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Humaniora
Published by Universitas Gadjah Mada
ISSN : 08520801     EISSN : 23029269     DOI : 10.22146/jh
Core Subject : Humanities,
Humanities
Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 929 Documents
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A Contrastive Study on Korean and Cia-Cia Language Vowels Based on an Acoustic Experiment Achmad Rio Dessiar
Humaniora Vol 33, No 3 (2021)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.68044

Abstract

The Cia-Cia language, which is spoken by around 79.000 people in the Bau-Bau area of Buton Island, does not have its own writing system. In 2009, the Korean alphabet, Hangeul, was approved by the Bau-Bau city government for transcribing Cia-Cia, owing to the similarity of phonemes in Korean to those in Cia-Cia. This research aimed to compare the acoustics of monophthongs in the Korean and Cia-Cia languages with an experimental phonetic approach and to discuss writing system problems in Cia-Cia when adopting the Korean writing system. Based on the classification, the Cia-Cia vowels /i, e, a, u, and o/ are equivalent to the Korean vowels /이 ([i]), 에 ([e]), 아 ([a]), 우 ([u]), 오 ([o])/.  However, there are two Korean vowels that have no Cia-Cia equivalents namely, /으/ ([ɨ]) and /어/ ([ə]). In general, the vowel equivalents between the two languages have significant differences in terms of their acoustic characteristics. Nonetheless, unlike other vowel equivalents, the Cia-Cia vowel /u/ and Korean vowel /우/ ([u]) when pronounced show similar phonetic features in terms of position and oral cavity opening level. In contrast, the Cia-Cia vowel /a/ and Korean vowel /아/ ([a]) when pronounced is shown to have the same oral cavity opening level, but different tongue positions. The use of the vowel /으/ ([ɨ]) in Hangeul's writing in transcribing particular Cia-Cia words is a unique feature of Korean grammar. This renders some transcriptions different from the pronunciation of the source Cia-Cia word. This is because of the limitations of Korean syllables, which, unlike Cia-Cia words, are not able to be written as double consonants.
Sufi Healing and the Translation of Metafunction in Al-Hikam Aphorisms Muhammad Yunus Anis; Mangatur Nababan; Riyadi Santosa; Moh. Masrukhi
Humaniora Vol 33, No 3 (2021)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.68070

Abstract

Studies related to Sufi healing have focused on the theories used by Hakim abu-Abdullah Moinuddin al-Chishtiyya related to the power of unconditional love to work healing miracles. The aspects contained in his Book of Sufi Healing consequently become the starting point for the elaboration of the Al-Hikam aphorisms, the monumental work of Ibn Athaillah As-Sakandari. This study aimed to find common ground between Sufi healing and the Al-Hikam aphorisms. To find this meeting point, descriptive analysis was carried out from linguistic and cultural perspectives using Functional Systemic Linguistic theory and Ricoeur’s translation theory applied to Arabic (L1) and Bahasa Indonesia and English language text. The main qualitative data were collected from Arabic clauses in the Al-Hikam aphorisms, comprising 435 clauses with a thematic structure derived from 100 Al-Hikam aphorisms. Linguistic theory was used to examine the text in detail from both micro and macro perspectives, the former being used to examine the shift in form and meaning, and the latter to examine the ideology of translation in conveying Sufi healing in the Al-Hikam aphorisms (infinite hermeneutics in translation). The results showed that the clause structure in Arabic can be divided into three main patterns (SVCOMP/entity-oriented, VSCOMP/event-oriented, and SCOMP/verbless sentence structure). In terms of Ricoeur’s infinite hermeneutics, the position of wager was viewed from the lexical meaning of the Al-Hikam aphorisms, while the transformation stage in the model can be applied to the study of Al-Hikam aphorisms as the basis for understanding Sufi healing.
Keep or Lose It: Mirroring Tana Sangkol in Madura Contemporary Literature Erika Citra Sari Hartanto
Humaniora Vol 33, No 3 (2021)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.68073

Abstract

Ancestral land or tana sangkol in Madura is a significant material asset possessed by the Madurese people, with attached social and cultural values that link the living and the dead. Massive development on the island, however, has seen people selling their tana sangkol to foreign investors for conversion into shrimp ponds and hotels. This study aimed to analyze tana sangkol’s representation in three short stories, “Anak Cangkul,” “Kutukan Tanah Leluhur,” and “Tanah Warisan,” by Zainul Muttaqin, an author from Sumenep, Madura. The discussion mainly focused on the dramatic contribution of poverty to the sale of tana sangkol to investors, an act that is believed to bring bad luck to the sellers. Furthermore, tana sangkol epitomizes pride to the Madurese people, making them more willing to resist the intrusion of foreign investment. A qualitative research method with a close reading technique was applied and the data were analyzed using the post-colonial ecocriticism theory of Graham Huggan and Helen Tiffin. The results showed that there has been a shift in how the Madurese view their tana sangkol, with them no longer regarding it as sacred ancestral land. Moreover, it is considered to have social and cultural contexts due to its close relationship with the Madurese people’s identity. Meanwhile, the oppression toward farmers is seen as structural and hierarchical.
Forms of Linguistic Deviations Found in Latah Coprolalia Behavior in Jombang, East Java, Indonesia Sri Pamungkas
Humaniora Vol 34, No 1 (2022)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.68090

Abstract

Latah is a psychogenic language disorder in Malay and Indonesian society stemming from cultural pressure, mimicry, and the like. It is expressed as a verbal or nonverbal response to surprise or shock. The focus of this research was the form of linguistic deviation in individuals in Jombang, East Java, with latah coprolalia behavior, specifically latah behavior by expressing lingual forms that refer to the male or female genitalia. Data collection comprised observations and interviews, while data analysis used Spardley’s ethnographic approach with four advanced paths: (1) domain analysis, (2) taxonomy analysis, (3) componential analysis, and (4) culture values analysis. The findings showed that latah coprolalia behavior occurs in men with both low and high education levels, and women with low education levels, but is not found in women with high education levels. Patting and verbal stimuli give rise to syntagmatic errors in the form of single words and sentences in men with high education, while in men with low education, syntagmatic errors happen in single sentences and multiple sentences. Meanwhile, women with low educational backgrounds displaying latah coprolalia behavior were identified as committing syntagmatic errors in the form of single words and sentences.
Romanticized Abusive Behavior by Media Narrative Analysis on Portrayal of Intimate Partner Violence Romanticism in Korean Drama Priscila Asoka Kenasri; Lidwina Mutia Sadasri
Humaniora Vol 33, No 3 (2021)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.68104

Abstract

Intimate relationships are often depicted in terms of a  beautiful idealism, especially in the mass media. However, the evidence shows a vast number of women while in such a relationship have been subjected to physical, emotional, and/or sexual violence by their partner. Media plays an important part in shaping and reflecting social life, resulting in audience consumption of romanticized abusive behaviour. Its audiovisual content can perpetuate the point of view that some violence is normal  – even romantic. Such a point of view can be found in Korean dramas, which have been popular with its Indonesian audience for some  20 years and do not show any signs of a decline in popularity. This study aims to reveal a  narration of intimate partner violence portrayal as romance in the Korean drama The Heirs (2013). A qualitative method is used drawing on Propp's Seven Characters and Greimas' Actantial narrative analysis model. The research results show how The Heirs project romantic imagery masking abusive traits by establishing the male main character as a subject who forces a relationship without accepting rejection. Moreover, this study found the romanticization of abuse was amplified by depicting the female protagonist as an object expressing her objection to giving male characters the thrill of the chase. The findings in this research is consistent with the concept of romanticized media, particularly in portraying the romanticization of intimate partner violence.
Legalization of Arak Bali in Online News Headlines: Critical Discourse Analysis Nadya Inda Syartanti
Humaniora Vol 33, No 3 (2021)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.68220

Abstract

In 2020, arak bali, traditional liquor from Bali, was legalized by the Governor of Bali, I Wayan Koster. This research aimed to reveal the construction of news headlines about the legalization of arak Bali. Data were sourced from various online news media (detiknews.com, kompas.com, tribunnews.com), collected by selecting news headlines with the keywords arak Bali and pelegalan, and analyzed using Norman Fairclough’s critical discourse analysis. The results showed that the six news headlines used linguistic tools such as selected vocabulary that focused on the word legal, grammatical units that were dominated by clauses, syntactic functions dominated by the discourse’s topicalization, and a form of news emphasizing the statement of the legalization of arak bali by Koster. The mindset of the Balinese towards arak bali cannot be separated from their predominant belief system, Hinduism. Meanwhile, Koster’s commitment to arak bali shows his ideology, as an indigenous Balinese individual, of preserving Balinese culture and traditions. Finally, the headlines on the legalization of arak bali occurred at the situational level, with Balinese people welcoming the legalization of arak bali, resulting in Koster planning to hold an arak bali festival as a means of promoting and preserving Balinese culture.
Revenge Through Haunting: Expression of Women’s Anger in the Movies, Tookaidoo Yotsuya Kaidan and Sundel Bolong Rouli Esther Pasaribu; Meilia Widya Ananda
Humaniora Vol 34, No 1 (2022)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.68223

Abstract

Tookaidoo Yotsuya Kaidan (1959) and Sundel Bolong (1981) are horror movies from Japan and Indonesia, respectively, about women who are oppressed by men and subsequently take revenge on them after their deaths. The key similarity between these two movies is that they have central female characters who turn into ghosts in order to express their anger towards their male oppressors. This study aimed to see how women's anger is depicted in Tookaidoo Yotsuya Kaidan and Sundel Bolong, using verbal and visual text analysis and the concept of power by Heilbrun, male gaze by Mulvey, and monstrous-feminine by Creed to read the meaning behind woman’s anger as it is expressed in the form of a ghost in these movies. The research found that these women cannot express their anger in the real world, which is controlled by the patriarchal order. Life after death is the only space where they can express their anger. Both movies can consequently be interpreted as cultural texts that internalize patriarchal ideology in Japanese and Indonesian society. 
Da’wah in Household Product Advertisements: A Reception Study of Islamic Values in Nawaitu Sahaja TV Advertisements Rahmania Santoso; Desi Dwi Prianti
Humaniora Vol 34, No 1 (2022)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.69678

Abstract

In Indonesian contemporary society, spirituality and religion can be used to create Islamic brand identities. In order to promote the intended identity, marketers use advertisements to reach their target audience. Sahaja, an Indonesian brand of home care products, uses Islamic identity as part of their strategic communication. Using their Nawaitu Sahaja advertisements, they promote the da’wah (promotion of Islam) message. This research aimed to examine how a Muslim audience receives the Islamic da’wah used by Nawaitu Sahaja. To understand how audiences, receive the Islamic values portrayed in the Nawaitu Sahaja advertisements, seven women who are part of Nasyiatul Aisyiyah – an Islamic women’s organis ation – were interviewed in 2021. In order to promote their products, Nawaitu Sahaja advocates the importance of making a clean and hygienic home as part of one’s Islamic values. Baiti Jannati ("my home is my heaven") is the main message in these advertisements. Using Stuart Hall’s reception analysis, this research found different reading positions. Such reading positions were influenced by the audience's views on the message of Islamic values. Participants’ interpretations of the da’wah message in the Nawaitu Sahaja advertisements was found to be dominant. Using Islamic messages in advertisements is thus one way of engaging with consumers and encouraging them to purchase the products therein.
Hegemonic Formation in Post-Javanese Indonesian Society Aprinus Salam
Humaniora Vol 33, No 3 (2021)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.69793

Abstract

In society, there are various structured power relations that connect individuals who share certain interests and objectives. In these power relations, hegemony plays a significant role. Hegemony is the most important notion in the Marxist tradition, especially as it is conceptualized by Gramsci. This paper tries to re-read the issue of hegemony in the context of ideological contestation in Javanese society in Indonesia. The problem will be examined based on post-Marxist theory, especially as it relates to the demolition of the strong order of capitalism. Based on the results of the study, it can be concluded that hegemony forms itself in layers. The layers influence each other so that there is one area of hegemonic intersection. In Javanese society these days, there is a “competition,” especially in Yogyakarta, to return, feel, and become more Javanese than others. The implication is that there are parties who feel more Javanese than others. This case in this study is referred to as the post-Javanese society. However, in the intersection area, there are all-powerful puppeteers.
The Javanese Diaspora in New Caledonia reflected in Ama Bastien’s Le Rêve Accompli de Bandung à Noumea and Marc Bouan’s L’Echarpe et le Kriss Arifah Arum Candra Hayuningsih
Humaniora Vol 34, No 1 (2022)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.72743

Abstract

New Caledonia is a French Overseas Territorywhose lit erary works do not take the “center stage” in Francophone literature. In particular, the Javanese diasporic community in this archipelago has received relatively little attention from researchers, with past studies largely focusing on Javanese indentured laborers in Suriname, instead. This research examined the autobiographical novels of two New Caledonian writers, Le rêve accompli de Bandung à Nouméa by Ama Bastien and L’écharpe et le kriss by Marc Bouan. These writers belong to the second generation of Javanese immigrants, whose parents came to New Caledonia at the beginning of the 20th century under the indentured laborer scheme. The analysis employed diasporic and cultural identity as its theoretical framework, along with Steven Tötösy de Zepetnek’s comparative cultural studies method. The results explicate the way in which these novels embody the establishment of identity in the Javanese diaspora in New Caledonia. They also demonstrate how the contestation of identity and memory is inextricably linked to the problems of the Javanese diasporic communities. These findings should contribute to and encourage the further study of diasporic communities related to Southeast Asian indentured labor.

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