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Contact Name
yosa fiandra
Contact Email
pichaq@telkomuniversity.ac.id
Phone
-
Journal Mail Official
jurnalrekam@gmail.com
Editorial Address
Fakultas Seni Media Rekam, Institut Seni Indonesia Yogyakarta Jalan Parangtritis Km 6,5 Sewon, Bantul, Yogyakarta Tlp. (62) 0274 384107, HP (62) 089649387947 Email: jurnalrekam@gmail.com
Location
Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
Rekam : Jurnal, Fotografi, Televisi Animasi
ISSN : 18583997     EISSN : 27453901     DOI : 10.24821
Rekam: Jurnal Fotografi, Televisi, Animasi is a scientific journal published by the Asosiasi Dosen Seni Media Rekam Indonesia in collaboration with the Fakultas Seni Media Rekam, Institut Seni Indonesia Yogyakarta. This journal contains articles on research results, conceptual ideas (results of thought), creation, and the results of community service in the fields of photography, television, and animation.
Articles 10 Documents
Search results for , issue "Rekam 7" : 10 Documents clear
Visualisasi Simbol Iklan di Media Televisi (Suatu Kajian Teori Semiotik dan Hermeneutik) Siti Maemunah
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 7
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.378

Abstract

Observing about advertisement and the language used in advertisement in mass communication media needs deeply understanding and knowledge. Thephenomenon of advertisement in mass media sometimes used as tools in order to satisfy human’s needs, whether is primary, secondly and so on. In a higher level, there could be a multilevel advertisement which is used as a “vehicle “ to persuasively invite the audiens to concern about the matters they recite such as political, enonomical, social, and cultural as well.
Relaxation Water Video Ekspresi Seni Videografi dengan Objek Air Deddy Setyawan
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 7
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.373

Abstract

Videography is a new form in audio visual technology. Previously, theaudience could only able to watch film at cinema or television'spresentation, but nowadays of course it’s very different fromvideography’s presentation. Videography, initially functioned as ameans of documentation according to visual's audio. But in todayvideography blooms such fast in line with technology's progress andHuman's creative power, and also modern human life's need as well.“Relaxation Water Video” is an art's expression with water as avideography object as an expression in water's existence to relax theaudience. Through a creative process, idea's livelihood's process andbrainchild then developed to be videography is a long process, whetheris in idea's livelihood into visualisation process and the presentation.Water is chosen to be an object in videography caused by it hascharacters such as cools, refresh and tranquilize. But it might be adisaster as well. So, it could be friend or human enemy.
Kalibrasi Multikamera Sebagai Acuan Perhitungan Rekonstruksi Pose Objek Virtual pada Seni Animasi Tiga Dimensi Samuel Gandang Gunanto
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 7
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.377

Abstract

The development of computer vision technology has penetrated in the field ofanimation and game art. Production time which generally takes a long time can be shortened significantly so that the animation industry productivity increases. But the existence of this technology is still very rarely used because of the expensive equipment and at least a man who mastered. This research is intended as an initial stage of looking for an alternative design of this technology. A good camera calibration will be a key reference for the right model of 3-dimensional reconstruction poses. Calibration error factor in pixels reprojection in this research is still good, 0.12. Visual results in 3-dimensional reconstruction of the cube as a result of exposure to the performance of this system is also still looks good, although shifting as much as 4.54 cm due to the extraction point.
Ansel Adams Easton 'Kajian Karya, Kesenimanan, dan Aspek Sosialnya' Irwandi .
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 7
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.372

Abstract

The fame of an artist is sometimes recognized as a reflection of himself and his work features alone. The artist often regarded as a highly central role in efforts to achieve its reputation.The public do not realize that behind the popularity of an artist, there are a number of socio-cultural factors that also affect it. Ansel Adams is an example of how the position of an artist in the constellation of socio-cultural America. Besides having a beautiful work, technical ability and concept of good works, he is also able to put himself in a social map of his era. Discussion of Ansel Adams will be conducted by considering the workside, the capacity and roles deemed external helped push his popularity. In this perspective will be seen how the importance of social factors in maintaining the existence of an artist.
Menuju Pengembangan Industri Kreatif di Indonesia Nur Iswantara
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 7
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.381

Abstract

Discourse of creative industries was echoed. The government alsodeveloped the concept of creative industries development. Alvin Toffler,the father futuristic was said ideas and creative ideas into the fourthwave that could affect the world economy. Indonesia also inspired thedevelopment of creative industries of the world, adopted the triple helixmodel to drive the creative industries to creative economy towardsIndonesia. There are 14 industry groups developed creative Indonesia.In this position the creative industries need to get a response fromintellectuals and the public.
Representasi Interaktif Foto Profil Jejaring Sosial Facebook Syaifudin .
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 7
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.376

Abstract

This article discusses about the photos on famous social web in Indonesia and in the world, Facebook. The photo is used as a profile photo. The images of photos are analyzed using the theory of social semiotics that proposed by Gunther Kress and Theo Van Leeuwen. With his theory of interactive representation of the photographs can be analyzed through the elements of gaze, framing and perspective so that a profile picture will be able to give the meanings of social interaction and relation of participant.Respond, personal distance-social distance, and involvement of participant of social web can occur when there is visual interaction through the profile photo or picture.
TIPE 21 Pitri Ermawati
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 7
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.380

Abstract

“Type 21” is a metaphor of tomb, a place mostly two by one square in size.Everybody will die, their dead bodies are placed in the tomb then. Most people are scared of tomb for some reasons. But in my opinion, the tomb is such interesting subject to be photograped. As trying to apply De Bono’s lateral thinking method, I got close to the tomb and explore it photographically. Then here it is a project of art photography with tomb as subject. The photographs printed in black and white to represent the life after death that’s both enigmatic or mysterious for human who is still living in this world right now. The photographs were created by outdoors hunting in several cemetery. There, I shot tombstones and the other things around these. Taking picture by mostly close up technique makes the detail of the subjects to appear vivid and real. Generally, the subjects are visualized in simbolism. Although there are vagueness, their identities still can be read. By specific technique of taking picture, the subjects in the frame look much different than the real subjects in the fields when it were photographed.I hope this project will enrich the field of art photography with tomb as thesubject. I hope it can also be a trigger to other photographers in creating such project base on the unusual subjects. All religion order their people to stay out of sin. Thus, hopefully my project can be an alert for people in remembering death, so they are afraid to be sinful and to heart each others. Because after this life there will be the life after death that will ask for people’s responsibility. Thus, at least people can eliminate hurting each others.
Bollywood Influence to Indonesia (A Study through Television Media and Hibridity) Retno Mustikawati
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 7
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.375

Abstract

Bollywood adalah sebuah bagian dari kebudayaan populer yang sangat kuat bukan saja India, melainkan juga Timur Tengah, Negara bagian Afrika, dan sebagian negara Asia Tenggara. Penggunaan lagu dan musik seperti sebuah bahasa dalam film-film India dan menjadi salah satu pendongkrak popularitas sekaligus pembentuk film-film Bollywood. Perkembangan sinema Hindi dengan disertai sekuen-sekuan lagu-lagu dan tarian menjadi pembeda utama antara film-film yang lain. Terdapat sebuah hubungan yang dekat antara musik dangdut Indonesia dan musik yang berasal dari India. Musikdangdut adalah hibriditas dari musik India.
Peranan Pemilihan Strategi dan Stilistika pada Iklan di Televisi Mezia Kemala Sari
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 7
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.379

Abstract

Television is one of the best medium today that can connect producers’goals with consumers' needs. The televisions’ impressions are crucial so that consumers can easily get new things through the television’s impressions like advertisment.Advertisment becomes very important when producer wants to offer product or service. It can be easily achieved by making advertisment on television to get potential buyers’attention.The main goal is to deliver advertising messages by using attractive packaged to stimulate consumers. The things that should be considerated in choosing strategies are the relevancies to product itself, competitors and also clear target market. Advertisement should pay attention to the Stylistics’ advertising aspects. In getting the uniqueness of style, producers can use language strategies usage like slogans, selection of interesting characters, selection of appropriate strategies and also using other advertising elements. The selection advertisements’ strategies will determine conveying stylistics’ messages through form of creativity to get the better consumerresponse.
Identifikasi Kualitatif Tingkat Kompetisi Bisnis Fotografi dan Alternatif Tindakan untuk Menghadapainya M. Kholid Arif Rozaq
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 7
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.374

Abstract

Photo studio is an exciting venture and a growing number who started it. This effort is essentially a business-related field of recording media. These businesses receive services in the field of Photography and Video Recording, it becomes a necessity in documenting the important moments in human life. Regarding of photo studio, one thing that is interesting to examine is the level of competition among business photography. The study tries to offer a concept of Porter's five forces analysis.This study is a descriptive research and qualitative analysis. According to Robert K. Yin (2011), one of the methods that can be used in qualitative research is to conduct indepth interviews (depth interviews) on the object of research.Some of the dominant characteristics of the most prominent are (1) market size, (2) the pace of technological change and innovation, (3) capital requirements and the ease of entry and exit of business, (4) Scope of Competitive rivalry, (5) industry Profitibility and (6) the degree of product differentiation.Verification has been done to conclude that the level of competition in the photography business is high. The implication is that the structure of the industry is "less profitable" for participating companies to gain profit. Therefore, it is necessary to make strategic steps to win the competition. The steps are basically to reduce the level of competition that occurs.

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