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All Journal Kamaya: Jurnal Ilmu Agama GENTA HREDAYA: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja JNANASIDDHÂNTA : JURNAL TEOLOGI HINDU
Putu Maria Ratih Anggraini
Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja
Religion Arts Humanities

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Journal : GENTA HREDAYA: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja

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PANDANGAN FILSAFAT PERENNIAL TERHADAP KRISIS SPRITUAL MANUSIA MODERN Putu Maria Ratih Anggraini; Gde Mahardika
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 3, No 1 (2019)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v3i1.452

Abstract

Perennial philosophy is a point of view in the philosophy of religion which believes that every religion in the world has a single and universal truth which is the basis of all religious knowledge and doctrine. Perennial philosophy is now one of the important philosophies, in order to understand the complexity of religions and their involvement in various humanitarian issues today, such as the crisis of spirituality due to all-out pressure of modernism, environmental crises, the desire to provide theoretical basis for religious plurality. the source of religious ethics can never be predicted for its meaning only through empirical, especially historical analysis, as was done by historians of religions so far, who interpret religion in a framework of suspicion of the interpretation of exercise of suspicion unless we want to make a reductionism run out - devotion to religion, which would certainly be rejected by believers. That is why a religious metaphysical framework is still needed, not only for a theological conceptualization, but more so for an ethical search with religions.
PRAMANA DALAM PERSPEKTIF PENALARAN FILSAFATI Putu Maria Ratih Anggraini; Ayu Veronika Somawati
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 2, No 2 (2018)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v2i2.443

Abstract

Pramana or the way to observe or know knowledge is a method used to find truth in the Hindu tradition. Pramana is divided into 3 parts commonly referred to as Tri Pramana, namely Pratyaksa Prana or direct observation giving us knowledge about objects according to their respective circumstances. Anumana Pramana seeks the truth based on 5 (five) things, namely 1) Pratijana, namely introducing the object of the problem about the truth of observation, 2) Hetu,namely the reason for deviation, 3) Udaharana, which connects with the general rules about a problem, 4) Upanaya, namely the use of rules The general is in the fact that seen, and 5) Nigama, in the form of correct and definite conclusions from all previous processes. Sources that are related to the problems faced are not valid or valid in their existence so that the sources that have a relationship are included to strengthen their opinions and help in drawing conclusions tobe analyzed in search of the true truth. The third Pramana is Upamana Pramana is a way of observing by comparing the similarities that may occur or are contained in objects observed with objects that already exist or have been known. This comparison is used as a helper and complementary in the analysis process and draws a conclusion from the problem at hand.
TRADISI PERANG API PADA MASYARAKAT BALI I Nyoman Suka Ardiyasa; Putu Maria Ratih Anggraini
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 5, No 2 (2021)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v5i2.1863

Abstract

The fire worship tradition has long been practiced by the Balinese, which is manifested in various traditions and rituals in Bali. Balinese people believe that this nature consists of a scale environment (real) and a niskala environment (not real) which must always be kept in harmony. The tradition of worshiping Hyang Agni or Api is believed to be due to the influence of volcanoes or volcanoes that are still active in Bali, such as Mount Agung and Mount Batur, where volcanic activity is still going on. The history of the worship of Hyang Agni (God of Fire) has existed since the ancient Balinese era since the IX century AD. This can be seen from the findings of inscriptions that mention the worship of the God of Fire as in Sukawana AI (Caka 804 = 892M) and various living and ancient folklores. grow up in society. There are several traditions of the fire war in Bali that still exist today, including the fire war tradition in the Unggahan village of Buleleng Bali, the Siat Geni tradition in the Ngapat ceremony in the Tuban traditional village, Badung, the fire war in Jasri village, Karangasem district, the war tradition in Nagi village, Ubud. , Gianyar, Lukat Gni Tradition in Klungkung Regency. The whole tradition still exists today and continues to be implemented along with the times.Keyword : Fire War, Balinese Society
ESTETIKA MISTIS DALAM PERSPEKTIF FILSAFAT SENI Putu Maria Ratih Anggraini; Luh Putu Cita Ardiyani
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 7, No 1 (2023)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v7i1.2857

Abstract

The material world and the spiritual world are two worlds side by side in human life. The material world can be recognized by the sensed experience of everyday life, while the spiritual world requires a separate intermediary to reach it because it is a world that is not sensed. The spiritual world can be understood by humans and also internalized through religious institutions, philosophical institutions and artistic institutions. This life is a colossal unity, between humans and society, between humans and nature, between humans and the magical spirit world, between humans and the entire cosmic system of this universe. Humans must align themselves with the cosmos if they want to live safely in this mortal world. Humans unite themselves with objects outside themselves and from there find their identity. The purpose of human life is to emphasize the inner aspect so that the outer aspect becomes in order in harmony with the essence. Humans can reach the abstract world through art, because in essence art is a feeling, namely an atmosphere, feeling, and an aesthetic experience in the form of emotions that are aroused by an artistic environment and situation. It is this universal feeling that leads to the highest peak of happiness which makes the aesthetic experience a religious experience.
Co-Authors Ayu Veronika Somawati Gde Mahardika I Nyoman Suka Ardiyasa Luh Putu Cita Ardiyani