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Contact Name
yosa fiandra
Contact Email
pichaq@telkomuniversity.ac.id
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jurnalrekam@gmail.com
Editorial Address
Fakultas Seni Media Rekam, Institut Seni Indonesia Yogyakarta Jalan Parangtritis Km 6,5 Sewon, Bantul, Yogyakarta Tlp. (62) 0274 384107, HP (62) 089649387947 Email: jurnalrekam@gmail.com
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INDONESIA
Rekam : Jurnal, Fotografi, Televisi Animasi
ISSN : 18583997     EISSN : 27453901     DOI : 10.24821
Rekam: Jurnal Fotografi, Televisi, Animasi is a scientific journal published by the Asosiasi Dosen Seni Media Rekam Indonesia in collaboration with the Fakultas Seni Media Rekam, Institut Seni Indonesia Yogyakarta. This journal contains articles on research results, conceptual ideas (results of thought), creation, and the results of community service in the fields of photography, television, and animation.
Articles 8 Documents
Search results for , issue "Rekam 8" : 8 Documents clear
Angle Kamera Subjektif dalam Film “Aku Ada” Latief Rakhman Hakim
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 8
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.387

Abstract

While watching a movie, the viewers sometimes are get involved to thescreen. The viewers can feel the emotion described in a scene. This is happened due to the projection and imaginary identification processes. The viewers feel as if they have taken part to the scene. However the viewers just passively involved, there is no interaction between the actors/characters and the viewers.A subjective camera angle is the way to invite the viewers to get involvedin the scenes of ‘Aku Ada’ movie. The viewers interact with the actors on that movie through an angle’s point of view variation. The viewers can change the specific actor’s point of view in watching some different events, objects and settings in a scene. Their point of view can also be moved from a certain actor to the other actors, but how if the viewers cannot identify themselves to the movie.This of course can destroy the narrative structure and blur the message delivered by the movie.The originality of the movie “Aku Ada” is to place the viewers to thescenes through a subjective camera angle on the overall shots, and suddenly move the point of view from a certain actor to the others. The viewers will in turn change in involving the act of one actor with the others. This changing of sudden point of view are not be done by the previous movies to be a reference. The application of subjective camera angle in the movie “Aku Ada” can built up the viewer’s interaction to the scenes on the movie. They can project themselves on the movie scenes and can identify themselves to be involved in the movie “Aku Ada” through interaction or eye-contact with the characters on the movie.
Penggunaan Kata dan Frase ’Tidak Baku’ dalam Bidang Fotografi Zulisih Maryani
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 8
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.382

Abstract

The purpose of this study is to describe the use of words and phrases'non-standard' in the field of photography are presented along withjustification. In addition, the purpose of this study is also to describe thefactors causing the writing of words and phrases' non-standard in the fieldof photography.This research used descriptive method with three stages, namely datacollecting stage, data analysis stage, and result data analysis presentationstage. Data collecting stage was conducted by observing the language used in words and phrases ‘non-standard’ in the field of photography. Observing was continued with the recording technique. Data analysis was conducted after the collected data had been classified. The analysis applied was describing the use of words and phrases 'non-standard' in the field of photography are presented along with justification and describing the factors causing the writing of words and phrases' non-standard in the field of photography. The presentation of result data analysis was presented in the informal and formal. The informal presentation of result data analysis used common words and the formal used tables.Words and phrases 'non-standard' in the field of photography is thepronunciation of words and phrases or writing does not meet standardnorms or rules that have been standardized. The words are classified asnon-standard should be avoided in formal situations or in writing scientificpapers, for example body kamera, diafrakma, detil foto, foto candit, fotoessay, fotogravi, fotografi portrait, monopot, pas photo, and tripot. Thatwords should be written bodi kamera, diafragma, detail foto, foto candid,foto esai, fotografi, fotografi potret, monopod, pasfoto, and tripod.The factors causing the writing of words and phrases' non-standard inthe field of photography include (1) the influence of foreign languages,2 especially English, (2) ignorance of the rules EYD (writing standard wordsand standard terms), and (3) the influence of non-standard pronunciation.
Kajian Retorika Visual: Fotografi Potret Studio Irwandi, G.R. Lono Lastoro Simatupang,And Soeprapto Soedjono
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 8
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.386

Abstract

A study about photography art work in Indonesia is rarely done. Thefact is that the potrait photography discourse in Indonesia is pointed to thecreative process of the creation of the art work and tends to place the potrait photography is more to be a mass product along with its economical value. To fulfill that emptiness, it needs a study which can be used as an explanation on how the portrait photography is evolve among society, one is relate to the human effort who express her/himself through a studio portrait photography.One of the efforts that can be done is inquiring the dimension ofcommunication in portrait photography which is using visual retoric theories. The outline of visual retoric theory has been oftenly used to analyze visual media in general, however it seems seldom chosen to analyze photography art work. Through this writing would be shown the example of theories which could be The theory outline is hoped to be able to give an illustration about many kinds of portrait photography shape and it is hoped to explain the main goal and the pattern of message deliverence photographically and to know how the society figure out the value of portrait photography for her/himself.
Animasi Video Eksperimental “Kertas Putih” Sebagai Gambar Imajinasi Anak Tunagrahita dari SLB Negeri 2 Sayidan Yogyakarta Hapsari Dyah Aryani
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 8
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.385

Abstract

Video art-experimental is a blend of video art and experimental film. Video art which is a modern form of art will be integrated with the cinematic techniques of indefinitely experimental films. The results may not be too contrast to video art or experimental films that stands alone, but its uniqueness is that the concept of blend is performed to create a work that is capable to entertain the children with mental retardation.Children with mental retardation is a child who frequently forgotten in theprovision of facilities by the government and also forgotten in the acceptance of family affection. Glance they look normal, and it's physically not very different to normal children, but if we talk about things that should require complicated notion such as mathematics etc., they will be distress. This is because they have the intelligence level far below normal. Children with mental retardation are many came from poor families, so they are getting forgotten. Problem of mental retardation is not only studied through only one field of science, but by many other sciences, such as medicine, psychology, science, pharmacy and so on. In this case, the art also plays a role. In addition is able to produce works which entertaining, it can also become the object of study for other disciplines that are researching this problem.Naming the title of the work of the "the White Paper" is a symbol of a child with mental retardation. Through in-depth observation for several months along with them, then their thought were created as a symbol of the human figure who permanently innocent.They are as innocent sheet of white paper that ready to inscribe by parents, community, teachers and the surrounding neighborhood.Experimental video-art works for children with mental retardation under the title "the White Paper” will create a new work is devoted to people with mental retardation.This work was a new experience in watching by using the theory of the two major theories; that are, the theory of video art and experimental films.
Estetika Kassian Cephas, Fotografer Jawa yang Mendunia Pamungkas Wahyu Setiyanto
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 8
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.388

Abstract

Looking at a photo means a provement to past time’s existence. Aphoto is similar with an arrow which is ready to be launched from the pasttime to present’s era. Hence, through a photo we do have an experience acronological time. Whereas a photo becomes a mediation to experience thepast time and to experience a cronological flow which is relate the past andthe present time. With that understanding I want to talk about the past time’sphotographer. He is a Javanese who is able to bring and to introduce themodernity that time to the citizen through himself and his works in photoforms. He is Kassian Cephas, the first Javanese who knew a camera. Thus, heis known as the father of Indonesia’s photography.
Transnasionalisme dan Translasi Budaya Melalui Media Televisi “Studi pada Trend Hallyu di Indonesia” Retno Mustikawati
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 8
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.389

Abstract

Cultural images, fantasies and imaginations are formed differently depending on location technology and characteristic of cultural consumption. When cultures of of different “symbolic structures” across national bounderies, they are influenced by historically accumulate images that each nation holds of one another. Culture consists of knowledges, beliefs, perceptions, attitudes, expectations, values and patterns of behavior that people learn by growing up in a given society. A media such as television occupies an important place in culture and society. Media messages are perceived differently according to the diverse backgrounds, cultures and life-styles of audiences. Culture as a strategy of survival is both transnational and translational. It is transnational because ithas to have physical centers somewhere, places in which, or from where, their particular meanings are produced. Culture is translational because such spatial histories of displacement now accompanied by the territorial ambitions of global media technologies.Television plays a very important role in a society. It can change opinions because it has access to audiences and gives a lot of strength. The strength that can either be used constructively or destructively. Their programs have an impact and people as the audiences listen to them.
Eksplorasi Simbol Konvensional dan Universal dalam Penciptaan Video Art Kampanye Anti Perang dan Kekerasan “WARKAHOLIC” dengan Teknik Animasi 3D Arif Sulistiyono
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 8
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.384

Abstract

At The End of 2010 to 2011 there has been a political crisis in MiddleEastern countries and parts of North Africa. The movement called "JasmineRevolution" caused by poor socioeconomic situation in the region, while itspresidents has been living rich in power for decades. It was raised the anger of the people and cause lot of protest to raising down the Presidents. Most of the presidents refused to resign and against the protester violently. The thousands of people have been killed and injured due to the demonstrations and civil war during the conflict. The Indonesian people must be wary to prevent leadership crisis's revolution. They need to be aware that the war and violence conflict caused suffering continously and harmfull for both of them."Warkaholic" is a manifestation of the artist's social responsibility to deliver the message through their artworks. It formed into the video arts and the topic of its art works are stop war and violence campaign. This video arts does not emphasize the personal subjectivity aspects as a fine art works. It will be more objective and easily understood for the public in general and can be seen by peoples through any audiovisual media.The methods of art works's realization are narrative style approach andapplying universal symbol, iconic, connotative to the visual and sound elements of the object. Visual storytelling content can be understood by peoples as a representation of the impact of war and violence. The Supers or text is to be the key of the public's message to stop war and violence. The computer 3D animation technique is used to create realistic  visualization and to make something impossible in live action technique can be relatively possible.
Lukisan Sebagai Materi Animasi dalam Film “Aku, Trimah Perempuan Itu” Dyah Arum Retnowati
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 8
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.383

Abstract

A film is one of the media that is able to deliver an event andmessage as well, not only ideologically but also structurally throughdiscontinuity principle. Film as a medium to reflect an event with manystyles according to its characteristics. This film is created to bring up aphenomenon that happened in society, using animation technique stressed to frame by frame recording technique, panning and zooming system that are combined with live action technique.It is such a concern when we watch, read and hear from the mediathat contain of news about murders of his/her own family members. Amother who killed her own child, a wife who mutilated her own husband.“Me, Trimah That Woman”is an illustration about a woman who experienced and did a murder on her own way, killed her children and herhusband. What kind of thoughts and how could this happen, that made awoman, a mother, a wife is able to do this kind of thing?The story that packaged in this film tries to revive a group of pictures to represent dream and imagination world of the actor in surrealism style, and used as an effort to deliver the message non verbally through meaningful symbols. The symbol is also used to replace the violence scenes and the effects on film as well. Those entirely aimed in order to  make this film to become a reflection, to grow the empathy, sympathy and also wisely understanding to judge an incident in this life.

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