Sudartomo Macaryus
Universitas Sarjanawiyata Tamansiswa

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Journal : Caraka : Jurnal Ilmu Kebahasaan, Kesastraan, dan Pembelajarannya

DARI "BAHASA, BANGSA" HINGGA "GIGOLO" Sudartomo Macaryus; Bambang Dwiratno
CARAKA Vol 5 No 1 (2018)
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/caraka.v5i1.3999

Abstract

The focus of this paper is to explain the potential of poetry as a source of historical information. The source of the data was taken from Antologi Puisi Indonesia: Kumpulan Pilihan Yayasan Lontar with the subtitle “Melacak Sejarah Bangsa Abas ke-20 Melalui Puisi “. The subtitle shows the use of poetry as a source of historical information. This is reasonable because poetry is the result of poet's reflection on the environment (nature, social, and culture) that he lives. Historical events are part of social phenomena which are lived by poets. The absorbed phenomenon is reflected by utilizing thoughts, feelings, desires, hopes, and all of his life experiences. In relation to history, literary works have the potential to foster empathy and affective values of the reader. In this anthology, dichotomically poetry is grouped into two periods, namely pta-RIS and Pasca-Ris. Furthermore, each of them is further classified based on years that show certain historical developments. Early period of the development of Indonesian poetry, informs admiration for the wealth and charm of the Nusantara. The work of Taufiq Ismail gathered in Tirani is closer to the historical events that occurred during the transfer of power from the Orde Lama (Old Order) to the Orde Baru (New Order). Until recent developments, the poems written in this anthology show various social events ranging from problems of corruption, hunger, education, and prostitution. Smooth and soft packaging in poetic format makes various social phenomena a symptom that causes anxiety, compassion and pity.
ALIH KODE DAN CAMPUR KODE BAHASA JAWA DALAM PENGAJIAN SELAPANAN DUSUN GEDANGAN DESA NGARGOSOKA Novi Wiji Lestari; Sudartomo Macaryus
CARAKA Vol 5 No 1 (2018)
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/caraka.v5i1.4010

Abstract

This study aims to describe the form of code switching and mixed language code, the function of code switching and Javanese language code mixing, and the factors behind code switching and Javanese language code mixing in the recitation of the Selapanan Gedangan Hamlet, Ngargosoka Village. This type of research is qualitative descriptive research. The research data is in the form of a unit of events in the form of sentences or paragraphs which contain code switching and code mixing. The data source of this research is the use of language in the selapanan recitation of Gedangan hamlet, Ngargosoka village. The instruments in this study were researchers who were provided with a set of knowledge related to the form of code switching and code mixing. The method of data collection uses reading techniques and note taking techniques. The data analysis method used is the refer method. The data analysis technique uses matching techniques that are realized by basic techniques. The basic technique used in this study is the determining element (PUP) technique. The results of this study indicate that the form of Javanese code switching in the recitation of the Selapanan of Gedangan hamlet in Ngargosoka village was divided into three, namely: a) code switching from the Javanese language into a variety of Krama in Indonesian, b) code switching from Javanese to various types of ngoko , c) code switching from Javanese in the form of ngoko into Javanese in a variety of manners. The function of Javanese code switching in the recitation of the Selapanan of Gedangan hamlet in Ngargosoka village is as follows: a) more persuasive to invite or order, b) more argumentative, c) more communicative. The factors behind the Javanese language code switching in the Selapanan Gedangan hamlet in Ngargosoka village are: a) speakers, b) politeness and politeness, c) the subject matter (topic), d) versus speech, e) to generate a sense of humor, f) to just prestigious. Mixing the Javanese language code in the recitation of the Selapanan Gedangan hamlet, Ngargosoka village is divided into two forms, namely: a) basic word forms, and b) repetitive word forms. The function of interfering with the Javanese language code in the recitation of the Selapanan in the Gedangan hamlet of Ngargosoka village is as follows. a) more argumentative, b) more communicative, and c) more prestigious or prestigious. The factors behind the Javanese language code mix in the recitation of the Selapanan in Gedangan hamlet, Ngargosoka village are: a) politeness, and b) explain and interpret.
ASAL PENAMAAN DUSUN-DUSUN DI KELURAHAN BANYURADEN: PERSPEKTIF LINGUISTIK DAN SEJARAH Andrianie Lisa; Sudartomo Macaryus
CARAKA Vol 6 No 2 (2020)
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/.v6i2.6731

Abstract

This study aims to describe the grouping, formation process, and meaning of the origin of the naming of hamlets in the Banyuraden Village. This type of research is descriptive qualitative. The analytical method is in the form of the Spradley ethnographic method, the distribution method. Cultural theme analysis technique, the basic technique for Direct Elements (BUL). The method is presented formally and informally. The results of this study are (1) Grouping the origin of naming namely the origin of the word, the origin of history, and origin of language (2) The process of forming the origin of the naming is zero derivation, affixation, abreviation, and composition. (3) The meaning of naming includes lexical meaning, grammatical meaning, and cultural meaning.
Rajah: Tradisi lisan Carita Pantun Mang Ayi di Masyarakat Sunda Arif Firmansyah; Novi Anoegrajekti; D Nurfajrin Ningsih; Sudartomo Macaryus
CARAKA Vol 9 No 1 (2022): December 2022
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/caraka.v9i1.13310

Abstract

Penelitian ini bertujuan mengetahui bentuk-bentuk kepercayaan masyarakat Sunda pada rajah carita pantun Mang Ayi serta mengetahui korelasi kepercayaan dengan kehidupan masyarakat Sunda saat ini. Penelitian ini menggunakan metode etnografi dan deskriptif kualitatif. Penelitian menjelaskan realita empirik di balik fenomena seni tradisi carita pantun secara mendalam, rinci, dan tuntas. Berdasarkan hasil analisis diketahui bahwa kepercayaan masyarakat Sunda pada rajah carita pantun sangatlah masih besar terlihat pada bentuk kegiatan yang melibatkan rajah carita pantun, antara lain syukuran 40 hari bayi yang baru lahir, siraman calon pengantin yang akan menikah, kunjungan tokoh publik, upacara adat museum Salamet Balik Ka Pangasalan, dan ruwatan benda pusaka.   Rajah: The oral tradition of Carita Pantun Mang Ayi in the Sunda Community   Abstract: This research aims to find out the forms of Sundanese people's beliefs in carita pantun and to know the correlation of beliefs with the life of Sundanese people today. This research uses a qualitative descriptive method. This research wants to describe the empirical reality behind the phenomenon in depth, detail, and thoroughly. Based on the results of the analysis, it is known that the trust of the Sundanese people in the rajah of the carita pantun is still very large, which can be seen in the form of activities that involve the rajah of the carita pantun, among others: 40-day thanksgiving for a newborn baby, showering of brides-to-be, visits by public figures, traditional museum ceremonies "Salamet Balik Ka Pangasalan" and the treatment of heirlooms.