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Contact Name
Kurnia Rahmad Dhani
Contact Email
kurniadhani@isi.ac.id
Phone
+6281362081363
Journal Mail Official
kurniadhani@isi.ac.id
Editorial Address
Jl. Parangtritis No.KM.6, RW.5, Glondong, Panggungharjo, Kec. Sewon, Kabupaten Bantul, Daerah Istimewa Yogyakarta 55188
Location
Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
EKSPRESI: INDONESIAN ART JOURNAL
ISSN : 14114305     EISSN : -     DOI : DOI: https://doi.org/10.24821/ekp.v1i11
EKSPRESI is a double-blind peer-reviewed international journal published twice a year in April and October. Ekspresi published by Institut Seni Indonesia Yogyakarta. This journal contains articles on research results, conceptual ideas, art creation, and community service activities in the fields of arts and humanities.
Articles 7 Documents
Search results for , issue "Vol 9, No 1 (2009)" : 7 Documents clear
Perempuan dalam Erotisme Seni Murni nunung nurdjati
EKSPRESI Vol 9, No 1 (2009)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v0i0.436

Abstract

Women in Fine Art Eroticism. For the writer, pornography and eroticism in art are two very difference issues depending on the artists driving force and viewpoint. Painting is a personal expression that does not have to be associated with any interest. Exhibition is an effort to communicate the works of art to the public. In the event, the art devotees comprehend, evaluate, and relish them. A problem arises when some people regard erotic paintings as pornographic, valueless paintings whereas some others consider them acceptable works of art. The different opinion is caused by the quality of each individual perception. How somebody judges an art piece is very much rests on his thinking framework. Human perception is influenced by the accumulation of shape perception that believed to be mental attitude of each individual Keywords: Pornography, erotism, painting, personal expression.
ZapinApi di Teluk Rhu, Tinjauan Bentuk dan Fungsi Susi Vivin Astuti
EKSPRESI Vol 9, No 1 (2009)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v0i0.437

Abstract

Zapin Api at The Rhu Bay: a Study of Form and Function. This paper discusses the form and function of lapin Api show at the Rhu Bay. They were collected by observation and interview with the lapin players and the prominent figures of the local society. The research result showed that the show shifted in terms of form and function. In earlier times, the show was meant to honor the ancestors' spirit, called Noyang Kacang in order to ask the spirits to guard the people in the hard times in their life cycle such as birth, marriage, and death. Now, this show functions in fulfilling the ritual and symbolic needs, in forming social integrity, and as entertainment. Keywords: Noyang Kacang, lapin, Rhu.
Kemasan (Packaging) di Higashi- Konoike, Osaka, Jepang Yulriawan Dafri
EKSPRESI Vol 9, No 1 (2009)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v0i0.438

Abstract

Packaging in Higashi - Konoike, Osaka, Jepan. Packaging is a very important strategy to glamorize a product in order to attract the consumers attention. Sometimes packaging is so important that is cost more than the product itself in order to lure the consumer to buy it. Most consumer judge a product by its packaging before buying. It is logical to say that attractive packaging is crucial to attract people to imagine and finally buy a product, beside the other important functions of packaging itself such as to protect, store and transport goods. Recently, packaging manufacture in Japan also support the environmental issue like global warming with producing an ecojriendly products using a reuse, reduce and recycle material. Keywords: Packaging, Japan, product.
Simbol Religiusitas Tari Topeng Panji Cirebon Toto Amsar Suanda
EKSPRESI Vol 9, No 1 (2009)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v0i0.439

Abstract

Religiosity Symbol in The Cirebon Topeng Panji Dance. This research aimed at understanding religiosity in the Cirebon Topeng Panji Dance. The data were collected through observation and intense interview with the mask puppet puppeteers and mask dancers. The puppeteers called topeng dance as alive but dead, dead but alive. The symbol contained  in Topeng Panji Dance was a dialogue discussing human and humanity problems in general. When human being fused himself imaginatively in a broader scope and he enjoyed it, he would be the part of the life he performed. Topeng Panji Dance could be seen as an emblem of moral truth not as a subordinate and a servant for sensual enjoyment. It was not only valuable in itself but also a value outside it that could be tracked down from various points of view. Keywords: Topeng Panji, simbol, religiusity.
Musik Degung Sunda dalam Konteks Sejarah Rachmat Herawan
EKSPRESI Vol 9, No 1 (2009)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v0i0.440

Abstract

Degung Sunda Music in The Historical Context. Degung music was originated in Cianjur region and has been developing very well in Bandung. It was originally the music of the menak people who geographically lived in mountain range area. In accordance with the location atmosphere, this music was ethical, calm, in a good arrangement, in a good order, and peaceful. This music has experienced several changes such as the waditra structure change, the status sift from kadaleman music to people music, the repertoire forms change, and the function change from an illustration music to a dance music. Keywords: Degung, waditra, kadaleman, Sundanese music.
Model Pembelajaran Seni Musik dalam Bentuk Ansambel untuk Siswa Sekolah Menengah Pertama R. Taryadi, Tri Wahyu Widodo, dan Bambang Riyadi
EKSPRESI Vol 9, No 1 (2009)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v0i0.441

Abstract

Music Education Model in Ensemble Form for Junior High School Students. There are two music education models applied in Junior High School, namely lecturing and task assigning. These two methods are unattractive for the students. Now, there is a new model that developing, the music ensemble model. The model is considered more interes11ng and interactive. However it still weak in terms of the instruction techniques. This writing describes a model of students group work in learning music. It is assumed that the model will promote the students' creativity, and also students ' aesthetic, ethic and artistic sensitiveness so that it will support the pupils' character building and other lessons as well. Keywords: Method, technique, music ensamble.
Analisis Conducting Simfoni Beethoven No. 5 Conductor Indonesia Pipin Garibaldi
EKSPRESI Vol 9, No 1 (2009)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v0i0.442

Abstract

The Analysis on Conducting Beethoven Sympony No. 5 Done By Indonesian Conductor. This paper discusses the weaknesses of Indonesian music conductors with Javanese cultural background Indonesian conductors need to understand the characteristics of the Western and Eastern culture that deal with thinking patterns, customs, and attitudes. Beethoven No. 5 is loud, serious, dramatic, and heartrending. To be able to perform those expressions, good conducting techniques and analysis on the composition are needed. Keywords: Conducting, music conductor, performing arts.

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