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All Journal Jurnal Kajian Bali DHARMASMRTI: Jurnal Pascasarjana UNHI SOSHUM : Jurnal Sosial dan Humaniora [Journal of Social Sciences and Humanities] Kalangwan: Jurnal Pendidikan Agama, Bahasa dan Sastra Dharma Sastra Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra

Putra, I Gde Agus Darma

Universitas Hindu Indonesia

Author-ID : 6118651

Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

Published : 10 Documents Claim Missing Document

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SIWA TATTWA PURANA [RITUAL-RITUAL KEHIDUPAN DAN KEMATIAN] I Gde Agus Darma Putra
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol. 10 No. 1 (2020)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Shiva Tattwa Purana means ancient stories about the nature of Shiva. This story is begins with a description of Sang Hyang Jagatpati who is in Shiva Loka. Jagadpati is another name for Shiva. Shiva Tattwa Purana provides information and knowledge about Padma Bhuwana, Rituals of Life and Rituals of Death. Padma Bhuwana is a mystical-geographical map. The Ritual of Life according to Shiva Tattwa Purana begins with the union of Smara and Ratih in Cantik Gedong Mas. The ceremony while in the stomach is Pagedong-gedongan. Afterwards continue with the ceremony at twelve days, during a month, three months, six months, start walking and teething, matatah, getting married, then Apodgala. Rituals of Death can be done on people who have a corpse and does not have. This death ritual is carried out starting from the Atiwa-tiwa, Nyekah, Mukur, Ligya to Angluwer levels.

DALAM KIDUNG BHRAMARA SAṄU PATI I Gde Agus Darma Putra
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol. 7 No. 1 (2017)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Kalangwan is state of Beauty and cause melting of the distance between the seeker and the sought after. The melting distance causes the soul to drift into the sublime beauty. Distance not only as the conception of space and time, but also the consciousness that separate subject and object. Melting distance means the dissapearance of space, time, and consciousness. Such a condition become a goal by Kawi.Bhramara Sangu Pati more like a monologue that contains the expressions of love for the godness. Love expressions of hope, disappointment, sadness, beauty, especially the longing. Such expressions are axpressed in a soft metamorphosis. Literary is a kind of literature that is still in vague areas especially for researchers.Kalangwan in this text does not stop only on the aesthetic, but also the miystical. Aesthetic because it is a literary work of a hymn that has its own prosody. Mystical because in it there are teachings, especially the teachings that can be used as death. Kalangwan in this study is the level that must be followed by those who want to achieve death. Kalangwan is not abolished, but skipped. Its like climbing a ladder, to get to the tenth step, it must be through the first, second, third and so on.

ANUGERAH KEPADA WAKTU DALAM TEKS KALA TATTWA I Gde Agus Darma Putra
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol. 9 No. 1 (2019)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Kala Tattwa adalah salah satu teks yang membicarakan perihal kelahiran Kala. Kala dalam pemahaman sosial religius, digambarkan sebagai sosok raksasa yang selalu kelaparan. Kala diyakini menelan segala sesuatu yang berada pada ruang dan waktu yang salah. Kewenangan itulah yang didapat oleh Kala sebagai salah satu anugerah dari orang tuanya. Sesungguhnya ada beberapa anugerah yang diberikan kepada Kala oleh Siwa dan Giri Putri. Anugerah itu dalam tulisan ini dibagi menjadi dua yakni anugerah yang diberikan secara khusus oleh Siwa, dan juga anugerah dari Giri Putri. Penting mengetahui anugerah itu untuk memetakan bagaimana sesungguhnya Kala dalam pandangan orang Bali. Beberapa anugerah yang diberikan oleh Bhatara Siwa kepada Kala di antaranya ialah keberhasilan, dapat menyusup ke dalam segala yang berpikir, boleh membunuh dan menghidupkan, dan berhak untuk tinggal di desa-desa tempat manusia hidup. Anugerah dari Giri Putri atau Durga adalah nama, aturan tentang yang boleh dan tidak boleh dimakan Kala, dapat memenuhi seluruh surga, sapta loka, dan sapta patala

“MANTRA ABU” DALAM TEKS BHŪWANA KOSHA I Gde Agus Darma Putra
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol. 9 No. 2 (2019)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Bhasma Mantra was delivered by Bhatara to Bhatari. This narrative seems very different from the early part of the text of Bhūwana Kosha. Bhasma Mantra is chapter VII of the XI chapter contained in Bhūwana Kosha. Chapter VII consists of 30 slokas. Bhasma Mantra is one part of the text of Bhūwana Kosha which explains the subject of bhasma [ashes]. The intended ash is Ongkara as a result of burning Brahma mantra into the Fire of Dampati. The Dampati fire is composed of two pairs namely the Ongkara [Purusha] and Ukara [Pradhana]. Bhasma Mantra itself is the body of Shiva. This teaching was delivered by Shiva to Uma. The practice can be found in worship rituals performed by Pandhita or sadhaka. The notion of bhasma does not only stop at ashes. Bhasma in the next stage is divided into two senses, namely sakala bhasma and niskala bhasma. Bhasma Sakala is the body, while bhasma niskala is jñāna.

Co-Authors Anak Agung Gde Alit Geria Gitananda, W.A. Sindhu I Nengah Artawan I.B. Gede Prastawa Putu Durga Laksmi Devi

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