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Khoirul Muttaqin
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‘PERTUNJUKAN INDAH’ DALAM NOVEL CARRIE [‘Beautiful Performace’ in Novel Carrie] Khoirul Muttaqin
TOTOBUANG Vol. 4 No. 1 (2016): TOTOBUANG, EDISI JUNI 2016
Publisher : Kantor Bahasa Provinsi Maluku

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (106.649 KB) | DOI: 10.26499/ttbng.v4i1.7

Abstract

The objective of this research is to describe the gathering of all kinds of writing styles in novel Carrie. In addition, this research also describes the setting of place that can be found in almost important events in the novel and the oddity experienced by the characters in the novel. The research method used descriptivequalitative with the approach that focuses on the intrinsic element of the novel that is analyzed by using carnivalistic concept. The result of the research showed that the novel could be categorized into carnivalistic novel because in the novel, there are varous kinds of writing styles that might not be fictional writing. In addition, the fact that the novel belongs to a carnivalistic novel was supported by the setting of place (general place) and the oddity experienced by its characters. In conclusion, the carnivalistic characteristics of the novel makes the novel expose such a “beautiful performance”.Penelitian ini bertujuan untuk mendeskripsikan mengenai berjejalnya segala jenis tulisan dalam novel Carrie. Selain itu,dideskripsikan pula adanya latar tempat di sebagian besar peristiwa penting di dalamnya, serta keanehan-keanehan yang dialami tokoh dalam cerpen tersebut. Metode penelitian yang dipakai adalah metode deskriptif-kualitatif dengan pendekatan yang berfokus pada unsur intrinsik novel yang dianalisis dengan konsep karnivalistik.Hasil penelitian ini adalah novel tersebut merupakan jenis novel karnivalistik karena di dalamnya terdapat berbagai macam jenis tulisan yang bisa saja tulisan tersebut bukan tergolong tulisan fiksional.Selain itu kekarnivalistikan novel tersebut didukung dengan adanya latar tempat (tempat umum) dan keanehan yang dialami tokohnya.Simpulanya, ciri kekarnivalistikan novel tersebut membuat novel tersebut seolah menampakkan “pertunjukan indah”.
PROBLEMATIKA SUBGENRE DALAM CINTA TAK PERNAH TUA KARYA BENNY ARNAS [The Problematics of Subgenre in Benny Arnas’ Cinta Tak Pernah Tua] Khoirul Muttaqin
TOTOBUANG Vol. 5 No. 1 (2017): TOTOBUANG, EDISI JUNI 2017
Publisher : Kantor Bahasa Provinsi Maluku

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (245.164 KB) | DOI: 10.26499/ttbng.v5i1.55

Abstract

The objective of this study wadescribing the uniqueness of narrative structure of “Cinta Tak Pernah Tua” which has consisting of the various usage of pronouns refer to the central character in each story and in order of all stories which seems not interconnected so  it created the problem which can be classified into subgenre problematics of the collection of stories or novel “Cinta Tak Pernah Tua”. The research method used in this study wasstructural method.  this research used­ Gerard Genette’s narratology theory. The result showedthe uniqueness of the various usage of pronouns referring to the central character in each story as the result of the different viewer and story teller of those stories. In addition, all stories which were published in mass media, in fact, have linearity in their story order. In conclusion, “Cinta Tak Pernah Tua” can be classified as a novel. Penelitian ini bertujuan mendeskripsikan keunikan struktur naratif Cinta Tak Pernah Tua yang meliputi, kevariatifan penggunaan kata ganti yang mengacu pada tokoh yang menjadi fokusdi setiap cerita dan tata semua cerita yang tampak tidak berkaitan sehingga menimbulkan problematika termasuk dalam subgenre kumpulan cerpen atau novel buku Cinta Tak Pernah Tua tersebut. Metode penelitian yang digunakan adalah metode struktural. Teori yang digunakan yakni teori naratologi Gerard Genette. Hasil penelitian ini adalah keunikan kevariatifan pemakaian kata ganti yang mengacu pada tokoh yang menjadi fokus di setiap ceritadisebabkan pemandang dari beberapa cerita tersebut berbeda serta pencerita beberapa cerita tersebut berbeda pula. Selain itu, semua cerita yang termuat di beberapa media masa ternyata mempunyai kelinearan dalam tata ceritanya.Simpulannya, Cinta Tak Pernah Tua dapat digolongkan menjadi sebuah novel.