Dave Lumenta
Univeristy Of Indonesia

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Journal : Jurna lAntropologi Indonesia

Introduction: Forced Migration and Protracted Transit in Indonesia and Southeast Asia Danau Tanu; Antje Missbach; Dave Lumenta
Antropologi Indonesia Vol 38, No 1 (2017): Antropologi Indonesia
Publisher : Department of Anthropology

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Abstract

In May 2015, boats carrying several thousand Rohingya refugees created a tense situation in the region as Indonesia and neighboring ASEAN countries initially refused to let them come ashore (Amnesty International, 2015). Refugees dominated regional headlines for weeks for the first time since the end of the Vietnam war in 1975, when Indonesia and many other Southeast Asian states saw the arrival of tens of thousands of people from Vietnam and then later from Cambodia. The public outcry at the time led to a strong support for finding a regional solution for refugees. Despite this, the protection of asylum seekers and refugees across Southeast Asia remains weak to this day (Gleeson, this issue; Tan, 2016). Although Southeast Asia currently hosts more than one million4 asylum seekers and refugees (Amnesty International, 2017; UNHCR, 2017b), most Southeast Asian countries, with the exception of Cambodia, Timor Leste and the Philippines, have not signed the 1951 Refugee Convention and do not offer local integration for refugees in their respective territories.
Performing Out of Limbo: Reflections on Doing Anthropology through Music with Oromo Refugees in Indonesia Dave Lumenta; Rhino Ariefiansyah; Betharia Nurhadist
Antropologi Indonesia Vol 38, No 1 (2017): Antropologi Indonesia
Publisher : Department of Anthropology

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Abstract

This article is an anthropological reflection on an on-campus collaborative music project between (Ethiopian) Oromo refugees and local Indonesian university teaching staff, students and professional musicians. It follows the way the project evolved from what was initially seen as a simple academic research opportunity and technical assistance for refugees to record their songs into a mutually transformative experience for those involved. It reflects on the process and the way art—as a collaborative practice and non-programmatic form of human engagement—provided new possibilities for the refugees living in transit in Indonesia to explore their talents and possible career opportunities for the future. From an anthropological point of view, the process challenged the various institutionalized binary modes of self-representation, such as ‘host’ and ‘migrant’, ‘researcher’ and ‘informant’, or ‘academic’ and ‘non-academic’, and opened up new possibilities for negotiating and framing relationships between the participants involved.Keywords: refugees, asylum seekers, self-representation, public anthropology, art, Indonesia, Oromo