cover
Contact Name
M. Agus Burhan
Contact Email
urbansocietysart@yahoo.com
Phone
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Journal Mail Official
urbansocietysart@yahoo.com
Editorial Address
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Location
Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
Journal of Urban Society´s Arts
ISSN : 23552131     EISSN : 2355214X     DOI : -
Journal of Urban Society's Art ( Junal Seni masyarakat Urban) memuat hasil-hasil penelitian dan penciptaan seni yang tumbuh dan berkembang di masyarakat perkotaan yang memiliki struktur dan kultur yang berbeda dengan masyarakat pedesaan. Seni masyarakat urban merupakan manifestasi seni yang dihadirkan melalui media-media seni rupa, seni pertunjukan, dan seni media rekam yang erat dengan problematika kehidupan yang terjadi dalam keseharian masyarakat, serta bisa menjadi simbol yang menarik dan menjadi elemenpenting yang menjadi ciri khas dari (1) pusat kota, (2) kawasan pinggiran kota, (3) kawasan permukiman, (4) sepanjang jalur yang menghubungkan antar lingkungan, (5) elemen yang membatasi dua kawasan yang berbeda, seperti jalan, sungai, jalan tol, dan gunung, (6) kawasan simpul atau strategis tempat bertemunya berbabgai aktivitas, seperti stasiun, jembatan, pasar, taman, dan ruang publik lain.
Arjuna Subject : -
Articles 114 Documents
FILM “TROPY BUFFALO” SEBAGAI SEBUAH PARODI KEBUDAYAAN MINANGKABAU DALAM ESTETIKA POSMODERN Andri Maijar
Journal of Urban Society's Arts Vol 5, No 1 (2018): April 2018
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v5i1.2199

Abstract

Film menjadi sebuah karya estetika sekaligus sebagai alat informasi yang bisa menjadi alat penghibur, alat propaganda, juga alat politik. Ia juga dapat menjadi sarana rekreasi dan edukasi, di sisi lain dapat pula berperan sebagai penyebarluasan nilai-nilai budaya baru. Dalam penelitian ini, penulis mencoba menganalisi sebuah salah satu film yang mengangkat lokalitas budaya masyarakat Minangkabau yaitu Film Thropy Buffalosutradarai Vanni Jamin. Analisis film ini melakukan pendekatan terhadap Parodi, yang merupakan bagian dari Estetika Posmodern.  Praktek budaya posmodernisme ditandai dengan suatu pergeseranyaitu dari estetika produksi ke estetika konsumsi di mana nilai-nilaipermainan dalam estetika menunjukkan kenaikan yang penuh daya.  Parodi adalah satu bentuk dialog sebagaimana konsep dialog yang bertujuan mengekspresikan perasaan tidak puas, tidak senang, tidak nyaman berkenaan dengan intensitas gaya atau karya masa lalu yang dirujuk, dan menjadi semacam bentuk oposisi atau kontras di antara berbagai teks, karya atau gaya lainnya dengan maksud menyindir, mengecam, mengkritik, atau membuat lelucon darinya. Dalam film Film Tropy Buffalo, penulis  melihat bahwa film tersebut merupakan representasi dari kebudayaan minangkabau yang kemudian di parodikan sebagai bentuk perlawanan oleh pengkarya dalam melihat kehidupan masyarakt Minangkabau.
STUDY OF APPLICATION "BATIK" IN THE INTERIOR OFFICE PARTITION Tunjung Atmadi Suroso Putro; Rizky Dinata; Ali Ramadhan
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3187

Abstract

Office partitions are part of office furniture that serves as a dividers of office space. Office partitions provide solutions to organize work space in the office to make it more tidy and efficient. The use of office partition is a modern concept of office space in maximizing office space to make it more comfortable. By applying knock down system to the office partition, wall panels can be dismantled and installed back to be installed or applied with certain batik pattern. The office interior now became an important part to represent clients to increase the look of an office. The method used in this research is descriptive qualitative method, starting from the initial concept of the product, product development and prototype application of batik motif design on the partition. The results of this study are expected to be able to complement the space image with a certain style as a supporting element of interior design, as well as add to the appearance of the office interior to be more dynamic and increase working productivity. 
ECOART THROUGH VARIOUS APPROACHES Martinus Dwi Marianto; martinus dwi marianto
Journal of Urban Society's Arts Vol 7, No 1 (2020): April 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v7i1.4084

Abstract

This research was done as an effort to observe, write, and publicize  eco-activism and achievements by a number of eco-actors in the midst of an increasingly natural environmental crisis, to be used as stimuli and teaching materials for the course of  EcoArt. A number of artists practicing ecoartivism were purposively selected as a sample; their works and achievements are exposed. They are Endar Progresto, Widya Purwoko, Bernadeta Pudiasminarsih (Dyas Ecoprint), and Nasirun. These eco-activists not only work ecologically real, but also creatively communicate ecological values to surrounding communities to change. Nevertheless campaigning this environmental crisis for the better cannot be done partially, but must be jointly supported, organized and socialised continuously. For this reason, their works and achievements, as well as their individual ecoartivism need to be exposed, documented, and assembled as one unit as part of selected subjects of the EcoArt Course in the Fine Arts Department of the Indonesia Institute of the Arts Yogyakarta, to generate  enthusiasm in articulating or representing ecological concerns for ecosystem sustainability and preservation of natural environment through Art.
LEGITIMATION OF RELIGIOUS MUSIC OF SABYAN GAMBUS’ SONG “DEEN ASSALAM” AS A PERCEPTIVE RESPON TO ISLAMIC RADICALIZATION IN INDONESIA Umilia Rokhani
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3866

Abstract

Islam is often referred as being a radical movement or activity. Sabyan Gambus, through their song cover, responses to the situation in their song “Deen Assalam”. This song was created as an effort to minimize and reduce the society’s misthinking on the concept and implementation of Islamic teaching. Thus, a study of values implied in the song becomes essential to view such a perception shift within the society as a legitimation upon the work as well as the positioning of Islam in the structural world of Indonesian people. An analysis of the song lyrics is, accordingly, essentially needed.The theory of Riffaterre is applied to study the song lyric. Meanwhile, a theory of Bourdieu is employed to review the legitimation achievement of the work production practices. The behaviorism method is used in analyzing the agents’ behaviors during the production process to reach a legitimation that can be considered as shifting of position and perception of the society.The legitimation of Sabyan Gambus’ works by analyzing the response from the society can be considered as some possibilities of the emergence of a more moderate Islam in Indonesia. The analysis of internal meaning may also create some possibilities to audience to gain the power of value that affects the power relation and other external factors. Therefore, both internal and external work analyses are necessary to show the influence of work production and its legitimation achievement on its position and perception of the society.
The Visualization of Wayang Kulit Purwa by Bambang Suwarno Bagaskoro Ardhi; Slamet Supriyadi; Edy Tri Sulistyo
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3431

Abstract

Visualisasi Wayang Kulit Purwa Karya Bambang Suwarno. Artikel ini membahas tentang visualisasi wayang kulit purwa karya Bambang Suwarno, seorang dalang, guru dalang, dan pengembang pakeliran padat. Tujuan penelitian ini adalah mengetahui visualisasi wayang kulit karya Bambang Suwarno. Metode yang digunakan adalah bentuk deskriptif kualitatif. Teknik pengumpulan data yang digunakan peneliti dalam penelitian ini adalah teknik observasi, wawancara dan dokumentasi. Hasil kreativitas berkarya ditunjukkan dalam berbagai karya wayang dari kondisi yang ambang, ricuh, dan mencoba sesuatu yang belum ada dari berbagai jenis tokoh wayang. Pengakuan berbagai tanggapan dalang tentang karya kreasi ini menunjukkan kreativitas berkarya yang memiliki konsep, dan mendukung pentas pakeliran. Selain itu, diharapkan wayang semakin indah dilihat, menjadi penghubung antar tokoh dalam lakon, memenuhi sanggit pakeliran, menambah perbendaharaan tokoh wayang, dan memperkuat pengakuan wayang di mata dunia. This article discusses the visualization of wayang kulit purwa by Bambang Suwarno, a puppet master (dalang), a puppet master’s teacher, and a developer of a short shadow puppet performance. The objective of the research is to find out the visualization of wayang kulit by Bambang Suwarno. The method employed was descriptive qualitative one. Techniques of data collection were observation, interview, and documentation. The result of working creativity could be seen in many wayang works from the threshold, chaotic condition to trying something new that has never existed yet in a variety of wayang characters. Recognition of various mastermind’s responses to the work of Bambang Suwarno indicted the creativity of work that has a concept, and supports the performance stage. In addition, it is hoped that wayang will be more attractive to watch, become a liaison between characters in the play, fulfill the sanggit pakeliran, increase the treasury of puppet characters, and strengthen the puppet recognition in the world. 
Deconstruction and fractalization of urban identity mojtaba Valibeigi
Journal of Urban Society's Arts Vol 7, No 1 (2020): April 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v7i1.3843

Abstract

The research, by referring to the Dur Untash city at the Symbolic level, seeks to answer the question that how in urban semiotics, the city's identity has acquired a semantic significance beyond its significance. The situation of the city expresses a state that any kind of dominant discourses has lost their accreditation capacity and authority, and the audience cannot rely on any of the currents that were considered as definitive. City identity is nothing but fractal games that there is no source of authority that indicates the fixed meaning of these formulas and this is a social contract. These contracts derive from the semiotic rules which is agreed upon in the community. In this game will be try to impose certain meanings on the city identity using the symbolic function; to internalize meta-narrative (internalization process) and in this way, the identity and the presence of the Dur-Untash city will be recorded in time and reach an immortal realm.
Implementation Fernando Martinez’s Practice Methods On Drumset Instrument Class Alfiah Akbar Mohamad Alfiah Akbar
Journal of Urban Society's Arts Vol 7, No 1 (2020): April 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v7i1.3329

Abstract

This study aims to (1) Know the improvement in student learning outcomes in the drumset instrument class after applying the Fernando Martinez practice method; and (2) Knowing the obstacles that exist during the application of the Fernando Martinez (FM) practice method. The research method used is classroom action research (CAR) carried out in two cycles. The stages in this study include the planning, action, observation, and reflection stages. Data obtained include student learning outcomes, observations of student drumset practice activities obtained from videos and observation sheets, as well as the results of interviews. The results of the study in the first cycle showed that there was an increase in student learning outcomes, but the learning outcomes had not yet reached the indicators of learning achievement, namely the minimum score with a very good category (90-100). While the results of the research in the second cycle there is an increase in student learning outcomes that are significant when compared with before the application of the FM practice method and in first cycle. The obstacles faced when conducting research in the first and second cycles include; lack of motivation of students towards the tasks given, students have not been able to master the material well, because the FM method is new so students are not familiar. the stages of the FM practice method in first cycle have not been carried out correctly, the collection of tasks in the first cycle in this case the practice video was not collected on time.
Aesthetic Transformation in the Production Process of the Augmented Reality Folklore Pasua Realtime Performance Sri Rustiyanti; Wanda Listiani; Fani Dila Sari; Ida Bagus Gede Surya Peradantha
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3449

Abstract

At present, the view of aesthetics has undergone a shift in line with the aesthetic concepts that have emerged in every era. This aesthetic transformation preserves cultural values in the Millennium Era, following along with the development of performing arts in Indonesia which are also growing. In the production of performing arts there is a need for continuous creativity. Creativity is a very important factor in the life of art, that at least creativity has three benefits: a) enabling humans to provide the strongest response to new situations, b) reacting more strongly to old challenges, c) organizing new situations and giving strong response to it. Creativity allows artists to improve the quality of the presentation of a new and original performance art.This paper is the result of the Research of the Consortium in the field of Art by raising three cultural phenomena that exist in the archipelago, namely Papua, Sunda, and Aceh. The structure of these three territorial territories is a name of virtual reality that is typical of PASUA's Augmented Reality (AR) (Papua-Sunda-Aceh) Performance Arts (PA) 4.0. An augmented reality real time synchronization in the creation of performance art 4.0. which describes the cycle of human life symbolized by the Sun. Beginning with the sun rising in Papua, it then shines on the land of Parahyangan, Sunda and finally sets in Aceh, the Veranda of Mecca.
Sanggar Seni “Bao Daya” di Lombok Timur Menyongsong Industri Pariwisata Aji, Yosef Adityanto
Journal of Urban Societys Arts Vol 12, No 1 (2012): April 2012
Publisher : Institut Seni Indonesia Yogyakarta

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Abstract

Sanggar Seni “Bao Daya” di Desa Lenek Tengah Kabupaten Lombok Timurmerupakan kelompok kesenian yang sangat membantu program pemerintah untukmenunjukkan jati diri kesenian. Semua seni pertunjukan yang ditampilkan untukmenjamu wisatawan berakar dari budaya masyarakat setempat. Keunikan dankeunggulan produk berusaha ditampilkan oleh kelompok ini sebagai citra darisuatu daerah. Metode kualitatif digunakan untuk melihat fenomena yang terjadidan berkembang pada situasi sosial di sanggar-sanggar seni di desa Lenek Tengah.Hasil penelitian ini memperlihatkan bahwa sanggar seni “Bao Daya” memberikankonstribusi yang besar terhadap kehidupan pariwisata dan kelangsungan hidupanggota masyarakat di sekitarnya selain itu keterlibatan pengelola seni besertaanggota keluarganya menjadi faktor utama dari keberlanjutan dan regenerasi senitradisi di Lombok Timur. Keberlanjutan hidup kelompok kesenian ini selainbergantung pada aktivitas anggota untuk selalu menyiapkan seni pertunjukan yangditampilkan juga ketersediaan sumber daya manusia sebagai pelakunya. Sejalandengan itu, kelangsungannya tergantung pula pada kehadiran wisatawan danpengelolaan organisasi secara profesional. The Art Studio “Bao Daya” in East Lombok - Welcome the Tourism Industry.The activities of the art studio “Bao Daya” in the village of East Lombok, Lenek Tengah,are very helpful to support the local government programs showing the identity of arts.All performing arts which are performed for tourists to entertain rooted from the localculture. The uniqueness and superiority of products are showed by this studio as theimage of a certain area. However, the studio not only shows the performances that serveas the performance for the tourists, but also is aimed to create service products that areutilized by the supporters of certain community.Although the management orientation tends to meet the needs of economy, the coachingand regeneration are not totally ignored. Trainings are continuously carried out and theyalso encourage children to practice and perform as well. The sustainability of this artstudio depends on the activity of its members who always prepare an art performanceand also on the availability of its human resources as the main actors. Correspondingly,its sustainability depends also on the presence of tourists and the professional managementof the organization.
Reuse dan Reduce dalam Penciptaan Aksesoris Multifungsi Berbahan Tekstil Luviani, Alfi
Journal of Urban Societys Arts Vol 12, No 1 (2012): April 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penciptaan aksesoris multifungsi dipandang penting di tengah gempuran produkaksesoris mass production dari China yang menyerbu konsumen Indonesia. Aksesorismultifungsi berbahan tekstil dengan konsep reuse dan reduce berdasarkan ide ecofriendly ini mencoba menawarkan sebuah alternatif dalam suatu produk aksesoris,serta turut serta berpartisipasi dalam ide karya seni yang ramah lingkungan.Metode yang dipakai dalam pembuatannya adalah eksplorasi, eksperimen, danmelalui proses perwujudan. Penciptaan karya aksesoris multifungsi ini diharapkandapat memperkaya dunia aksesoris di Indonesia, sehingga masyarakat tidak lagimemandang aksesoris sebagai sebuah pernak-pernik yang tidak penting, melainkanmampu menjadi ide yang kritis tentang produk yang ramah lingkungan sertamemberikan kontribusi positif bagi perkembangan dunia perhiasan dan fashion diIndonesia. Reuse and Reduce on Creating Multifunctional Textile Accessories. The creationof multifunctional accesorries is important in order to encounter the mass productionof Chinese accessories coming to Indonesia in the recent years. These multifunctionalaccessories made of textile with the concept of reuse and reduce which are based on theeco-friendly idea try to offer a different perspective of accessory products and to participatein creating the eco-friendly products as well. The research methods which have been usedare the exploration, experimentation, and materialization. This creation is expected to beable to enrich the accessories world in Indonesia, so the community would not perceiveaccessories merely as something unimportant anymore, yet it could be an object thatbrings a critical idea about the eco-friendly artworks/products. Also, it can give a positivecontribution for the development of fashion and jewelry worlds in Indonesia.

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