cover
Contact Name
Rajudin
Contact Email
sirajudinsiraj@gmail.com
Phone
+6282286907998
Journal Mail Official
viartjournal@gmail.com
Editorial Address
Program Studi Seni Murni, Fakultas Seni Rupa dan Desain Institut Seni Indonesia Padang Panjang Jl. Bahder Johan No.35 Padang Panjang, Indonesia
Location
Kota padang panjang,
Sumatera barat
INDONESIA
V-art: Journal of Fine Art
ISSN : -     EISSN : 28092589     DOI : 10.26887
V-art: Journal of Fine Art is an academic journal published by the Department of Fine Art, Faculty of Visual Art and Design, Institut Seni Indonesia Padang Panjang twice a year. This journal publishes original articles with a focus on the results of studies in the field of fine art since November 2021. V-art: Journal of Fine Art focuses on articles resulting from research and creation (applied research) in the field of fine art. Its scope includes, among others: History of fine art; Methodology of fine art; Discourse on fine art; Sociology of fine art; Management of fine art; Fine art criticism; Anthropology of fine art; Psychology of fine art; Fine art education in schools.
Articles 34 Documents
Daftar Isi Vol.1, No.1 (2021): Juli - Desember 2021 Daftar Isi
V-art: Journal of Fine Art Vol 1, No 1 (2021): Juli - Desember 2021
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (262.805 KB) | DOI: 10.26887/vartjofa.v1i1.2156

Abstract

daftar isi
Estetika Karya Lukis Afianto Arifin Selvina Rahmi; Suryanti Suryanti; Miswar Miswar
V-art: Journal of Fine Art Vol 1, No 1 (2021): Juli - Desember 2021
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (580.307 KB) | DOI: 10.26887/vartjofa.v1i1.2138

Abstract

This study discusses Afianto Arifin's tendency to persist with a strong naturalism style during the incessant contemporary art. This study also discusses the journey of art, the factors behind his work attitude, and the aesthetic concepts contained in his paintings. To answer these problems, qualitative research methods are used which include observation, interviews, and literature study. The research was conducted in the City of Bukittinggi and Padang Pariaman district, West Sumatra province. Based on the research results, the beginning of Afianto Arifin's artistic career began in Jakarta. Apart from painting, Arifin also got a project to make sculptures and reliefs. After that, Arifin was diligent in making paintings. Arifin tends to raise objects of natural scenery and women's beauty. The idea of creating Arifin's paintings was influenced by artistic factors and cultural factors in his native area, namely Bukittinggi. The aesthetic concepts contained in Arifin's paintings are discussed from the point of view of art styles, art structures, as well as the interaction of media and meaning. Arifin is a person who tends to not want to be exposed and does not like to see exhibitions, this makes Arifin stick to his ideals and influences his artistic style until now.
Kumbang Koksi Sebagai Ide Penciptaan Karya Seni Lukis Nadiya Syalimah; Hamzah Hamzah; Jufrinaldi Jufrinaldi
V-art: Journal of Fine Art Vol 1, No 2 (2022): Januari - Juni 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (475.272 KB) | DOI: 10.26887/v-art.v2i1.2329

Abstract

Kumbang koksi merupakan salah satu satwa liar bangsa serangga yang memiliki keindahan warna dan bentuk corak pada badannya yang membuat mereka mudah dikenali karena penampilannya yang cukup khas, sehingga bisa dibedakan dari serangga lainnya. Bentuk fisik dari kumbang koksi sangat berkesan akan keindahannya, yang saat ini sudah jarang dijumpai. Karya ini mengangkat tentang kekaguman terhadap keindahan kumbang koksi, ke dalam bentuk karya seni lukis dalam bentuk representasional, yang menggunakan konsep distorsi, deformasi, stilisasi yang direpresentasi menggunakan gaya dekoratif. Metode penciptaan yang digunakan terdiri dari persiapan mencari informasi, perancangan dengan menuangkan ide dari hasil data yang didapatkan, perwujudan menghadirkan proses konsep yang dari awal dirancang dan penyajian setelah proses perwujudan selesai dilakukan proses finishing yaitu pembingkaian karya. Karya dalam bentuk dua dimensi berupa karya lukisan, masing-masing karya memiliki perbedaan baik dari bentuk visual yang diwujudkan maupun perasaan yang ingin disampaikan terkait kumbang koksi, yang terdiri dari delapan buah karya dengan judul Plural, Home, Tarian Kumbang Koksi, Bingung, Bingung #2, Queen, Atraktif, dan Kerumunan.
Unggah-ungguh sebagai ide penciptaan karya seni lukis Helni Yuliana; Miswar Miswar; Rica Rian
V-art: Journal of Fine Art Vol 1, No 2 (2022): Januari - Juni 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (607.193 KB) | DOI: 10.26887/v-art.v2i1.2327

Abstract

Penciptaan karya Tugas Akhir dengan judul “Unggah-ungguh sebagai ide penciptaan karya seni lukis”, didasari dari ketertarikan pengkarya terhadap fenomena unggah-ungguh dalam budaya Jawa yang merupakan etika, sopan santun dan tata krama, yang berada di Blok B Sitiung II, Kecamatan Koto Salak, Kabupaten Dharmasraya, Sumatera Barat. Pengkarya menghadirkan karya seni lukis ini menjadi pengetahuan akan penerapan unggah-ungguh agar tidak hilang jati diri pengkarya pada budaya Jawa, karena mengalami penurunan penerapan yang disebabkan oleh beberapa faktor. Metode penciptaan yang dilakukan terdiri dari persiapan meliputi pengumpulan data, eksperimen dengan menuangkan ide dari hasil data yang didapatkan, perwujudan dari proses konsep awal dengan sketsa, pemindahan sketsa, proses melukis hingga  finishing dan penyajian dengan pembingkaian pada karya serta pameran. Karya dalam bentuk dua dimensi menggunakan gaya dekoratif dengan karakter bentuk wayang dan motif batik sebagai hiasannya dengan teknik transparan. Masing-masing karya memiliki perbedaan dari segi bentuk visual yang mengungkapkan perasaan pengkarya terhadap unggah-ungguh dalam kehidupan pengkarya, yang terdiri dari judul Kulo Puron Nedi?, Ngrembuk, dan Wejangan.
Monumen Perjuangan Masyarakat Cupak Ditinjau Dari Segi Bentuk, Fungsi Dan Tata Letak Dinda Fitria; Maulid Hariri Gani; Rica Rian
V-art: Journal of Fine Art Vol 1, No 1 (2021): Juli - Desember 2021
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (452.495 KB) | DOI: 10.26887/vartjofa.v1i1.2131

Abstract

This study discusses the Cupak Community Struggle Monument in Solok Regency in terms of form, function, and layout. In addition, we briefly discuss the brief history behind the monument's establishment. This study uses a qualitative approach which includes observations, interviews, literature studies, and research is carried out directly to the field, namely to the Cupak area in Solok Regency, West Sumatra. Based on the results of the research conducted, it is known that the construction of the Cupak Community Struggle Monument aims to commemorate the period of the Cupak people's struggle against the Japanese army, and the shape of the monument is a visual representation of 3 warriors including statues consisting of figures dressed in Indonesian soldiers, Japanese soldiers, and community warrior. The layout of the Cupak Community Struggle Monument is closely related to the function of the monument itself, a monument that has a social function and a physical function, namely a monument which, if created and viewed on a public scale, means that it can reach the wider community.
Daftar Isi Vol 2 No 1 (2022): Januari - Juni 2022 Rajudin Rajudin
V-art: Journal of Fine Art Vol 2, No 1 (2022): Januari - Juni 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (31.743 KB) | DOI: 10.26887/v-art.v2i1.2611

Abstract

Bunga Edelweis Sebagai Objek penciptaan Yori Oktaviani; Hamzah Hamzah; Maulid Hariri Gani
V-art: Journal of Fine Art Vol 1, No 2 (2022): Januari - Juni 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (462.386 KB) | DOI: 10.26887/v-art.v2i1.2322

Abstract

Penciptaan karya Tugas Akhir ini didasari karena pengkarya ingin meluapkan rasa prihatin dan sedih terhadap kondisi dan keadaan dari populasi dan habitat asli bunga edelweis pada saat ini. Rasa yang dihadirkan pada karya seni lukis bunga edelweis  ini disampaikan dengan karya bergaya dekoratif, yang bertujuan supaya rasa prihatin dan dan sedih itu dapat tersampaikan, dengan berusaha menampilkan visual objek dengan hiasan. Metode penciptaan yang dilakukan terdiri dari persiapan yang mengumpulkan data, perancangan dengan menuangkan ide dari hasil yang didapatkan. Perwujudan menghadirkan  proses konsep dari awal rancangan penyajian karya setelah diproses. Proses perwujudan selesai dilakukan proses finishing yaitu pembingkaian karya. Dalam penciptaan karya seni lukis, bentuk visual utama yang dihadirkan yaitu bunga edelweis, dan objek pendukung lainnya, serta di hias dengan titik-titik dan kontur pada bagian background. Masing- masing karya memiliki perbedaan baik bentuk tata letak visual dll, sebagai media untuk mengungkapkan ekspresi dari rasa prihatin dan sedih dari diri pengkarya sendiri terhadap kondisi dan keadaan dari populasi dan habitat asli dari bunga edelweis.
Ekspresi Takut Sebagai Ide Penciptaan Karya Seni Lukis Giva Kurnia; Miswar Miswar; Yunis Muler
V-art: Journal of Fine Art Vol 2, No 1 (2022): Juli - Desember 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v2i2.2755

Abstract

The artist's experience in childhood with bullying and discrimination is the source of the expression of fear depicted in this work. This experience creates fear that makes artists worse off, reluctant to socialize, and withdrawn. This fear is used as an idea in the creation of paintings. The scope of experience is focused on poor social interactions at school. The form of work created uses a representational approach with changes in the form of distortion and transformation in a surreal style. The method of creation used is preparation, namely reflecting on and recalling the disturbing past. The next stage is the design stage, namely, making alternative sketches. The forming stage begins with the process of transferring the sketch to the canvas and ends with the painting process. After completing all these stages, the work is exhibited. The painting was made using the aquarel technique and the plaque technique. The materials used are acrylic paint and canvas. The creation of this work has resulted in five paintings entitled "Complaint," "Confused," "Response," "Self Opera," and "The Past."
Introspeksi Diri Sebagai Ide Penciptaan Karya Seni Lukis Hermi Rofi; Jufrinaldi Jufrinaldi; Hamdan Akromullah
V-art: Journal of Fine Art Vol 2, No 1 (2022): Juli - Desember 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v2i2.2687

Abstract

Self-introspection aims to make peace with oneself and improve oneself to improve the quality of life based on thoughts and feelings. This work is very important for the future so that the same mistakes, which lead to regret, are not repeated. The creation of this painting is an expression of having experienced mistakes made by not thinking about things that harm yourself or others. In the expressionist style, work is a representational form that uses the ideas of deformation and distortion. Method execution consists of two stages: planning and implementation. First, at the planning stage remembering bad events that disturb thoughts and feelings. Then proceed with the embodiment process, namely the work process starting from providing materials, installing canvas cloth, making canvas bases, and making background works, followed by the painting process to finishing. Once the work is framed, it is ready to be presented at the exhibition. This work resulted in five paintings: Regret, Me and My Mind, Endless Illusion, Reflecting, and Past Regrets.
Lumbung Padi Kerinci Sebagai Objek Penciptaan Karya Seni Grafis Gaya Surealis Jeki Aprisela H; Rajudin Rajudin
V-art: Journal of Fine Art Vol 2, No 1 (2022): Juli - Desember 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v2i2.3224

Abstract

The Kerinci Rice Barn is the object of this printmaking. The Kerinci rice barn was chosen as the object of creation because its existence is already threatened with extinction. In fact, the philosophical value of the Kerinci rice barn is very noble and profound. This printmaking is made in a surreal style. The concept of distortion is used to make the work more surreal. The idea behind this work is to use the Kerinci rice barn as an idiom to express oneself through art. The stages of the method in this creation are: contemplation, prototype, and forming. This printmaking work combines the hardboard cut technique with the stencil technique. The media used are acrylic paints and oil-based printing inks on canvas. The creation of this work has resulted in a work entitled "Menabung". This work measures 100 cm x 100 cm.

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