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Poetika: Jurnal Ilmu Sastra
Published by Universitas Gadjah Mada
ISSN : 23385383     EISSN : 25034642     DOI : https://doi.org/10.22146/poetika.v2i2.10445
Core Subject : Humanities, Art,
Arts Humanities
POETIKA: Jurnal Ilmu Sastra publishes academic articles within the scope of literary criticism (limited to poem, prose, drama, oral tradition, and philology). The articles cover the form of a result on specific analysis; academic reports; closed reading; and the application of certain theories to enrich literary study.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 162 Documents
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TEMATOLOGI: PEMBACAAN TEORITIS TERHADAP SALAH SATU METODE PENELITIAN SASTRA BANDING CLAUDIO GUILLEN Lusia Kristiasih Dwi Purnomosasi
POETIKA Vol 1, No 2 (2013): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i2.10399

Abstract

Comparative literature study by Claudio Guillen has basic reason namely Weltliteratur. Guillen did criticism upon it to formulate his own method on comparative literature research. Goethe has inspired him to create the basic assumsion of  his theory; the one and the many and the universal and the local as well, upon which the internationality by socio-historical perspectives is conducted to identify the diachronic structure. It will reveal the supranationality within the primary data being compared. A researcher will stand on 5 principles, one of  which is thematology where a principle motif  of  a theme lies as a means of  dialog in internationality.Keywords: comparative literature, internationality, diachronic structure, supranationality
RUANG PASCAKOLONIAL DALAM THE GOD OF SMALL THINGS KARYA ARUNDHATI ROY Endang Suciati
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10401

Abstract

This paper discussed about the construction of space in The God of Small Things novel by Arundhati Royusing post-colonial space theory by Sara Upstone to find out the representation of the West and the East inside andand outside the domestic space including the post-colonial strategy used. It was because The God of Small Things seemedto talk about the condition of the dualistic post-colonial Indian society. Then, India itself is one of the dualistic postcolonial societies which means that it still holds its own traditions and runs the culture left by the colonial. Both colonialand Indian culture had their own rules with their borders that controlled people’s life but they were repressive to the society.The result of this analysis proved that in the context of domestic space and its surroundings, The God of Small Thingsshowed the representation of the West and the East that caused transgression and chaos. The chaos led to post-spaceoutside the home. Once, the novel showed that the post-space could also be done inside the home. Thus, the novel wasdeconstructing the construction, including the construction of post-colonial itself. It happened since the problem began indualistic conditions of post-colonial Indian.Keywords: colonial, post-colonial, chaos, post-space.
MASALAH CINA, MASALAH CINTA: POSISI ORANG TIONGHOA DALAM DI KAKI BUKIT CIBALAK KARYA AHMAD TOHARI Christopher Woodrich
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10402

Abstract

e-width: 0px; "> For the duration of the New Order era (1966–98), the position of Chinese Indonesians was considereda problematic question: they were not “Pribumi” (native), but also not entirely Chinese. This “Chinese Problem”was discussed by a variety of speakers and writers, including several authors of literary works. In Di Kaki BukitCibalak (1977), Ahmad Tohari presents two ethnic Chinese characters, Nyonya Wibawa and Mulyani, the first asthe employer and the second as the lover of the main character, Pambudi. By applying Goldmann’s theory of geneticstructuralism, we show that through his depiction of the physical and behavioural aspects of the characters, Toharipromotes an assimilationist approach as the only possible solution to the Chinese problem (if it can be solved): thedichotomies between ethnic Chinese and Native Indonesians must be erased. However, Tohari continues to differentiatethe ethnic Chinese by positioning them as persons who must only act to support the welfare of the Pribumi.Keywords: “The Chinese Problem”, Ahmad Tohari, position of Chinese Indonesians, Di Kaki Bukit Cibalak
PERJUMPAAN ETIS DENGAN WAJAH YANG-LAIN: MEMBACA KARYA SASTRA DENGAN “ETIKA” LEVINASIAN Achmad Fawaid
POETIKA Vol 1, No 2 (2013): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i2.10403

Abstract

This paper aims to introduce a theoretical approach to literary studies regarding with relation between ethics and literature. For this pur pose, an ethical encounter, flourished by Emmanuel Levinas, will be highlighted to figure out that relation within Danarto and Putu Wijaya‘s narratives. The philosophical research is a kind of  methodology on which this paper is based in order to search a possible way of  adopting Levinasian ethics as method of  literary analysis. It has resulted in some initial findings: (1) Danarto and Putu Wijaya‘s narratives can be regarded as ones conceiving ethical dimension and (2) some implications emerge subsequent to the analysis of  relationship between Levinasian ethics and literature.Keywords: relation, ethics, literature, Levinas, Danarto and Putu Wijaya
KETERASINGAN DALAM UTOPIA CERPEN “ANTARA DEN HAAG DAN DELFT” KARYA RILDA A.OE TANEKO Galuh Febri Putra
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10404

Abstract

This paper is focused on the alienation which caused by nation in Rilda A.Oe Taneko’s short story entitled “Antara Den Haag dan Delft”. Independent nation which is simply a rewriting of what has been taken away by the colonizer created fixation of space which can not accommodate all interests. This circumstance forced ‘kakek’ (an old man) in the short story to imagine the ideal space outside the nation. However, in the utopia kakek feels alienated. This paper used the Postcolonial theory by Sara Upstone  which conceptualize that the independent nation and colonizer do the same act, they just covered the instability in the space of nation. In the attempt to achieve independence, nation used the slogan unity in diversity. The instability  led a journey to the utopia city where there is no limitations in place. Kakek in the short story feels alienated in the utopia city because of the cover of instability in the form of his love to the nation that given to him. Anything that is not a part of his nation turned into something strange.  Keywords: alienation, utopia, love to the nation. 
CERPEN-CERPEN KOMPAS 1970—1980 DALAM HEGEMONI NEGARA ORDE BARU (ANALISIS WACANA KRITIS) Apri Damai Sagita Krissandi
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10405

Abstract

0px; "> The objectives of this research are to understand the country’s hegemony in the Kompas short stories compilation,Dua Kelamin bagi Midin, and the impacts of country’s hegemony in it. This research uses a dialectic method. Thismethod has been used to analyse six short stories in the short stories compilation through social contextual aspects.This research uses Gramsci’s hegemony theory which emphasizes the importance of idea in social politics control andcritical discourse analysis to analyze text intensively through historical context. Short stories have a unique positionin its corelation to the country’s intervention in literatures. Short stories become a part of mass media or newspaperhegemonied by a country. On that position, short stories have some benefits and they are not hegemonied directly by acountry. Short stories hegemony helps mass media to balance news dealing with some mass media which get pressurefrom country. The six analyzed short stories prove that there is ideological plurality and complexity built in thecharacters relationships in the stories. It shows that there are social criticisms to the country.Keywords: hegemony, short story, Kompas, ideology
NASKAH SYAIR KANJENG NABI DAN HIKAYAT NABI BERCUKUR DALAM RELASI EPIGONISTIK Agus Sulton
POETIKA Vol 1, No 2 (2013): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i2.10407

Abstract

The Kanjeng Nabi Verses (Syair Kanjeng Nabi) is a pegon and Arabic lettered verse that tells us the story  about Prophet Muhammad when his hair was cut. The same story is also narrated in the Tale of  Shaving Prophet (Hikayat Nabi Bercukur) that was written in Jawi. Both texts tell the similar story despite their different geographical backgorund. This study enables the epigone theory as an approach to controvert the idea on act of  plagiarism between authors of  both texts then to propose the creator‘s creativity in producing texts. Identifications on texts‘ functions and themes methods, and interpretation on cultural perspectives and transcribing tradition are used in this study in order to demonstrate author‘s creativity in producing texts.Keywords: The Kanjeng Nabi Verses, The Tale of  Shaving Prophet, Epigone, text function identification,themeidentification, comparative inter pretation
AMBIVALENSI NASIONALISME DALAM CERPEN “CLARA ATAWA WANITA YANG DIPERKOSA” KARYA SENO GUMIRA AJIDARMA: KAJIAN POSKOLONIAL Arif Kurniar Rakhman
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10409

Abstract

Nationalism produces a complex identity because it is constructed from colonial tradition which is reproduced continuously by history. In this context, the writer of this paper analyzes the phenomenon from literary approach. A short story written by Indonesian author, Seno Gumira Ajidarma, entitled “Clara atawa Wanita yang Diperkosa” is chosen because it reveals a different narration in viewing the existence of Chinese Society in Indonesia. This paper will use post-colonial study to reveal how is the rhetoric of tradition and development, the idea of universality and postnation, also the ambivalence in nationalism discourse.Keywords: nationalism, Chinese, post-colonial, ambivalence.
KRITIK SASTRA PUITIKA KULTURAL STEPHEN GREENBLATT: METODE DAN PRAKTIK ANALISIS Moh. Fathoni
POETIKA Vol 1, No 2 (2013): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i2.10411

Abstract

As an exponent of  new historicism, Greenblatt initiated cultural poetic in literary criticism . The broad and eclectic of Greenblatt‘s thought in various disciplines and also what he had adopted from other thinkers‘ theory strengthen in practising literary texts analysis, while Greenblatt ‘s writings about literary texts analysis were not formulated in the form of  theories and praxis methods. In the other hand, it makes possible for anyone to formulate theories and methods for analysis according to literary criticism does. This paper describes a poetic culture literary critic of  Stephen Greenblatt by trying to explore and understand the world through the analysis of  his works. The formulation of  Greenblatt‘s thought was proccesed by identifying some of  his major books in the practice of literary text analysis, such as Renaissance Self  - Fashioning: From More to Shakespeare (1980), Shakespearean Negotiations: The Circulation of  Social Energy in Renaissance England (1988), and Marvelous possessions: The Wonder of  the New World (1991).Keywords:new historicism, Greenblatt, poetic
PARADOKS RUANG TUBUH DALAM PUISI “SAKRAMEN” KARYA JOKO PINURBO: KAJIAN ‘PASCAKOLONIAL TUBUH’ SARA UPSTONE Dwi Rahariyoso
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10413

Abstract

This essay explains about postcolonial space body in the poem Sakramen by Joko Pinurbo. In the Upstonepostcolonial context, body is the subject which being ordered the same with home, journey, nation, and city. Body becomesthe last space in colonialism, as a form of power and ownership implementation in supporting the existed systems. Bodybecomes part of colonial absolute definition target, but there is posibility of redefinition continuance. This researchfinds that body construction is found in Sakramen poem paradoxically presents dialiectic between body and soul whichrevolve in the matter of God as body. This construction in the end becomes self-deconstruction for the author whichontologically refers that body (material) is destroyed in impermanence, while spirit (idea) of Christ as God is idealizedin unity. In the end, this condition directs that the ideal contruction is in the spirit world, while in here, (the empirical,physical) is just irony.Keyword: space, post-colonialism, chaos, altenative body, whole budy, paradox, self-deconstruction, irony.

Page 2 of 17 | Total Record : 162

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