Jurnal Kajian Bali
The Jurnal Kajian Bali (Journal of Bali Studies) is an area study journal that specializes in publishing research-based articles about Bali. The topics of articles about Bali that can be published are very diverse including Balinese culture, politics, music, language, architecture, literature, history, mass media, popular culture, tourism, economy, environment, health, law, management, religion, and Balinese customs. The journal would also like to publish articles on Bali with comparative approaches. The Jurnal Kajian Bali (Journal of Bali Studies) is published twice a year, every April and October. Published articles are reviewed in a single blinded manner. The Jurnal Kajian Bali (Journal of Bali Studies) was first published in April 2011 by the Center for Balinese Studies, University of Udayana. Starting from April 2019, the journal is published jointly by the Center for Balinese Studies and the Center of Excellence in Tourism, University of Udayana. However, starting April 2020, the Jurnal Kajian Bali (Journal of Bali Studies) was published by the Center for Cultural Research and the Center of Excellence in Tourism, University of Udayana. This change occurred because of the reorganization of research centers at Udayana University from the end of 2019.
Articles
323 Documents
<![CDATA[Bali Membangun kembali Industri Pariwisata: 1950-an ]]>
<![CDATA[Adrian Vickers]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 3 No 2 (2013): PARIWISATA BALI DAN WARISAN BUDAYA ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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<![CDATA[AbstractThe period of nation-building following Indonesia’sindependence is still little documented. The creationof Bali’s tourist industry during the colonial period isbetter documented that the re-creation of the industry inthe post-War period. This period is important because itwas Balinese who became the main agents of the rebornindustry. The industry was built on three main pillars, theprovision of accommodation, the creation of souvenirsthrough the “Artshops”, and the creation of itineraries.Building on the remnants of the colonial period, Balineseresponded to interactions with a number of key Westernfigures, using them as guides to Western tastes and needs.Although the strategy of “Cultural Tourism” is usuallyascribed to the Suharto era, it was a product of Balineseagency in the period between 1950 and 1971.]]>
<![CDATA[Modal Budaya Guru Yoga Lokal Menghadapi Persaingan Global dalam Pariwisata Yoga di Bali ]]>
<![CDATA[I Gede Sutarya]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 10 No 1 (2020): BALI DIASPORA ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2020.v10.i01.p06
<![CDATA[Yoga tourism in Bali has been running from the 1980s to the present day, initially created by overseas yoga teachers. In the 2000s, however, local Balinese yoga teachers began to emerge and compete with overseas yoga teachers. This article analyzes the ability of local yoga teachers to compete in the business of yoga tourism against foreign yoga teachers. The analysis focuses on the cultural capital owned by local yoga teachers and the role of that cultural capital in business competition of yoga tourism. Data was collected by literature study, non-participatory observation, in-depth interviews, and surveys. They were nalyzed by habitus theory and the product planning theory. This article concludes that the unique cultural capital possessed by Balinese yoga teachers is a provision for them to face competition in the yoga tourism business which eventually becomes a way for them to preserve that cultural capital.Keywords: yoga tourism, cultural capital, the uniqueness of Balinese yoga]]>
<![CDATA[Stratifikasi sosial pada masa prasejarah di Bali ]]>
<![CDATA[I Wayan Ardika]]>;
<![CDATA[I Ketut Setiawan]]>;
<![CDATA[I Wayan Srijaya]]>;
<![CDATA[Rochtri Agung Bawono]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 7 No 1 (2017): RELASI ETNISITAS DI BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2017.v07.i01.p03
<![CDATA[Mortuary practices might have represented social stratification during the prehistoric period in Bali. Disposal treatment of the decease, burial goods, and containers that were utilized for burials may correspond with social identity and social persona of the deads and their family. This article will explore social stratification on the basis of burial systems and burial goods that were utilized during the prehistoric period in Bali. Field survey and study on documents have also been done for data collection. In addation, Postprocessual theory has been applied in this study. It seems that global contacts and access for exotic goods might have stimulated the ranked or social stratification during prehistoric period in Bali. Metal objects, which raw materials are absence in Bali, including stone and glass beads, gold foil eye covers that were utilized as burial goods might have represent a status symbol during prehstoric period in Bali. Local elits in Bali utilized material objects as well as burial systems as a symbol for social differentiation and hierarchies in the soceity. Ranked society occurred prior to the apperance of Early State in Bali.]]>
<![CDATA[Representasi Guru dalam Cerpen dan Novel Sastrawan Bali ]]>
<![CDATA[I Nyoman Tingkat]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 4 No 1 (2014): TEKS SEBAGAI REPRESENTASI SOSIAL BUDAYA ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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<![CDATA[AbstractThis paper discusses two novels and two short storiesby examining modern teacher’s characters by Balinese fictional authors. These four literary works are a novelin Balinese language entitled Bukit Buung Bukit Mentik (Buung and Mentik Hills) by Agung Wiyat S Ardhi, a novel in Indonesian language Senja di Candi Dasa (Twilight inCandi Dasa) by Aryantha Soethama, and two short stories in Balinese language Sertifikat(si) (A Certificate (ion)” by I Made Lewis, and Ngabdi (Serving) by I Nyoman Alit Suwarbawa. By reading them in parallel way, these four works offiction are analyzed using the theory of New Historicism. It is found that the images of teacher characters in the writers mind are identical with that in real life. The teacher characters in these four stories seem to have changed from that of the traditional images of the past. Then, teachers were described as wise, knowledgeable and idealistic men. These kind of quality only are found in the Bukit Buung Bukit Menti. Where as, in Senja di Candi Dasa, Sertifikat(si) and Ngabdi, such moral fibers are changing because of the increasingly glamorous lifestyle. The analysis also concludes that these fictions andfacts appear together, complementing one another. If fictions are a story and facts are history, then both appear simultaneously.]]>
<![CDATA[Front Matter JKB Vol. 11 No. 1 2021 ]]>
<![CDATA[Editorial Team JKB]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 11 No 1 (2021): Volume 11 No. 1. April 2021 ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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<![CDATA[Teluk Benoa dan laut Serangan Sebagai “laut peradaban” di Bali ]]>
<![CDATA[I Putu Gede Suwitha]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 7 No 2 (2017): BUDAYA EKONOMI BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2017.v07.i02.p09
<![CDATA[This study aims to reveal the trade networks and dynamics of maritime history in the waters of Bali, especially in the 19th century. There is an interesting aspect in the study of maritime history in Bali namely the importance of Benoa Bay marine area to be the entrance to Bali since many centuries ago. Benoa Bay region directly opposite the Indian Ocean is also associated with Lombok and Bali Straits that become the entry point of the sea trade between Asia and Australia. The study used historical and ethnographic methods. The historical method as well as ethnographic were used to discuss maritime cultural dynamics to the community around the region of Benoa Bay of Bali waters. The results showed that Benoa Bay area turned into the arena of cultural interactions resulting in he mixed culture (mestizo) which produces a different customs from other regions. The occurrence of cross-cultural and civilization contacts put this region as a typical region or special zones outside the sphere of Islamization as the Sea of Civilization.]]>
<![CDATA[Ngelidin Sétra, Nepukin Sema? Thoughts on Language and Writing in Contemporary Bali ]]>
<![CDATA[Richard Fox]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 2 No 2 (2012): BAHASA BALI DALAM PELANGI ILMU ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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<![CDATA[AbstractRecent decades have seen a shift in Balinese sensibilitiesregarding the use of the island’s traditional script, andof the texts that are written in that script; and this shiftappears to be linked to a series of wider-reaching changesin the way people set about embodying, cultivating andcontesting shared ideals of agency, community and thecollective good.1 That is to say there seems to be a linkbetween, on the one hand, the material practices of scriptand writing and, on the other, broader styles of what Iwould call social and practical reasoning. I wish to suggestthat this empirical observation may have some ratherimportant implications for how we think about culturalpreservation, and perhaps especially the challengesfacing those working to safeguard the future of Balineselanguage, script and literature. I would like to present thisargument with specific reference to the idea of ‘languageendangerment’, not only on account of its prominence incurrent debates on language and cultural heritage, but alsoas the questions it raises have special bearing on the issues at stake in contemporary Bali. The recent controversy overthe place of Balinese language instruction in the NationalCurriculum offers a useful way into the problem.]]>
<![CDATA[Kajian tentang Penerapan Community Based Tourism di Daya Tarik Wisata Jatiluwih, Tabanan, Bali ]]>
<![CDATA[Ni Putu Dyah Krismawintari]]>;
<![CDATA[I Gusti Bagus Rai Utama]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 9 No 2 (2019): DUNIA POLITIK DAN HOSPITALITI PEREMPUAN BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2019.v09.i02.p08
<![CDATA[Desa Jatiluwih adalah desa wisata yang terletak di Kecamatan Penebel, Kabupaten Tabanan. Desa wisata ini memiliki panorama alam yang indah dengan terasering yang unik dan berdampingan dengan indahnya pemandangan Gunung Batukaru. Penelitian ini menggunakan pendekatan penelitian kualitatif dengan jenis penelitian deskriptif. Perumusan masalah yang dikaji oleh peneliti ada dua, yaitu: (1) penerapan konsep CBT yang dilakukan oleh otoritas Desa Wisata Jatiluwih dalam mengelola daya tarik wisata berkelanjutan, dan (2) peran yang dimainkan oleh pemangku kepentingan. Kajian ini menyimpulkan bahwa manajemen Daya Tarik Wisata Jatiluwih telah menerapkan prinsip-prinsip ekonomi yang sehat, pembangunan untuk kesejahteraan masyarakat setempat; melestarikan alam agar lingkungan tetap lestari, budaya sehat dengan berkontribusi pada budaya yang ada di masyarakat pedesaan, dan menerapkan prinsip kepuasan wisatawan. Hasil kajian ini menyarankan agar sistem subak dan alamnya tetap dipertahankan karena menjadi indikator kepuasan wisatawan yang berkunjung ke Jatiluwih. Kata Kunci: Community based tourism, Jatiluwih, Warisan budaya dunia, Subak, Irigasi]]>
<![CDATA[Dampak Pariwisata terhadap Kemiskinan di Kawasan Pariwisata di Bali ]]>
<![CDATA[I Nyoman Sudiarta]]>;
<![CDATA[I Wayan Suardana]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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<![CDATA[This study aims to determine the typology of poverty, it causes and its impact on the poor in the tourism area of Tulamben Tourism and Candidasa in Karangasem regency. Research using purposive sampling method with a sample size 94 coastal residents. Data analyzed by using descriptive statistics. The research results are as follows: (i) Typology of poverty of coastal communities, among others: the age of majority is 60 years old and above, low education (graduated primary school), the average income of 300,000/ month, (ii) Causes of poverty included natural factors, cultural factors, and the lack of poor people to work in the tourism sector, and (iii) the impact of tourism on coastal communities positively impact the chances of opening new jobs like being a tour guide of diving, porter, and souvenir sellers.]]>
<![CDATA[Getting the Story Straight? Some Untimely Thoughts on History, Literature and the Performing Arts in Bali ]]>
<![CDATA[Richard Fox]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 1 No 1 (2011): BALI DALAM MIKRO DAN MAKRO POLITIK ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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<![CDATA[AbstrakSudah cukup jelas bahwa ada hubungan mendalam antara seni pertunjukandan kesusastraan Bali. Yang mungkin masih kurang jelas adalah karakter darihubungan tersebut. Para penulis akademis maupun nonakademis seringkalimenekankan pentingnya sastra kuno India dan cerita babad untuk lakon wayangkulit, arja, topéng dan lain sebagainya. Walaupun ahli seni pertunjukan dariluar negeri kerapkali menekankan pentingnya sastra kuno, di mana sebenarnyamereka tidak mempunyai latar belakang yang kuat di bidang bahasa lokal dansastra kuno, mereka jarang sekali mengomentari masalah seni pertunjukan.Memang ada beberapa pengecualian yang penting. Akan tetapi, pada umumnya,itulah keadaan yang terjadi sekarang di bidang studi seni pertunjukan. Artikel inimenggunakan contoh dari sebuah pertunjukan topéng pajegan untuk menyarankanbahwa kita perlu memperhatikan sejarah, bahasa dan sastra lokal secara lebihbernuansa. Pendekatan seperti ini mungkin akan lebih sensitif terhadap sisipolitik—baik dari seni pertunjukan Bali maupun dari proses pengajarannya.]]>
