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Yoga Sudarisman
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Lt. 3 Gedung Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung Jl. AH. Nasution No. 105 Cipadung Cibiru Bandung 40614 Telp. (022) 7810790 Fax. (022) 7803936
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Saksama: Jurnal Sastra
Published by UIN Sunan Gunung Djati Bandung
ISSN : -     EISSN : 29864550     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Saksama: Jurnal Sastra is a twice-yearly open access journal starts on the structural, post-structural, post-modern, comparative and post-colonial approaches to the critical analysis and interpretation of literature, with a special preference given to underrepresented works. Articles submitted should offer a critical viewpoint on modern works and contribute to ongoing literary discussions.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 24 Documents
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REFUTATION OF LAURA MULVEY'S 'MALE GAZE' THEORY IN FILM LITTLE WOMEN (2019) Virgiena Salsabila; Lili Awaludin; Hasbi Assiddiqi
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (810.409 KB) | DOI: 10.15575/sksm.v1i2.23899

Abstract

Film, along with other literary works such as books, poetry and theater, is one of the mediums used in the contemporary day to communicate messages to society. Greta Gerwig adapted the film Little Women (2019) from the novel Little Women (1868) by Louisa May Alcott. This film shows a breakthrough over the prejudice and discrimination towards women in 19th-century cinema. The subject of female gaze has received attention since, up to this point, women have frequently only been shown as passive narrative objects, or even as the principal sexual objects in movies. Analyzing by comparing Laura Mulvey's theory regarding female gaze and male gaze through the phenomena contained in the film Little Women, which narrates the lives of five young women during their adolescent years. The image of women in the film Little Women does not appear as an object but a subject, the characters in the film Little appears strong, ambitious and optimistic. Little Women proves that Mulvey's theory of the patriarchal world is neither permanent nor obligatory.
MANIFESTATION OF ROMANTICISM IDEOLOGY IN LEILA S. CHUDORI'S PULANG Yuani Nurdwi Kaesari
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

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Abstract

This article aims to analyze the elements of romanticism ideology in the novel entitled Pulang by Leila S. Chudori. Pulang was published in 2012 with the genre of historical fiction. Romanticism is an ideology in which prioritizes feelings and imagination. The theory used in this article is romanticism ideology by William Wordsworth on one of his books Preface to the Second Edition of Lyrical Ballads. Based on the analysis conducted towards the narratives within the novel, it can be found several elements of romanticism which expressed by the author through the description of nature and the portrayal of the characters.
PICARESQUE NOVELS IN CANNERY ROW, CANDIDE OR OPTIMISM, AND DON QUIJOTE Muhamad Ghifari Muharam; Tenny Sudjatnika; Pepen Priyawan
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (673.297 KB) | DOI: 10.15575/sksm.v1i2.25098

Abstract

The research compared rascals in three Picaresque novels: Cannery Row, Candide or Optimism, and Don Quijote. It used Picaresque theories from Clarence Hugh Holman (1972), as well as Gustavo Pellon and Julio Rodriguez-Luis (1986), that specified rascal or rogue. This understanding explains how some Picaresque novels feature rascal characters who are silly, stupid, reckless, rude and have other negative traits, but they also have qualities of kindness, a good heart, and attentiveness hidden behind them. Mack and the boys, Candide, and Don Quijote are all depicted as rogues. The Picaresque element is used as a formula in the story to determine and exemplify rascal values. The researcher stated two problems related to Picaresque rascal: what are the similarities between Picaresque rascals in Cannery Row, Candide or Optimism, and Don Quijote? In addition, the purpose of this research is to identify Picaresque rascals in three objects. Furthermore, this research utilizes Ian Dey's (1993) literary criticism method, namely qualitative analysis. It is used to decipher the data of each object one by one and to obtain information about the Picaresque. The researcher then used Susan Bassnett's (1999) comparative method to compare topics. The similarities between the three objects are the results of this research. The similarities are rascals, education, instability of personality, criminality, and themes.  Keywords: Comparative Literature 1; Elements 2; Novel 3; Picaresque 4; Rascal 5
THE ADAPTATION OF RICK RIORDAN’S PERCY JACKSON AND THE OLYMPIANS: THE SEA OF MONSTERS NOVEL INTO FILM Muhammad Ghifari Rizki Pratama; Hasbi Assiddiqi
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (624.849 KB)

Abstract

Adaptation is the process of adapting a novel into a film. The emergence of the phenomenon of adaptation of novels into film form is a substantial change in discourse that gave rise to the term Adaptation. Percy Jackson and the Olympians: The Sea of Monsters novel is a popular novel that is good to be adapted into a film. The novel and film are the second installment in the Percy Jackson and the Olympians series after Percy Jackson and the Olympians: The Lightning Thief. Currently, the adaptation process is becoming increasingly important to analyze because the adaptation process can provide interpretation and comparison between novels and films. The adaptation in literary field is become normal as there are a lot of works that produced with helps of adaptation. One of many adaptations case that happens is the shifting process from written literary works into the films, which will produce some changes and variations on its adaptation and that is the interesting topic to be discussed.This study examines the intrinsic adaptation of the elements in it. This study uses a descriptive qualitative method because the research data is in the form of images and text. The data from this study are several pictures from a film as well as excerpts from novels. This study uses the adaptation theory from Eneste Pamusuk and the Structuralism theory from Ferdinand de Saussure. The results of the research show that there have been subtractions, additions, and varied changes to the plot and setting in the film. The plot sequence in Percy Jackson: The Sea of Monsters underwent many changes. In the process of intrinsic element adaptation, the writer found 1 character who experienced a reduction in the film out of a total of 12 characters, Equalization of points of view from novel to film, 1 addition of the theme of friendship, 5 plots that were reduced, 8 plots that were added 1 subplot that was reduced, and 3 flow changes vary. In addition, the setting in the film Percy Jackson: Sea of Monsters also underwent many changes. In the process of adaptation the settings, the writer found 11 backgrounds that were reduced, 7 settings that were added, and 1 setting that underwent various changes. In this study, the authors found several influences related to the process of adaptation of intrinsic elements.First, when adaptations occur on intrinsic elements, not too many changes occur in the film. This change makes the film acceptable and in demand by the audience. Second, when several parts that are quite influential in the plot and setting are removed or changed, important things related to the story are eventually lost. Third, adaptations made in film settings provide many real-life images that novels cannot explain. The setting in the novel is made to look real and very good. Fourth, this film was closer to the tastes and conditions of society at that time, so that this film was more acceptable to the public.
ELEMENTS OF POETRY THROUGH ROMANTIC PERSPECTIVE IN A NOVEL “LELAKI HARIMAU” BY EKA KURNIAWAN Natia Nur Aropah
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (703.911 KB) | DOI: 10.15575/sksm.v1i2.22996

Abstract

Literary works cannot be separated from the activity of thinking, imagining or observing sensitivity the author and his environment. This means that literary works are the result of an author's expressive feeling with full strength of heart, intuition and imagination. It's the same as the romantic criticism which prioritizes aspects of the heart, intuition and soul in expressing the natural context in literary work. This research aims to examine that how element of poetry through romantic perspective play a role in expressing the natural context in the novel Lelaki Harimau by Eka Kurniawan. This novel is beautifully conveyed by Eka about the beauty of nature until the reader feels it for real. For the element of poetry in this research thorough romantic perspective is nature was often presented as a work of art itself, constructed by a divine imagination, in emblematic language, and a nature full of wildness, irrational reason. Common life situation or rural life unite with the nature is a mature life landscape and a natural life according to Romantic perspective. However the next element of poetry is colouring imagination, something that is considered ordinary must be brought into our minds to be an unusual aspect. Making objects that we generally know are displayed uncommon. And the last element is prophetic intelligence how great the author is in processing text with the power of his words in a text that feels real, carried the reader into the soul and carried away by the atmosphere.Keywords: Romanticism; element of poetry ; nature
IRONY AS REPRESENTATION OF RACIAL SEGREGATION IN AUGUST WILSON’S “FENCES” Ihya Aditya Fahmi Maarif; Andang Saehu; Lili Awaludin
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

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Abstract

Irony is figurative language that is frequently employed in literary works as a way to add interest to the text. Irony is a figure of speech employed in a sentence so that the intended meaning is different from the real meaning of the word, according to various dictionaries. One of the historical occurrences in the United States was racial segregation, which was intended to be a diplomatic separation between white society and African American society but instead supplied the same level of discrimination. Considering how the history of discrimination is depicted in play through figurative language: irony, the researcher conducted a study that focused on August Wilson's play entitled Fences (1984). This study used the theory of irony from Perrine (1994), to analyze the types of irony found in Fences and several sources of journals and history books to describe the history of racial segregation in the United States of America that occurred. This study uses a descriptive qualitative method, and the main data is the script of the drama Fences. The research result showed the type of irony in this playscript are able represent the racial segregation in United States. In conclusion, Wilson as a playwright effectively used irony in almost every round of his drama and this irony was also able to describe the situation of racial segregation that had occurred in United States.
EMBRACING THE ABSURD CONDITION OF EXISTENCE IN SAMUEL BECKETT’S ENDGAME CHARACTERS Restu Dwi Gilang Permana; Dewi Kustanti
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

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Abstract

This research initially attempts to determine characteristics and characterization of the characters; Clov, Hamm, Nagg, and Nell, as well as how it represented the concept of absurdity. The play involves a critical review and otherwise, more appropriately, a conception addressed toward the audience or reader. As a result, researcher chooses to utilize a moral-philosophical approach to conduct this research. As according Camus, absurdity cannot be fully investigated. It is only determined by utilizing the method for explaining the concept of absurdity. Several concepts are represented throughout the drama by the characters' acts, utterances, and thoughts. Those ideas include monotony routine, meaningless circumstances, and the end. Depending to Camus' theory of absurdity, those concepts might well be classified as a representation of such the absurdity concept. The author's condemnation on existence of humankind in the play script may be recognized by considering the perspective regarding Camus' absurdity concept as the characteristics and characterization of characters represents the absurdity concept.
ETNISITAS SUNDA DALAM NOVEL PEREMPUAN BERNAMA ARJUNA 6 KARYA REMY SYLADO Riyandi Riyandi; Miftahul Malik; Wachyudin Wachyudin
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (806.707 KB) | DOI: 10.15575/sksm.v1i2.22817

Abstract

Indonesia merupakan negara yang heterogen terdiri dari berbagai macam kebudayaan, bahasa dan juga etnis. Setiap etnis di Indonesia memiliki nilai budaya yang dapat dipelajari. Memahami nilai budaya dalam etnis tentunya menjadi hal yang sangat penting sebagai penguatan terhadap nilai-nilai lokal yang menjadi ciri khas bangsa Indonesia. Etnisitas sebagai bagian dari muatan lokal sangat penting untuk diajarkan. Dalam Permendikbud no 79 tahun 2014 pasal 6 butir (e), muatan lokal dapat diajarkan melalui pembelajaran yang relevan. Sastra dapat menjadi media pembelajaran dalam menggali nilai-nilai etnisitas. Penelitian ini bertujuan untuk mendeskripsikan etnisitas dalam novel Perempuan Bernama Arjuna 6 karya Remy Sylado. Metode yang digunakan adalah metode deskriptif kualitatif. Hasil penelitian yang diperoleh yaitu dapat disimpulkan bahwa etnisitas Sunda yang tergambar dalam novel Perempuan Bernama Arjuna 6 karya Remy Sylado yaitu, nama daerah, salam sapaan, rumah adat, metafora, bentuk bahasa, bentuk seni, dan tradisi lisan
THE STRUGGLE OF MUTANT HUMAN AS A GROTESQUE CHARACTERS IN FUTURAMA (1999) Lutfi Fachrulrozi; Dian Nurrachman; Bunyamin Faisal Syarifudin
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

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Abstract

This study examined the struggle of the mutant human as a grotesque characters in Futurama animated series. The grotesque theory that is being used are from Bakhtin, Bloom, Haar and Thomson to analyze the mutant character in the story. The aims of this study was to identify the struggle of the mutant caused by their grotesque body as well as how the grotesque body has impacted their life in the story. The study examines a couple of material mainly scenes and the visual of the series. it does this using a qualitative research methodology. In order to be interpreted, the researchers specify the research into two section, the first section is analyzing Leela’s struggle as a grotesque character because she was one of the main cast of the character, and the second one is analyzing the mutant human as a whole. The finding demonstrate that all of the mutant kind faced struggle caused by their body deformity, those struggle are usually in the form of discrimination, prejudice and degradation.
SOCIAL INJUSTICE PRINCIPLES IN JENNY BICKS’S MOVIE SCRIPT THE GREATEST SHOWMAN ON EARTH 2015 Nabila Fitria Fazrin; Ruminda Ruminda
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

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Abstract

This research aims to analyze the representation of social injustice in the film script of The Greatest Showman on Earth. The film, released in 2017, is a musical drama that tells the story of P.T. Barnum, a visionary who creates the Barnum & Bailey Circus and becomes one of the most famous showmen in the world. However, the film has received criticism for its depiction of social injustice, particularly in its representation of marginalized communities such as people of color and individuals with disabilities.The research will employ a qualitative analysis of the film script, focusing on the themes, characters, and storylines that address social injustice. The script will be analyzed for its accuracy in depicting the representation of social injustice principles.

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