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ATAVISME JURNAL ILMIAH KAJIAN SASTRA
Published by Balai Bahasa Jawa Timur
ISSN : 1410900X     EISSN : 25035215     DOI : 10.24257
Core Subject : Education,
Languange, Linguistic, Communication & Media
Atavisme adalah jurnal yang bertujuan mempublikasikan hasil- hasil penelitian sastra, baik sastra Indonesia, sastra daerah maupun sastra asing. Seluruh artikel yang terbit telah melewati proses penelaahan oleh mitra bestari dan penyuntingan oleh redaksi pelaksana. Atavisme diterbitkan oleh Balai Bahasa Provinsi Jawa Timur. Terbit dua kali dalam satu tahun, pada bulan Juni dan Desember.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 269 Documents
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PEMBENTUKAN IDENTITAS BARU TOKOH IMIGRAN DALAM EMPAT CERPEN KARYA DUA PENGARANG BERLATAR BELAKANG IMIGRAN WLADIMIR KAMINER DAN DILEK GüNGӧR Hawa, Andina Meutia; Rahayu, Lina Meilinawati; Purnomowulan, N. Rinaju
ATAVISME Vol 20, No 2 (2017): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1508.345 KB) | DOI: 10.24257/atavisme.v20i2.404.155-167

Abstract

This research aims to reveal the depiction of formation of the new identity of immigrant characters in four short stories written by two immigrant authors in contemporary German literature, Wladimir Kaminer and Dilek Güng?r. This study discusses how the immigrant characters build their new identities and their self-subjectivities in four short stories, namely ?Schlechte Vorbilder?, ?Deutsch-russisch Kulturjahr?,  "Geld oder Leben? and ?Blondes Barbie?. This study applies Hall?s (1990) identity theory and Bhabha?s (1994) hybridity theory. This study uses the qualitative approach with the descriptive-analytics method. The result of this study argues that the identity formation of immigrant characters is performed by imitating other cultures and presenting the past memory of the immigrant characters in their present lives as an effort to liberate the immigrant characters from their otherness and to build their self-subjectivities. In addition, the depiction of formation of the immigrant characters? new identities also shows that identity is a fluid concept, and a means of rejection of the two immigrant authors towards the essentialism concept of identity.
RESENSI BUKU CIUMAN BIBIRKU YANG KELABU Tjahyadi, Indra
ATAVISME Vol 11, No 1 (2008): ATAVISME, EDISI JUNI 2008
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1530.043 KB) | DOI: 10.24257/atavisme.v11i1.329.109-112

Abstract

Sampai di sini. kiranya kita dapat menarik satu pemahaman bahwa lewat puisi-puisi ciptaannya, Mardi Luhung seakan ingin memperlihatkan pada khayalak riuh: betapa dia terikat dengan lingkungan tempatnya tinggal. Dengan hanya mernbaca buku kumpulan puisi "Ciuman Bibirku yang Kelabu" karya Mardi l.uhung tersebu saia, pembaca sudah dapat dibawa pada pemahaman bahwa puisi dapat memiliki nilai kesadaran terhadap lingkungannya yang sangat kuat dan sangat terikat
MATRIARKI DAN HIDDEN WOMEN DALAM SYAIR DAMARWULAN Susanto, Dwi
ATAVISME Vol 10, No 2 (2007): ATAVISME, EDISI DESEMBER 2007
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3344.373 KB) | DOI: 10.24257/atavisme.v10i2.236.1-9

Abstract

The story of Damarwulan was a popular story. The reception toward this story was various. Syair, hikayat, legendriya, serat, and performance found at Javanist. Toe Syair of Damarwulan ML 176 appears many characteristics. The reading of this syair discovered much suspicious about the position of Queen of Majapahit, Kenconowungu. This paper explores matriarchal and hidden women into Syair Damarwulan. This paper used feminist perspective to explore matriarchal and hidden women. This paper has concluded that the process of matriarchal was always followed by hidden women. Relation of Queen Kenconowungu­ Menakjinggo and Damarwulan was one of several evidence. The presence of Damarwulan as a hero and image of idol man was the end ? of process hidden women
GANDRUNG DALAM KEMASAN KRITIK SOSIAL BERNUANSA PARODI Saputra, Heru S.P.
ATAVISME Vol 12, No 1 (2009): ATAVISME, Edisi Juni 2009
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (68.741 KB) | DOI: 10.24257/atavisme.v12i1.162.105-112

Abstract

Gandrung (Kumpulan Naskah Drama) oleh Ilham Zoebazary. Visart Global Media, Jember, 2009, viii + 190 halaman
MARGINALISASI DAN REVITALISASI PARIKAN DI ERA KELISANAN SEKUNDER Jupriono, D.
ATAVISME Vol 13, No 2 (2010): ATAVISME, Edisi Desember 2010
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (241.232 KB) | DOI: 10.24257/atavisme.v13i2.130.187-200

Abstract

Sastra lisan parikan termarginalisasikan dari masyarakatnya di Jawa Timur dan Jawa Tengah karena: makin langkanya habitat tempat munculnya parikan (ludruk, tayub, dll.); melimpahnya acara pop di media elektronik TV; punahnya budaya sindiran; tergusurnya lembah lokalisasi; makin berkurangnya jumlah penjual jamu di pasar tradisional dan para pedagang keliling berlayar tancap; lenyapnya budaya cangkrukan/jagongan. Meskipun demikian, ada dua komunitas yang tetap melestarikan parikan, yaitu komunitas pesantren, yang tetap mempertahankan parikan sebagai produk kelisanan primer, dan masyarakat Jawa pedesaan serta komunitas urban etnis Jawa, yang melestarikan parikan sebagai produk kelisanan sekunder dalam kemasan media elektronik. Di antara parikan yang masih tersisa, terdapat parikan pelesetan, yang hanya main-main oleh dagelan ludruk, dan parikan serius, sebagai media iklan resmi layanan masyarakat oleh kepolisian, parpol, perusahaan, dan media massa, serta sebagai kritik sosial terhadap ketimpangan keadaan dan kesewenangan penguasa, juga oleh dagelan ludruk. Abstract: Parikan as oral literature is marginalized from its society in East Java and Central Java because the more rarely of habitat it emerges (ludruk, tayub, etc); the abundance of popular programs in TV electronic media; the vanishing satirical culture; the abolition of prostitution locality; the lesser of the amount of herbs seller in traditional market and vendors on layar tancap; the diminishing of the culture of cangkrukan/jagongan. Fortunately, yet there are two communities keeping on conserve parikan, they are pesantren community, which keeps parikan as the product of primary orality, and Javanese villagers and also Javanese urban community who conserve parikan as the product of secondary orality in electonic media packaging. Among the rest of parikan, there are plesetan parikan, merely for jokes which come from ludruk comedians, and serious parikan, as the official advertising media of public service by police department, politic parties, companies, and mass media, also as the social critique by ludruk comedians towards social injustice and despotism of public officers. Key Words: oral literature; revitalization; secondary orality; social critique; marginalization
MITOS, MASYARAKAT ADAT, DAN PELESTARIAN HUTAN Manuaba, I.B. Putera; Satya Dewi, Trisna Kumala; Kinasih, Sri Endah
ATAVISME Vol 15, No 2 (2012): ATAVISME, Edisi Desember 2012
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (191.526 KB) | DOI: 10.24257/atavisme.v15i2.63.235-246

Abstract

Penelitian ini bertujuan (1) mengidentifikasi mitos yang diyakini masyarakat adat sekitar kawasan hutan lindung Baluran dan Gilimanuk, (2) mengkaji fungsi sosial mitos yang diyakini masyarakat adat kawasan hutan Baluran dan Gilimanuk dalam pelestarian hutan, dan (3) merumuskan model pelestarian hutan yang berbasis mitos (kearifan lokal). Dalam penelitian ini, digunakan pendekatan sosiologi sastra yang dipertajam dengan pendekatan etnografis; dengan memanfaatkan data penelitian mitos yang hidup dalam masyarakat adat sekitar kawasan hutan lindung Baluran dan Gilimanuk beserta masyarakat pendukungnya. Adapun model analisisnya adalah kualitatif deskriptif. Temuan penelitian ini sebagai berikut. Pertama, dalam masyarakat adat kawasan hutan Baluran dan Gilimanuk, terdapat mitos­mitos yang masih diyakini masyarakatnya. Kedua, mitos memiliki fungsi sosial bagi masyarakat adat karena dapat menggerakkan tindakan sosial masyarakatnya untuk melakukan pelestarian hutan. Ketiga, model yang ditawarkan adalah model pelestarian hutan yang berbasis keyakinan masyarakat pada mitos (dengan nilai­nilai kearifan lokal). Abstract: This research aims to (1) identify the myth believed by indigenous people living around protected forests of Baluran and Gilimanuk, (2) study the social function of myth believed by indigenous people of Baluran and Gilimanuk forest areas in terms of forest conservation, and (3) formulate a model of forest conservation based on myth (local wisdom). This research uses the approach of sociology of literature, perfected by ethnographic approach. The data are the myths existing among indigenous people living around the protected forests of Baluran and Gilimanuk along with the supporting community. The analysis model is descriptive qualitatative. The research has found three findings. First, among the indigenous people in the area of Baluran and Gilimanuk forest, there are myths which are still believed by the community. Second, myth has social functions for indigenous people for its ability to encourage social actions of the community to manage forest conservation. Third, the proposed model is forest conservation model based on the community?s belief in myths (along with the local wisdom values). Key Words: myth (local wisdom values), indigenous people, forest conservation
RAS, ETNISITAS, DAN IDENTITAS DALAM NOVEL BATAS LANGIT KARYA MOHAMED LATIFF MOHAMED Mustofa, Ali
ATAVISME Vol 11, No 1 (2008): ATAVISME, EDISI JUNI 2008
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5776.601 KB) | DOI: 10.24257/atavisme.v11i1.320.1-12

Abstract

This article describes the issues of post-colonialism in one of contemporary Singaporean literatures Batas langit by Mohamed Latiff Mohamed: Post-colonial issues explored in the present paper are race, ethnicity, and identity. Latiff has successfully obscured his views about Malay people and their culture. His views are somewhat skeptical and pessimistic. However, Latiff has been successfully transforming the existentialism views into his works, and has made him one of the great authors of Singapore.
APPENDIX ATAVISME VOL. 19 NO.1 santosa, anang
ATAVISME Vol 19, No 1 (2016): ATAVISME, EDISI JUNI 2016
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (645.425 KB) | DOI: 10.24257/atavisme.v19i1.224.%p

Abstract

SASTRA LISAN TENGGER PILAR UTAMA PEMERTAHANAN TRADISI TENGGER Sutarto, Ayu
ATAVISME Vol 12, No 1 (2009): ATAVISME, Edisi Juni 2009
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (72.315 KB) | DOI: 10.24257/atavisme.v12i1.153.9-21

Abstract

Artikel ini bertujuan membahas sastra lisan Tengger sebagai tiang utama pemertahanan tradisi Tengger dengan pendekatan folklor. Sastra lisan yang dibahas adalah legenda Kasada dan Karo serta mantera. Dalam sejarah, legenda Kasada pernah terpengaruh oleh proses islamisasi, sementara legenda Karo memiliki pesan kultural yang menganjurkan persatuan dan kesatuan dalam perbedaan iman antara Budha-Hindu dan Islam. Meskipun demikian, dalam rekam jejak sejak era kolonial, legenda Kasada dan Karo serta mantra mengalami perubahan. Sastra lisan tersebut dapat bertahan hidup karena pewaris aktifnya telah menggunakannya sebagai tiang utama dalam tradisi Tengger. Abstract: This writing is aimed to discuss Tengger oral literature as a main pillar of Tengger tradition mainte- nance with folklore approach. Oral literature being discussed are Kasada and Karo legend and magic formula. In the history, Kasada legend has ever been influenced by islamization process, while Karo legend has a cultural message that suggests the unity in differences between Buddha-Hindu and Islam. Although, in the track record since colonial era, Kasada and Karo legend and magic formula sometimes change, the oral literatures can be still alive because their active heir has used them as a main pillar of Tengger tradition. Keywords: Tengger, oral literature, Kasada legend, Karo legend
QUEERING THE CONSTRUCTION OF GENDER IDENTITY IN CHRIS COLUMBUS’ MOVIE MRS. DOUBTFIRE Agustina, Pradipta; Maimunah, Maimunah
ATAVISME Vol 16, No 2 (2013): ATAVISME, Edisi Desember 2013
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (246.805 KB) | DOI: 10.24257/atavisme.v16i2.89.141-152

Abstract

The construction of traditional gender roles has affected the understanding of being feminine and masculine. This understanding seems to influence gender performance in the film Mrs. Doubtfire. This one­hour­and­fifty­seven­minute film was directed by Chris Columbus. This study is conducted to examine how gender performativity is illustrated in the film and what ideology lies within the film. Queer theory, especially gender performativity by Judith Butler is used as the framework of the study. The study is done by observing and analysing chosen scenes from the film focusing on the performance of Daniel Hillard as Euphegenia Doubtfire. Narrative aspect of the film is not only the main concern; the non­narrative is also part of the analysis especially on costume, makeup, performance and color. The main finding of this study is this film in one hand celebrates traditional gender roles but on the other hand promotes gender as performance. Femininity is pictured as fluid. Therefore, it is also a performativity. The contestation between those two opposing ideas is smoothly wrapped through amusing film such as Mrs. Doubtfire. Abstrak: Film Mrs. Doubtfire karya Chris Columbus menampilkan konstruksi yang berbeda dengan konstruksi peran gender yang telah menjadi mainstream. Berdurasi 1 jam dan 57 menit, film ini menampilkan konstruksi maskulinitas dan femininitas yang dapat saling bertukar, cair, dan tidak baku. Studi ini mengkaji dua pertanyaan utama. Pertama, bagaimana konstruksi peran gender digugat melalui performativitas gender? Kedua, ideologi apa yang terdapat dalam film? Teori Queer terutama gender performativitas yang dikemukakan oleh Judith Butler menjadi kerangka penelitian ini. Penelitian ini dilakukan dengan mengobservasi dan menganalisis adegan terpilih dengan berfokus pada penampilan Daniel Hillard sebagai Euphegenia Doubtfire. Aspek naratif dalam film bukan satu­satunya perhatian utama. Aspek non­naratif juga menjadi bagian analisis kostum, tata rias, penampilan, dan warna. Penelitian ini menyimpulkan bahwa film ini pada satu sisi mengonfirmasi peran gender yang tradisional, tetapi di lain pihak juga mencoba menawarkan performativitas gender. Ideologi film ini menggambarkan femininitas sebagai sesuatu yang cair sehingga femininitas juga sesuatu yang sifatnya performativitas. Kontestasi antara kedua hal tersebut disajikan dengan menarik dalam film Mrs. Doubtfire. Kata­Kata Kunci: konstruksi gender; performativitas gende; teori queer

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