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DeKaVe

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Published by Institut Seni Indonesia Yogyakarta

ISSN : - EISSN : - DOI : -

Core Subject : Humanities, Art,

Arts Humanities

Jurnal "dekave" diterbitkan oleh Program studi Desain Komunikasi Visual Fakultas Seni Rupa FSR, Institut Seni Indonesia Yogyakarta sebagai media publikasi ilmiah berupa karya penelitian maupun rancangan dalam bidang komunikasi visual, yang mencakup: bahasa rupa, budaya visual, desain grafis, multi media, dan lain-lain.

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Articles 174 Documents

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PERANCANGAN GAME "YUK, SUKSES UN!" SEBAGAI MEDIA PEMBELAJARAN PARA SISWA DALAM PERANGKAT SMARTPHONE Godham Eko Saputro
DeKaVe Vol 3, No 5 (2013): DeKaVe Vol. 03 No. 05 2013 Januari - Juni 2013
Publisher : Institut Seni Indonesia Yogyakarta

Games are entertainment media with the highest growth among other smartphone features suchas music, Tv, and movies. Besides having a huge potential in the field of economic and entertainment, thegame also has the potentia/field of instructional media. The students assume the National Examinationas a fear factor can utilize the smartphone as a learning medium, especially students who come from ruralareas who have difficulty in accessing the textbook exercises.By utilizing the game functions as a medium of learning the game design " Yuk, UNSuccess! " In the android operating system which includes a question bank content package, asummary of the material, the lattice, and the discussion of the UN is expected to increase the graduationrate of students nationallyKeywords: Game, Medium of/earning, Android.

RANCANGAN CITY BRANDING KOTA PADANG PENTINGNYA SEBUAH BRANDING DALAM PERKEMBANGAN KOTA Haris Satria
DeKaVe Vol 3, No 5 (2013): DeKaVe Vol. 03 No. 05 2013 Januari - Juni 2013
Publisher : Institut Seni Indonesia Yogyakarta

The final work is titled Draft City Branding Padang city. The introduction has not been packagedproperly. It creates an image that is less attractive for tourists, when in fact the City The potential thatought to be proud of by the people. This design uses the theory of city branding, communication theory,design theory and the theory of color. Therefore, in the design of this time are highlighted in The laterthrough verbal and visual messages, tagline and media applications that are effective and efficient.As for media design is the logo along with the explanation. Design a billboard mediaapplications, facebook account, t-shirts, mugs, keychains, signed area, posters, pins, post card, sticker,calendar and jlaxchange. All the media is part of the process of city branding Padang city.Keywords: Concept, City Branding, Padang.

PERAN MARKETING COMMUNICATION DALAM MENDUKUNGSUSTAINABLECOMPANY (STUD I KASUS MARCOMM TOYOTA- NASMOCO GOMBEL) IGN. Wisnu Ananta Praja
DeKaVe Vol 3, No 5 (2013): DeKaVe Vol. 03 No. 05 2013 Januari - Juni 2013
Publisher : Institut Seni Indonesia Yogyakarta

MarComm is a synergy, creativity, integration and integrated marketing communications byutilizing a variety of different communication elements in order to create coherence in each field to makeit more cohesive and coherent. Marcomm responsibility is to ensure proper communication is achieved;established corporate image, brand awareness is awakened, etc .. , If this can be achieved then Marcommcan be said to have goals and staying maintain the continuity of the activities I sustainable business withinthe company.Keywords: MarComm, Coherence, Sustainable Company,

DIJUAL: NEGERI SENDIRI Terry Endropoetro
DeKaVe Vol 3, No 5 (2013): DeKaVe Vol. 03 No. 05 2013 Januari - Juni 2013
Publisher : Institut Seni Indonesia Yogyakarta

DIJUAL: NEGERI SENDIRI

JEJAKARSITEKTUR DAN LOKALITAS KOTA MASA HIND lA BELAND A DALAMIKONOG~SGAMBARTEMPEL Baskoro Suyo Banindro
DeKaVe Vol 3, No 6 (2013): DeKaVe Vol. 03 No. 06 2013 Juli- Desember 2013
Publisher : Institut Seni Indonesia Yogyakarta

The building architecture has at least some jUnctions, as well as the work of an architect form offruit, trail markers era, technology, as well as the locality of the city landmarks. In its representation issometimes manifested in the work of architectural photography, drawing, emblem of the region in theform of stickers and charming as a form of memento or souvenir.Through an iconographic studies, traces the architecture of a building can be traced how thephysical form, the elements that make up, philosophy, history and even the quot "spirit"; of the architectof the members live in buildings that formed and established.Keywords: Traces of Architecture, Image Paste, Local Identities City.

PERANCANGAN BUKU SENJATA KURAMBIK KHAS MINANGKABAU SUMATERA BARAT Ferry Fernando
DeKaVe Vol 3, No 6 (2013): DeKaVe Vol. 03 No. 06 2013 Juli- Desember 2013
Publisher : Institut Seni Indonesia Yogyakarta

The design of typical Minangkabau book kurambik weapon, aim to be expected to be acomplete visual documents about weapons kurambik I kerambit Minangkabau and can be used as areference in teaching and research. It also aims to maintain continuity kurambikweapons and maintainedon an ongoing basis as a product of the culture of Indonesia. This book is one way to be able to keepkurambik remain in the State of Indonesia.This book is based on the use of photo etnofotografi which is more likely than artistic. Becauseetnofotografi is the study of a culture of a society with the help of photos in it. Picture elements should beable to describe the social structure, dominance, social class and other cultural symbols. Etnofotografirooted in ethnography.Minangkabau kurambik book "IndakLakang DekPaneh, IndakLapuakDekHujan "comes as agap filler kurambik media about guns that had not been there. The book is expected to be a reference andteaching materials also stimulated interest in research to examine kurambikweapons.Keywords: Design books, Etnofotografi, Weapons kurambik

IKLAN ENAMEL DAN PENGGAMBARAN PERUBAHAN KOTA DI ZAMAN HINDIA BELANDA Karina Rima Melati
DeKaVe Vol 3, No 6 (2013): DeKaVe Vol. 03 No. 06 2013 Juli- Desember 2013
Publisher : Institut Seni Indonesia Yogyakarta

Ads enamel is present as part of a media phenomenon in the world of advertisingcommunication made with a complex reproductive techniques and has a characteristic thatdistinguishes it from other advertising media. Factors affecting the visual content of the message inthe repertoire of developmental enamel advertising in Indonesia, developed along with the progressespecially in the areas of economy, as well as an attempt penetration with idioms - idioms to suit itstarget market.The next development was the emergence of new ideas in making an alternativeadvertisement-based enamel, such as the packaging of food products (packaging), ashtrays, trays ortrays, seat backrest, backrest calendar, memo backrest, clocks, thermometers and so giant thatcreated with an attractive design.Keywords: Ads enamel, Delineation change the city, Past the Dutch East Indies

"ZAMAN BARU GENERASI MODERNIS" Sebuah Catatan Arsitektur M. Sholahuddin
DeKaVe Vol 3, No 6 (2013): DeKaVe Vol. 03 No. 06 2013 Juli- Desember 2013
Publisher : Institut Seni Indonesia Yogyakarta

Salah satu hal yang harus ldta fahami bersama menurut saya, yaitu apa yang di.katakan olehAbidin Kusno dalam buku "Zaman Baru Generasi Modernis" ini, bahwa Arsitektur modernis perluelipahami sebagai sebuah vehicle of thought yaitu "pemildran" yang hidup dalam lingkungan sosial danpolitik eli suatu waktu dan eli suatu tempat tertentu. Masih menurut penulis, bila arsitektur eli Indonesiadapat elilihat sebagai sebuah gerakan budaya yang terbentuk dalam suatu proses politik, maka ia bergesekan dengan semangat "modernisme", me ski. pun perlu dicatat bahwa "modernity" dan"modernism" itu adalah basil dari suatu proses dalam sejarah Eropa yang tak pernah teijadi di Indonesia.Modernisme sebagai suatu reak:si artistik terhadap modernitas, tidaklah sama di semua tempat.Modernisme Indonesia tidaklah sama dengan modernisme di Eropa karena konteks sejarah yangberbeda. Di Indonesia, konteks relasi kolonial dan pascak:olonial memegang peranan besar dalammempengaruhi pengalaman modemitas, sehingga pergerak:an-pergerakan modemitas yangmenanggapinya sering mengambil bentuk nasionalisme- suatu ekspresi yangjustru sering dilawan olehkaum modernis di Eropa.

Seni Pixel Maria Tintun Surya Nurani
DeKaVe Vol 3, No 6 (2013): DeKaVe Vol. 03 No. 06 2013 Juli- Desember 2013
Publisher : Institut Seni Indonesia Yogyakarta

In the digital world,,,,

PERLINDUNGAN HUKUM TERHADAP DESAINER GRAFIS SEBAGAI PESERTA DALAM LOMBA DESAIN GRAFIS BERDASARKAN UNDANG-UNDANG NOMOR 19 TAIIUN 2002 TENTANG HAK CIPTA Novi Mayasari
DeKaVe Vol 3, No 6 (2013): DeKaVe Vol. 03 No. 06 2013 Juli- Desember 2013
Publisher : Institut Seni Indonesia Yogyakarta

Copyright is essentially a part of intangible/incorporeal property which the ownership isseparated from the ownership of the object. Consequently, the enactment of " the participants' worksbelong to the committee" clause cannot be interpreted as the transfer of both of the property rights andcopyright of the works. This study is aimed to know how the graphic designer as a participant in a graphicdesign competition correlated with the existence of "the participants' works belong to the committee"clause is legally protected.The data in this study were obtained by juridical-normative-empirical- research (mixture study).The data obtained from both the library research and the field research were analyzed using descriptivequalitativeapproach. Descriptive approach analyzes only applied at the description level in which factswere analyzes and presents in a systematic way so that it can be more easily understood and inferred.Qualitative approach doesnot emphasize its analysis on numerical data processed by the statisticalmethod. However it doesnot mean that qualitative approach doesn't use quantitative data. Thequantitative data were used but the emphasis wasnot on the hypothesis testing but rather on the attemptto answer the research question through argumentative and formal ways of thinking.The results of this study indicate that most people, especially graphic designers didn't understandthat property rights and copyright of work are two separate things and they assumed that " theparticipants' works belong to the committee" clause as a transfer of both property and copyright of adesign. Thus often caused problems dealed were generated from the illegal use by the committee such asthe use of the works without the cretor's permission, the committee's decision that the competition had nowinner or that the prize is distributed evenly to all the nominees.Keywords: Copyright, Design, Graphic Design

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