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INDONESIA
Nirmana
Published by Universitas Kristen Petra Surabaya
ISSN : -     EISSN : 02150905     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
NIRMANA Jurnal Deskomvis aims to: Promote a comprehensive approach to visual communication design incorporating viewpoints of different diciplines Strenghten academic exchange with other institution. Encourage designer, practicing, academic and others to conduct research and other similar activities.
Arjuna Subject : -
Articles 6 Documents
 1 
Search results for , issue "Vol 13, No 1 (2011): JANUARY 2011" : 6 Documents clear
Isu-Isu Multikulturalisme dalam Film “cin(T)a-God is a Director” dalam Konteks Keindonesiaan Sekarang Yuwono, Elisabeth Christine
Nirmana Vol 13, No 1 (2011): JANUARY 2011
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (255.145 KB) | DOI: 10.9744/nirmana.13.1.12-19

Abstract

“cin(T)a – GODIS A DIRECTOR” is a love story indie movie which is wrapped by Indonesian social issues, such as ethnic group, religion, race, and social status. This article uses qualitative based research method, which describes and explains scene by scene along with its dialogues as to situations or events and how the different views of social issues are explained in the context of multiculturalism of recent Indonesianity.
The Importance of Packaging and Graphic Design to Communicate Corporate Social Responsibility Natadjaja, Listia
Nirmana Vol 13, No 1 (2011): JANUARY 2011
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (467.881 KB) | DOI: 10.9744/nirmana.13.1.20-26

Abstract

Graphic design’s function develops through time. It does not only function to inform a product but also elements to communicate Corporate Social Responsibility. As happened in catastrophic areas in Indonesia like Aceh in 2004, Nias in 2005, Jogjakarta in 2007, Bekasi District in 2009, etc. many donated products had their contributor’s information, especially the ones from corporations. There are many ways a company could implement their social responsibility. Graphic design cannot stand alone, it needs an effective media for its placement, one of them is packaging design. By using a Biskiz Susu packaging design as a case study, I try to analyze the design elements, like color, shape, brand, illustration/character, typography, and layout and then connect them with aspects like: the visual perception impact of packaging design and the importance in communicating Corporate Social Responsibility. For input information, I also discuss some consideration aspects of placing the contributor’s identity on the packaging. Based on this study, the contributor’s information in the products gives many advantages. The result shows that graphic design could be the effective element for communicating Corporate Social Responsibility and packaging design can be one of the recommended media for graphic design placement. Hopefully, this analysis could help a corporation, organization or the government in organizing the graphic design elements and considering a packaging as a medium to communicate Corporate Social Responsibility (CSR).
Perspektif Multikultur, Kasus Film 3 Hati 2 Dunia 1 Cinta Damayanti, Maria Nala
Nirmana Vol 13, No 1 (2011): JANUARY 2011
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (187.907 KB) | DOI: 10.9744/nirmana.13.1.27-33

Abstract

Multicultural issues in Indonesia is a new discourse in a culture that is important in connection with a lot of racial conflicts that occurred lately. Film as an audio visual media has a major role in campaigning for the idea. Therefore, analyzing the film with a multicultural perspective will be a separate view that may be developed in relation to its role in this culture. This article reviews '3 Hearts 2 Worlds 1 Love’ a movie which was launched in 2010. Through the analysis of cinema studies, the theoretical approach of multiculturalism, open bids for the audience to take part in the interpretation. In particular the interpretation of cultural practice that is reflected through the film’s narrative.
Fotografi: Sains, Teknologi, Seni, dan Industri Harsanto, Prayanto Widyo
Nirmana Vol 13, No 1 (2011): JANUARY 2011
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/nirmana.13.1.34-42

Abstract

The digital photography era is a great development in science and technology in the history of photography after Niepce and Daguerre. Where in the 19th century, their experiments lead to the ability to capture images permanently with the subject of a cityscape in France. This discovery was considered most perfect in photography compared to previous ones. In the digital camera era, society views photography as something easy, inexpensive, and a part of everyday life. This is what is called the digitalization of photography. However so sophisticated the photographic equipment there may be today, there is still the need a photographer that has the knowledge and technical skills with good aesthetic sensibilites as “the man behind the camera.” In the era of creative industry like today, photography can be said to be in four aspects, which are sciense, technology, art, and industry, that are intertwined. It is because photography is not as easy as pushing the shutter button, even more so in the world of education. The teaching of photography cannot be seen as merely teaching techniques, adjusting apertures, speed, and lighting, but it involves the eyes, thoughts (knowledge and understanding), and feeling in selecting an object and arranging it in a frame of a photograph. Furthermore, what should be considered is that besides teaching how to produce and create a photo, one should know and understand as to every possibilites of aspects of its distribution after the photo has been successfully produced.
Pendekatan Analisis Data Menggunakan NVivo-software untuk Penelitian Desain Logo Museum Nasional Jakarta Sidik, Amelia; Mulya, Bodhiya Wijaya
Nirmana Vol 13, No 1 (2011): JANUARY 2011
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/nirmana.13.1.1-4

Abstract

Qualitative data analysis can be an exhausting, tough, and time-consuming work because the data obtained is so numerous, varied, and unstructured. However, this problem has been resolved by using computer-assisted qualitative data analysis software (CAQDAS). CAQDAS can help researchers to save, organize, explore data easily, and reduce the risk of damaging the raw data. In this article, the writer will explain about how to apply a quite popular CAQDAS application, NVivo, in the research of logo design of Museum Nasional Jakarta.
Wayang Purwa dan Tantangan Teknologi Media Baru Riyanto, Bedjo
Nirmana Vol 13, No 1 (2011): JANUARY 2011
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/nirmana.13.1.5-11

Abstract

The art of shadow puppets or wayang has been established as a Masterpiece of Oral and Intangible Heritage of Humanity by UNESCO. Leathermade shadow puppets or wayang kulit purwa as one of many wayang performances has been the most hegemonic, receiving much attention nationally as well as internationally until today. Therefore, there is an assumption that “the real” wayang is wayang kulit purwa. Globalization, commercialization, and the development of communication technology of popular culture influence greatly the advancement of wayang kulit purwa performances or even other wayang shows. Every stake holder of shadow puppet art truly needs the creative adaptive ability so that wayang can still be sustainable in the future.

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