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All Journal Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT
Alexander Nawangseto Mahendrapati
Fakultas Seni Rupa Dan Desain, Institut Seni Indonesia (ISI) Surakarta
Arts Humanities

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VISUALISASI DOA JALAN SALIB MENGADOPSI GAYA WAYANG BEBER DENGAN TEKNIK SENI GRAFIS CUKIL KAYU Alexander Nawangseto Mahendrapati
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 11, No 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (790.338 KB) | DOI: 10.33153/brikolase.v11i2.2931

Abstract

Research covered titled visualize prayer road crosses by adopting the Wayang Beber style used a woodcut technique of the printmaking is the artistic research (the creation of art) that is carried out based on the art of printing graphic especially a woodcut which is initially be used as a tool to increase religious manuscripts , book illustrations , and then used as propaganda media can be printed because she is the presence of many unique visual and character .Pengkarya use uniqueness in the graphic arts this as an element that reinforce the value estetik and artistic work in visual. This research which was conducted with us is to conduct a study on the degree to which the prayers of devotion road crosses was influential on the strengthening of the value of the true faith admit this catholics in general. The study on Wayang Beber show some years previously had broken also needs to be undertaken of the aspect of visual and if they used these tools as a means of second to disseminate the rudimentary and elemental teachings religious and the good aspects it has done. Through a process go brainstorm and the review of visual artworks in with the theme of or illustration the story of poor reduced to such misery in its course the cross of Jesus Christ was one of those which is borne by their stations of a place of rest the way of a cross in religious place then enacted into a the theme of the creation of the aertwork. The hope is by the creation of the work of the printmaking is due to the activities to give alternarif new in the perspective of all the participants to pray visualization road crosses as well as as a medium for the congregation of the Catholics to are more likely to set on other concerns the road crosses and make him of the love of the faithful for accordance with what god has cope with life.      
DESAIN TATA DISPLAY PASAR BUAH SEBAGAI DAYA TARIK WISATA BELANJA DI PASAR GEDHE HARDJONAGORO Ahmad Fajar Ariyanto; Alexander Nawangseto Mahendrapati
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 1 (2016): Seni, Teknologi, dan Masyarakat #1
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

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Abstract

Traditional market in Surakarta is still preserved and being part of economic activity of the society, despite the increasing number of supermarkets. The revitalization of these markets is one of the medium-term development plans of Surakarta because compared to the other sources, traditional markets make the biggest contribution to the local government revenue. One of these markets is the western part of Pasar Gedhe Hardjonagoro whose commodities are fresh fruits. Unfortunately, the rehabilitation and renovation program are only focused on the main building. The inside area where the trade activities between sellers and buyers happen is excluded from the rehabilitation program. Considering Pasar Gedhe as a tourist destination, the needs of market management especially for displaying the product is essential to attract the consumers and tourists. This article is the result of an applied research in interior design about the design of display system of fruit sellers in the western part of Pasar Gedhe Hardjonagoro in Surakarta. This applied research is a qualitative descriptive analysis with case study approach. The work employs functional, ergonomic, thematic, and stylish approaches for the design solution. The result acquired from the interior design research is a zoning which is divided into selling, circulation and service, outdoor zone, and managing the circulation and two-side services, and creating the interior theme. While the result on the display design is the design needs to be able to functionally support the trade activities, easy to maintenance, solid, longlasting, safe, the display system represents the locality, and how the commodities can be an interesting visual attraction. The display system is designed to be an open layout system so that it creates a socio-cultural interaction for the people within the market.
REVITALISASI PASAR TRADISIONAL PUCANG SAWIT SEBAGAI CANGWIT CREATIVE SPACE Indarto Indarto; Alexander Nawangseto Mahendrapati
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 2 (2017): Seni, Teknologi, dan Masyarakat #2
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

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Abstract

Tujuan Penelitian Dosen Pemula ini yaitu: Mengidentifikasi dan memetakan dampak kebijakan DPP Pemkot Surakarta pada revitalisasi Pasar Pucang Sawit menjadi Cangwit Creative Space terhadap pola zonasi ruang dan tata display produk serta pengelolaannya terhadap aktivitas komunitas kreatif serta membuat alternatif desain pola zonasi Cangwit Creative Space dengan aktivitas pasar di lantai satu sebagai satu kesatuan ruang publik kota yang berkonsep pasar kreatif.Metode penelitian yaitu analitik deskriptif, dengan pendekatan fenomenologi.Hasil penelitian menunjukkan bahwa dampak kebijakan dari regulasi DPP Pemkot Surakarta belum bisa sepenuhnya menghidupkan kondisi pasar Pucang Sawit. Munculnya Cangwit Creative Space yang diresmikan tanggal 21 Nopember 2015 sesaat mampu menghidupkan kondisi Pasar Pucang Sawit dan hingga tahun 2017 benar-benar vakum tanpa kegiatan apapapun. Keberlanjutan Cangwit Creative Space akan dihidupkan dengan salah satu alternatif bentuk zonasi ruang yang baru yaitu dengan pembenahan dan penambahan: Zona Pengelola, Zona Co-Working Space , Zona Penjualan dan Display, Zona Pembinaan bagi para pedagang, dan Zona Khusus untuk kepentingan negosiasi bisnis.
REMPAH NUSANTARA DALAM SENI LUKIS PADA MEDIA TALENAN DENGAN TEKNIK 3D I Nyoman Suyasa; Deni - Rahman; Alexander Nawangseto Mahendrapati
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 14, No 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4559

Abstract

The research entitled “Rempah Nusantara dalam Seni Lukis pada Media Talenan dengan Teknik 3D” is applied research based on the development of painting which functions as a medium of information about the natural wealth of the archipelago. Aside from spices and medicineherbscesis  are also very suitable to be used as a source of ideas in the creation of works of art. Because spices have various and unique shapesattarstractive colors. Using applied research methods with various stags, including: observation of objects or observations, contemplation, experimentation, fo,rmation, work and presentation. This research is focused on creating innovative works of art with the theme of Indonesian spices on cutting boards techniques technique, so that the spices look as real as they are on a cutting board. The purpose of this research is to reintroduce native Indonesian spices to the wider community with the medium of painting, as well as to explore new possibilities in terms of developing techniques that are more innovative and have an economic impact.
Co-Authors Ahmad Fajar Ariyanto Deni - Rahman I Nyoman Suyasa Indarto Indarto