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Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
SELONDING
Published by Institut Seni Indonesia Yogyakarta
ISSN : 14121514     EISSN : 26859327     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 115 Documents
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TARAWANGSA DAN JENTRENG DALAM UPACARA NGALAKSA DI RANCAKALONG SUMEDANG JAWA BARAT (Sebagai Sarana Komunikasi Warga) Ela Yulaeliah
SELONDING Vol.3, No.1, 2006
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2311.056 KB) | DOI: 10.24821/selonding.v3i1.5

Abstract

Ngalaksa ceremony is an expression of thankfulness to the God for His gift allowing the the rice harvest. The ceremony is conducted by six villagers in district Rancakalong Sumedang regency and lasts six days and nights with the accompaniment of tarawangsa and jentreng music played countinously. This ceremony is held once in a year following the rice harvest and at the same time regarded as the preparation of the next plant season. Apart from the thankfulness expression, ngalaksa is also considered as an honour of people toward Dewi Sri (the rice Goddess) and as a meeting and communicating arena of the people. Ngalaksa is commenced with the making of laksa (a kind of porrage made of the rice flour, wrapped with congkok leaves {a sort of leaves similar to coconut leaves}, which have been steamed before). The certain people believe that if the number of laksa packages is more than those in the last year, the result of harvest in the next year would be better. There are usually hundreds o/laksa distributed to all participants of the ceremony. The process of making laksa spends four to five days. In the seventh day, regarded as the ultimate days, there is an activity to get the rice into the barn (lumbung) as a symbol of getting rice back to the higher place. At that time, the participants dance with spontaneous movement that is accompanied with tarawangsa am/jentreng music. They are sure that at the time, ancestor spirits including Dewi Sri get down to the earth and dance together with them.
MUSIK GAMBANG KROMONG DALAM MASYARAKAT BETAWI DI JAKARTA Soekotjo Soekotjo
SELONDING Vol.1, No.1, Maret 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (188.138 KB) | DOI: 10.24821/selonding.v1i1.7

Abstract

The existence of Gambang Kromong music among Betawi people is well maintained. The traditional music has its own dynamics in the life of Betawi people. Betawi people expect that the traditional music could develop and be able to satisfy the musical tastes of its people by playing the composition with popular music and dangdut. It stimulates the creativity of the the traditional artists to combine the traditional music instrument of Grambang Kromong ensemble with Western music instruments. The dynamics of the traditional music results in the two categories of the Gambang Kromong, which are the genuine one and combined one. In spite of the dynamics, the supporting people of the traditional music remain to be faithful audience of the traditional ensemble that it is well-preserved up to the present time. Keywords: Gambang Kromong, Use and Function, Aesthetic, Society
PENERAPAN DINAMIKA ALAMIAH PADA LAGU-LAGU YANG TIDAK BERTANDA DINAMIKA R.A. Dinar Sri Hartati
SELONDING Vol.1, No.1, Maret 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/selonding.v1i1.63

Abstract

Music is expression in sound. Sound without expression is not music. In music we express the idea. Dynamic is a musical elemen, that has function to express the idea and the soul of the sound, so the sound can be music. This article gives a practical direction about how we can applicate dynamic in a musical composition naturally so the idea of music can we hear, feel, and enjoy. Keywords: Dynamic, Music, Composition
BERKARYA MUSIK: ANTARA HARAPAN DAN TANTANGAN Mr. Warsana
SELONDING Vol.1, No.1, Maret 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/selonding.v1i1.64

Abstract

It is not easy to create musical works. It requires perseverance, toughness, broad knowledge and experience in addition to long creative process for musicians to pour their ideas into musical works that are intelligible and enjoyable. Different artists have different understanding of artistic works with certain theme and they have their own way to interpret the artistic works. There are various challenges they artists must face in creating good artistic works that are enjoyable by their audience or music lovers. The creative process is carried out by exploring, observing, improvising and arranging the results of the exploration, the observation and the improvisation in a good composition. It is the key for the artists to the success in their artistic creation.   Keywords: Music, Creativity, Performance
REPRODUKSI LAGU KR. KEMAYORAN: KONSTRUKSI SUBJEKTIVITAS NYAK INA RASEUKI (UBIET) Susi Gustina
SELONDING Vol.1, No.1, Maret 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/selonding.v1i1.65

Abstract

This article shows the knowledge and cultural perception of an Indonesian woman singer, Nyak Ina Raseuki (Ubiet), that was achieved through her musical experiences in social life and constructed her singing style as her aesthetic mastery (connoisseur). Her singing style is used to reproduce songs from the variety of musical genres so that constructed her subjectivity in Indonesian popular music. One of the songs is analyzed in this article is Kr. Kemayoran, a song in the genre of keroncong. The research questions focus on 1) the construction of knowledge and cultural perception of Ubiet to construct her subjectivity, and 2) Ubiet’s way to explore Kr. Kemayoran so that showed the difference from others. This research used the life history method to understand Ubiet’s knowledge and cultural perception and the critical musicology to analyze the song. The research findings are the connoisseur is not depend only on formal education, but on the variety of musical practices in Ubiet’s life. Besides it, Ubiet’s subjectivity more focused on her musical competencies, i.e. her wide vocal range, the ability to explore many songs with microtones, local ornaments, as well as her ability to follow the development of meter and tonalilty (modulation) that are preceded by the music accompaniment.   Keyword: subjectivity, connoisseur, knowledge, cultural perception
TEMBANG MACAPAT SEBAGAI SUMBER IDE GENDING-GENDING KARYA KI NARTOSABDO Mr. Suparto
SELONDING Vol.1, No.1, Maret 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/selonding.v1i1.66

Abstract

Ki Nartasabda used Sekar Macapat as one of the inspirations in creating gamelan ensemble compositions. The expression of the Javanese traditional poetry was applied in the composition elements such as bawa, gerongan, and lelagon. Therefore, the elements were related to different ambiences of the traditional songs and cakepan did not completely follow the rimes of the Javanese poetry and also cengkok in the Sekar Macapat. The Sekar Macapat in the gamelan ensemble compositions created by Ki Nartasabda was expressed implicitly and explicitly in the bawa, the gerongan and the lelagon. The examples of the gamelan ensemble compositions were contained in the forms of Bawa Sekar Mijil, Ladrang Pocung, Lelagon Gambuh Pangatag, Lancaran Wira-wiri, and Lancaran Begadhang (Sinom). Keywords: Macapat, Gending, Compositions
PENDIDIKAN NILAI LUHUR MELALUI TEMBANG (LAGU) DOLANAN ANAK Untung Mulyono
SELONDING Vol.1, No.1, Maret 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/selonding.v1i1.67

Abstract

Education of children of play group and elementary school of age is absolutely required, especially education of affective aspect because it is at the age that they develop their emotional capacity. Continuously trained will develop their emotional capacity and also their ability to control it. Therefore, teachers play a frontline role in developing the character of the children who are not only good in their cognitive and motor aspects, but also in their affective aspect. Traditional children songs, especially the ones for children of schooling age are highly appropriate and it should have been introduced for long time ago. It is because the traditional children songs contain the teachings of noble values and the behavioral aspects that must be developed through real reinforcement, role model and identification. Thus, learning the traditional children song systematically along with teachers will enable the development of good attitude and conduct that they can practice in their family as obligation. Such good conduct and character of noble values must be developed into good behavior, attitude and character. The development of the character of human being plays a strategic role in developing a good conduct. Developing honesty, trust, transparency and wisdom is important for human being that they have high dignity. It is expected that good and right character education will result in high civilized and dignity society. Traditional children songs for the children of play group and elementary school of age play an important role in developing the affective aspect, psychomotor aspect and cognitive aspect of the children and it is a means to develop good character, attitude and behavior based on noble values. Key words: education, noble values and traditional children songs
KESENIAN TERBANG MEDAL KERAMAT CEMPAKA MULYA DALAM UPACARA NGARUWAT BUMI DI DESA SUKAMUKTI KECAMATAN MAJALAYA KABUPATEN BANDUNG Firly Fauzia
SELONDING Vol. 1 No.1 Maret 2013
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/selonding.v1i1.321

Abstract

Kesenian Terbang Medal Keramat Cempaka Mulya, in Sukamukti village, Majalaya subdistrict of Bandung regency, has a special presentation structure that still holding on to the traditions common to the ancestors in organizing the performance ensemble. This musical performance can be categorized as a multifunctional Tambourine ensemble performed not only in religious rituals, but also in other ceremonies for circumcision, wedding, ngaruwat bayi (ritual cleansing and purification for children), or ngaruwat bumi (earth cleansing and purification rituals), and so on. The problem to be studied comprises the function and structure of performance of Kesenian Terbang Medal Keramat Cempaka Mulya in Sukamukti village, Majalaya subdistrict, Bandung regency. The study employed an analytic descriptive method using an ethnomusicological approach. The data were collected through observation, interview, literature review, and documentation. By this method, the author can describe how the Kesenian Terbang Medal Keramat Cempaka Mulya in Sukamukti village, Majalaya subdistrict, Bandung regency performs in Ngaruwat Bumi ceremony. Ngaruwat Bumi ceremony starts with Ijab Qabul (Muslim marriage contract) and Tawasulan (Islamic prayer). In this event, Kesenian Terbang Medal Keramat Cempaka Mulya performs Terbang Buhun. Subsequently, the celebration event was held by involving the community to presents the songs of joy. In this event, Kesenian Terbang Medal Keramat Cempaka Mulya performs Terbang Bangreng and Terbang Akrobat.  
SEBUAH KESAN AKAN KEHENINGAN BUNYI Dreeartika Adi J.W
SELONDING Vol. 1 No.1 Maret 2013
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/selonding.v1i1.323

Abstract

An Impression of the Silence of Sounds is the title of a musical composition that put emphasis on the silence in either a sensible or insensible reality. The phenomenon of sounds as both real and not-real is attempted to be expressed through this composition, after going through the stages of scientific study of acoustics (as represented in symbols) and imagination. This composition was inspired by the works of musical composition and natural phenomena that are identical to silence itself. This musical work was realized, first, through some processes or methods, such as initial stimulation, ideation, exploration, improvisation, and formation that ended up in presentation. The composition intends to integrate two musical media; of Western and Eastern (Gamelans). Moreover, it encompassing all three movements; adagio, allegro, and returns to the beginning of the adagio section. In its own context, the composition represents an affirmation of the existence of sounds in a silence as has been demonstrated in natural science disciplines. Further, it attempts to criticize public perception that the beauty of art is solely a sensual pleasure. Keywords: Impression, Silence, Sounds, acoustics, imagination.
SIALANG Agung Gumelar
SELONDING Vol. 1 No.1 Maret 2013
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/selonding.v1i1.324

Abstract

Sialang is an ethnical music performance inspired by honey bees collecting nectars. The idea evolved into a concept of life that comprises three elements of the interacting and interdependent creatures. Sialang is a tree that shelters the bees until they produce honey; from early life into adulthood, they are persistent to deal with natural selection and to survive amidst the challenges they are facing such as bad weather, attacks from other animals, and uncertain climate. From the life they had never live before until the life with full of threats to their survival. Therefore, human, plant and animal should establish a mutually beneficial life in order to realize a harmonious life. Such phenomenon is manifested because of the tangle of three elements that play a major role in fostering a mutually beneficial relationship. The one and the other elements are welded together to form a unified whole. This phenomenon can be expressed in the form of intertwining circles as the food chain that works on a cyclical basis in an ecosystem.   Keywords: honey, concept of life, Sialang.

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