cover
Contact Name
Nurhadi Siswanto
Contact Email
corak.jurnalsenikriya@gmail.com
Phone
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Journal Mail Official
corak.jurnalsenikriya@gmail.com
Editorial Address
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Location
Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
Corak : Jurnal Seni Kriya
ISSN : 23016027     EISSN : 26854708     DOI : -
Core Subject : Humanities, Art,
CORAK adalah jurnal ilmiah yang diterbitkan oleh Jurusan Kriya, Fakultas Seni Rupa, Institut Seni Indonesia Yogyakarta dengan nomor p-ISSN: 2301-6027 dan nomor e-ISSN: 2685-4708. Jurnal ini berisikan tentang artikel hasil penelitan, gagasan konseptual (hasil pemikiran), penciptaan, resensi buku bidang seni kriya dan hasil pengabdian masyarakat dalam bidang kriya.
Arjuna Subject : -
Articles 228 Documents
KAYU MINDI SEBAGAI RAW MATERIAL PEMBUATAN CASING TEKNOLOGI INFORMASI Sumino Sumino; Achmad Gilang Romadhon
Corak : Jurnal Seni Kriya Vol 10, No 2 (2021): NOVEMBER 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v10i2.6412

Abstract

The use of solid teak wood has always been the choice of casing manufacturers for communication technology tools. This type of teak wood has the requirements for durable class and maximum strength class. Other types of wood are considered less qualified, one type of wood is Mindi wood, whereas Mindi wood actually looks beautiful. In the digital era, various forms of manufacturing casings made of plastic are offered, of course, plastic materials have a negative impact on the environment and seem cheap. Wood is a solution for providing materials in the manufacture of environmentally friendly casings of exclusive value. In order to achieve an exclusive concept in the era of fashion trends, the right method is needed in its cultivation, so this design uses a method that includes several stages, including, a) Observation and analysis stage, b) The imagination stage consists of exploration and experimentation of techniques and materials. , c) The stage of developing the imagination which is focused on the maturation of the concept as a result of the evaluation of the problem, d) The stage of implementing the design decisions that are ready to be worked on. The above method is then called the method of creating Practice-Ied Research. The design achievements along with the current trend and fashion era emphasize the character and contemporary lifestyle, but will also display a sentimental character that seems nostalgic for the past. Tend to accentuate the ancient and exclusive impression that offers the uniqueness of the wood grain, this is often referred to as a retro style product.Penggunaan kayu untuk produk industri saat ini telah nyata mendukung peningkatan Produk Domestik Bruto (PDB) dari sektor non minyak. Hal demikian ditandai dengan maraknya beragam produk estetis ataupun fungsional oleh pelaku bisnis berbahan kayu. Sebagian besar para pelaku mengacu pada trend dan fashion yang mencerminkan karakter dan gaya hidup kekinian, tetapi jarang sekali menampilkan karakter sentimentil yang seolah-olah bernostalgia ke masa lalu. Penggunaan kayu jati solid kelas satu selalu menjadi pilihan sehingga mengabaikan kayu-kayu yang lain, padahal kayu Mindi justru tampak sifat lokalitasnya, sehingga cenderung menonjolkan kesan kuno dan eklusif yang menawarkan keunikan serat kayu.  Guna menuju pencapaian konsep kuno diperlukan sejumlah experiment dan metode yang tepat dalam penggarapannya, yakni: a) Tahap observasi dan analisis, b) Tahap imajinasi, c) Tahap pengembangan imajinasi, d) Tahap implementasi. Metode tersebut kemudian disebut dengan metode penciptaan Practice-Ied Research. Perancangan ini akan merealisasikan disain-disain kebaruan yang meliputi Commercial Casing untuk produk Information Technology. 
PUZZLE SABLON EDUKATIF, ARTISTIK, DAN BERBUDAYA Didik Ari Supriyanto; Gusti Ngurah Kadek Wiranata; Muhammad Faizal; Salsabila Iftinan Ansari; Retno Purwandari
Corak : Jurnal Seni Kriya Vol 10, No 2 (2021): NOVEMBER 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v10i2.5144

Abstract

The toy products projected in this entrepreneurship program are toy products that aim to provide an introduction or education to children about the culture and arts in Indonesia which today have begun and are even forgotten by children today. This program is expected that apart from being a forum for entrepreneurship by starting a business, it can be an alternative and solution to maintain and preserve Indonesian culture and arts. "Educational, Artistic, and Cultured Screen Printing Puzzle" is a toy with a handmade concept that carries an educational theme, contributing to the field of education; artistic, attractive and aesthetic appearance; as well as cultured, because it raises the local traditions of the archipelago. This toy tries to invite children who are the younger generation who are the successors of the nation's hopes to know and understand the culture and arts that have been passed down from our ancestors, so that they can protect and preserve them. This puzzle is made from wood waste which is screened in the form of wayang figures, Indonesian cultural icons, and is equipped with descriptions of the screened cultural figures or icons. This toy can be a souvenir for tourists who come to visit Indonesia, because the picture or screen printing on the puzzle surface is in the form of pictures of Indonesian culture and art or something that really characterizes Indonesia. promotional media for the time being with an online system, such as using Facebook, Instagram, WhatsApp, and e-mail.Produk mainan yang diproyeksikan dalam program kewirausahaan ini adalah produk mainan yang bertujuan untuk memberikan pengenalan atau edukasi kepada anak- anak tentang kebudayaan dan kesenian yang ada di Indonesia yang dewasa ini sudah mulai dan bahkan terlupakan oleh anak-anak zaman sekarang. Program ini diharapkan selain sebagai wadah berwirausaha dengan merintis bisnis dapat menjadi alternatif dan solusi untuk menjaga dan melestarikan kebudayaan dan kesenian Indonesia. “Puzzle Sablon Edukatif, Artistik, dan Berbudaya” adalah mainan dengan konsep handmade yang mengusung tema edukatif, member andil dalam bidang pendidikan; artistik, tampilan menarik dan estetis; serta berbudaya, katena mengangkat tradisi lokal Nusantara. Mainan ini mencoba mengajak anak-anak yang merupakan generasi muda penerus harapan bangsa untuk mengenal dan memahami kebudayaan serta kesenian yang diwariskan leluhur kita, sehingga mereka bisa menjaga dan melestarikannya. Puzzle ini dibuat dari bahan limbah kayu yang disablon berupa tokoh-tokoh wayang, ikon-ikon kebudayaan Indonesia, serta dilengkapi dengan deskripsi dari tokoh atau ikon budaya yang disablon tersebut. Mainan ini bisa menjadi souvenir bagi turis yang datang berkunjung ke Indonesia, karena gambar atau sablon pada permukaan puzzle berupa gambar-gambar kebudayaan dan kesenian Indonesia ataupun sesuatu yang sangat mencirikhaskan Indonesia. Media promosi untuk sementara masih dengan sistem daring, seperti menggunakan facebook, instagram, whatsApp, dan surel.
Ukiran Ornamen Tradisional Minangkabau pada Dekorasi Pelaminan Nofrial Nofrial; Purwo Prihatin; Marten Agung Laksono
Corak : Jurnal Seni Kriya Vol 10, No 2 (2021): NOVEMBER 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v10i2.4581

Abstract

The traditional Minangkabau ornament that has applied to Rumah Gadang currently has experienced product diversification. One of the developments is for the carving of the wedding aisle decoration. This study aims to document the types of motifs, analyzes their development concepts, engraving techniques, and functions of traditional Minangkabau ornaments in the wedding aisle decorations, in Pariaman and Padangpanjang. The method of this study consists of qualitative methods and analytic descriptive analysis with cultural, sociological, and aesthetic approaches. The well-known traditional Minangkabau ornaments in the wedding decorations for instance are Kaluak Paku motifs, Itiak Pulang Patang, Aka Cino Sagagang, Saik Ajik, Pucuak Rabuang and Siriah Gadang. Generally, these ornaments have transformed in shape to adapt the placement media purpose, the practicality of engraving, and its aesthetics. Ornaments are made on spongy rubber media with cutting techniques. The functions of ornaments are to decorate and as an identity of Minangkabau wedding tradition aisle. Ornamen tradisional Minangkabau yang diterapkan pada Rumah Gadang, saat ini telah mengalami diversifikasi produk. Salah satu pengembangannya untuk ukiran dekorasi pelaminan. Penelitian ini mendokumentasikan jenis motif, menganalisis konsep pengembangannya, teknik pembuatan dan fungsi ornamen tradisional Minangkabau pada dekorasi pelaminan, di Pariaman dan Padangpanjang. Melalui metode kualitatif, analisis deskriptif analitik dengan pendekatan budaya, sosiologis dan estetik. Diketahui ornamen tradisional Minangkabau pada dekorasi pelaminan terdiri dari motif Kaluak paku, Itiak pulang patang, Aka cino sagagang, Saik ajik, Pucuak rabuang, and Siriah gadang. Secara umum ornamen tersebut telah mengalami perubahan bentuk, guna penyesuaian media penempatan, kepraktisan pembuatan dan estetikanya. Ornamen dibuat pada media karet spon, teknik sayat dan toreh. Fungsi ornamen untuk penghias dan pemberi ciri khas pelaminan adat Minang.
Shoe Lasting With Manual Techniques Abimanyu Yogadita Restu Aji
Corak Vol 11, No 1 (2022): MAY 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i1.6711

Abstract

Shoe last is a foot imitation used in the process of making footwear. The shoe last can be plastic, aluminum, or wood. Footwear last can be made of wood with manual techniques. The making of shoelast using manual techniques is thought to have advantages since it can produce a large size and dimension suitability with the feet used as the models. The purpose of this study was to identify how the craftsman utilizes his body to manually make a precisive shoe last. The research employs the observation method. The authors make observations on the manual process of making shoelast. The research found that pattern making is the first step in making a shoe last. Three techniques of manual shoe last stages are used. They are the strong swing technique to form the basic shape, the light swing technique to form a global shape, and the filing process to form a detailed shoe last.
Application Of Block Printing Technique With Waste Pallet Wood On Ready-To-Wear Clothes Suci Widya Putri; Mochammad Sigit Ramadhan
Corak Vol 11, No 1 (2022): MAY 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i1.5765

Abstract

Block printing is a decorating technique using a block coated with dye and then pressed repeatedly along the fabric to create a pattern. Currently, the block printing technique is still poorly known and developed, especially in Indonesia, even though this technique is user friendly and the materials are abundantly available. One of them is pine pallets, which are usually used to protect products in shipping goods. This study uses a qualitative method. The data was collected from literature study, observation, and exploratory experiments, which are divided into several stages. The research results show that block printing plates made of waste pallet wood can visualize the shape of the motifs on textile materials, which are then applied to the design of ready-to-wear fashion products.
Contemporary Babon Angrem Batik Motif Design For Mitoni Traditional Cermination In Central Java Theresia Widiastuti; Yosua Novalesi; Elizabeth Nimas Shaestu
Corak Vol 11, No 1 (2022): MAY 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i1.5802

Abstract

The life cycle ceremonies that symbolize the human journey are all found in traditional Javanese batik because in batik there is a symbol or meaning of life. At the age of 7 months of pregnancy, Javanese people usually hold a ceremony called mitoni, this ceremony is equipped with various ubo rampe, one of which is Babon Angrem batik. Changes in times including changes in cultural actors have caused many shifts in customs. This traditional ceremony began to be abandoned or become less complete due to economic factors. Individuals in this millennial era with modern perspective have witnessed a shrink of benefits of having traditional ceremonies. In response to this problem, the idea emerged to develop a long cloth with a millennial pattern that still adheres to the existing standard as a the mitoni ceremonial equipment. Batik is one of the assets that can be processed as a creative industry. By reprocessing and redefining the existing traditional motifs from today’s modern perspective, while maintaining the their originality. This design will certainly solve the problems of batik and tradition, to meet the  current style for the present generation. The Babon Angrem batik motif is applied on batik cloth to result in innovative products. The Babon Angrem batik motif, which is designed in a contemporary way, displays bright and warm colors that convey the a mother's love symbolized in the philosophical meaning of the Motif of Babon Angrem. The motifs of Babon Angrem include Babons ( hen) facing each other, hen laying eggs, ukel motifs that adorn all repetitions of Babon motifs, and ceceg which complete the background of this batik.
DIY Tapestri Kit As An Alternative Art Activity In The Pandemic Era Cynthia Zhafira Aulia Imas
Corak Vol 11, No 1 (2022): MAY 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i1.6083

Abstract

The spread of the corona virus forced some people to school or work from home that might end in boredom. Art activities could be done to fill their leisure time and at the same time to entertain them selves. One of the artistic activities needed to be developed was the art of tapestry. The Practice Based Research method was a method employed in designing a DIY Tapestri Kit. The main goal was to inspire and increase the public’s awareness about the existence of tapestry art. DIY Tapestry Kit was a set of tapestry art handicraft tools in the form of looms with a variety of yarns that could be used to produce a variety of functional artworks. The existence of innovations in the form of DIY Tapestry Kit supported the on-going and subsequent implementation of tapestry art.
Utilization Of Rhizophora Stylosa Bark For Natural Dyeing On Cotton Batik Fabric Fariz Al Hazmi; Ataswarin Oetopo
Corak Vol 11, No 1 (2022): MAY 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i1.5727

Abstract

The Rhizophora stylosa mangrove or commonly known as Red Mangrove grows in coastal areas with a saltwater and muddy environment. Natural dyes are extracted from such plant parts as roots, leaves, flowers, stems, and fruits. Natural dyes have distinctive colors and are environmentally friendly compared to synthetic dyes. The use of such natural dyes as mangroves can contribute to the green movement by minimizing the number of pollutants. The objective of this study was to analyze the result of Rhizophora stylosa mangrove stem bark color and its quality in cotton batik fabric. The mangrove stem bark is applied as the raw material for natural dyes. The bark is extracted by boiling it to obtain a natural dye solvent. The dye is tested on cotton-based fabrics by mordanting or fixation using alum (KAI(SO4)21∙2H2O), calcium oxide (Ca(OH)2), and ferrous sulfate (FeSO4). Red mangrove bark (Rhizophora stylosa) can produce natural colors of grey, brown, and peach on fabrics made of natural fibers (cotton fabrics) in batik. The hue and color depend on the type of the applied fixative material and the temperature in the process of boiling the fabric to release the wax on the batik (lorod). This research highlight that the red mangrove (Rhizophora stylosa) can be used as a dye in batik-making.
Combination Of Shibori And Embroidery Techniques In Textile Products Elvin Setiowati; Theresia Widiastuti
Corak Vol 11, No 1 (2022): MAY 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i1.5780

Abstract

The development of shibori products in the last 5 years has attracted many consumers. This condition is in contrast to the demand for the craft of embroidery. Efforts to combine the shibori and embroidery technique to add aesthetic value and provide a special texture. Besides that, it is expected to produce a different visual appearance from merely giving patterns to fabrics with the shibori technique. The stages of the design method include problem analysis, problem-solving strategies, data collection, and the visual study process. The results of the design are sheets of shibori patterned fabric, namely Arashi shibori and itajime shibori combined with embroidery techniques by raising the idea of dandelion flower motifs on the surface of the fabric to give a new impression on the shibori fabric.
Using Teak Leaves As Natural Dye And An Ecoprinting Material To Imprint Motifs On Silk Fabrics Baby Ayu; Najmawati Sulaiman; A. Adlin; Nugrah Juniar Umar; Kiranti Maulidya Muntasir; Pahanthihage Dilhari Prasangika
Corak Vol 11, No 1 (2022): MAY 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i1.6007

Abstract

Natural dyes are generally obtained from the extracts of plant parts. Teak leaves produce natural dyes and can be used to create ecoprinted works.This study aimed at utilizing teak leaves as natural dye and as an ecoprinting material imprinted on silk fabrics using alum mordant. The state of the art of this research is the using of teak leaves as natural dye and ecoprint materials on a single piece of silk fabric. The purpose of the study was to get natural colors, to create ecoprinted products,  and to add aesthetic and economic value to the fabrics. The research method included the following stages: 1). Dyeing the cloth in TRO solution, 2). Extracting teak leaves, 3). Dyeing the cloth with the teak extract, 4). Ecoprinting with boiling technique, 5). Creating functional product out of the treated fabrics. The resulted extract dye created reddish orange color on the silk fabrics. The ecoprinting using teak leaves on silk fabrics produced the same yet more intense color. After the mordanting process, the shade of the color remained the same. The functional products created were pillow cases.