Garuda - Garba Rujukan Digital

Article Per Year (5 Year)

All

PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan

paraguna
Website

Published by Institut Seni Budaya Indonesia Bandung

ISSN : 24076716 EISSN : 28284240 DOI : 10.26742/para

Core Subject : Humanities, Education, Art, Social,

Arts Humanities Education Environmental Science Social Sciences Other

Jurnal Paraguna merupakan jurnal di lingkungan Jurusan Karawitan, Fakultas Seni Pertunjukan ISBI Bandung, yang mengedepankan pelestarian, pengelolaan dan pengembangan potensi seni, serta budaya dan kearifan lokal nusantara yang berdaya saing dalam percaturan global. Karawitan secara khusus dapat diartikan sebagai seni musik tradisional yang terdapat di seluruh wilayah etnik Indonesia. Khususnya di Pulau Jawa, Madura dan Bali. Dalam hal ini, jurusan karawitan ISBI Bandung menjadikan kebudayan Sunda sebagai kekhususan etnis yang dimaksud.

Arjuna Subject : Seni dan Humaniora - Musik

Articles 66 Documents

1 2 3 4 5

GAMELAN DEGUNG SEBAGAI SARANA PENGIRING PROSESI TARI PANGBAGEA PADA WISUDA KE XVI STSI BANDUNG TAHUN 2012 Kari Mulyana
Paraguna Vol 5, No 2 (2018): ENTITAS WAYANG DAN GAMELAN
Publisher : LP2M ISBI Bandung

An idea of karawitan cultivation in gamelan degung is the realization of imagination and expression of the soul based on the experience of a cultivator/ stylist who is applied to a claim. In this case the gamelan gamelan is functioned as an accompaniment of the "Pangbagea" dance procession at the opening ceremony of the XVI graduation at STSI Bandung as a form of respect for all who attended the event.

DAMPAK HUKUM KEMBALINYA HAK EKONOMI KEPADA PENCIPTA PADA PERJANJIAN JUAL PUTUS ATAS LAGU DAN LIRIK Budi Kurniawan
Paraguna Vol 3, No 1 (2016): FENOMENOLOGI KARAWITAN II
Publisher : LP2M ISBI Bandung

Based on the articles number 18 and 122 of Copyright Act No. 28, 2014, Sold Flat Contract will be ended in some conditions. Therefore anyEcono mic Rights of songwriter and arrangers will be transferred automatically by music producers after passing 25 ears plus 2 ears of contract, or in another case after waiting until passing to 25 years plus 2 ears if the contract has not come to an end, The legal effects with theother parties especially between music producers as copyright holders andthe third parties whose some Economic Rights and Mechanical Rights being transferred are not simple. The ending time of the contract by an Act is unusual since it is a private area. It is also an unusual term to be applied in different effect from the existing legal terms such as Null and Void, and Invalida te. This legal research will find any legal aspects caused b thesearticles application. It will also examine a preferred and suggested contractby government to transfer a copyright of license contract. In this case songwriters and arrange rs, music producer or any other parties can avoid ancircumstances indicated as an act against law in the future.

BASALE SIRIH LAYANG NGUBAT REVITALISASI UPACARA BASALE PADA SUKU ANAK DALAM Radius Nopiansyah
Paraguna Vol 2, No 1 (2015): FENOMENOLOGI KARAWITAN
Publisher : LP2M ISBI Bandung

Basaleis name ofthe ritual of Anak Dalam Tribe in Jambi. There are some function soft his ritual, such as wedding ceremony, santet (local voodoo ), and medication. Since1978, their Basale's medication ceremony is developed to an art performance without losing its sanctity named Basale Sirih Layang Ngubat. This performance has been developed by Darwan Asri with Maliki (Alm.), one of the leaders of Anak Dalam Tribe in Batanghari Regency of Jambi

PENERTIBAN SINDEN PADA PERTUNJUKAN WAYANG GOLEK: KERESAHAN BAGI DALANG DI JAWA BARAT Masyuning S.Sn., M.Sn.
Paraguna Vol 5, No 2 (2018): ENTITAS WAYANG DAN GAMELAN
Publisher : LP2M ISBI Bandung

This paper presented sind~n as part of the wayang gol~k show in West Java. Before the G30S/PKI incident sind~n was so popular, it even beat the popularity of the dalang. This phenomenon caused unrest for the dalang in West Java. The government intervened to curb the sind~n which was seen as too wild. The incident of sind~n which caused unrest stopped after a seminar padalangan was held in1964. This event proved that the comunity of Padalangan were able to unite to solve that problem.

WACANA MARANTAU DALAM DENDANG ‘BUJANG MARANTAU’ Dolly Nofer
Paraguna Vol 8, No 2 (2021): BUNYI DAN EKOLOGI I
Publisher : LP2M ISBI Bandung

The existence of a significant dendang (“song”) in the musical art of Saluang Darek. Apart from being a musical medium, dendang plays an important role in conveying messages verbally. This research is a study of the discourse of marantau (“migration”) in the dendang 'Bujang Marantau'. The significance of the study of the discourse is based on a thought that dendang as a work of art contains certain values, ideas, and thoughts related to life experiences in everyday life which are often not revealed on the surface. The disclosure of the marantau discourse in the song uses perspective and discourse analysis, with interpretive qualitative methods. After the translation of the 'Bujang Marantau' dendang text, the text is then interpreted to include other texts other than the dendang which include; creator (Sawir Sutan Mudo), Saluang Darek music, Minangkabau culture, and the marantau tradition. The texts outside the 'Bujang Marantau' dendang are the surrounding context. The whole meaning of the discourse of marantau in the dendang 'Bujang Marantau' can be understood through the disclosure of the relation of meaning between the text and the context. Based on the studies that have been carried out, it was found that the discourse of marantau in the dendang 'Bujang Marantau' is a dilemmatic fact that occurs in the marantau tradition. Marantau activities apparently not only have an impact on economic improvement, self-maturation, but simultaneously trigger suffering.

Mang Koko dalam Inovasi Gamelan Salendro Tardi Ruswandi
Paraguna Vol 7, No 1 (2020): DINAMIKA KHAZANAH KARAWITAN
Publisher : LP2M ISBI Bandung

ABSTRAKInovasi Mang Koko dalam gamelan salendro,terlihat pada penciptaan gending bubuka, gending macakal, dan iringan lagu-lagu kawih. Dari ketiga unsur ini, yang sangat menonjol pada permainan melodi yang bersifat dialog antara waditra yang satu dengan waditra lainnya. Untuk membuktikan itu semua dianalisis denganteori kebudayaan. Dari teori tersebut tercermin bahwa konsep inovasi Mang Koko, penggarap karya seninya melalui organisasi, serta manfaat bagi masyarakat,dapat dirasakan hasilnya samppai saat ini. Hal inilah yang sangat penting untuk dibahas,karena inovasi permainan gamelan salendro, merupakan ciptaan baru daripada permainan gamelan salendro tradisi. ABSTRACT Mang Koko's innovation in the Salendro gamelan was seen in the creation of the bubuka gending, the macakal gending, and the accompaniment of kawih songs.From these three elements, which are very stand out in the melody play that is dialogue between one waditra and another waditra. To prove it, all being analyzed with cultural theory. From this theory, it is reflected that the concept of Mang Koko's innovation, the work of his art through the organization, as well as the benefits for the community, can be felt until now. This is very important to discuss, because the innovation of the Salendro gamelan play, is a new creation rather than the traditional salendro gamelan play.

PASINDEN: AWAL KEHADIRANNYA DALAM PERTUNJUKAN WAYANG GOLEK Tarjo Sudarsono
Paraguna Vol 5, No 1 (2018): KARAWITAN YANG BERPROSES
Publisher : LP2M ISBI Bandung

In 1930 Sinden became part of the Wayang Golek show. This phenomenon is the creativity of the puppeteer Baraja who was not satisfied with the conventional wayang gol~k performance. Finally Sinden presented songs that was entertainment in Wayang Golek show performances. Furthermore, the other puppeteers imitated him and in the end the sind~n and the puppeteers became a unity called the "Dwi Tunggal" who complemented and worked together in the performance. In the beginning, the presence of sind~n in the Waang Golek show gave the famous sind~n in the community. They have the name code (popular name) and the song that characterizes them. This phenomenon shows the dynamism of a traditional form ofperformance in the supporting community.

KACAPI INDUNG TEMBANG SUNDA CIANJURAN: KAJIAN ORGANOLOGI MENGGUNAKAN METODE ORGANOGRAFI DAN ORGANOGRAM DARI MANTLE HOOD Ani Andriani
Paraguna Vol 6, No 1 (2019): WACANA ENTITAS KARAWITAN
Publisher : LP2M ISBI Bandung

Organografi dan organogram adalah sebuah metode yang diciptakan oleh Mantle Hood untuk menyederhanakan instrumen dari bentuk aslinya. Organografi dan organogram dapat digunakan oleh kolektor dan museum untuk mengelompokkan instrumen musik dengan jumlah yang cukup banyak. Instrumen yang dijadikan sebagai objek dalam penelitian ini adalah kacapi indung tembang Sunda cianjuran. Dalam mendeskripsikan instrumen ter-dapat berbagai cara, salah satunya dengan organografi dan organogram yang wujudnya berupa gabungan-gabungan dari simbol. Hasil akhirnya, ka-capi indung tembang Sunda cianjuran diinterpretasikan melalui gabungan simbol-simbol yang dijelaskan secara visual serta dapat menyampaikan ba-nyak informasi secara singkat padat dan jelas.

LANGGAM TASAUF “Musikal atas Dialektika Tungku Tigo Sajarangan” Aldo Ahmad Fithra
Paraguna Vol 8, No 2 (2021): BUNYI DAN EKOLOGI I
Publisher : LP2M ISBI Bandung

ABSTRAKKarya langgam tasauf merupakan karya eksperimental berbasis improvisasi yang dilatarbelakangi oleh fenomena dialektika atas tungku tigo sajarangan yang merupakan falsafah adat masyarakat Minangkabau sebagai ide penciptaan karya. Interpretasi pengkarya atas fenomena mengasilkan karya berbentuk tiga instrumen rekonstruksi yang diberi nama tasauf dan karya pertunjukan musik dengan judul Langgam Tasauf. Kedua karya ini disusun dengan memaknai dialektika sebagai ide garap musikal yang berbasis improvisasi musik dan tungku tigo sajarangan sebagai ide penciptaan instrumen tasauf. Penciptaan dan penyusunan karya langgam tasauf dilakukan dengan melalui tahap observasi pembuatan instrumen dan observasi aspek musikal yang berikutnya dipraktikkan dengan menggunakan metode penelitian artistik. Dalam penyusunan karya musik langgam tasauf, dialektika diartikan sebagai proses pencarian budaya diri sendiri yang menginterpretasi proses dialektika. Dalam hal ini tesis diartikan menjadi nan tongga, antitesis diartikan menjadi dialek, dan sintesis diartikan menjadi Sapilin. ABSTRACTLanggam Tasauf's work is an experimental work based on improvisation which is motivated by the dialectical phenomenon of tungku tigo sajarangan which is the customary philosophy of the Minangkabau people as the idea of creating works. The writer's interpretation of the phenomenon resulted in a work in the form of three reconstructive instruments named Tasauf and a musical performance work entitled Langgam Tasauf. These two works were composed by interpreting dialectics as an idea to work on a musical based on musical improvisation and Tungku Tigo Sajarangan as the idea of creating a Tasauf instrument. The creation and arrangement of Langgam Tasauf's work is carried out by going through the observation stage of making instruments and observing musical aspects which are then practiced using artistic research methods. In the compilation of Langgam Tasauf musical works, dialectics is defined as the process of searching for one's own culture which interprets the dialectical process where the thesis is interpreted as Nan tongga, antithesis is defined as dialect, and Synthesis is defined as Sapilin.

KACAPI DALAM TEMBANG SUNDA CIANJURAN: KETERKAITANNYA DENGAN GAMELAN DEGUNG Asep Nugraha
Paraguna Vol 4, No 1 (2017): TOKOH, HUKUM, DAN PENDIDIKAN KARAWITAN
Publisher : LP2M ISBI Bandung

Kacapi in tembang sunda cianjuran related to gamelan degung. Bonang melodies in gamelan degung were adopted by Kacapi Indung, and peking melodies in gamelan degung were adopted by kacapi rincik. This paper tries to explore the relationship by comparing the melodic between the kacapi instruments and the instruments in the gamelan gamelan degung. The result was kacapi in tembang sunda cianjuran as miniature of the gamelan degung performance.

Page 2 of 7 | Total Record : 66

1 2 3 4 5

Filter by Year

2015 2022

Filter By Issues

All Issue Vol 9, No 2 (2022): DISKURSUS KARAWITAN I Vol 9, No 1 (2022): TAFSIR-TAFSIR KARAWITAN Vol 8, No 2 (2021): BUNYI DAN EKOLOGI I Vol 7, No 1 (2020): DINAMIKA KHAZANAH KARAWITAN Vol 6, No 1 (2019): WACANA ENTITAS KARAWITAN Vol 5, No 2 (2018): ENTITAS WAYANG DAN GAMELAN Vol 5, No 1 (2018): KARAWITAN YANG BERPROSES Vol 4, No 1 (2017): TOKOH, HUKUM, DAN PENDIDIKAN KARAWITAN Vol 3, No 1 (2016): FENOMENOLOGI KARAWITAN II Vol 2, No 1 (2015): FENOMENOLOGI KARAWITAN

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
gempur sentosa

Contact Email
pepep.dw@gmail.com

Phone
+6281931254247

Journal Mail Official
jurnal.paraguna@isbi.ac.id

Editorial Address
Program Studi Seni Karawitan - Fakultas Seni Pertunjukan Institut Seni Budaya Indonesia (ISBI) Bandung Jl. Buah Batu No. 212 Bandung 40265, Telp. (022)-7314982, 7315435; Fax. (022) – 7303021

Location
Kota bandung,

Jawa barat

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name gempur sentosa

Contact Email pepep.dw@gmail.com

Phone +6281931254247

Journal Mail Official jurnal.paraguna@isbi.ac.id

Editorial Address Program Studi Seni Karawitan - Fakultas Seni Pertunjukan Institut Seni Budaya Indonesia (ISBI) Bandung Jl. Buah Batu No. 212 Bandung 40265, Telp. (022)-7314982, 7315435; Fax. (022) – 7303021

Location Kota bandung, Jawa barat INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
gempur sentosa

Contact Email
pepep.dw@gmail.com

Phone
+6281931254247

Journal Mail Official
jurnal.paraguna@isbi.ac.id

Editorial Address
Program Studi Seni Karawitan - Fakultas Seni Pertunjukan Institut Seni Budaya Indonesia (ISBI) Bandung Jl. Buah Batu No. 212 Bandung 40265, Telp. (022)-7314982, 7315435; Fax. (022) – 7303021

Location
Kota bandung,

Jawa barat

INDONESIA