughts of the stylist in a new creative musical work. The stylist got an idea from his own experience to make a creative percussion using the gamelan Gong Kebyar as a medium of expression. Research Method: To achieve Balinese musical works, the stylist uses several methods or stages for the creation process, namely the first with the preparation stage, the exploration stage, the formation stage, the guidance stage and the presentation stage. Results and discussion: The Tabuh Kreasi work "Sekar Taji" uses a kawitan, gendered, bapang and pusher structure by combining musical elements such as dynamics, tempo, melody and rhythm that are combined in such a way as to achieve a karawitan musical work, namely percussion creations. Implication: This work is manifested into a creative percussion through a creative process using existing patterns and patterns of strokes as a means of stimulating creativity in the sector of musical art.
Orkes Gambus Himpunan Remaja Karya di Canggu, Batu Brak, Lampung Barat Muhammad Randi Dimas Prayoga; Erizal Barnawi; Bian Pamungkas
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This study aims to describe the form of presentation of the Orkes Gambus HRK and a description of the structural analysis of the Janji Sebudi, Dang Cawa Khua, Gekhing, Mak Kesiwan and Seandanan song which is a legendary old song by HRK created by Basnal Maas. Research Methods: Qualitative research based on case studies. Sources of data in this study were obtained through interviews with the performers of the Orkes Gambus HRK, field observations, and documentation in the form of audio recordings transcribed into block notation as material for analyzing the form and structure of songs that are often presented by the HRK group. The song was analyzed using the theory of Karl Edmund Prier in his book entitled Ilmu Bentuk Musik. Results and discussion: The results of this study indicate that there are two aspects of presentation in the Orkes Gambus HRK performance, namely the form of musical presentation and the form of non-musical presentation. The form of musical presentation is in the form of instruments consisting of piul (violin), Gambus, Ketipung, Tambourines, Electric Bass, and Electric Guitars which are played on one of the legendary populer songs by HRK. The form of non-musical presentation includes the place of presentation, supporters, time, players, costumes, and loudspeakers. Implication: This research can contribute to science, as a written documentation of the typical art of West Lampung, namely the Orkes Gambus.
Karakteristik Musikal Lagu Yesus Bertanya Karya RP Redemptus Simamora Jones Irawan Sibagariang; Junita Batubara; Emmi Simangunsong
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This study aims to discuss the musical characteristics of the song Yesus Bertanya by RP Redemptus Simamora. In this study, the author uses the theory of P. Malm and Prier as the author's foundation in knowing the characteristics of the song Yesus Bertanya. The song Yesus Bertanya has a simple musical characteristic and has deep meaning in the lyrics. Research method: In this study the authors used a qualitative descriptive research method. Result and discussion: The form of the song Yesus Bertanya is Ternary Form or a three-part song form consisting of A(a'), B(b'), C(c',c'). And the song Yesus Bertanya consists of part A (Vers), part B (Pre Chorus), part C (Ref). Implication: The meaning contained in the song Yesus Bertanya is to describe the doubts and anxiety of mankind from all ages who still question who Jesus is, so that we are invited to contemplate who Jesus is. Jesus is everything to us in joy and sorrow and Jesus is the love of all human hearts
Lagu Dolanan ‘Suwe Ora Jamu’ sebagai Media Terapeutik dalam Kegiatan Belajar Mengajar Anak Autis di Sekolah Khusus Autisme Bina Anggita Yogyakarta Kania Azzahra Dharmawan; Intansari Wahyuning Widiyasih; Ria Setiawan; Ary Nugraha Wijayanto
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: The purpose of this study was to explain the types of gamelan and gendhing (songs) used and to describe the form of interaction response that occurred between respondents and the child's gendhing dolanan 'Suwe Ora Jamu' before and after being given a pre-session music therapy at the special school for autism Bina Anggita Yogyakarta. Research Methods: This study uses a qualitative method with the type of case study which is a research strategy by carefully investigating an event, program, activity, and process or a group of individuals. Results and discussion: The choice of case study as a research strategy design because the use of gamelan as a therapeutic medium is a program implemented by the Sekolah Luar Biasa Bina Anggita Yogyakarta in helping improve the condition of autistic children in teaching and learning activities. Implication: The results showed that the use of the children's play song 'Suwe Ora Jamu' gave different emotional responses to each student, both before and after being given a pre-therapy session.
Perjuangan Mahasiswi Gitar Klasik pada Jenjang Pendidikan Sarjana Musik di Indonesia Andre Indrawan; Dara Benita Titihalawa
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

The population of guitar students in the Bachelor of Music Study Program, Faculty of Performing Arts, Institut Seni Indonesia Yogyakarta, is dominated by male students. Purpose: This study aims to uncover women's efforts in gaining learning achievement in the context of guitar studies at the Indonesian higher education level. Research Method: This study uses qualitative research methods with interview instruments. However, in the analysis of some preliminary data using a quantitative approach. Result and discussion: Results and Interviews with four female alums and four active students provided information about their effort in pursuing Bachelor's studies with a classical guitar major. The analysis includes motivation, learning process, gender, and expectations. Implication: This study concluded that all subjects were not affected by the dominance of men in the guitar student population at ISI Yogyakarta. For them, gender does not affect the quality of learning outcomes; instead, perseverance and enthusiasm for learning play an important role.
Janger Bali: Sejarah dan Popularitasnya Desak Made Suarti Laksmi
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Semarak Perkembangan dan Pertunjukan Tambua Tasa di Tengah Kehidupan Sosiokultural Masyarakat Selingkar Danau Maninjau Wardizal Wardizal
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: Tambua Tasa is a form of traditional music that grows and develops in Minangkabau, especially the people around Lake Maninjau, Agam Regency, West Sumatra. Substantively, what I want to put forward in this paper is a narrative about the splendor of the Tambua performance in the midst of the socio-cultural life of the community, both in the context of traditional ceremonies and socially. Research Methods: The data in this paper are based on the results of observations, interviews, document studies from print and electronic media information (google, you tube and FB) which are analyzed in depth to obtain reliable information. Results and Discussion: Tambua Tasa has experienced very rapid development amidst the socio-cultural life of the people around Lake Maninjau, West Sumatra. Tambua tasa, which in the past only developed and belonged to the village, has now expanded into the world of education, starting from the elementary school level to the high school level. Implication: The transfer of generations from traditional music is also going very well with the emergence of young talents full of talent.
Indonesian Music Education, Industry, and Lifestyle Citra Aryandari
Journal of Music Science, Technology, and Industry Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This research attempts to conduct a careful study of the influence of political, social, and industrial dynamics in Indonesia, which gave birth to the forms and products of music education. Method: This study uses a multidisciplinary cultural approach as the object researched is multidimensional. In its title, there are some entities: music education, industry, and lifestyle. Results and discussion: As with music (culture) itself, music education, which incidentally is one of the main foundations for the development of music, of course, does not just exist. Various searches have successfully linked the relationship between music education and the political and social dynamics in which music develops. Implication: Likewise, the growing trend affects the form of music products in the music industry. The phenomenon of the 'Mozart effect' as one of the trends in the music education industry, its controversy, and its presence in the realm of industrial promotion have become essential references for stringing a common thread of connection with other exciting phenomena in this study.
Pengembangan Aplikasi Kelas Digital Scola sebagai Media Evaluasi Pembelajaran Musik di Sekolah Lanang Riyadi; Yudi Sukmayadi
Journal of Music Science, Technology, and Industry Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: The use of media in the learning evaluation stage affects student learning outcomes which can be seen from scores in tests and other evaluation stages. It is also seen from how the ability of educators to create learning media that can develop students' interest in the learning process to evaluate learning which is expected to make the stages of learning more effective and efficient with the use of attractive teaching media. One of the interesting learning media is the Digital Classroom application by Scola LMS (Learning Management System) also as a digital learning solution in schools. Method: By utilizing the Scola application, educators can also manage school data in an organized and centralized manner, access content and materials from other schools, and make learning interactive. Result and discussion: This research uses the 4D development model which is formed of the stages of define, design, develop, and disseminate by focusing on the definition and design stages of application development. Implication: The results show that the Digital Classroom Application by Scola is a solution to answer the challenges of conventional learning that is so-so so as to create a digitally sophisticated learning atmosphere.
Gong dalam Budaya Masyarakat di Indonesia Wahyu Sri Wiyati; Saptono Saptono; Anis Raharjo
Journal of Music Science, Technology, and Industry Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This paper aims to briefly discuss the existence of the gong as a traditional musical instrument which has taken root in the lives of most people in Indonesia, which began with the development of bronze culture. The vast power of the Majapahit kingdom and inter-island trade, known as the silk route trade, greatly influenced the spread of Gong in the archipelago. Research Method: This phenomenon is discussed through the perspective of art studies as a form of traditional society's need for gong which is considered to have regius value as a means of ceremonies and goods for traditional needs so that gong spreads very quickly to remote areas of the interior. It is very possible that Gong is traded by bartering or exchanging forest and mining products such as: spices, agarwood, rattan, bird's nests, gold, diamonds and so on. Results and discussion: The existence of three types of gong forms in the archipelago, both those with high sides, low sides and non-pencu gongs, as well as forms of large and small ensembles show a very important identity for each community or ethnic group. Melodic gongs arranged horizontally show differences from gongs arranged in a semicircle such as those in Burma, Vietnam, Cambodia and Thailand. The different forms of gongs and ensembles will of course color the diversity of forms of Indonesian culture, especially in the field of traditional music. Implication: This article is an initial investigation of the existence of gongs in the archipelago with the hope that they can become material for appreciation and education for the younger generation in Indonesia. The gap between traditional culture, especially the Gong music ensemble, which was once a part of people's lives in the past, seems to urgently need attention, both by the government, art colleges, artists, cultural observers and the younger generation of music owners.

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