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TIMPALAJA: Architecture Student Journal
Published by Universitas Islam Negeri Alauddin Makassar
ISSN : -     EISSN : 27458490     DOI : https://doi.org/10.24252/timpalaja
Core Subject : Art, Engineering,
Arts Civil Engineering, Building, Construction & Architecture
TIMPALAJA: Architecture Student Journal (E-ISSN: 2745-8490) is a scientific publication for student collaborative research and lecturers of a widespread topic in architectural design studies. The papers received by this journal will be reviewed by the editorial team. TIMPALAJA publishes articles that include textual studies and field studies in a variety of architectural design perspectives including: Islamic architecture Mosque architecture Local Wisdom Historic architecture Interior Architectural theories and criticism Environmental architecture City Design Landscape Building Science and technology Structure and construction of buildings And much more related to architectural design
Arjuna Subject : Teknik (semua kategori) - Arsitektur
Articles 89 Documents
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Redesain Stadion Nasional La Patau di Kabupaten Bone Nur Iqbal; Wasilah Sahabuddin; Alfiah Alfiah
TIMPALAJA Vol 4 No 1 (2022): Timpalaja
Publisher : the Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/timpalaja.v4i1a7

Abstract

Abstract_ Bone Regency is one of the regencies in South Sulawesi which has a community with a high interest in football, coupled with the existence of a professional football club and registered as a member of the second caste of the Indonesian League, namely PERSIBO which is headquartered in a stadium located in Bone Regency. or known as the La Patau stadium, it should be necessary to revamp and improve the facilities and quality of the stadium both physically, in function, and in future prospects as a place for sports education, recreation and business in Bone district. La Patau Stadium is a stadium located in Maccanang, Tanete Riattang sub-district, Bone district, South Sulawesi province. La Patau Bone Stadium is a stadium built by the Government of Bone Regency in 2006 with a capacity of around 4000-5000 spectators. Seeing the current condition of the stadium where the number of stands capacity is not up to standard, the number of parking available in the stadium is not directly proportional to the capacity of the audience, there is no available parking for the player and official team buses, and there are still many supporting facilities that are not available so it should be redesigned. to La Patau Stadium on the basis of consideration of making changes or additions and structuring the interior and exterior of the building, with the increase in the audience stands, the number of rooms or facilities will also increase as needed so that this stadium meets the standards set by the Asian and international football associations Keywords: Stadium, Lapatau, Bone Regency
Kajian Penerapan Konsep Lingkungan Restoratif pada Bangunan Masjid 99 Kubah di Makassar Adnan Mustajab Aras; Mayyadah Syuaib; Andhy Masardy Tahir; Ovy Uniarti Ananda; Ikrar Maulana Muharram
TIMPALAJA Vol 4 No 1 (2022): Timpalaja
Publisher : the Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/timpalaja.v4i1a10

Abstract

This study aims to determine the object of research applying the criteria as a restorative environment. The object of this study is the 99-domes mosque located in the central Point of Indonesia (CPI) Tanjung Bunga Makassar. The method used is descriptive analysis method, which is by collecting data and comparative studies and then analyzed and concluded. In collecting data, conducted several ways such as literature studies to obtain relevant data and references, then interviews, as well as field observations to directly feel the atmosphere of the object to be discussed. The results showed that the existence of this mosque can give the community a restorative experience. The experience of calm and peace from to these criteria has managed to restore the physical and psychological condition of the people. It can be said that visitors regain their energy and motivation to undergo the next activity.
Penerapan Konsep Arsitektur Islam pada Masjid Haji Muhammad Cheng Hoo Gowa Hazmitah Budiyarti; Sulfia Sulfia; Zulkarnain AS
TIMPALAJA Vol 1 No 1 (2019): Timpalaja
Publisher : the Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/timpalaja.v1i1a2

Abstract

Abstrak_ Masjid merupakan tempat ibadah bagi umat Islam, dimana dalam pembangunannya harus memerhatikan aturan aturan dan kaidah kaidah sesuai dengan ajaran islam. Penyebaran agama Islam yang semakin meluas ikut mempengaruhi bentuk arsitektur masjid, sehingga menyebabkan arsitektur masjid semakin beragam, dimana gaya arsitektur lokal selalu tertuang dalam masjid ditempat bangunan tersebut terbangun. Masjid Haji Muhammad Cheng Hoo yang terletak di jalan Tun Abdul Razak, Gowa, dijadikan tempat penelitian dalam penelitian ini  dikarenakan bentuknya yang unik dengan bentuk arsitekturnya yang bergaya khas Tionghoa. Masjid Haji Muhammad Cheng Hoo, memberikan gambaran lain dari arsitektur masjid yang biasanya bergaya khas Timur Tengah, disertai kubah berbentuk setengah lingkaran. Tujuan penelitian ini yaitu untuk  (1) mengkaji keselarasan dan keterkaitan bentuk arsitektur dan ruang dalam yang ada pada Masjid Haji Muhammad Cheng Hoo dengan konsep Islam, Digunakan analisis kualitatif dengan pendekatan deskriptif dalam menjelaskan penerapan arsitektur Islami pada masjid tersebut. Dari hasil penelitian menunjukkan bahwa penerapan konsep arsitektru Islam pada Masjid Haji Muhammad Cheng Hoo diterapkan secara baik. rancangan masjid yang bergaya khas Tionghoa, bentuk dan desain fasade merupakan hasil inovasi yang berakar dari  konsep Islam.Kata Kunci: Konsep Arsitektur Islam. Abstrak_ Abstrak_Masjid is a place of worship for Muslims, wherein its development must pay attention to the rules and rules of the rules by Islamic teachings. The spread of Islam which is increasingly widespread influences the shape of the mosque's architecture, thus causing the mosque's architecture to be more diverse, where the local architectural style is always contained in the mosque where the building is built. The Haji Muhammad Cheng Hoo Mosque located on Jalan Tun Abdul Razak, Gowa, was used as a place of research in this study because of its unique shape with its Chinese-style architecture. Masjid Haji Muhammad Cheng Hoo provides another description of the architecture of the mosque which is usually in the typical Middle Eastern style, accompanied by a semicircular dome. The purpose of this study is to (1) examine the alignment and interrelation between the forms of architecture and internal space in the Haji Muhammad Cheng Hoo Mosque with the concept of Islam. Qualitative analysis with a descriptive approach is used to explain the application of Islamic architecture to the mosque.Keywords: Concept of Islamic Architecture.
Identifikasi Wujud Akulturasi Budaya Terhadap Arsitektur Masjid Al-Hilal Tua Katangka Ilmanda Tegar Mahusfah; Muhammad Ainun Najib; Sutriani Sutriani
TIMPALAJA Vol 1 No 1 (2019): Timpalaja
Publisher : the Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/timpalaja.v1i1a3

Abstract

Abstrak_Masjid sebagai bangunan ikon dari ummat Islam, tidak lepas dari pengaruh budaya sekitar masyarakat tempatnya berada. Dengan beragamnya kesenian dan kebudayaan yang ada, akhirnya membuat masjid di setiap daerah memiliki arsitektur dan filosofi bentuk yang berbeda tergantung budaya masyarakat sekitar. Adanya budaya yang berbeda maka akan melahirkan suatu gaya arsitektur yang berbeda pula. Ketika dua atau lebih budaya bertemu maka akan terjadilah suatu akulturasi pada arsitektur bangunannya, baik itu terdapat pada beberapa elemen arsitekturnya, ataupun pada keseluruhan bangunannya. Masjid Al-Hilal Tua Katangka merupakan salah satu masjid di Indonesia yang dipengaruhi oleh budaya lokal dan asing yang masuk ke Indonesia. Budaya inilah yang menjadi ciri khas dari bangunan masjid Tua Katangka. Tujuan penulisan ini adalah untuk mengidentifikasi tentang  wujud akulturasi budaya seperti apa yang terdapat pada elemen-elemen arsitektur yang ada pada masjid tua Katangka ataupun arsitektur masjid Tua Katangka secara keseluruhan. Digunakan metode penelitian kualitatif dengan pendekatan deskriptif untuk menjelaskan wujud akulturasi pada masjid tersebut. Hasil penelitian menunujukan bahwa Wujud akulturasi budaya yang terdapat pada masjid tua Katangka dapat dilihat pada bagian atap, gerbang, kolom, mimbar, dinding, serambi, serta jendela masjid. dengan gaya arsitektur yang terdapat di dalamnya yaitu gaya arsitektur Eropa, Jawa, Cina, Arab, dan Makassar.Kata Kunci: Akulturasi; Masjid; Budaya; Arsitektur.  Abstract_Masjid as an iconic building of the Islamic ummah, can not be separated from the cultural influence around the community where it is located. With the variety of arts and cultures that exist, finally making mosques in each region have different forms of architecture and philosophy depending on the culture of the surrounding community. The existence of different cultures will give birth to a different architectural style. When two or more cultures meet, there will be an acculturation in the architecture of the building, whether it is found in some elements of the architecture, or in the entire building. Al-Hilal Tua Katangka Mosque is one of the mosques in Indonesia that is influenced by local and foreign cultures that enter Indonesia. This culture is the hallmark of the old Katangka mosque building. The purpose of this paper is to identify what forms of cultural acculturation exist in the architectural elements in the old Katangka mosque or the architecture of the old Katangka mosque as a whole. Qualitative research methods are used with a descriptive approach to explain the form of acculturation in the mosque. From the results of the study, it was pointed out that the form of cultural acculturation found in the old katangka mosque can be seen on the roof, gates, columns, pulpits, walls, porches, and mosques' windows. with the architectural style contained in it, namely the architectural styles of Europe, Java, Cina, Arabia, and Makassar.Keywords: Acculturation; Mosque, Cultur;, Architecture.
Semiotika Arsitektur pada Fasad Bangunan Masjid Al-Markaz Al-Islami Makassar Andi Nurjannah; Andi Nurauliah Fatimah; Marwati Marwati
TIMPALAJA Vol 1 No 2 (2019): Timpalaja
Publisher : the Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/timpalaja.v1i2a3

Abstract

Abstrak_ Masjid merupakan tempat ibadah sekaligus pusat peradaban umat Islam. Adapun pusat peradaban islam di Indonesia bagian Timur yaitu Masjid Al-Markaz Al-Islami Makassar. Selain sebagai tempat ibadah, Masjid Al Markaz Al Islami juga menjadi pusat pengembangan dan penelitian, sosial budaya, pendidikan hingga ekonomi. Secara khusus, penelitian ini bertujuan untuk:  (1) Mengidentifikasi bentuk dan ornamen yang terdapat pada fasade bangunan masjid Al-Markaz Al-Islami, (2) Menganalisis makna simbol yang ada pada fasade bangunan Masjid Al-Markaz Al-Islami Makassar. Penelitian ini menggunakan metode kualitatif dan melalui kajian semiotika untuk menemukan arti/ pesan dan makna melalui tanda-tanda atau simbol-simbol yang ada pada arsitektur bangunan Masjid Al-Markaz Al-Islami Makassar. Hasil penelitian ini kemudian memberikan informasi tentang (1) Bentuk dan ornamen pada fasade Masjid Al-Markaz Al-Islami  diadopsi dari Masjidil Haram di Makkah, Masjid Nabawi di Madinah Al Munawwarah, bentuk rumah masyarakat bugis-makassar serta Masjid Katangka di Kabupaten Gowa, (2) Penciptaan unsur arsitektur bangunan Masjid Al-Markaz Al-Islami merupakan simbol yang memiliki makna.Kata kunci: Semiotika; Bentuk; Ornamen dan Makna Simbol.  Abstrak_ The mosque is a place of worship as well as the center of Muslim civilization. The center of Islamic civilization in Eastern Indonesia is the Al-Markaz Al-Islami Mosque in Makassar. Aside from being a place of worship, Al Markaz Al Islami Mosque is also a center for development and research, socio-cultural, educational to economic. Specifically, this study aims to: (1)  Identify the shapes and ornaments found on the facade of the Al-Markaz Al-Islami mosque building, (2) Analyzing the meaning of symbols that are on the facade of the Al-Markaz Al-Islami Mosque in Makassar. The results of this study then provide information about: (1)  Shapes and ornaments on the facade of Al-Markaz Al-Islami Mosque adopted from the Grand Mosque in Makkah, Nabawi Mosque in Medina Al Munawwarah, a form of Bugis-Makassar community house and Katangka Mosque in Gowa Regency, (2) The creation of architectural elements of the Al-Markaz Al-Islami Mosque building is a symbol that has meaning.Keywords: Semiotics; Shape; Ornaments and meanings of symbols.
Filosofi Ornamen dan Dekorasi Interior pada Klenteng Xian Madi Kota Makassar Sri Ayu Nurul Fajri; Aznan Nazzer Nur Syarif; Andi Hildayanti
TIMPALAJA Vol 1 No 1 (2019): Timpalaja
Publisher : the Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/timpalaja.v1i1a7

Abstract

Abstrak_Tujuan penelitian ini adalah untuk mengidentifikasi dan mengkajifilosofi ornamen dan dekorasi interior yang terdapat pada Klenteng Xian Madi Kota Makassar. Pada dasarnya kebudayaan Tionghoa mewariskan heterogenitas ragam hias Arsitektural Klenteng yang unik dan filosofis, mulai dari pemilihan warna dan penerapan atribut pada dekorasi ruang Klenteng. Penelitian ini digunakan metode penelitian deskriptif kualitatif yang bertujuan untuk mendeskripsikan dan mengemukakan makna filosofi dari ornamen dan dekorasi interior Klenteng Xian Madi. Berdasarkan hasil penelitian bahwa interior Klenteng Xian Madi didominasi dengan warna merah dan gold. Bagi umat Tionghoa warna emas melambangkan keberuntungan, dan keceriaan. Warna gold melambangkan kebahagiaan dan kemakmuran. Disamping itu, terdapat beberapa patung yang terletak di segala sisi ruang Klenteng sebagai tempat sembahyang umat Tionghoa. Sehingga  filosofi ornament dan dekorasi interior Klenteng Xian Madi dapat diketahui secara empiris, karena masing-masing ornament dan dekorasi interior mengandung makna sebagai bentuk komunikasi bagi pengamat yang datang.Kata kunci: Arsitektur Klenteng; Filosofi Ornament; Dekorasi Ruang,Metode Deskriptif Kualitatif. Abstract_ The purpose of this study is to identify and clarify the ornament and interior decoration philosophy found in the Xian Madi Temple, Makassar City. Chinese culture inherits the heterogeneity of the unique and philosophical architectural decoration of the pagoda, starting from the selection of colors and the application of attributes to the pagoda's room decoration. This study used a descriptive qualitative research method that aims to describe and express the philosophical meaning of the ornamentation and interior decoration of the Xian Madi Temple. Based on research results that the interior of the Xian Madi Temple is dominated by red and gold. For Chinese people, the golden color symbolizes luck and cheerfulness. The gold color symbolizes happiness and prosperity. Also, there are several statues located on all sides of the temple room as a place of prayer for Chinese people. So that the philosophy of ornament and interior decoration of Xian Madi Temple can be known empirically because each ornament and interior decoration contains meaning as a form of communication for observers who come.Keywords: Temple Architecture; Ornament Philosophy; Room Decoration; Qualitative Descriptive Method. 
Penerapan Pembauran Ornamen Islam dan Tionghoa Dalam Arsitektur Masjid Muhammad Cheng Hoo Melati Indira Adininggar; Elvira Dewi Kurnia; Alfiah Alfiah
TIMPALAJA Vol 1 No 2 (2019): Timpalaja
Publisher : the Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/timpalaja.v1i2a6

Abstract

Abstrak_ Masyarakat Indonesia pada abad ke 7 Masehi melakukan perdagangan dengan negeri Islam. Interaksi tersebut  berpengaruh pada bentuk arsitektur bangunan masjid yang dibangun. Masjid di Indonesia pada umumnya  mengadopsi masjid dari Timur Tengah dan ditambah dengan budaya lokal setempat. Tetapi masyarakat  keturunan Cina yang beragama islam membangun masjid Muhammad Cheng Ho dengan arsitektur khas Cina.  Selain itu, masjid Muhammad Cheng Ho Makassar memiliki bentuk yang unik dan menarik yang berdiri di tengah tengah muslim Makassar yang secara umum memiliki budaya yang berbeda dengan muslim Cina. Sehingga,  keberadaan masjid ini sebagai wujud atau simbol dari toleransi antar etnis dan budaya. Konsep arsitektur pada  masjid ini merupakan perpaduan antara Islam-Tiongkok dan keunikannya berada pada ragam hias dari masjid  yang memiliki makna serta nilai.Kata kunci: Pembauran; Budaya; Masjid. Abstract_Indonesian society in the 7th century AD traded with the Islamic state. These interactions have an effect on the  architectural form of the mosque building that was built. Mosques in Indonesia generally adopt mosques from the  Middle East and are incorporated with local culture. But the Chinese descendants of Islam who built the Muhammad Cheng  Ho mosque with Chinese architecture. In addition, the Muhammad Cheng Ho Mosque in Makassar has a unique and  interesting place that stands in the midst of Makassar Muslims who generally have a different culture with Chinese  Muslims. So, the existence of this mosque as a form or symbol of tolerance between ethnicity and culture. The  architectural concept in this mosque is a blend of Islam-China and its uniqueness is in the decoration of the mosque  which has meaning and value.Keywords : Integration; Culture; Mosque.
Perbedaan Arsitektur Pura Giri Natha dengan Pura Penataran Sasih Andi Ola Wikramiwardana; Andi Rahmiani Maulana; Siti Aisyah Rahman
TIMPALAJA Vol 1 No 1 (2019): Timpalaja
Publisher : the Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/timpalaja.v1i1a9

Abstract

Abstrak_ Tempat suci Hindu adalah suatu tempat maupun bangunan yang dikeramatkan oleh umat Hindu atau tempat persembahyangan bagi umat Hindu dan biasa di sebut Pura. Pura Giri Natha adalah salah satu contoh dari tempat ibadah umat Hindu di Kota Makassar, sedangkan Pura Penataran Sasih adalah salah satu contoh Pura di Bali. Dalam segi arsitektur kedua pura ini memiliki beberapa perbedaan yang akan dijabarkan pada penelitian ini. Penulis melakukan penelitian tentang Pura Giri Natha dan Pura Penataran sasih ini untuk mengidentifikasi perbedaan bentuk fisik yang implementasikan kedalam arsitekturnya. Penelitian terhadap Pura Giri Natha berdasarkan pengamatan peneliti untuk merefleksikan fenomena budaya berkaitan dengan Pura Giri Natha. Pengumpulan data dilakukan melalui observasi, wawancara, literatur yang berupa jurnal, dan dokumentasi. Kesakralan kedua Pura ini tetap dijaga oleh Karma Penyunsung meskipun mulai dijadikan objek bagi wisatawan dari agama lain. Kata Kunci: Hindu-Bali; Pura Giri Natha; Pura Penataran Sasih. Abstract_ The Hindu holy place is a place or building sacred by Hindus or a place of worship for Hindus and commonly called Pura. Pura Giri Natha is one example of a Hindu place of worship in Makassar City, while Penataran Sasih Temple is one example of a temple in Bali. In terms of architecture, the two temples have several differences that will be explained in this study. The author conducts research on Pura Giri Natha and Pura Penataran Sasih to identify differences in physical forms that are implemented into the architecture. Research on Pura Giri Natha is based on the observations of researchers to reflect cultural phenomena related to Pura 2Giri Natha. Data collection is done through observation, interviews, literature in the form of journals, and documentation. The sacredness of this temple is still guarded by Karma Penyunsung even though it began to be used as an object for tourists from other religions.Keyword: Hindu-Bali; Giri Natha Temple; Penataran Sasih Temple.
Filosofi Penerapan Arsitektur Islam pada Masjid Agung Syekh Yusuf Gowa Andi Rifqah; Andi Nur Zamzamniah; Zulkarnain AS
TIMPALAJA Vol 1 No 1 (2019): Timpalaja
Publisher : the Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/timpalaja.v1i1a8

Abstract

Abstrak_ Pada saat ini telah banyak ditemukannya konsep-konsep dalam dunia arsitektur. Berbagai macam konsep dilahirkan dari waktu ke waktu untuk mewujudkan desain yang lebih inovatif. Salah satu nya adalah konsep arsitektur Islam. Masjid merupakan salah satu dari penerapan bentuk arsitektur Islam. Dimana Arsitektur Islam adalah arsitektur yang di dalamnya nilai Islam diterapkan. Penelitian  ini  mengambil   Masjid  Agung Syekh Yusuf sebagai objek penelitian yang terletak di Jl. Masjid Raya, Sungguminasa, kecamatan Somba Opu, kab. Gowa, Sulawesi Selatan. Tujuan penelitian untuk mengetahui konsep filosofi penerapan arsitektur Islam pada Masjid Agung Syekh Yusuf Gowa. Metode penelitian yang digunakan adalah metode analisis kualitatif dengan menggambarkan suatu kondisi yang sebenarnya secara dekskriptif. Teknik pengumpulan data yang digunakan dalam penelitian ini yaitu survey dan studi dokumen. Hasil penelian menunjukkan bahwa penerapan Islam pada Masjid Agung Syekh Yusuf di terapkan dengan baik. rancangan masjid dengan bentuk kubah, desain fasad merupakan hasil inovasi dari konsep Islam.Kata kunci : Filosofi; Konsep bentuk; Arsitektur Islam Masjid Agung Syekh Yusuf Abstrak_ At this time many concepts have been found in the world of architecture. Various concepts are born from time to time to realize more innovative designs. The mosque is one of the applications of Islamic architectural forms. Where Islamic architecture is an architecture in which the value of Islam is applied. This study took the Great Mosque of Syekh Yusuf as an object of research located on Jl. Masjid Raya, Sungguminasa, Kec. Somba Opu, district. Gowa, South Sulawesi. The study aimed to find out the philosophical concept of applying Islamic architecture at the Great Mosque of Sheikh Yusuf Gowa. The research method used is a qualitative analysis method by descriptively describing an actual condition. The data collection technique used in this research is a survey and document studi. The results of the study show that the application of Islam to the Supreme Court of Sheikh Yusuf was well implemented. mosque design with a dome shape, facade design is the result of innovation from the Islamic concept.Keywords: Philosophy; Conceptofform; Islamic architecture.   
Langgam Arsitektur Masjid Babul Firdaus, Mesjid Tertua di Makassar sebagai Infill Design Khusnul Khatima; Nurasikin Nurasikin; Sutriani Sutriani
TIMPALAJA Vol 1 No 1 (2019): Timpalaja
Publisher : the Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/timpalaja.v1i1a6

Abstract

Abstrak_ Penelitian ini dilatarbelakangi oleh adanya isu mengenai perkembangan masjid Babul Firdaus sebagai  infill  design.  Hal  tersebut  dilihat  dari  pembangunan bangunan  tambahan untuk  mempeluas bangunan masjid dimana bangunan tambahan tersebut memiliki gaya arsitektur yang berbeda dengan gaya arsitektur bangunan masjid yang asli sehingga terlihat kontras. Masjid Babul Firdaus masih terawat sejak dibangun. Seperti yang kita tahu bahwa bangunan Masjid Babul Firdaus merupakan masjid bersejarah  dan  salah  satu  masjid  tertua  di  Makassar.  Ada  beberapa  faktor  yang  mempengaruhi perubahan pada  masjid  Babul  Firdaus  tersebut  diantaranya  meningkatnya jama’ah  masjid.  sehingga, meningkatnya pula kebutuhan ruang yang dibutuhkan. Adanya kerusakan material bangunan masjid yang lapuk  karena  usia  juga  melatarbelakangi perubahan pada  masjid  ini.  Penelitian  ini  bertujuan untuk mengetahui langgam arsitektur masjid babul firdaus. Masjid yang berdiri selama 123 tahun ini apakah gaya desain arsitektur bangunan awal memiliki kesamaan gaya arsitektur dengan bangunan tambahan atau desain masjid babul firdaus saat ini. Metode penelitian yang kami gunakan adalah metode kualitatif. Sumber data berasal dari survey langsung, wawancara, dan dokumentasi. Data tersebut dikelola dengan metode komparasi. Hasil dari penelitian ini adalah gaya arsitektural bangunan Masjid Babul Firdaus sebelum perubahan sangat  berbeda dengan  gaya  arsitektur yang  terlihat pada  bangunan tambahan. Bagian-bagian masjid yang mengalami perubahan yaitu fasad, menara, atap, dinding, kolom, jendela, pagar,  gerbang,lantai,  dan  mimbar.  Selain  itu,  bangunan  tambahan  dan  bangunan  lama  memiliki kesamaan dari segi warna yang digunakan yaitu warna gold, putih, dan hijau. Dengan dimikian, bangunan Babul Firdaus memiliki gaya arsitekural yang kontras dengan bangunan tambannya, namun masih memiliki kesamaan.Kata Kunci : Babul Firdaus; Desain; Masjid; Makassar Abstract_ This research is motivated by the issue, that the development of the Mosque building of Babul Firdaus as infill design building. it will we know by a new Babul Firdaus building. It is using a different design with the original building of Babul Firdaus mosque so that it makes contrast design between the original design and the new building of Babul Firdaus mosque. As we know that the building of the Babul Firdaus Mosque is a historic mosque and one of the oldest mosques in Makassar. Several factors influence the changes of the Babul Firdaus mosque, that is including the increase jamaah of Babul Firdaus mosque. so that, the need for space is also increased. The breakage of the material is rotten because it’s decrepit, that makes the changes to the mosque’s design. The purpose of this research is to know the style of the Babul Firdaus mosque design, and to know is to design the new building of Babul Firdaus mosque has a similarity style with the original bulding. The research method that we use is qualitative. Sources of data are from direct surveys, interviews, and documentation. That’s by the comparative method. The results of the research of the Babul Firdaus Mosque is the style of the new building and the old building is contrast. The material of the mosque didn’t change was the facade, tower, roof, wall, column, window, railing, gate, floor, and the tribune. Furthermore, both of them have a similarity with the color, it is gold, white, and green. So, the style of the architecture of the new and the old building’s in contrast but still, have a similia cityKeywords: Babul Firdaus; Design; Mosque; Makassar

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