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ricky Irawan
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Program Studi Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar. Jalan Nusa Indah, Denpasar 80235
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INDONESIA
Journal of Music Science, Technology, and Industry (JOMSTI)
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 26228211     DOI : https://doi.org/10.31091
Core Subject : Education, Art, Social,
Arts Social Sciences Other
Journal of Music Science, Technology, and Industry is a scientific media disseminating science, technology, aesthetic, and industry of music in relation to its uses in the society. JOMSTI is published with a focus on philosophy, aesthetic, concept, and theory of music; music analysis and genre; music education and learning; specific and/or common, traditional and/or modern, local and/or global music history and entity; music application, practice, show or performance, and technology; production, distribution, and consumption in music industrialization; anthropology, sociology, and psychology of music.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 117 Documents
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Children Virtual Concert in the Covid-19 Pandemic Putu Sandra Devindriati Kusuma
Journal of Music Science, Technology, and Industry Vol. 3 No. 2 (2020)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (737.032 KB) | DOI: 10.31091/jomsti.v3i2.1160

Abstract

Purpose: This article aims to see a children virtual concert held by La Prima Course and Bandung Philharmonic. Both of them held an online concert in June 2020, when the world was entering new normal era due to Covid-19 pandemic. Research methods: The method used in writing this article is descriptive-qualitative by observing watching two virtual concert and long-distance interviews through social media. Results and discussion: Children virtual concert have a positive impact for children as activities at home during the Covid-19 pandemic. Other impacts were also felt by the organizers so that the organizers were enthusiastic to routinely hold virtual performances. Implication: Covid-19 pandemic makes virtual performance a cost-effective and attractive choice for organizers, children, and parents who concern about art.
Lagu Nasional: Sarana Retorika Ideologi Kebangsaan Yulius Rizki Hutagaol; Ziko Rizky Prabowo; Muhammad Rafli Pradanto; Ovan Bagus Jatmika
Journal of Music Science, Technology, and Industry Vol. 4 No. 1 (2021)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: The study aims to discuss the role of the lyric (verbal) and music (non-verbal) aspects in the national anthem as a means of rhetoric for the national ideology (in this case the ideology of the Indonesian nation). Research methods: The method used is qualitative which is more specifically under the umbrella of phenomenological research. Results and discussion: The author chooses the song "Maju Tak Gentar" by C. Simanjuntak. From a semiological point of view, it is known that lyrics are at the first level of significance (denotative) and music is at the second level of significance (connotative). Because the lyrics can be directly identified as the rhetoric of the national ideology, the writer needs to do a further analysis of the music in the national anthem. This can be achieved by linking the characteristics of myth in theory by Roland Barthes to the musical aspects of the song "Maju Tak Gentar". Implication: Music in the national anthem is a form of non-verbal narrative that can be used as a means of rhetoric for national ideology.
“Gelandangan” Karya Slamet Abdul Sjukur dalam Perspektif Estetika Keburukan sebagai Kritik terhadap Estetika Musik Konvensional Eddo Diaz Rinaldo
Journal of Music Science, Technology, and Industry Vol. 4 No. 1 (2021)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This research is meant to re-study the work of Slamet Abdul Sjukur, “Gelandangan” using the Aesthetic of Ugliness. Also to study how far the correlation between this aesthetic with conventional musical aesthetic. Research methods: This research is using qualitative method with some descriptic interpretative analytical technic, and literature study as the data collection method. Results and discussion: It was found a new perspective that still rellevant and capable to be use to study the aesthetic value of the conceptual works such as “Gelandangan”. Moreover, some works with similar aesthtetic patterns will be more traceable and the value will be more musically recognised using this Aesthetic of Ugliness perspective. Even with the aspect of Amorphousness, Assymetry, and Disharmony, the beauty of the piece can be presented in a whole new different shape. Implication: Furthermore, the writer will throw some another issues that spread out through society, about the benefits and risks that raised from this piece of work.
Konsep Dualistis dalam Pertunjukan Gender Wayang pada Pekan Seni Remaja Kota Denpasar Tahun 2015 Ni Putu Hartini
Journal of Music Science, Technology, and Industry Vol. 4 No. 1 (2021)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This paper discusses Gender Wayang, which is one of the older Balinese gamelan types. The progress that has occurred is that the public's interest in the Gender Wayang instrument is growing due to the orientation of the function which prioritizes as a form of performance that has aesthetic elements. Research methods: Qualitative research methods are carried out by relying on field data, applied to primary and secondary data sources where the data collected is carried out through direct interviews with creators or artists. Results and discussion: One form of this performance is at Pekan Seni Remaja Denpasar (Denpasar Youth Art Week), which is presented by a group of SMPN 6 Denpasar musicians. This is interesting as well as a challenge to examine the problem of how the Dualistic Concept in the Gender Wayang Performance at the Denpasar Youth Art Week 2015. The dualistic concept in the Gender Wayang performance at the Denpasar Youth Art Week 2015 can be seen from every element in the Gender Wayang performance. Implication: This dualistic concept can be viewed from the form of the instrument or the Gamelan Gender Wayang itself and its presentation system.
Gending Sekatian di Desa Adat Tejakula I Ketut Aditya Putra; Hendra Santosa
Journal of Music Science, Technology, and Industry Vol. 4 No. 1 (2021)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: The purpose of this study was to determine and describe the form of performances from Gending Sekatian in the Tejakula Traditional Village, Buleleng Regency. Research methods: The research method applied is descriptive qualitative using data collection techniques, namely observation, interviews, documentation and literature. The theory used to examine in this research is the form theory proposed by Clive Bell. Results and discussion: The results of this research on the form of Gending Sekatian show, which can be seen from some of the forming elements in it. As with the types of instruments used, they are divided into five different functions. Each of these instruments is adjusted according to their respective functions, consisting of penandan gending instruments, types of bantang gending instrument, types of pepayasan instruments, types of pesu-mulih instruments, and types of pepayasan instruments. Implication: Based on all the elements mentioned above, basically it becomes important when Gending Sekatian is presented to accompany the religious ritual procession (dewa yadnya) carried out by the community at Pura Maksan, Tejakula Traditional Village, Buleleng Regency.
Kamuflase: Korelasi Intramusikal dan Ekstramusikal dalam Penciptaan Komposisi Karawitan Bali Yan Priya Kumara Janardhana
Journal of Music Science, Technology, and Industry Vol. 4 No. 1 (2021)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This paper aims to examine more deeply the implementation of the meaning of camouflage events on the textual execution of compositions. Janu Janardhana as the composer of “Camouflage”, interpreted the camouflage event as changing colors, attitudes and shapes according to the time and place. Research methods: The author chooses a qualitative method because the phenomena experienced by the subject (composer) can be described holistically, because the writer is a composer of Camouflage's work itself. With qualitative methods, the authors know about how rhythm, tone, melody, tempo, dynamics, timbre and composition structure work according to camouflage events that occur in animals. Results and discussion: Camouflage is a musical composition for gamelan that uses Balinese gamelan characteristics as the main material for cultivating the intramusical aspect. The characteristics referred to are the waves and the variety of tuning systems found in Balinese gamelan. The various types of waves, namely, a slow contributor, a pengumbang, a bugger, a pengejer, and a siep can be achieved in one piece of work by utilizing the variety of saih / tuning systems found in Balinese gamelan. The varieties of saih are, saih ageng (gong gede saih pitu), saih madya (gamelan semaradhana), and saih alit (gamelan semara pegulingan). Implication: In extramusical terms, the composition of Camouflage music is inspired by a biological phenomenon in animals called camouflage. For example, the color changes made by chameleons and octopuses when moving, and changes in the color, attitude, shape and structure of the skin of cianea octopus when threatened by predators.
"Bali-Kang": A Minimalist Music with Western, Balinese, and Chinese Elements Ni Putu Verenita Sintya Devi; Ni Wayan Ardini; Wahyu Sri Wiyati; Ricky Irawan
Journal of Music Science, Technology, and Industry Vol. 4 No. 1 (2021)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This paper is to remind the Balinese folklore of the legendary love story of King Jaya Pangus Harkajalancana and Paduka Sri Cacangkaja Cihna (Kang Cing Wie) in Dalem Balingkang by composing a minimalist music with Western, Balinese, and Chinese elements. Research methods: The musical work is done by referring to the exploration stage, the experimental (improvisation) stage, and the forming stage. The three stages are applied as a reference in the process of cultivating the “Bali-Kang”. Results and discussion: The “Bali-Kang” composition consists of three parts with a different interpretation but is still in one unity. This work uses minimalist music techniques and kotekan techniques, which last for about 14 minutes. Implication: Such a music must always be made update according to newest and actual situation so that the legendary love story can be remembered by all generations, at least in Bali.
Perancangan Minus One Instrumen Keroncong pada Lagu Keroncong Moresko Karya Kusbini Mei Artanto
Journal of Music Science, Technology, and Industry Vol. 4 No. 1 (2021)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: There is only limited literature dealing with the minus-one design process, especially for the seven keroncong instruments. The writer wants to know the minus one design process for Kusbini's Kerocong Moresco song, both conceptually and technically. Research methods: This qualitative research employs an observation, interview, and documentation as the research instrumens to gather the data, and support the research results and findings which the data will then be verified using perspectives in musicology that focus on intra-aesthetic aspects, for instance, musical forms, individual performance techniques, and ensembles. Results and discussion: The process of designing a minus one for keroncong instrumen uses multitrack recording to maintain the intra-esthetic aspects of keroncong music in Kusbini's Keroncong Moresko song. Implication: The current Covid-19 pandemic is not a barrier to continuing to do keroncong music activities, especially in terms of learning music
Konstruksi Realitas Kolektor Vinyl Musik Rahmat Alifin Valentino; Agus Rusmana; Ninis Agustini Damayani
Journal of Music Science, Technology, and Industry Vol. 4 No. 1 (2021)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This study aims to determine the meanings, motives and experiences of the collectors in collecting Vinyl. Research methods: This study uses a qualitative method with a phenomenological approach. Data collection technique was done by interviewing. Informants in this study are three Vinyl collectors who have been collecting Vinyl for over 5 years and owning hundreds of Vinyl pieces. Results and discussion: The results in this study are (1) the meaning of collecting Vinyl is a representation of the collector’s love for music, Vinyl is a part of life, collecting Vinyl creates an addiction, Vinyl is a basic need, Vinyl is a daily routine, and Vinyl is a transaction tool. (2) The collector’s motive in collecting Vinyl is to appreciate musical works, want to contribute to the preservation of musical works, Vinyl a source of economy, physical factors and sound quality produced by higher quality Vinyl, Vinyl artwork that has aesthetic valued, history value, and the rarity of Vinyl. (3) Collectors’ experience in collecting Vinyl, namely consistency from the past until now collecting Vinyl, continuing to add to the Vinyl collection which numbered in the hundreds to thousands, making sacrifices in terms of finance, other basic needs, and social life in order to buy Vinyl, doing special and intensive care so that the sound and physical quality of Vinyl is maintained, providing a special room for Vinyl collections, and buying and selling and bartering transactions between Vinyl collectors. Implication: The development of technology made the world community switch to listening to music from Vinyl to digital platforms. However, there are still some people who are still loyal to use Vinyl as a medium for listening to music and collecting it.
Aplikasi Microsoft Excel pada Musik Dodekafon Matriks Immanuel Katharo Pasaribu; Dimas Phetorant
Journal of Music Science, Technology, and Industry Vol. 4 No. 1 (2021)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This paper discusses the Microsof Excel application on matrix dodeka music. Dodekafon can not be separated from Schoenberg. Dodekafon has its own rules. Music that is less popular with ordinary people. Research methods: This research method uses a qualitative approach, in the form of literature study and analyze. The use of matrices in mathematical calculations is applied in one application, with formulas in the exel application. Results and discussion: This formula produces a matrix table, which functions to analyze and create dodekafon music. Implication: This research aims to show how technology provides new colors and ways in the process of creating musical compositions.

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