Cinematology Journal Anthology of Film and Television Studies
The Aesthetics and Film Sciences Expertise is a group of expertise that covers areas of study that are more scientific and related to film practice The subjects included in this expertise are in the scientific areas of Television Film History Television Film Studies Film and Television Semiotics Film and Television Aesthetics Archipelago Cultural Analysis Methodology Film and Television Production Management Media and Cultural Literacy and Film and Television Criticism Television developed in the FTV curriculum This KBK is more related to the profession of filmmaking practitioner directors producers editors camera engineers sound engineers artistic directors film actors documentary filmmakers casting action and visual effects such as screenwriters critics film historians film curators film lecturers film managers and experts film conservation Popular culture and mass media have a relationship like two sides of a coin knitting into an inseparable whole The popularity of a culture is very dependent on the mass media to be introduced and then become part of peoples lives For the mass media constructing and exposing culture to be popularized has become the pulse of life It is not surprising then that todays mass media are familiar as creators and owners of popular cultural content In addition to marketing the culture itself the media also tries to always present programs that are loved by the community While in the Motion Picture Aesthetics KBK the focus is on the profession of film and other motion picture practitioners such as animation the KBK for Media Studies and Popular Culture tries to see the potential of other professions that do not only study moving pictures Producer profession content production related to the broadcasting industry to studies related to programs carried out in other work practices which are related to the process of disseminating information to a wide audience So the professions that are part of the main focus in the KBK for Media Studies and Popular Culture are important factors especially in the current era of new media
Articles
77 Documents
<![CDATA[The Relationship Of Revitalization To The Sustainability Of The Cihapit Traditional Market: Pre-Production Of Documentary Film ]]>
<![CDATA[Shelvira Alyya Putri Anjani]]>;
<![CDATA[Nala Nandana Undiana]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 1 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v0i0.34565
<![CDATA[Revitalization is one of the government's efforts so that traditional markets can compete and survive amid the development of modern markets. This has been carried out in one of the markets in Bandung, namely Cihapit Market. This research was made with a quantitative method with a survey research design. The data used are the results of the use of survey research designs, the results of interviews through questionnaires of respondents from Cihapit Market traders regarding the effect of Revitalization that has been felt to date, which were tested by the Chi-Square method to see the relationship between Revitalization and the sustainability of traditional markets. The results of this study will test the hypothesis that has been made by the researcher, and show that revitalization is not related to the sustainability of the Cihapit Market to date. And also the results of this research will support the outcome of the documentary film projectKeywords: Revitalization, Market, Relationship.Documentary Film]]>
<![CDATA[Archaeological Perspectives on Indiana Jones And Raiders: The Lost Ark ]]>
<![CDATA[Siti - Nurmala]]>;
<![CDATA[Salsa Solli Nafsika]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i2.40676
<![CDATA[Indina Jones and The Raiders: The Lost Ark is a 1981 American action adventure film in which Harrison plays Indiana Jones, an archaeologist who travels the world competing with Nazi Germany in 1936 to find the Ark of the Covenant, which has long been lost. The research method used in this study is a qualitative approach and semiotic analysis of Charles Sanders Pierce. Sources of data obtained from this research are watching the movie Indiana Jones and The Raiders: The Lost Ark which is then selected visuals or images from scenes in the film that contain archaeological elements, as well as secondary data obtained from literature studies that can support primary data in this research. The purpose in writing this article is to analyze and discover the archaeological meaning in the film Indiana Jones and The Raiders: The Lost Ark. The data collection technique used in this study is an observation technique by analyzing and watching and observing carefully from each scene and dialogue in the film Indiana Jones and The Raiders: The Lost Ark, then recording and analyzing according to the research method used, namely by analyzing the scene. using the semiotic analysis of Charles Sander Pierce with categories of icons, indexes and symbols.]]>
<![CDATA[DISASTER MITIGATION AND THE ROLE OF LOCAL WISDOM THROUGH THE PALU-KORO Fault and the LEMBANG Fault ]]>
<![CDATA[Vania Qanita Damayanti]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 3 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i3.41682
<![CDATA[This study describes the Palu-koro fault and the Lembang fault in relation to messages that have existed since ancient times. This message is in the form of a topomini that warns about disaster mitigation in areas that are prohibited from being inhabited. The message of the past is local wisdom as a consideration in making policies along with the results of research by experts. The purpose of this study is to reveal the message of local wisdom that is stored behind works of art and literature and then made a documentary film as a media for mitigating literacy for the people of Indonesia. This study uses a qualitative method with a descriptive analysis approach. Data obtained through observation, interviews, documentation and literature study. The results of this study can summarize the events that have happened to the city of Palu due to the Koro hammer fault movement which then created an earthquake and tsunami and claimed a large number of victims. Art and literature can be collected again as messages from the past for media literacy for today's modern society. The implication of this research should be one of the findings that can oversee government policy in granting building permits in disaster-prone areas. Disaster mitigation should also be carried out by involving local wisdom as the main source in analyzing policies.]]>
<![CDATA[Raya and The Last Dragon : Representation of Southeast Asian Culture in Film ]]>
<![CDATA[Isma Fathanah]]>;
<![CDATA[Luthfi Mustika Framesthia]]>;
<![CDATA[Rabi’ah Al-Adawiyah]]>;
<![CDATA[Silmy Shabrina Mujahadah]]>;
<![CDATA[Mira Pitriani]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 2 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v2i2.45669
<![CDATA[Each country has a different culture with its own uniqueness. Each country also has its own way of maintaining its culture, either through education, festivals, formal or informal education, etc. However, in practice many countries have difficulties. Therefore, several countries maintain their culture through one of the arts fields, one of which is the film Raya The Last Dragon. Film Raya and The Last Dragon is a film produced by Walt Disney Animation Studios. The film was directed by Don Hall and Calos Lopes Estrada and the screenplay was written by Qui Nguyen and Adele Lim. This film tells the story of a female warrior named Raya who lives with animals as well as a means of transportation named Tuktuk in a prosperous land, until finally becoming a dystopia world. In this film there are scenes that show several cultures in Southeast Asia. Thus, researchers are interested in re-representing and describing the culture of Southeast Asia to be conveyed in the film. This study uses a descriptive qualitative method, based on the philosophy of postpositivism, which is used to examine the condition of natural objects. From the results of this study, researchers can conclude that the film Raya and The Last Dragon presents the country of Kumandra which characterizes cultures in Southeast Asia. The purpose of this film is to show unity in differences, accept each other and coexist in many differences.]]>
<![CDATA[The Unique Side of Luscious Natural Soap Ads ]]>
<![CDATA[LUTHFI IHWANUDIN IMANI]]>;
<![CDATA[TM RAYHAN AL RASYID]]>;
<![CDATA[Harry Tjahjodiningrat]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i2.40191
<![CDATA[Advertising is a form of business of a company, organization, or individual that aims to provide a persuasive message by promoting and offering a service, product, or idea to the wider community through print, audio, visual media, or a combination of both, namely through video media. Audio visual. Video advertisements are often found on television and online media such as social media such as Instagram and YouTube platforms. Luscious Natural is a brand from Bandung that is engaged in the field of beauty and health. Luscious Natural produces goods in the form of soap bars and liquid for the face and body made from natural ingredients as the name suggests, which has a unique form of soap products, one example being a soap bar in the form of cakes and food. Apart from the shape, this brand also offers soap with a variety of colors and themes that are unique and look artsy visually that can be ordered specifically or custom. In dissecting this advertisement, the researcher uses qualitative research methods and uses the Applied Media Aesthetics approach proposed by Herbert Zettl to dissect the aesthetic and semiotic values contained in the advertisement on a scene-by-scene basis. It is hoped that with the results of this analysis, researchers and spectators can find and know values that are deeper in meaning and not only in terms of the context of their visual beauty. ]]>
<![CDATA[The Effect of Watching Television On The Behavioral development of 4th graders at SDN 3 Gesik ]]>
<![CDATA[Yunita Rizqianthi]]>;
<![CDATA[nala nandana undiana]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 3 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i3.41505
<![CDATA[Indonesia has been able to make advanced technologies, one of which is television. The impressions on television have been able to attract the audience’s interest, and make him addicted to watching the existing programs. Especially for the children at SDN 3 GESIK who are inseparable from their activities. In this study, researchers used a Cultivation Theory approach using quantitative research methods. The cultivation approach was used to see the effect of watching televisiom on the behavioral development of 4th graders at SDN 3 GESIK. The data used in this study is the result oh the distribution of the google form created by the researcher which was distributed by the parents of the 4th graders at SDN 3 GESIK. The result of the data indicate that there is a negative and positive influence of watching television on the behavioral development of at 4th graders at SDB 3 GESIK]]>
<![CDATA[Sacred Ritual of Purification of Heirlooms, Nyangku ]]>
<![CDATA[Muhammad Krisnawan]]>;
<![CDATA[Deni Maulana Dipraja]]>;
<![CDATA[Nurverawati Nurverawati]]>;
<![CDATA[Nadhif Haj Pramanca]]>;
<![CDATA[Hendrix Alamsyah]]>;
<![CDATA[Shaila Shavika Rhadiva Crinata]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 2 - Issue 1 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v2i1.42927
<![CDATA[Nyangku was raised from the social issue of the Muslim community on the unfounded belief of the Maulid Nabi Muhammad SAW event, a traditional nyangku ceremony in Panjalu Village. The nyangku ceremony has the activity of washing heirlooms that are considered sacred, such as the keris weapon which is believed to be a hereditary relic of the guardians who spread Islam in Indonesia. The traditional nyangku ceremony makes the Muslim community confused because of the attachment of this ceremony to objects that can refer to the act of associating partners with Allah SWT. The nyangku ritual looks like glorifying the keris, the washing water of the keris is also taken by the residents because it is believed to have mystical powers to cure various diseases. In Islam, the law of abusing an object as a talisman (amulet) is haram and is an act of polytheism. The dispute over the meaning of the objectives in the Nyangku traditional ceremony has become a big question mark for the diverse Muslim community over the Nyangku traditional ceremony from Panjalu Village. Is it really an act of shirk and is preserved in the context of migusti or just as a tribute to the ancestors and is a form of cultural preservation in the context of mupusti? What are the views of people from the side who took part in carrying out the Nyangku custom and the views of figures who disagree with the Nyangku traditional ceremony which was held to coincide with the Birthday of the Prophet Muhammad SAW, in commemorating the birthday of the Prophet. A qualitative method with a descriptive approach was used in collecting all research data through observation, interviews, documentation and literature studies. This study found the existence of a community that still strongly maintains customs in the form of a purification ceremony for heirlooms called Nyangku. The findings of this study can serve as a reference for further research and for policy makers in relation to cultural preservation. The implications of this research are the main data in making a documentary film entitled Yanko.]]>
<![CDATA[Geographical Condition of Water Availability at Situ Aksan: Documentary Film Study Project ]]>
<![CDATA[Thomas Dida Avrihansyah]]>;
<![CDATA[Irwan Sarbeni]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 1 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v0i0.34808
<![CDATA[The role of water in Bandung in recent years has become a crisis. One of them is the groundwater crisis in the Situ Aksan area, Bandung. The purpose of this study is to see the relationship between geographical locations in Situ Aksan as the main data for the documentary film project. With the qualitative descriptive method of interviews, observation and study documentation, this research produces sufficient data as an important part of the pre-production of documentary films. This study found that there is a relationship between location and air information problems in people in the area. In addition, the results of this study have been able to become important data in the pre-production, production and post-production of documentary projects. Keywords — Situ Aksan; Towards Water; Geographical Location, Documentary Films]]>
<![CDATA[5 CM : SEMIOTICS PERSPECTIVE ON HILL JOURNEY ]]>
<![CDATA[Muhammad Fadli]]>;
<![CDATA[Salsa Solli Nafsika]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 3 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i3.40710
<![CDATA[This article aims to discuss signs or semiotic analysis in the climbing journey carried out in the 5CM film, using Charles Sander Peirce's semiotic analysis. In this film tells the story of the struggle of climbing Mount Semeru which was carried out by 5 friends and one of the younger brothers of one of them, in the ascent there was a lot of cohesiveness and solidity between them, the climbing struggle was not easy to pass but they were able to achieve their goals thanks to hard work and mutual support. complement each other. From this phenomenon, the writer analyzes the images presented using the semiotic theory of Charles Sanders Pierce. This analysis will be based on a classification based on objects with the main subject of study on icons, indexes and symbols according to the subject of Charles Sanders Pierce's Semiotics study. The method used in the preparation of this article is a qualitative analysis method by observing and analyzing the material carefully by the author. This film clearly describes the climbing journey of 5 friends who went through many obstacles and threats to reach the top as their goal. Things about the world of climbing in general are also depicted in this film which is considered to provide education to the audience. In the pictures that are presented, many meanings are conveyed and that is what will be the object of study in this article. Hopefully this article can provide some information and can be a reference in the next writing.]]>
<![CDATA[WONG LAYANG: PROBLEMS OF WELFARE OF FISH PROCESSORS IN BAJOMULYO VILLAGE ]]>
<![CDATA[Syifa Annisa Nurnajmi]]>;
<![CDATA[Nabiel Muhammad Mashabi]]>;
<![CDATA[Adyatma Adzanta Bilhaq]]>;
<![CDATA[Farhan Nurdin]]>;
<![CDATA[Fadhlan Irsyad]]>;
<![CDATA[Rai Sanggara]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 2 - Issue 1 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v2i1.42380
<![CDATA[As we know, several factors that weigh a person's well-being in any field of work are very important and needed. For example, things that can affect the poverty and welfare of coastal communities, because the low income of fishermen is still a factor causing the lack of welfare of the fishing community in their work. The lack of openness of insight and an active and creative mindset in improving a resource is still not enforced, so this results in a lack of environmental economic value and income. This study describes the condition of the community in Bajomulyo village, Juwana district. The method used in this study is a qualitative method with a descriptive analysis approach. Data obtained from the process of observation, interviews, documentation and literature studies. This study found that there was a competition in the fishing business between those who used a broker and those who did not use a broker. So because of this, there is an income gap between those who use brokers and those who don't. The implications of this research can be a reference for the fisheries and marine service in determining and providing policies on the process of buying and selling flying fish, especially in Bajomulyo village, Juwana district. All of this research data is the main data in making documentary films.]]>
